84. Mostly Starring Women: Queer SFF Books of 2024

At least, the queer books published this year that I read and remember reading. You may need to jog my memory.

This piece’s working title was “Queer Books I Read in 2024.” Before I realised that, actually, it’s not so much queer books as sapphic books: the number of non-romance novels that I encountered with queer men in a protagonist role is… well, to be charitable, somewhat limited.

My writing is limited, too! The vast majority of is free to read and will remain so, but if you enjoy these sorts of posts, your support on Patreon or as a paying subscriber through WordPress is what subsidises me to write more of them. And you can also find me on BlueSky. If you enjoy reading this, please share it!


Queerness is a complicated word, and a complicated state of being. Often, now, to say a book is “queer” means that it features a primary relationship between queer characters — either between men or between women — or that it focuses on the experience of a trans person. But “queer” describes, too, an orientation towards a normative social construction of sexuality and gender, among other things.

The novels that interest me most are ones that deconstruct or destabilise some aspect of normative experience: that interrogate, in some fashion, the expectations of the genre. There’s a place here for wish-fulfilment fantasy, but also a place for the re-examination of gendered or sexual hierarchies through the lens of queer experience. This re-examination — along with the wish-fulfilment aspect — is part of why I’m personally drawn more to stories involving queer women than ones involving queer men: stories involving queer men don’t have to deal with the same weight of historic expectation about a woman’s place in the narrative, or in society. (SFF books where a major protagonist is nonbinary are still sufficiently rare that it’s difficult to generalise about their concerns.) But, honestly, I like what I like, and I can analyse both the material and my liking of it through several lenses

Here is my list of queer novels from 2024. (I did read some books that weren’t in some sense recognisably queer. Those are not included.) It is divided into:

  1. Books I Loved
  2. Books I Enjoyed
  3. Books I Read That Have Some Good Points
  4. It Hurt Me, But Maybe You’ll Like It
  5. Books I Still Want To Read, Damnit
Image: a wood fire burning in a brick hearth. Pull up a chair, get cosy.

Books I Loved

In no particular order, mind you.

John Wiswell, Someone You Can Build A Nest In:

There’s a monster. She’s very relatable. She wants to lay her eggs in someone. But is that really what you do to someone you love? Oops! She loves the awkward scion of a monster-hunting family. Abusive humans are the real monsters.

~~~

Jenn Lyons, The Sky on Fire:

Do you like wild and detailed worldbuilding, power-hungry dragons who rule the world (are the dragons a metaphor?), and a competent crew of misfits with competing goals set upon a heist with dire stakes? Read The Sky on Fire, I can’t believe how little buzz it’s got this year.

~~~

Aliette de Bodard, Navigational Entanglements:

Science fiction novella in which a crew of misfits from rival clans must hunt down an invisible and murderous space jellyfish from a different dimension before it can create a mass casualty event. Tensions rise when their despised team leader is found dead in a locked room. Romance! Action! Self-realisation! Politics! Murder! It has something for everyone.

~~~

Hana Lee, Road to Ruin:

Debut novel that mixes fantasy with the postapocalyptic atmosphere of Mad Max: Fury Road. Courier Jin has been bringing letters across the wasteland between two would-be lovers, and falling in love with both of them. When one of them is threatened, she helps them go on the run. Peril! Motorbikes fueled by magic! Desperate chases!

~~~

Django Wexler, How to Become the Dark Lord and Die Trying:

First book in a new series. I love it far too much to be coherent, so here’s the blurb:

“Davi has done this all before. She’s tried to be the hero and take down the all-powerful Dark Lord. A hundred times she’s rallied humanity and made the final charge. But the time loop always gets her in the end. Sometimes she’s killed quickly. Sometimes it takes a while. But she’s been defeated every time.

This time? She’s done being the hero and done being stuck in this endless time loop. If the Dark Lord always wins, then maybe that’s who she needs to be. It’s Davi’s turn to play on the winning side.”

~~~

Kerstin Hall, Asunder:

I loved it to pieces. I think it’s the best novel of the year. Read Molly Templeton’s review over at Reactor:

“This story sits just under the skin, a tangle of questions about faith and shame and what a person does with the power they have—or that is given to them. It is, immersively and emotionally, about survival: how a person survives, what they do to survive, what they endure while surviving, and where the choices they make in order to survive wind up taking them. I can’t shake Karys and her choices out of my head, and frankly, I don’t want to.”

It’s big and weird and visceral and intimate: a novel about survival and making bad life choices because all the other ones are worse.

~~~

Melissa Caruso, The Last Hour Between Worlds:

And probably my favourite novel of the year. I adore it. It’s so much fun. This is what I said about it in my review for Locus:

“If I tell you that I love The Last Hour Between Worlds to pieces, that I read it when I was miserably sick and it took me entirely out of myself from the first page to the last, that’s probably not quite enough information to constitute a proper review. Melissa Caruso’s latest novel, her first departure from the setting of her previous trilogies, is a time-bending triumph, a compelling adventure that descends through ever-weirder layers of reality.”

~~~


Books I Enjoyed

I’m just going to quote the cover copy on these. They’re all good books that didn’t hit me quite so hard in the narrative kinks as the books I loved.

Ruth Long, The Book of Gold

“A desperate thief. A magical book. And a heist for the ages.

There’s only one thing notorious thief Lyta loves more than a big score: her little brother, Kit. But when Kit is arrested for producing seditious pamphlets, he stands to lose not only his printing press, but possibly his life.

In exchange for her brother’s freedom, Lyta strikes a daring bargain with the king -she will steal the infamous Book of Gold: a mysterious manuscript reputed to be hiding vast magical power within.”

~~~

Yoon Ha Lee, Moonstorm

“Hwa Young was just ten years old when imperial forces destroyed her home, among the rebel clans of the Moonstorm. Now, years later, she is a citizen of the very empire that orphaned her, dreaming of getting back out among the stars and piloting a lancer-the fleet’s deadliest, most advanced fighting craft.

When a rebel attack leaves Hwa Young stranded on an imperial starship, her dreams become a reality. A military ship has no space for civilians, and the fleet badly needs lancer pilots-and Hwa Young and her friends are quick to volunteer for the demanding programme.

But training is nothing like what they expected, and secrets-like the fate of the fleet’s previous lancer squad, and deeper truths about the rebellion itself-are mounting up. When Hwa Young uncovers a conspiracy that puts their entire world at risk, she’s forced to choose between a past she’s put behind her and an empire she no longer trusts.”

~~~

Sophie Burnham, Sargassa

“In an alternate present where the Roman Empire never fell, Roma Sargassa-or North America-is under Roman rule, and always has been. And the Imperial Historian has just been murdered.

His low-caste son, Arran, and his noble-born daughter, Selah, the new Imperial Historian, are left to pick up the pieces-setting them on a collision course with an undercover rebel group who are determined to steal an ancient artefact called the Iveroa Stone, expose the truth behind the so-called democratic society, and overthrow the Roman Empire.

As Selah begins to unravel the Stone’s mysteries alongside her friends and allies, she must decide what to do with a world-shattering discovery: Roma has not always ruled in Sargassa, as the history books say. And if the Roman Empire could be toppled once, what’s to stop the Sargassans from doing it again?

Equal parts political intrigue, queer romance, and revolution, Sargassa explores gender, sexuality and the racism and classism inherent in the system.”

~~~

Hannah Kaner, Sunbringer

The second volume of a trilogy. It worked less well for me than the first.

“Godkiller Kissen sacrificed herself to save her friends. But gods cannot be destroyed so easily – and neither can godkillers.

Young noble Inara and her little god of white lies, Skedi, seek answers to the nature of their bond. But secrets they uncover could determine the outcome of the war.

Meanwhile, Elogast has been charged with destroying King Arren, the man he once called friend, who has now entered into an unholy pact with the most dangerous of them all.

The kingdom is on the brink of destruction. What will they each sacrifice to save it?”

~~~

Rebecca Fraimow, Lady Eve’s Last Con

“Ruth Johnson and her sister Jules have been small-time hustlers on the interstellar cruise lines for years. But then Jules fell in love with one of their targets, Esteban Mendez-Yuki, sole heir to the family insurance fortune. Esteban seemed to love her too, until she told him who she really was, at which point he fled without a word.

Now Ruth is set on revenge: disguised as provincial debutante Evelyn Ojukwu and set for the swanky satellite New Monte, she’s going to make Esteban fall in love with her, then break his heart and take half his fortune. At least, that’s the plan. But Ruth hadn’t accounted for his older sister, Sol, a brilliant mind in a dashing suit… and much harder to fool.

Sol is hot on Ruth’s tail, and as the two women learn each other’s tricks, Ruth must decide between going after the money and going after her heart.”

~~~

Aliette de Bodard, In the Shadow of the Ship

“Nightjar, sentient ship and family matriarch, looms large in Khuyên’s past. Disappearances drove teenage Khuyên from it, but death will steer her back. Now an adult and a magistrate, Khuyên came for her maternal grandmother’s funeral but finds herself unwittingly reliving her past on the decaying Nightjar. Children are still disappearing as her childhood friends once did; and worse, her beloved Cousin Anh vanishes after pleading for her help. Khuyên sets out to save Anh alongside Thảo, a beautiful and mysterious woman who seems to know more than she should about Khuyên and the ship. But saving Anh requires doing what Khuyên couldn’t do before: face her family, face the ship, face her own hopes and fears for the future–a future that might well include Thảo, but only if Khuyên can stop listening to the critical voice in her head. A voice that sounds an awful lot like Nightjar’s…”

~~~

Sarah Rees Brennan, Long Live Evil

“When her whole life collapsed, Rae still had books. Dying, she seizes a second chance at living: a magical bargain that lets her enter the world of her favourite fantasy series.

She wakes in a castle on the edge of a hellish chasm, in a kingdom on the brink of war. Home to dangerous monsters, scheming courtiers and her favourite fictional character: the Once and Forever Emperor. He’s impossibly alluring, as only fiction can be. And in this fantasy world, she discovers she’s not the heroine, but the villainess in the Emperor’s tale.

So be it. The wicked are better dressed, with better one-liners, even if they’re doomed to bad ends. She assembles the wildly disparate villains of the story under her evil leadership, plotting to change their fate. But as the body count rises and the Emperor’s fury increases, it seems Rae and her allies may not survive to see the final page.”

~~~


Books I Read That Have Some Good Points

Esmie Jikiemi-Pearson, The Principle of Moments

Time travel. Space opera. Chosen Ones. Long-lost siblings. Disaster gay boy in love with a disaster prince. It has everything, including the kitchen sink.

~~~

Charlotte Bond, The Fireborne Blade

Old-school sword-and-sorcery with modern sensibilities but a little one-note.

~~~

Emily Hamilton, The Stars Too Fondly

As long as you never think too deeply about any of what’s going on, this is an entertaining found family space rom-com.

~~~

Suzan Palumbo, Countess

There’s a reason The Count of Monte Cristo is so long. Riffing off it at novella length is ambitious, and ends up feeling like the prologue to a much longer book.

~~~


It Hurt Me, But Maybe You’ll Like It

Saara El-Arifi, Faebound

Neither the worldbuilding nor the characters worked very well for me. Do you like DRAMA and no one talking to each other like sensible people and absolutely terrible relationship choices because SO HOT? Go for it.

~~~

Meredith Mooring, Redsight

I still don’t know what was going on in this book. And I didn’t like it.

~~~


Books I Still Want To Read, Damnit

Tasha Suri, The Lotus Empire

The third book in an epic fantasy trilogy where no one is a hero and everyone is burning shit down.

~~~

August Clarke, Metal from Heaven

From the blurb:

“Metal From Heaven is a caustic, dizzying eco-fantasy that addresses labor politics, corporate greed, and the relentless grind of capitalism, while also embodying a visceral lesbian revenge quest against the people and institutions who control and oppress the helpless.”

~~~

Sascha Stronach, The Sunforge

From the blurb:

“[A] magic-wielding pirate crew uncovers an age-old fight between the gods that threatens their world.”

I still haven’t read The Dawnhounds, the first book, and I want to.

~~~

Malka Older, The Imposition of Unnecessary Obstacles

Another second book where I haven’t read the first. I really need time to catch up. It sounds so good.

~~~

Gabrielle Buba, Saints of Storm and Sorrow

From the blurb:

“In this fiercely imaginative Filipino-inspired fantasy debut, a bisexual nun hiding a goddess-given gift is unwillingly transformed into a lightning rod for her people’s struggle against colonization.”

~~~

Justinian Huang, The Emperor and the Endless Palace

From the blurb:

“In the year 4 BCE, an ambitious courtier is called upon to seduce the young Emperor–but quickly discovers they are both ruled by blood, sex and intrigue.

In 1740, a lonely innkeeper agrees to help a mysterious visitor procure a rare medicine, only to unleash an otherworldly terror instead.

And in present-day Los Angeles, a college student meets a beautiful stranger and cannot shake the feeling they’ve met before.

Across these seemingly unrelated timelines woven together only by the twists and turns of fate, two men are reborn, lifetime after lifetime. Within the treacherous walls of an ancient palace and the boundless forests of the Asian wilderness to the heart-pounding cement floors of underground rave scenes, our lovers are inexplicably drawn to each other, constantly tested by the worlds around them.

As their many lives intertwine, they begin to realize the power of their undying love–a power that transcends time itself…but one that might consume them both.”

~~~


That’s it for me for now. I hope to be back soon with a post about the books I’m definitely looking out for in 2025.

On a personal level, I’m trying to get things in order to celebrate a secular Giftmas with my three-year-old, and he’s already gotten so excited he pulled a curtain rail out of the wall. Wish me luck.

83. Printers, humanists, and heists: an interview with Ruth Frances Long about THE BOOK OF GOLD

Ruth Frances Long is an Irish writer of fantasy and romance. She also writes as Jessica Thorne. Under that name, she was longlisted for the RNA Romance Fantasy award in 2020. She works in a specialised library containing a number of rare books, one of which proved the inspiration for her most recent novel, The Book of Gold, published by Hodderscape just this November. Since I read and very much enjoyed The Book of Gold, I thought I might ask her a few questions about it. Fortunately, she agreed to answer them.

Liz Bourke: You’ve written any number of books under your Jessica Thorne penname in recent years. But your latest novel, The Book of Gold, a heist set in a fantasy version of the Renaissance Low Countries, is the first original one written as Ruth Frances Long in some time. What brought you back to writing under your own name? Is a Ruth Frances Long book different from a Jessica Thorne one?

Ruth Frances Long: The Book of Gold is a story I wanted to write for a long time. Given its grounding in the world of early printing, one that is rooted in my own passions and interests, in many ways it is a very personal book and for that reason I really wanted to use my own name. I love my Jessica Thorne books. They’re very much romance books with fantasy elements (greater and lesser depending on the books) and The Book of Gold was always going to be a more immersive fantasy world with romance as only one factor (albeit an important one). Pen names are a really useful way for writers to signal to readers when the books are slightly different, but it’s no secret that I use two names. I hope readers will happily find things they love in both.

LB: What brought you to write The Book of Gold? What do you love best about it?

A page from the Plantin Polyglot, open to a passage from Genesis. Image source: Wikipedia.

RFL: So I constantly refer to The Book of Gold as the book of my heart. The story started when I was researching a particular book in the library where I work. That book is called the Biblia Regia, or the Royal Bible, or the Antwerp Polyglot, or the Plantin Polyglot. Many names for an amazing book. Published in the late 1500s in Antwerp, it’s a concurrent translation of the Bible in five languages. The story of its production is an absolute roller coaster involving seditious pamphlets, religious wars, paper shortages, hunts for fonts, shipwrecks and even the Spanish Inquisition. It led to me researching more and more about the printers in Antwerp in the 1500s, the network of early humanist printers and scholars across Europe, and something of an obsession with the master printer Christophe Plantin. I visited Antwerp and the Plantin-Moretus museum (where I indulged in some truly embarrassing fangirling), and read as much as I could about Antwerp in the late 1500s.

Christophe Plantin, from a portrait by Peter Paul Rubens, oil on panel, dated 1612-1616. A mature white man with a long narrow face, a widow’s peak, penetrating eyes, and a sparse beard, painted three-quarters aside, wearing a black robe and piped collar of white cloth. In one hand is a calipers, in the other a book. From the collection of the Museum Plantin-Moretus, no. MPM.V.IV.047

My problem was that although I could research all of this, I’m not a historian, but a fantasy writer to the core. I had no idea how to go about telling this particular story. Some time later, I told the story at a convention on a panel about research. I went home that night and when I woke up the next morning, I had a revelation: a heist, to steal a book of magic! And once I had that, everything started to fall into place. Soon enough I had a master thief, her printer brother, her former lover who’s now a royal bodyguard. All the conflicts just seemed to write themselves.

I have never written something so quickly in my life. It just seemed to spill out of me. In only a couple of months I had the entire first draft.

As to what I love about it? Everything. The setting, the characters, the world, the city of Amberes, Kit’s printshop, Lyta and Sylvian bickering… It feels so alive and real to me. When I sat down to begin the sequel, it was like coming home.

LB: Antwerp! Printers! Humanists! Heists! That sounds fascinating. Can you tell us a little more about your research? Perhaps there’s a book or two about 16th-century Antwerp, or its inhabitants, that you’d recommend?

RFL: So, one book which was an enormous help was Antwerp: the Glory Years by Michael Pye (Allen Lane, 2021). [It’s published as Europe’s Babylon in the US market, for some reason – LB] It’s an amazing snapshot of an incredible period of history and the awakening of the modern western world. It’s eminently readable, and tells the story of a city where anything could happen, and where in a highly religiously charged world a secular city thrived, if only for a short period of time. It’s funny and thrilling and fascinating, and packed full of information. It was a wonderful find for research purposes.

I’d also recommend The Hapsburgs: The Rise and Fall of a World Power, by Martin Rady (Penguin, 2020) as I based my royal family on some of the Hapsburgs. This gave a great overview of a dynasty and how it operated, and helped me build my character of the Golden Lion of Castille, King Francisco.

Because of the inspiration behind the book, and the profession of Kit Cornellis as a printer in this period, I also found a huge amount of information in two older books about the life and work of Christophe Plantin and the history of his revolutionary printshop in Antwerp.

Printing room of the Plantin-Moretus museum. Image copyright (CCASA 3.0) 2014, image source: Wikipedia.

The first is Christopher Plantin by Colin Clair (Cassell, 1960) – I ended up ordering a copy from a second hand bookseller so I could have my own but there are sections available online as well. [LB: Google Books link.]

The second is The golden compasses: a history and evaluation of the printing and publishing activities of the Officina Plantiniana at Antwerp by Leon Voet (Vangendt & Co.; London: Routledge & Kegan Paul, 1969) [LB: link goes to Wellcome Collections’ holding.]

Benito Arias Montano, from a portrait by Peter Paul Rubens, oil on panel, dated 1633. A mature white man with an expressive face, a high hairline, short black hair and a neat beard and moustache. He wears a black robe with the cross of the knights of St. James on the left breast. From the collection of the Museum Plantin-Moretus, MPM.V.IV.056

Hint for historians – what the world needs is a new English language book about Christophe Plantin and [his parter for the Antwerp Polyglot] Benito Arias Montano. Alas I am not the person to write it, I tend to make too many things up to be a historian, but I’d pay good money for one.

I would also HIGHLY recommend a visit to the Plantin-Moretus Museum in Antwerp. It’s a UNESCO World Heritage site, still occupying the same site in the Vrijdagmarkt in the home and offices of Christophe Plantin and his family. I fangirled like nothing ever seen there before, went around the whole thing twice, took SO MANY photos, and later in the year went back again dragging my poor suffering husband along with me. The world’s oldest extant printing presses, the library, the books on display… there is so much, showing the vast range of what Plantin printed, and the impact he had on the dissemination of information in a revolutionary time, as well as showing the knife-edge he walked in political terms. It’s fascinating. There is also a huge amount of information on the website which I used for research, including the map of Antwerp by Virgilius Bononiensis in 1565 which I also used for research (I downloaded a high-res version so I could zoom in and find all those tiny details). They hold the only surviving copy of this incredible map, a handcoloured woodcut, 120 cm high and 265 cm wide, and printed over 20 pages of handmade paper. There’s also a Where’s Wally element as you try to find the people having a picnic, or the guard chasing a dog.

LB: The Book of Gold has gods lurking away (and sometimes working) in the background. Can you tell us a little bit more about the fantastical side of the worldbuilding, and what drew you to it? The disappearance and resurgence of old deities and old powers, and also their control or eradication by religious institutions, is something of a tried-and-true topic in fantasy. Does it have particular valence, do you think, at the current moment, or is it something of a timeless concern?

RFL: Much as I enjoy the bricks and mortar side of worldbuilding, I really love the fantastic side. I’ve always been drawn to stories of magic and divine mayhem. I read a lot of Greek legends as a kid, which might explain it. I also love folklore and Irish mythology which tends to be a lot less structured and generally quite weird.

Facsimile of folio 53 of the Book of Leinster, now in the library of Trinity College Dublin. Image source.

I think the idea of something as phenomenally powerful as a god, especially in the sense of the pre-Christian deities with whom I’m most familiar, is a fascinating subject and so much fun to play with in fiction. I think that beings of such power, especially in old tales, have a very different morality and understanding of life and death than we might today, different priorities and ambitions than humankind. They’re greedy and jealous, and vengeful: in many ways very human, while also being completely different. They make terrible mistakes and force people to do terrible things. We’re used to a world of religious institutions, especially growing up in Ireland, so I find the idea of an institution controlling a god, or seeking to, or the return of old gods outside [institutional] control [to be] a really interesting concept. I also love the thought of people having a direct connection with their deity, whether they have chosen it themselves or have been chosen, bypassing such an institution, intriguing. What would that be like? And if the institution is corrupt or soulless, how would an all powerful god deal with the use of his name in that way, and, of course, what if the god had lost their power to the very institution meant to serve them? (Yes, Small Gods by Terry Pratchett is one of my favourite books.) I don’t go quite as far into it as that because Sir Terry did it so well.

But these were all questions regarding faith and belief, divinities and their acolytes, that I had in mind. Initially, I wasn’t aware of the impact the gods would have on The Book of Gold. They kind of turned up, much like the rest of the characters, and took over. Very true to character.

Or at least attempted to take over. Luckily, we have Lyta. Who doesn’t take direction, even divine direction, very well.

LB: Sounds fun! Can you expand a little more specifically on the role of gods in The Book of Gold?

RFL: The gods in The Book of Gold were great fun to write. In the beginning we get little more than a glimpse. They operate mainly through nudges, whispers and instincts. As far as most people are concerned in the world of Amberes, the gods have been wiped out or driven into hiding by the Church Imperial. The Church are determined that their Imperator will be the one and only god left. I had the idea of what might have happened had the Roman Empire not fallen quite so completely, where it transformed itself into a theocracy with the Emperors are gods, and swept across Europe. I have played around with history quite a lot, as previously mentioned!

Peter Paul Rubens, The Fall of Phaeton, oil on canvas. 1604-1610. National Gallery of Art, Washington D.C., acc. no.: 1990.1.1. Wikipedia.

I thought the idea of gods forced into hiding, trapped or hunted, would be an interesting one to explore: that those which were more powerful might feed on others, and that beings of great power can be afraid. The gods are not in some distant heaven. They exist alongside our main characters and interfere with their lives. They have servants known as Aspects who can channel their power, they have champions and favourites. There is also the concept of a divine nexus, a being who draws gods to them, who can embody them, and there are various legends of gods and the scions of gods who will come back. When gods are defeated, they don’t die as such but are cast into the Nether, stripped of all power, where they are lost. Defeating a god can make their killer very powerful indeed.

Rather than use particular gods as characters I created a few based on universal archetypes – Kyron the Warrior, Nimyeh the Wise, Ystara, the goddess of love, Gloir, god of the hearth and forge, and Eninn, the god of thieves. I also created a motto for the city of Amberes – “To Amberes, the city of lost gods, all things return.”

LB: Next and last question, which is really two questions.

What books have you loved recently, and why? (For whatever definition of recently you want to use.) And what books or media do you recommend for people who enjoyed The Book of Gold?

RFL: So lately I’ve enjoyed Susan Morris’s Strange Beasts, Sophie Kim’s The God and the Gumiho, and A. Y Chao’s Shanghai Immortal. [They’re] brilliant fun and full of heart. I also really enjoyed Jay Kristoff’s Empire of the Vampire and Empire of the Damned, full of hearts too but in a very different way. And blood. And intestines. The Emily Wilde books by Heather Fawcett are a far more gentle magical read, though they have that hard fae edge as an undercurrent which I love. You wouldn’t want to cross [Fawcett’s fae]. Long Live Evil by Sarah Rees Brennan is a particular highlight of the last year for me, but as Sarah is a friend, that wasn’t a surprise. Hilarious, moving and vicious.

Regarding books for people who enjoyed The Book of Gold, I’d suggest Mary Gentle’s Ash, still one of the most mind blowing books and immersive I’ve ever read (from years ago). If you want an amazing heist, there’s Six of Crows by Leigh Bardugo, of course. And for something completely different I’m a bit fan of Jean-Luc Bannalec’s Brittany mysteries. They are my comfort read. Oh oh oh and Til Death Us Do Bard by Rose Black. That was so much fun.


If you want to buy The Book of Gold – and I recommend it, it’s a lot of fun – here are some of your options:

There’s a special edition from Goldsboro Books: signed, with sprayed edges and extra foil. This linktree contains links to buy the regular edition from Irish booksellers and Blackwell’s (which ships internationally) and Waterstones in the UK. It’s available electronically from Kobo.com and on Kindle, and there’s an audiobook version which can be purchased from both Audible and Kobo.

Presently (December 2024) it does not have a US print release date or electronic edition.


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