Studio Matthias Wyler
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Studio Matthias Wyler

Seraina Dür

Seraina Dür

We designed and built the website for Zürich based artist Seraina Dür, whose work moves between theatre, performance and visual art. Instead of a list of projects, the site is a walkable Three.js scene: a pigeon, oversized play blocks, a wood trunk and a vegetable box stand on a white floor, each object representing one of her works. White dots on the models act as the menu, so visitors explore her practice by playing in the 3D world, much like her audiences shape the work itself.

Responsibility: Web Design, Development, Hosting
Client: Seraina Dür
Website: serainadür.com

Seraina Dür in red observing a pigeon on a bright orange table with small objects nearby.
Seraina Dür lying on orange platform with legs up toward yellow bar, wearing pink gloves, with taxidermied birds perched on orange supports above.
Contemporary art gallery installation featuring mixed media artworks, including large-scale photographs and mixed-media pieces displayed on white walls, with floor markings and sculptural elements arranged throughout the minimalist white space.
Minimalist composition featuring a pigeon centered between geometric shapes: red and yellow forms on the left, blue rectangle on the right, with German typography on a gray panel.

Innamorati

Buchcover "Innamorati"

Innamorati

We designed a photo book documenting a celebration at Seeclub Zürich, collected entirely from disposable cameras passed around during the day. Set in Thesis by Luc de Groot on Lessebo Rough, the book keeps the grain and accidents of the snapshots intact. The title, the lovers, frames the day as a gathering rooted in connection.

Responsibility: Book Design
Client: Private commission

A young blond child in a light blue shirt sits at a white-clothed table with hands raised to their head, with a glass and flower vases visible in the background.

Sugus Press

Development, Design and Hosting

Sugus Press

NSL Colloquium Beyond Maintenance

A purple and white poster displaying the phrase "Beyond Maintenance" prominently in bold text.

NSL Colloquium Beyond Maintenance

We designed the communication materials for the NSL Colloquium "Beyond Maintenance", hosted by the Chair of Being Alive at ETH Zürich. The typography mirrors the theme of the event: formal announcements stay structured, while promotional materials let the letterforms grow loose and organic, shifting in and out of legibility like the landscapes under discussion.

Responsibility: Communication Design, Poster Design
Client: ETH Zürich, Chair of Being Alive
Website: nsl.ethz.ch

An ancient tree stands in a lush green forest, surrounded by vibrant foliage and dappled sunlight filtering through the leaves.
Tree shapes as a Inspiration.
A book cover featuring an illustration of a man with the title: The planner's ideal, fitting the man to the plan.
Maintenance, reservation, conservation, continuation:
- What is the relationship between the arrangements for "working on" and the arrangements for "living"?
- What is the relation in the plan between maintain and consumption?
A close-up of a handwritten note featuring the words "beyond maintenance" in a casual script.
The typography evolves from crisp and formal to abstract and wild, shifting in and out of focus like the landscapes themselves. This playful instability isn't just decorative; it challenges viewers to lean in, wrestle with legibility, and experience the colloquium's themes of adaptation and uncertainty firsthand.
Scetch from the Process
The design plays with contrast: formal announcements stay structured and buttoned-up, while promotional materials and calls for submissions let the typography run wild—loose, organic, untamed. This split personality mirrors the colloquium itself, where traditional practices meet responsive, evolving approaches.
A textured wall with a striking purple poster mounted on it.
Poster: NSL Colloqium

Offshore Studio Webseite

Development, Hosting

Offshore

Seraina Dür Webseite

Development, Design and Hosting

Seraina Dür

LAB Junges Theater Zürich

Worker wearing a headlamp and dark protective gear carefully examines something closely while leaning forward in an industrial or laboratory setting with blue lighting in the background.

LAB Junges Theater Zürich

We created the visual identity and website for LAB, a theatre laboratory where young people aged 14 to 24 develop productions with professional artistic teams. At the core of the identity is a custom modular typeface, drawn with glyphdrawing.club, that changes shape from play to play.

Responsibility: Visual Identity, Type Design, Web Design, Development, Hosting
Client: LAB Junges Theater Zürich
Website: labzuerich.ch
Photography: Sepp de Vries

Young person sitting at a vintage computer setup, wearing a blue denim jacket and resting their feet on the desk, surrounded by an old television and radio equipment.
Everyone starts somewhere. (Christian Bale, 1987).
LAB Logo Typeface Character finding with glyphdrawing.club
Character finding with glyphdrawing.club for LAB Typeface
Young person sits smiling on a windowsill, wearing a multicolored sweater with partially obscured text and dark gray jeans, with a radiator below and a window showing buildings in the background.
Das LAB Leitungsteam 2024
Co-direction: Deborah Imhof, Elina Wunderle and Matthias Nüesch.
Geometric black and white graphic design with repeated letters forming a pattern. The letters "CHLÖTZ" are stylized in a blocky, modular font, arranged vertically with varying levels of completeness. Each row shows a progressive deconstruction of the letterforms, creating a rhythmic visual sequence.
The Poster for the Play about money.
Experimental typography poster for "Uniform" performance at Junges Theater Zürich, featuring the word progressively deconstructed through five iterations with increasing distortion and glitch effects on black background.
The Poster for the Play about fast fashion and individualism.
Weltformat Poster mit dem Gossips Sujet
The Poster for the latest Play about friendship, ghosting and how they can prevail.
Two people in a dimly lit stone space with a bright yellow surface. A person in a pink shirt stands in the foreground, while another person in a striped top stands on the yellow platform in the background. Geometric white and gray abstract shapes overlay parts of the image.
Foto by Sepp de Vries
Two young performers on a dark stage, one in a blue turtleneck yawning or screaming dramatically, the other in a yellow shirt standing behind, creating a tense theatrical moment.
Blue-tinted stage scene with a person standing on a platform next to a large cluster of red balloons, with a wheelchair and other performers in the background, creating a surreal theatrical atmosphere.

ETH Zürich Chair of Being Alive

Smartphone displaying a digital interface against a textured, stone-like background with mottled beige, brown, and gray colors. The screen appears to show a webpage or application related to the "Chair of Being Alive" at ETH Zürich, positioned on what seems to be a rocky or geological surface.

ETH Zürich, Chair of Being Alive

We designed and built the website for the Chair of Being Alive at ETH Zürich, a landscape architecture chair led by Teresa Galí-Izard. The site organises the chair's research into four categories, Source, Translation, Proposal and Celebration, turning an academic archive into a navigable landscape of its own. We also developed the site for the chair's long-term project The Garden of the XXI Century.

Responsibility: Web Design, Development
Client: ETH Zürich
Websites: gali-izard.arch.ethz.ch
thegarden-zurich.arch.ethz.ch

Black and white scientific experiment setup showing six young seedlings in numbered clay pots, with their root systems visible through glass bottles below, demonstrating plant growth and root development.
Soil moisture experiment. Plant World. September 1910.
A detailed green-toned map radiating from a central point, showing rivers, geographic lines, and the city of Rome, with arrow-like lines spreading out from the center like a network or knowledge diagram.
Four categories to explain the chair's work.
Triangular soil texture classification chart with percentages of clay, silt, and sand, showing different soil types like clay loam, sandy clay, and silt loam. The chart uses a hexagonal grid with color-coded sections in shades of yellow and green. Alongside the chart is text reading "Translation: Rigorously drawing what we see and learn.
Schematic diagram of plants with intricate root systems, illustrating underground growth patterns against a lavender-colored background. The graphic includes a proposal section with the text "Our suggestions" in a white box, suggesting an ecological or botanical design concept.
For example the Garden in Zurich.
Intricate red network of interconnected lines resembling a map or neural pathways, with the text "Celebration - What we share with the world" in white and red boxes on the right side of the image.
Minimalist graphic with colored dots and the text "ETH Zürich Chair of Being Alive" with the word "(Seeds)" appearing below, suggesting an abstract or conceptual design related to life and potential.
Circular diagram with four labeled segments in different colors: "Source" in green, "Translation" in yellow, "Celebration" in red, and "Proposal" in purple, centered around text indicating "ETH Zürich Chair of Being Alive".
Two legs in blue plaid pants stretched out in a V-shape on the ground, surrounded by colored sticky notes, against a stone wall background with foliage. The image appears to be part of an artistic or research display about human positioning or interaction with space.
Eine Zeichnung von einer Carex elata mit ihrer Wurzel
Carex elata Root system drawing Wurzelatlas (Lore Kutschera, Erwin Lichtenegger)
Spiral-bound notebook with a yellow sticky note resting on a rough concrete or stone surface. The background is slightly blurry with hints of green foliage.
Zwei Händer mit einer Schaufel graben einen Löwenzahn aus.
Fieldwork, drawing a plant.

ÖFF

  • Empty white-walled gallery or studio space with dark wooden floors, large arched windows providing natural light, and track lighting on the ceiling. Minimalist interior with clean lines and a sense of spaciousness.
  • Gray stone sculpture placed on a dark floor in a minimalist white gallery space with track lighting, glass door, and a Marlboro logo visible on the wall.
  • Concrete building facade with three arched windows, green door in center, yellow parking lines on street, and red graffiti tag on right wall.
  • Minimalist art gallery interior with a blue-lit curtain of hanging documents, a large tangled white sculptural form in the foreground, and a white sculptural figure standing in the corner against a gray floor and white walls.
  • Street scene with people gathered under a green umbrella and along the sidewalk, near a modern building with glass windows and white and gray facade, with a mix of standing and seated individuals.
  • Art gallery interior with white walls and large windows, displaying several colorful graphic posters and artwork. Text on the wall reads "LES MATINS AUSSI" with exhibition details. Sunlight streams through the window, casting soft shadows on the gray floor.
  • Group gathered around a long wooden table for a meal, sharing food and drinks in a bright, art-filled studio space with white walls and posters.
  • A person gestures while presenting to a seated audience in a workshop or classroom setting, with a projection screen and creative wall art in the background.
  • Art gallery interior with multiple framed artworks hung on white walls, dark wooden floor, and light wooden storage cabinets. Track lighting illuminates the artwork, which appears to include various graphic and photographic pieces. A large window provides natural light on the left side of the room.
  • Wooden display panels with white paper notes mounted in a minimalist interior space with black flooring and white furniture. Oriented strand board (OSB) structures create an angular, industrial-style exhibition or workspace setup with a clean, modern aesthetic.
  • A group of young people clustered together in an indoor space near arched windows, wearing winter clothing in various colors like white, black, red, and tan, standing close to each other in a casual gathering.
  • Gray stone building exterior with a door and window, both marked by colorful graffiti tags and street art stickers. A cardboard box sits beside the entrance on the sidewalk.
  • Art gallery interior with colorful abstract paintings hanging on white walls, two wooden chairs, and a concrete floor with natural light streaming in through a window.
  • Curved shower curtains in soft green and purple hues, hanging from a rounded track in what appears to be a bathroom or changing area. The curtains create a sense of privacy with their layered, draped fabric.
  • Purple-lit backstage scene with several figures standing near green curtains, illuminated by a spotlight creating a dramatic, shadowy atmosphere.
  • A dimly lit room with red-tinted lighting, where a person sits on a chair while another person crouches down, using a smartphone near a tripod, suggesting a photoshoot or film production setting.
  • Art gallery interior with white walls and gray floor, displaying several vibrant abstract paintings of various sizes hung on walls, illuminated by track lighting and natural light from large windows on the right side.

ÖFF

ÖFF is an art space in Zürich for artists who think sideways, founded in 2021. The programme backs bold work across disciplines and gives artists room to take risks and fail interestingly. We run the space as part of the collective and design its communications.

Responsibility: Visual Identity, Communication Design
Client: Self-initiated

The Uninterrupted Song for the City

Black and white poster mounted on a street sign stand in an urban setting with stone architecture and greenery. The poster displays a design with text related to "The Uninterrupted Song for the City" by Studio Matthias Wyler, featuring abstract graphic elements and typography.

The Uninterrupted Song for the City

We designed the journal, posters and event graphics for Sinzo Aanza's sound project with guerillaclassics at Museum Rietberg, which turns colonial-era sound archives back into public, living music. The typography fragments and reassembles like the Kinshasa soundscapes at the core of the project.

Responsibility: Editorial Design, Poster Design
Client: guerillaclassics
Website: rietberg.ch

Silhouetted cityscape with abstract architectural shapes and angular forms, divided into two monochromatic panels suggesting urban fragmentation and geometric complexity against a textured background.
Using the soundscape of Kinshasa as a musical instrument, the project incorporates sounds from street hawkers, offbeat melodies from carpenters, churches, and parties. These urban soundscapes serve as references for the sonic mashup that forms the core of the project.

The collaboration with artists such as Vincent Glanzmann, Huguette Tolinga, Eden Sekulović, Vladimir Petrov, Hiromi Gut, Philippe Kocher, Andreas Brüll, Rokia Bamba, and Valentine Michaud brings together a diverse range of talents to extract and reimagine sounds from pre-colonial archives.
Handwritten page titled "The Uninterrupted Song for the City" placed inside an open cardboard box sitting on a wooden surface with a gray background. The document appears to be a text-heavy printed page with multiple paragraphs.
Experimental typography-based poster for "The Uninterrupted Song for the City" event. Black text on a white background, arranged in a fragmented, angular style with performance and event details. Designed with a minimalist, avant-garde graphic approach.
Cellist performs alone on a green-tiled exterior plaza, positioned in front of a glass-doored building, while two individuals with a camera record the performance from behind.
The project is not just an external exploration but also an internal journey into the embedded sounds within digital structures compiled by artificial intelligence. It highlights the presence of diasporic soundscapes, making the traces of black sounds audible and their existence tangible. These sonic encounters are presented in a week-long program in front of the Rietberg Museum, inviting the public to engage with the sounds released by the archive machine.
Read the Journal PDF.

"The Uninterrupted Song for the City" has been praised for its innovative approach to the ethics of colonial archives and its use of sound to create a powerful narrative. The project has sensitised participants and listeners to the ubiquity of colonised bodies and their cultural contributions, offering a new perspective on historical and contemporary soundscapes.

This project exemplifies the intersection of art, ethics and history. By reimagining archival sounds and engaging the public in a dialogue about colonialism and its legacies, the project offers a transformative experience that challenges and expands our understanding of cultural heritage. This case study highlights the importance of innovative and inclusive approaches to contemporary art and historical research.

A Blue December Calendar

Trouble December Calendar

We designed and built the 2021 edition of A Blue December Calendar, Evelinn Trouble's musical advent where a new one-minute track drops daily from December 1st to Christmas Eve. Each day also unveiled an interactive 3D satellite by artist André Rothfuchs, built in Three.js, that visitors could spin, zoom and explore.

Responsibility: Creative Direction, Web Design, Development
Client: Evelinn Trouble, BlauBlau Records
Website: 2021.trouble.christmas
3D Artwork: André Rothfuchs

Astronaut in white spacesuit seated in spacecraft, gazing down at the curved blue horizon of Earth from space with a pixelated, slightly grainy appearance.
Feeling lonely as a musician during the pandemic.
Stylized space satellite with geometric, striped cylindrical sections in blue, purple, and teal colors, positioned against a starry black background with a galaxy-like texture. The satellite appears to be a conceptual or artistic rendering with angular, segmented design and red accent details. Text overlay suggests "Satellite of Love" with additional small credits at the bottom of the image.
The 3D satellite models were not just static images but fully interactive elements. Users could rotate, zoom, and play with each satellite, uncovering intricate details and unique designs.
Minimalist white web interface showing an empty page titled "trouble blue december" with blank information and page sections visible. Default layout of a design or project management platform with grayscale color scheme and minimal content areas.
Kirby CMS in the Back
Surreal album poster with a curved piano keyboard morphing around a glowing human figure against a starry night sky background. Cosmic design elements blend music, human form, and space imagery with text announcing what appears to be a musical event or album release.
Black and white graphic of a music cassette tape positioned next to an abstract patterned background with scattered geometric shapes and symbols, accompanied by repeated text "A BLUE DECEMBER CALENDAR" around the edges.
The 2021 calendar pushed things further by blending music, art, and tech into one interactive experience. The 3D satellites transformed a simple advent into something you could actually play with, making the whole month more immersive and memorable.

Manifest

Manifest logo with the tagline "Another End of the World is possible" in bold black text on a gray background, surrounded by scattered white paper or document icons with curled corners.

Animation: André Rothfuchs

Manifest

With our collective Köbi3000 we created an exhibition about mission, vision and purpose, and how manifestos and constitutions come into being. The Manifesto Library compares constitutions from around the world and projects them into the future, and visitors could write directly into an open offspace manifesto. The exhibition is set in Redaction, the typeface commissioned for Titus Kaphar and Reginald Dwayne Betts' show at MoMA PS1.

Responsibility: Concept, Exhibition Design
Client: Self-initiated
Collaboration: André Rothfuchs, Alex Sigrist

Minimalist black metal side table supporting a stack of white folded towels or linens. The scene is set against a textured grid background with a monochromatic, clean aesthetic typical of contemporary design.
Philosophical quote in black text reading: "If the State were a building, the Constitution would be its floor plan." Text appears on a white background.
This metaphor highlights the fundamental role of a constitution in defining the structure and function of a state, much like a floor plan outlines the design and layout of a building.

Throughout the exhibition, we used the typeface Redaction, a bespoke font commissioned for Titus Kaphar and Reginald Dwayne Betts' exhibition "The Redaction" at MoMA PS1. This typeface is part of a timely conversation at the intersection of history, law, and social justice. The fonts are available for free personal use, aligning with our commitment to accessibility and public engagement.

Typewritten manifesto page discussing privacy, electronic communication, and individual freedom in the digital age. Text is densely written in black on a white background, spanning a single page with structured paragraphs. The document appears to be titled "A Cyberpunk's Manifesto".
Find the Cyberpunk's Manifesto in the Manifesto Library.
Several people stand or move in a minimalist white gallery space with exposed ceiling pipes, examining artwork or installations near white walls and a framed doorway.
Multiple handwritten notes and text snippets are pinned across a gray wall in an arranged pattern, with wooden shelving visible on the right side of the space.
Mapping experiments I
White paper cutouts with text fragments arranged on a gray wall, including words like "si," "mouth," "time," "two," "a," "ther," "in," and "ss," forming an abstract typographic composition or word puzzle installation.
Mapping experiments II
A person in a white shirt stands at a wooden podium, facing a white wall with a small illuminated rectangular light, casting a shadow on the floor.

Park Platz

Black and white urban street scene with parked vehicles, residential buildings, and a narrow road. A white rectangular overlay marks a section labeled "PARK" and "PLATZ". Trees and hedges line the street, with buildings visible in the background.

Park Platz

We created the visual identity and website for Park Platz, a 1400 square metre community space at the old Letten train station in Zürich. The identity is built on Brudi Grotesk, a blocky modular typeface that we extended for the project, keeping the branding as self-built as the space itself.

Responsibility: Visual Identity, Web Design, Development, Hosting
Client: Park Platz
Website: park-platz.org
Typeface origin: André Rothfuchs, Jan Reimann

A group of people sit on benches in an outdoor setting, gathered in a semicircle facing what appears to be a white trailer or container, with trees and a fence in the background.
Park Platz stands as a testament to the power of community and collaboration. By offering a space where people can come together to share ideas, create, and engage in meaningful projects, it embodies the spirit of togetherness and collective effort.
Creating space for what could be possible.
Creating space for what could be possible.
Black velcro straps crossed in an X shape, appearing textured and slightly worn, against a white background.
Geometric black letters and numbers arranged in a grid, using blocky, pixelated shapes with white grid lines visible in the background, creating an abstract typographic composition.
Two sets of stacked black letter "M"s arranged slightly askew against a white background, with each set having three letters slightly overlapping and angled.
Large outdoor evening event with a crowded street filled with people, colorful tents, and city buildings in the background under a dramatic cloudy blue sky.
Scaffolding and construction structures silhouetted against a cloudy sky with buildings in the background. Wooden platforms, ladders, and temporary support structures create a geometric industrial landscape.
Scattered black and white office supplies and a laptop surround the bold pixelated text "BRVDI GROTESK" in the center of the image. The composition appears to be a creative typographic design showcasing a graphic design or typography concept.
The Park Platz typeface origin by André Rothfuchs and Jan Reimann, extended new Version here.

Park Platz Webseite

Development, Design and Hosting

Park Platz

Kubaa

Development, Design and Hosting

Kubaa

Binzschwach

Development, Design and Hosting

Binzschwach

Le Flah

LE FLAH

We created the visual identity for Le Flah, a beatmaker session series that gives established and emerging producers a stage for their craft. Over four years we produced more than 20 video portraits of the featured musicians, alongside flyers, t-shirts, zines and tapes.

Responsibility: Visual Identity, Video, Motion Design
Client: Self-initiated
Website: leflah.ch

Provide a stage for beatmakers to perform and share their work.
A black and white album or poster design for "Leflah" with text and graphic elements, surrounded by art supplies like markers, masking tape, a coffee mug, and a compass on a dark surface.
A person reaches up to adjust a street sign near a tree, with a bicycle and red chairs in the foreground and blurred urban buildings in the background. The scene appears to be in an outdoor urban setting with motion blur suggesting movement.
Black and white poster advertising "Leflah" live beats concert series from 2013-2014. Each event is illustrated with a hand-drawn style image of an animal or a gun, showing the performer name and date. The design has a grungy, underground music aesthetic with stark typography and sketchy illustrations.
Graphics for the first T
Handmade zine or magazine titled "DESIRE" sealed in a clear plastic ziplock bag. The cover has a hand-drawn stylized graphic design with curved shapes in black and white, partially obscured by the bag's transparency.
Black and white photograph of a dimly lit interior with a mixing console or sound equipment, a person seated nearby, and some wall art or posters visible in a studio or music workspace setting.
Black and white sketch of a person sitting on a skateboard, riding diagonally down a steep concrete surface or ramp. The drawing has a minimalist, angular style with strong shading and geometric lines. Text on the page indicates it's related to Kaseta and Le Flah tape series.
Two musicians in a dimly lit home studio with colored lighting, surrounded by music equipment including a laptop, mixing board, and various audio devices. The scene has a moody, creative atmosphere with teal and pink ambient lighting.
Apollo Brown Live Set, March 2014
  • Black t-shirt with white graphic design text elements arranged in a stylized layout, worn by a person standing in front of a bar with liquor bottles in the background.
  • Dimly lit party scene with a crowd of people gathered in a small room, illuminated by a bright white light and colored mood lighting in green, yellow, and red tones.
  • Three men standing together in front of a dark background, illuminated by colorful stage lighting. Two wear baseball caps and dark clothing, while the third wears a white t-shirt with a graphic print. They appear to be musicians or performers, positioned casually with a relaxed demeanor.
  • Young woman with an excited, open-mouthed expression sits at a bar table with drinks, surrounded by blurry background of other patrons in a dimly lit venue with blue lighting.
  • Two DJs operate turntables and a mixing console in a dimly lit studio, with one wearing a bright orange and yellow striped beanie and the other in a black outfit.
  • Crowded indoor event space with colorful light projections creating a dynamic atmosphere. Circular decorative light fixture on the ceiling casts golden and multicolored rays over the audience. People are seated and standing, bathed in vibrant purple, blue, and pink lighting effects.
  • Two DJs at a music event, with one wearing a green hoodie and a full beard standing next to another operating turntables, under purple and blue ambient lighting and a sign that reads "piccolo giard".
  • Crowded indoor party scene with young people standing close together, holding drinks and socializing in a dimly lit space with overhead lighting.
  • Wooden rubber stamp mounted on an ink pad, with a barcode-like graphic design in black and white against a blurry, dark textured background.
  • Hands operating an electronic music production device, specifically an MPC drum machine/sampler with illuminated pads in a dimly lit studio setting. Buttons, knobs, and a green-lit display are visible as the person works on creating or editing music.
  • Man in gray sweatshirt and black baseball cap looking sideways, seated in what appears to be a tattoo studio with blue wall and red curtain in background.
  • Person in a black beanie and dark winter coat standing among others, with a person in a gray hoodie and another in a striped brown and white sweater partially visible.
  • A person in a graphic t-shirt prepares food in a kitchen, with plates, cooking tools, and a stovetop visible in a black and white photograph.
  • Three DJs or musicians in a blue-lit performance space, standing together at a mixing console or stage, engaged in animated conversation with smiling expressions.

Graphic designer and web developer working where physical and digital publishing meet, and where both meet the archive.

Collaborative work with people and organisations across arts, culture and education, for profit and not. Less interested in decoration than in things that hold up, stay accessible, and last.

Get in touch for commissions, collaborations, or an exchange of ideas.

A multi-story building featuring numerous windows on its facade, reflecting a modern architectural design.
Studio address: Schoneggstreet 5, 8004 Zurich

Sugus Press

Sugus Press is a platform to showcase and distribute self-initiated zines and books. It also features collaborations with and works of fellow artists, authors and designers. Most of the products are produced in limited quantities.

Sugus «Plain» Cover
Blank
Sugus «Schmieren und Kleben» Cover
A3 Zine about the Citys Graffiti Archive
Minimalist white page with the name "Tina Paradiso" printed in black text, positioned against a black background. Part of a page on the "Life" section of the "Matthias Wyler" site.
Tina Paradiso in Rome

ÖFF

The art space ÖFF, founded in 2021 in Zurich, provides artists with space and support for bold contemporary art. It promotes radical thinking and creative experimentation to stimulate local art production.

  • Black and white photo of the ÖFF inside featuring a large window at the end.
  • A small doorway with a wooden slat barrier, beneath a slanted ceiling, leads to a shadowy interior. A bowl sits on the barrier. The wall and floor are plain and unadorned.

    ÖFF Bar

  • A black and white photo showcasing a bookshelf filled with various books arranged neatly.

    ÖFF Kiosk

  • Studio entrance of Sugus Press, Le Domaine and Köbi3000, highlighting a well-arranged workspace for artistic projects.
  • People sitting on a sidewalk in front of the ÖFF Entrance with graffiti. A bicycle is parked next to a man standing in a doorway.

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Kirby

Kirby CMS is a flexible, file-based content management system that requires no database, ensuring easy setup, fast performance, and enhanced security. Its powerful API enables extensive customization for bespoke solutions, while the intuitive admin panel simplifies content management. As a certified partner, I'm well-equipped to leverage Kirby for robust, customizable web solutions.

Lectures & Workshops

I teach workshops and lectures on web accessibility at universities, academies, and design organizations. The sessions blend theory with hands-on practice, so people leave knowing how to actually build accessible sites, not just why they should.

Each workshop can be tailored to tackle specific challenges your team faces. Participants get useful resources to take home: curated links, book recommendations, and a detailed PDF guide on web accessibility fundamentals.

Discourse

How do we live together?

Attitude

Free and Critical Approach

Practice

1:1, Making, Applied

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