
Steven S Funk
Dr. Steven Seth Funk (he/they) teaches and advises for a large state university, grant-funded program in Montana. Proudly serving the nation's #1 medical center as an RN, Steven has taught writing and media research at various universities and community colleges while editing for award-winning newspapers and peer-reviewed journals. Competing in ultra marathons, Steven is passionate about distance running and health. Steven’s work in healthcare and education focuses on serving vulnerable populations and supporting thisgender youth.
Phone: 4064135158
Address: 1500 University Drive
Cisel Hall, 106
Billings, MT 59101
Phone: 4064135158
Address: 1500 University Drive
Cisel Hall, 106
Billings, MT 59101
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Papers by Steven S Funk
the way in which the transgender “coming out” experience is depicted on the Amazon original serial, Transparent (2014-). Contextualizing Butler and Anathasiou’s (2013) work on dispossession within the history of the pathologization of gender expansiveness in the United States of America, this essay argues that Transparent’s use of “coming out” rhetoric dispossesses the transgender protagonist, Maura (Jeffrey
Tambor), of the very gender autonomy the show has the potential
to portray. While Transparent undoubtedly increases
visibility for gender expansive individuals in the media, and
often renders Maura in a sympathetic manner, its pilot season
ignores the history of the pathologization of gender expansiveness
while often reinforcing “wrong body” rhetoric concerning
transgender individuals. Transparent depicts Maura
as a dynamic character, yet it also depicts her dispossession
that results from sociocultural forces and from her own internalized
transphobia (cissexism) as a “normal” part of “coming
out”. The authors conclude that exposing the transgender dispossession
depicted in Transparent could disrupt the normality
of cisgender privilege to open a critical dialogue about the
reification of the gender binary in media.
the way in which the transgender “coming out” experience is depicted on the Amazon original serial, Transparent (2014-). Contextualizing Butler and Anathasiou’s (2013) work on dispossession within the history of the pathologization of gender expansiveness in the United States of America, this essay argues that Transparent’s use of “coming out” rhetoric dispossesses the transgender protagonist, Maura (Jeffrey
Tambor), of the very gender autonomy the show has the potential
to portray. While Transparent undoubtedly increases
visibility for gender expansive individuals in the media, and
often renders Maura in a sympathetic manner, its pilot season
ignores the history of the pathologization of gender expansiveness
while often reinforcing “wrong body” rhetoric concerning
transgender individuals. Transparent depicts Maura
as a dynamic character, yet it also depicts her dispossession
that results from sociocultural forces and from her own internalized
transphobia (cissexism) as a “normal” part of “coming
out”. The authors conclude that exposing the transgender dispossession
depicted in Transparent could disrupt the normality
of cisgender privilege to open a critical dialogue about the
reification of the gender binary in media.
the gender binary as a vestige of the 20th century, many educators and students in the U.S. continue to reinforce the binary through explicit and implicit strategies that normalize the cisgender condition while othering those who are trans*+. The purpose of this chapter is to explore the entrenchment of the gender binary in the American post-secondary system, to analyze the media frenzy currently addressing trans*+
identities, and to offer a theoretical framework of Trans*+ Media Literacy, borne of Critical Media Literacy, to address specifically how post-secondary educators and students can create gender expansive
and inclusive spaces that might foster the growth of students prepared to think of gender representation and media production that challenge the binary and encourage gender expansiveness to flourish.
Racial Battle Fatigue: Insights from the Front Lines of Social Justice Advocacy, Edited by Jennifer L. Martin
Available at:
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