Featured artists Bush, Better Than Ezra, Red Kross, The Refreshments, Fastball, Cake, The Suicide Machines, Eva Trout, Skinny Puppy, Phunk Junkeez, Fat, Caroline’s Spine, Vanessa Daou, Wilber Hirsch & Smooth Diamonds Music and lyrics: Gavin Rossdale, Barry White, Brian Blush, Roger Clyne, Arthur Edwards, and Paul Naffah, Tony Scazlo, Jay Navarro, Dan Lukacinsky, Royce Nunley, and Derek Grant, Paul Andrews, Adrian Rowntree, Gareth Prosser, and Dan Woodgate Production Produced by: Madgroove Remix & Additional Production: David Dorrell, Gavin Rossdale, Hein Hoven, and Nigel Pulsford Executive Soundtrack Producers: Kathy Nelson and Mitchell Leib Music Supervisor: David Was Executive In Charge of Music (Disney Motion Pictures Group): Bill Green Soundtrack Coordinators: Desirée Craig (Hollywood Records), Judy Kemper (Hollywood Records), and Christine Edwards Product Manager: Charlie D'Atri Released: North American Release Date: September 23, 1997 Recorded: 1996-1997 Alternate & European Release Date: November 11, 1997 Studios: B5 Studios and B5 Atomic, Los Angeles, California Length: 55:35 Artwork Cover art by: Fossil Review: “The remainder of the album is a scattering of lesser-known artists, and somehow doesn't fit the flow of the record, especially with the theme song, which wraps up the record. A key, given that it's all different artists, to making a promising soundtrack is flow. And while it’s nice that there is a lot of variety in the sound on this album, there isn't much flow, which in the end takes away from the musical experience.” Shawn Nicholls, AllMusic

Number of doofs: 20 14 men doofed 4 women doofed Greatest goof: Brenda Meeks at the movies! All though, Not Ghostface kills her afterwards! Running time: 88 mins Number of doofs: 20 doofs Number of Whaaaats Ups per minute: 4.4 doofs True that! Golden doof: Buffy Gilmore who loses her pretty little head! She won’t be back for the sequel! Raspberry: Oh my God! They killed Kenny! With a shaky camera death! You bastards! Survivors: Doofy Campbell is too cool for school! He drives off into the sunset with Gale Weathers. Retroactively, Gay Ray, Shorty, Brenda, and Cindy Campbell are in part two. Thank you, deus ex spooflia!

Vocal artists Nancy Cartwright, Julie Kavner, Dan Castanella, Harry Shearer and Yeardley Smith Guest artists Dr. John, B.B. King, Joe Walsh, David Johansen (Buster Pointdexter) and Tower of Power and John Sebastian Music and lyrics by: Bryan Loren, Michael Jackson, Charles Barry, Booker T. Jones, William Bell, Al Jean, Jai Windling, Mike Reiss, Matt Groening, DJ Jazzy Jeff, Arthur Herzog Jr., Billie Holiday, Curtis Ousley, James L. Brooks, Jeff Martin & Sam Simon Released: December 4, 1990 Recorded: September 1990 Released by: Geffen Studios: Lion Share Recording Studios (Los Angeles, California, West Hollywood, California), and Record One Studios (Los Angeles, California), Capitol Studios & Larabee Sound Studios, The Warehouse (Philadelphia) Length: 40:13 Produced by: Jeff Boylan, DJ Jazzy Jeff, Bryan Loren & Michael Jackson Associate Producer: Jai Winding Executive Producer: David Geffen Recording Engineers: Guy DeFazio, Paul Grupp, Jesse Kanner, and Richard Cottrell Mixing Engineers: Mick Guzauski and Bryan Loren Mastering Engineer: Wally Traugott Artwork: Matt Groening provided original illustrations for the album Art Direction: Mili Smythe Photography Lester Cohen Designe& Layout: Bill Merryfield Review: “This musical spin-off of the animated television series retained the same skewed-life humor that made the show a hit and tried to instigate a dance craze ("Do the Bartman"). Not really a comedy album, though it certainly contains funny moments ("Look at All Those Idiots," "Deep Deep Trouble"). Despite its smart-ass front, it sneaks in some subversive musical education, too: no album that includes Billie Holiday's "God Bless the Child," Randy Newman's "I Love to See You Smile" and a parody of King Curtis's "Memphis Soul Stew" (redone as "Springfield Soul Stew") can be all bad.” Brian Mansfield, AllMusic

Michael Jackson: Lead & background vocals, vocal arrangements, rhythm arrangements, percussion Additional musicians Bill Bottrell (keyboards, synthesizers, drum programming), Teddy Riley (keyboards, synthesizers, drum programming) Keyboards, Synths & Programming: Teddy Riley, Bill Bottrell, Greg Phillinganes, David Paich, Steve Porcaro, John Barnes, Brad Buxer, Kevin Gilbert Drums & Percussion: Jeff Porcaro, Bruce Swedien, Teddy Riley Strings & Horn Arrangements: Marty Paich, George del Barrio Bass: Louis Johnson, Terry Jackson, Bill Bottrell Background vocals Bill Bottrell, Heavy D. , Stéphanie of Monaco, Siedah Garrett, Wreckx-N-Effect & L.T.B. (Let's Talk About) & Teddy Riley, Andraé Crouch, Sandra Crouch String arrangement: Cleveland Orchestra Guest lead and rhythm guitarist: Slash Music and lyrics: Michael Jackson, Teddy Riley, Bill Bottrell, Bruce Swedien, René Moore, Bernard Belle, Siedah Garrett, Glen Ballard, Buz Kohan, Larry Grossman, Aqil Davidson, and Marty Paich Studios: Record One (Sherman Oaks, Los Angeles), Westlake (Los Angeles,)Larrabee (North Hollywood, Los Angeles), Record Plant (Los Angeles, Ocean Way (Hollywood)Smoketree Ranch (Chatsworth, Los Angeles, Toad Hall (Pasadena, California) Release: November 21, 1991 Recorded: June 1989 - October 1991 Studio: Epic Length: 76:47 Production Executive Producer: Michael Jackson Produced by: Michael Jackson, Bill Bottrell, Bruce Swedien & Teddy Riley & Rene Moore Recording Engineers: Bruce Swedien, Bill Bottrell, Teddy Riley, Matt Forger, Jean-Marie Horvat, Thom Russo Mastering Bernie Grundman Artwork: Cover art by: Mark Ryden Music video guests: Tyra Banks, John Landis, Macualy Cuokin, Nancy Cartwright, George Wendt, Another Bad Creation Review: “Forsaking Quincy Jones for, among others, new jack swing king Teddy Riley, Jackson’s first ’90s album reveals a grittier, funkier outlook, marked by flashes of lyrical darkness and paranoia. Still, four top 10 singles, including ”Black or White” and ”Remember the Time,” proved his continued ability to craft a hit.” Leah Greenblatt, July 3, 2009

>Michael Jackson (lead vocals and background vocals) Christopher Currell (Synclavier & programming), Paul Jackson Jr., David Williams, Ed Gale, Dann Huff, and Steve Stevens (guitars) Nathan East (drums), Keyboard & Synthesizers: Glen Ballard, Greg Phillinganes, John Barnes, Michael Boddicker, David Paich and Steve Porcaro (Keyboards and sythesizers) Jimmy Smith (Hammond organ), John Hey (trumpets), Gary Grant (trumpets), Larry Williams (saxophone), Kim Hutchcroft (sazaphone), Stevie Wonder (synthetizer) John "J.R." Robinson, Paulinho da Costa, Leon "Ndugu" Chancler, and Ollie E. Brown (Percussion), Background vocals Siedah Garrett, Stevie Wonder, The Winans & The Andraé Crouch Choir Music and lyrics by: Michael Jackson, Glen Ballard, Siedah Garrett, Terry Bitten & Graham Lyle Released: August 31, 1987 Recorded: January 1985 – July 1987 Released by; Epic Studio: Westlake (Los Angeles,,California) Length: 43:28 (LP version), 48:08 (CD version) Production Producer: Quincy Jones Co-Producer: Michael Jackson Recording & Mixing Engineer: Bruce Swedien Mastering Engineer: Bernie Grundman Cover art: Sam Emerson Review: “ How to follow an untoppable blockbuster? Jackson took his time. But ultimately, he delivered, offering immediate radio jams (”Bad,” ”The Way You Make Me Feel”), stirring ballads (”Man in the Mirror,” ”I Just Can’t Stop Loving You”), and other experiments (”Smooth Criminal,” ”Dirty Diana”) amid a few lesser but still worthwhile album cuts. B+” Leah Greenblatt, Entertainment Weekly, July 3,2009

Number of doofs: 20 14 men doofed 4 women doofed Greatest goof: Brenda Meeks at the movies! All though, Not Ghostface kills her afterwards! Running time: 88 mins Number of doofs: 20 doofs Number of Whaaaats Ups per minute: 4.4 doofs True that! Golden doof: Buffy Gilmore who loses her pretty little head! She won’t be back for the sequel! Raspberry: Oh my God! They killed Kenny! With a shaky camera death! You bastards! Survivors: Doofy Campbell is too cool for school! He drives off into the sunset with Gale Weathers. Retroactively, Gay Ray, Shorty, Brenda, and Cindy Campbell are in part two. Thank you, deus ex spooflia!

Mötley Crüe Vince Neil (lead vocals), Mick Mars (electric and acoustic guitars, backing vocals), Nikki Sixx (bass, bass pedals, backing vocals), & Tommy Lee (drums, Simmons drums, backing vocals) Additional performer Alister Fiend (narration on "In the Beginning") Released: September 26, 1983 Recording: 1983 Released by: Elektra Studios: Sterling Sound, New York & Cherokee Studios, Hollywood, California Length: 34:57 Production Production: Tom Werman Engineering: Geoff Workman Assistant Engineering: Doug Schwartz Mastering: George Marino Artwork: Bob Defrin Reviews: “It's hardly news that this platinum product is utter dogshit even by heavy metal standards; under direct orders from editors who don't know Iron Maiden from Wynton Marsalis, my beleaguered colleagues on the dailies have been saying so all year, and every insult goes into the press kit. Still, I must mention Mick Mars's dork-fingered guitar before getting to the only truly remarkable thing about this record: a track called "Ten Seconds To Love" in which Vince Neil actually seems to boast about how fast he can ejaculate (or as the lyric sheet puts it, "cum"). And therein, I believe, lies the secret of their commercial appeal--if you don't got it, flaunt it. Follow-up: "Pinkie Prick." D” Robert Christgau, Village Voice, June 12, 1983 “Without this album, a lot of the great hair metal bands wouldn't have come about. Theatre of Pain was more of their glam look, but Shout at the Devil was such a great record. It was fuckin' sick. They set the bar. People looked at that and said, “Fuck, we gotta dress up cool, man.” Satchel, Steel Panther

Mötley Crüe Vince Neil (lead and backing vocals, harmonica), Mick Mars (all electric, acoustic and slide guitars, backing vocals), Nikki Sixx (bass, synthesizers, backing vocals) & Tommy Lee (drums, percussion, piano, backing vocals) Additional musicians Jay Winding (keyboards), Mickey Raphael (Harmonica), Max Carl, John Batdorf (backing vocals), Tom Werman (percussion) Music and lyrics by: Nikki Sixx, Tommy Lee, Mick Mars & Vince Neil, Cub Koda & Michael Lutz Production Produced by: Tom Werman Engineering, mixing: Duane Baron Assistant Engineers: Paul Wertheimer, Mark Wilczak, Matt Brady, Alex Woltman, Brian Scheuble Cover art: Cover art by: Bob Deffrin Released: June 21, 1985 Recorded: January 1985 Released by: Elektra Studios: Pasha (Hollywood, Cherokee (Hollywood, Record Plant West (Hollywood) Length: 35:15 Review “Overall, the guitar riffing sounds less heavy metal and more pop-metal; similarly, the sound of the record is slicker and more arranged, polished for mainstream acceptance and airplay. A higher percentage of dull filler has crept into the songwriting, but there are still enough high points to rescue the album's momentum. [In 1999, the Crüe remastered and reissued Theatre of Pain on their own Motley/Beyond label with five bonus tracks: demos of "Home Sweet Home," "Keep Your Eye on the Money," and "City Boy Blues," plus rough mixes of "Smokin' in the Boys' Room" and "Home Sweet Home" (the latter an instrumental).]” Steve Huey, AllMusic

Bobby McFerrin (all vocals) Production Co producer: Linda Goldstein Co producer: Bobby McFerrin Engineer: Chris Tergesen Assistant Engineer: Gary Solomon Assistant Engineer: Matthew La Monica Assistant Engineer: Don Rodenbach Assistant Engineer: Dave Luke Mastering: Jack Skinner Artwork Art direction: Henry Marquez Photography: Carol Friedman Released: August 5, 1988 Released by: Manhattan Recorded: 1987–88 Studios: Power Station, New York City, Fantasy, Berkeley, California Length: 33:50 Review: “This CD will always be remembered for including Bobby McFerrin's surprise hit "Don't Worry, Be Happy." Actually, overall, this album is not quite up to the level of his previous two, for instead of taking unaccompanied vocals, the remarkable singer overdubbed his voice many times, which reduces the miraculous nature of his talents. However, McFerrin's renditions of "Drive My Car," "Drive," and "Sunshine of Your Love" (the program is quite diverse), plus the catchy "Don't Worry," are generally unique and worth hearing.” Scott Yanow, AllMusic