Anime Hell Presents: That 70s Show

Gang, I am super excited about next week's Anime Hell screening at Eyesore Cinema! It's an all 1970s presentation of Manga Matsuri films and TV episodes and commercials and OPs and some special surprises, too. Most everything is in Japanese with English subtitles! 

It's an evening of super robots, tragic orphans, and international thievery as the Japanese animation of the 1970 explodes across the Eyesore Cinema screen at 8pm on February 22! Doors open at 7:30, admission is only $5.00! 

Eyesore Cinema, of course, is one of the last remaining video rental shops in North America, with thousands of films for rent, movies for sale on DVD and VHS, and some records and zines for good measure. Their screening room has quickly become Toronto's home for offbeat screenings, art sales, swap meets, and badfilm uprisings. If you're ever in town you should wander in and spend some money! 

And of course, if you're in town next Saturday you should wander into Eyesore around 8pm, for ANIME HELL PRESENTS: THAT 70s SHOW! See you there!

what I did on my vacation '16

Summer's just about over and that means it's time to look back and reflect on what you did on your time off. Where did you go? What did you do? And how long will you be paying the credit card companies back for it all?

Well even though this year we didn't visit Tokyo, we did get to experience enough classic Japanese cartoon goodness to realize that one doesn't have to cross the Pacific to find old-school anime.  On our trip through upstate New York, Vermont, New Hampshire, and Quebec, we found them bug-eyed Japanheeno cartoons peeking out at us around every corner, seemed like.

As a French-speaking province linguistically tied to a nation that spent the 1970s and 1980s watching as many Japanese cartoons their PAL television system could cram onto the airwaves, Quebec was North America's go-to region for classic anime. And here in 2016 that's evident everywhere people of a certain age gather, especially in Montreal's hip burger joint La Belle et la Boeuf, where not only can you consume a giant burger named after UFO Robo Grandizer, but you can wash your hands under the protective gaze of Captain Harlock for men and Candy Candy for the ladies.

Get up early the next morning and hit the antique malls, where a selection of Albator (Captain Harlock) and Goldorak (Grandizer) merchandise awaits you! The Goldorak stuff was overpriced IMHO ($10 for a scratched up 45 single of the French theme song, no thanks) but the Albator BD (that's "bandes dessinees", or comic books) were a bargain at twice the price. 

 The fascinating thing about these French Harlock comics is that they took terrific liberties with the original source material, sometimes adapting television stories wholesale, and sometimes going off in crazy new directions involving characters from completely different Japanese anime series.

(and yes I'm aware that Matsumoto shoe-horned Harlock into his Yamato manga. A giant ghost Captain Okita, not so much)

While in Massachusetts, you should definitely visit The Outer Limits in Waltham, a great comic book store with lots and lots of comic books of all kinds, as well as an interesting selection of toys & stuff from the 70s & 80s era of Japanese cartoons. You should also take a trip through Lexington, site of a pivotal scene in American history, and also a place where an auto dealership uses Astro Boy to advertise their excellent service department. No, seriously.

I wouldn't kid about something like this

When visiting New England you owe it to yourself to visit the Fun Spot in Weirs Beach New Hampshire. Not only can you play skee-ball, immerse yourself in the largest selection of working classic arcade games under one roof in the Western hemisphere, and roll your eyes at the Objectivist lecturing thoughtfully provided by the management, you can also revisit your first exposure to Lupin III in the form of the laser disc video game Cliff Hanger.

Yes, it works, and yes, the game play is just as mechanical and unsatisfying as you remember. But hey, game play is still a quarter just like it was in the 80s! Pile up a stack of tokens and play your way through the ninjas and gather a crowd of awestruck 12 year olds around you!

Next on our journey we crossed over into Vermont, where we visited Quechee Gorge, a beautiful spot of natural wonder located providentially next to an antique mall. Antique Malls are surprisingly fruitful locations to find bits of Japanese pop culture hiding among the fake tin reproduction signage and the plastic M&M figures that ARE NOT ANTIQUES, and Quechee is no exception.

Here we see celebrity anime translator Neil Nadelman modelling a lithograph of the Speed Racer cast signed by Peter Fernandez and Corinne Orr. Like the helpful post-it says on the back, "they do the voices." And they do!  When visiting Quechee, head upstairs to their Toy Museum and prepare for your eyes to bug out and your jaw to drop at all the awesome, awesome toys they have on display that you cannot ever play with, ever.

Then you'll want to head over to Rutland Vermont, filming location of the amazing sci-fi drama Time Chasers. If you've ever wanted to learn Japanese, well, you probably own books published by the Charles Tuttle Company of Rutland. Well Charles Tuttle was a real person and he really lived in Rutland and he had his own building right downtown!

Then, and only then, may you visit the local thrift store and freely avail yourself of the 5-for-$1 VHS tapes.

And that was our vacation. Well, okay, it wasn't all ferreting out silly cartoon nonsense. We saw a bunch of friends and ate terrific meals and got some beach time in and even did a little paddling on one of New England's more picturesque lakes. For YOUR next vacation, why not consider the Quebec-Vermont-New Hampshire-Massachusetts region?

leftover Candy

I had a bunch of images that for whatever reason didn't make it into last time's Candy Candy post. In the weeks since posting the article, I also found some more interesting Candy imagery out in the hinterlands. So, in the interests of completeness, here's some more Candy Candy.

I completely neglected to show any of Igarashi's original Candy Candy manga artwork, a mistake I'm now making right to the best of my ability, with my beat-up used edition of volume 8. 

Many screencaps of the show were made for the article, and some of them didn't make the cut. Here's Candy and Annie enjoying the school dance. Candy is the one in the mask dressed as a man.

Later in the show Candy made a daring leap at a dramatic moment to save somebody or something from somebody or something, I forget.

The World Cup was happening at the time I was working on this article, and that is really the only excuse I have for what I did next.

The French-language Candy Book we mentioned earlier contains a lot of useful information for young girls - makeup tips, crafts, health and beauty advice, articles about pets and hobbies, and the importance of staying active with various sporting activities, like, say, roller skating.

Another fascinating part of the Candy Book was the sequence in which Candy gets an ill-advised tattoo.

The French and Italians and other European markets were inundated with anime merchandise in the 70s and 80s, and Candy was no exception, as we see from this charming fumetti advertisement for children's costumes and toys. Remember that one time that Grandizer and somebody in a Fantastic Four costume went to a birthday party with Candy? You don't? Well, here's proof!

Here's a closeup of that Candy play house / tent. Just the thing for your tea parties with Grandizer and Mr. Fantastic Four.

While on vacation recently, we stopped in an antique mall, as we are in the habit of doing from time to time, and we spotted this little bit of possibly unauthorized Candy Candy merchandise:

This children's sewing machine seemed to be in pretty good shape and was reasonably priced. If you're in the area (I-5 north of Seattle), it might make a good addition to your bootleg anime character merchandise collection. You do have one of those, right?


We were tempted to pick it up ourselves, but the logistics of getting this thing onto an airplane and back home in one piece are kind of daunting. So it remains, an example of the offbeat anime treasures that lie undiscovered across our great land. Much like Candy Candy itself - an anime series trapped in an eerie no-man's land, just out of reach. Let's all keep our spirits up and remain hopeful that all the parties involved can resolve their legal issues and bring Candy Candy back to her fans, old and new.

it's candy candy's world, we're just living in it

Our heroine’s about to be sold into Mexican child slavery, and that’s when the casual viewer begins to sit up and take notice, to realize that the girl’s cartoon Candy Candy is going to go way, way past frilly dresses, young loves, and funny animal sidekicks. Located somewhere near the kitsch-intersection of Mauve Decade tearjerker and 1970s anime, the struggles of Candice White Adley conquered shoujo manga, became a Toei anime and a worldwide phenomenon, and today are notable by the giant gaping hole its absence leaves in our pop culture map.

Want a forgettable romantic comedy starring a generic smiling tomboy and her charming pets? Go watch Lun Lun the Flower Angel, you wuss. Candy Candy is the real deal; a 100% tear-injected emotion-wringing pile-driving machine that spares nothing in its drive to deliver repeated jack-hammer emotional shocks to Candy.

But Candice White can take it. With a Shonen Magazine hero’s sense of justice and the horseback-lasso skills of a dime novel Wild West cowboy, Candy makes her own luck as she soldiers through an orphan’s life in the American Midwest, the social pitfall-infested lifestyles of the ultrawealthy, harsh British public school discipline, and the front lines of nursing during the pain and loss of a world at war.  Even though her heart is broken again and again, a healing return to Pony’s Home puts her right and before you know it, she’s back out in the world blazing her own trail.  

my Candy Candy cel

Author Kyoko Mizuki premiered Candy in a 1975 novel, shortly thereafter teaming up with mangaka Yumiko Igarashi to serialize Candy Candy’s adventures for several years in the venerable shojo monthly Nakayoshi.  Mizuki and Igarashi teamed up again with Nakayoshi’s Tim Tim Circus while Mizuki herself created kiddy comedy series Shampoo Oji in 2007. Igarashi’s post-Candy career includes the popular shojo series Lady Georgie, some work on the Anne Of Green Gables manga, and creating the seminal character “Boo Boo” in the 1983 anime Crusher Joe.

Toei’s  Candy Candy anime series would premiere in October of 1976, airing at 7pm Fridays on NET (now TV Asahi) for the next three years, and that’s when the Candy Candy merchandise train really got up a good head of steam, creating a blizzard of licensed goods for Japanese kids and eventual headaches for everybody’s legal departments. But I’m getting ahead of the story. Candy Candy showed up right as Europe was going crazy for Japanese cartoons and, as the girls’ counterpart to popular super robot mayhem, proved successful in France, Italy, Spain, Russia, China, Korea, the Arabic nations, Mexico, Nicaragua, Venezuela, Peru, Portugal, Colombia, Costa Rica, the Netherlands, the Philippines, and Francophone Canada via the CBC.  Echoing the changes inflicted on Japanese anime by American localizers, some of the less fortunate characters in Candy wind up “hospitalized” rather than “dead” in foreign versions.  Sadly, the good old US wouldn’t get its Candy; apart from one videocassette release via ZIV, Candy Candy would never appear in her home country. Chances are the good citizens of La Porte Indiana have no idea their most famous daughter is actually a Japanese manga character.

Candy Candy 33rpm story record w/ extra crayon

Both Candy and her future best friend Annie were abandoned as infants in a snowstorm outside Pony’s Home orphanage somewhere near La Porte in the early part of the 20th century.  When Annie is adopted, her wealthy new family forbids any contact with the orphans, and young Candy’s heart suffers the first of many shocks. Her sorrow is eased by the appearance of a mystery boy in a kilt and bagpipes who charms Candy’s tears away and then vanishes, to be forever remembered by Candy as “The Prince on the Hill.”

Candy’s destiny would see her adopted into and buffeted by the social machinations of the wealthy and powerful Adley clan. Brought into the venal Leagan branch of the family, as a playmate for the spoiled Neil and Eliza, Candy is protected by their noble cousins, Archie and Alistair Cornwall and the boy who strangely reminds her of her hilltop prince, Anthony Brown.  Hated by the jealous Eliza, the malicious Neil, and their pretentious mother, Candy is saved from the Leagans’ ire when she’s officially adopted by the Adley family’s secretive patriarch, Grandfather William.

the spoiled rotten Neil and Eliza, who should die by leeching

Reunited with Annie, abused by Neil and Eliza, imperiled by the crazy inventions of Alistair, and saved from drowning by the teenage hermit Albert, Candy’s budding romance with Anthony is destroyed just as it begins, in the series’ first major tragic turning point that shocked a generation of young fans. Heartbroken, the children are sent to an exclusive English private school, and en route Candy meets the rebellious young man who will soon become very important in her life, the moody bad boy Terry.  At St. Pauls, Candy will again face the wrath of Eliza as well as the stern discipline of an English public school, but even being unjustly locked in the punishment tower can’t break her spirit.

Archie, Anthony, Alistair

Terry reveals his tender side one glorious summer in Scotland, but their relationship is sidelined by Eliza’s jealousy, and when Terry quits school and returns to America to follow his theatrical dreams, Candy follows.  She braves the Atlantic as a stowaway and survives a snowy death-march back to Pony’s Home.  Her newfound determination to become a nurse finds her in the Merry Jane Nursing School, where the stern Merry Jane labels her a “dimwit” and contempt positively radiates from her older fellow student Franny. The cataclysmic European war brings the young nurses to St. Joanna Hospital in Chicago to learn advanced surgical nursing training – where Albert, returning to the narrative as an amnesiac war refugee, needs Candy’s skill to survive.

Terry’s acting career takes off as he grabs the lead in Romeo & Juliet on Broadway, and in spite of every plot contrivance, Candy and Terry reconnect. The rekindled flames of the Candy-Terry romance are threatened by sabotage from both Eliza and Susanna, Terry’s desperately lovesick costar. However, a tragic accident with a heavy stage light that finally destroys everyone’s chance at happiness, and the love triangle is demolished forever one snowy night in one of the more impressive displays of passive-aggressive behavior seen in the anime field, and only a healing retreat to Pony’s Home can help Candy recover.

a rare scene of Terry not smoking or drinking

After a car accident Albert’s memory returns, and he’s faced with a momentous decision.  A chance encounter on the streets of Chicago between Candy and Neil sparks a long-suppressed and possibly unbalanced desire. Candy has to deal with the repulsive attentions of Neil, while Eliza schemes to cause Candy eternal misery – halted at the last minute by the sudden appearance of the family’s patriarch, Candy’s mysterious benefactor Grandfather William. Candy learns not only the identity of Grandfather William but also the truth behind Candy’s first love, the “Prince on the Hill” – just in time for the series to end.

Candy and Albert, living in sin

Even for 115 episodes that’s a lot of story to get through, and I’ve breezed past so much – threatened by white slavers, Candy’s raccoon pet Kurin who was created just for TV, defying customs by smuggling said raccoon into England, Candy’s gender-bending waltz with Annie, the casual way Albert and Candy violate profound social mores by sharing an apartment, Candy demonstrating the horrors of mass warfare to a confused boy via a field of massacred cattle. We see fights in bars, a clinic that treats humans and animals alike, alcoholism, urban poverty, disease and death, crippled nurses returning from the Western front, and the tragic end to the romance between Alistair and Candy’s school chum Patty. Even the late-period “catch-up” story detour – to let the manga catch up with the anime, so they’d end together – is filled with drama, pathos, and cattle-stampede action.

French Candy book

The anime series only occasionally matched Igarashi’s lovely manga artwork, and vast liberties were taken in regards to the geography of North America – there aren’t any mountain ranges in Indiana, and you can’t get to Mexico in a day via carriage- but even the limited palette of mid 70s TV animation can’t hide the power of Candy, whose reach was inescapable. If you’re a woman of a certain age who was anywhere near a television in 1977-1980, you probably watched Candy Candy, read the manga, or bought the toy purse or the play house or the rack toys or saw the 1979 stage show starring Caroline Yoko… unless you lived in the States.

Two short Manga Matsuri films and a 1990 Toei OAV retold key story points, and the third Mizuki novel carried the story further into the 20^th century, but for millions the television series remains the Candy canon. It’s an entertaining show for all, no matter your age, ethnic background, or gender; the soap opera wizardry keeps you tuned in episode after episode to find out what fresh hell Candy will suffer next. I’m testament to this; I’m clearly so not the target audience for this show, and yet here I am, a middle-aged guy experiencing the confused stares of Mandarake clerks as I blunder through their shojo section, protected only by the presence of my wife.

Neil has totally lost it

 Beloved by girls on four continents, debate still rages over whether Candy should have ended up with Anthony, Terry, or Albert - Yumiko Igarashi married Anthony’s voice actor Kazuhiko Inoue, for what it’s worth in settling that controversy. Their son Namami Igarashi is a cross-dressing manga artist, the more talented Ed Wood of the mangaka set.

Candy Candy was even referenced on Saturday Night Live in their infamous “anime club” skit.  Sadly, this seminal shoujo series now languishes in Copyright Limbo, kept from a generation of fans who would love nothing more than to open up their wallets and hurl cash at Candy merchandise.  Locked away by dueling creator lawsuits and corporate unwillingness to approach a property located in such a legal minefield, Candy Candy bides her time.  Mark my words; when these petty legal issues are cleared up, there will be an explosion of pent-up Candy Candy enthusiasm that will rock the pop-culture world from Tokyo to Timbucktu.

Keep your candy in your Candy Purse

Candy Candy Ping Pong set (?) 

The problem?  Mizuki and Igarashi shared the copyright on Candy Candy with Toei taking a side interest. However, in the 1990s, Igarashi unilaterally started selling Candy merchandise, prompting Mizuki to file suit against her. The Tokyo district court awarded both Mizuki and Igarashi joint custody of Candy in 1999. This didn’t stop Igarashi from legally challenging Toei’s TV stake in Candy, the effects of which were to cause Toei to place a hold on both the original show and any new Candy productions.  With a checkered past on both sides of the law – 200,000 bootleg Candy Candy t-shirts were seized in 1979, and an attempt at selling Candy Candy puzzles in 2003 led to a 7.8 million yen judgment against the two management outfits who commissioned their manufacture – it’s easy to see how corporate Japan would shy away from the spunky orphan. 

Candy matsuri mask in its natural environment

This hasn’t stopped other Candy-crazed countries from releasing their own questionably-legal Candy merchandise, and right now the only way to see Candy Candy is through gray-market DVD sets with foreign dubs or iffy subtitles in three languages. Of course, here in the new age Candy Candy can be seen in various languages on the YouTubes, but streaming video is a convenient but temporary solution.  Will this embargo ever be lifted?  Will the three-way legal struggle ever be resolved to allow Candy Candy to once again return to and from Pony’s Home, to seek happiness and fulfillment wherever she can? One thing’s for sure; the melodramatic journey of Candice White Adley is far from over.

special thanks to my Candy friends James, Neil, and Dylan, and of course the hardworking staff at Pony's Home, La Porte, Indiana. 

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have some candy

Straight from the Miss Pony Orphan's Home to you, it's Candy Candy! One of the most popular shojo manga characters to ever bat her dinner-plate-sized eyeballs at dreamy boys on several continents, this adorable orphan emerged from the early 20th century Michigan woods with a pet raccoon and a impish desire to cause trouble.

The manga by Kyoko Mizuki and Yumiko Igarashi was originally serialized in Nakayoshi (home of Princess Knight and Sailor Moon). Toei Animation Company animated a CANDY CANDY television series that ran for 115 episodes from 1976 until '79. The show was broadcast in Argentina, Italy, Hong Kong, France, Puerto Rico, Africa, Southeast Asia, Canada, et cetera; and garnered a fanbase of soap-opera loving fans throughout the world. A dispute between Mizuki and Igarashi put the rights of the series into question for years, meaning one thing; no new CANDY CANDY.

CANDY CANDY's blend of exotic Western locales, the frilly shojo visual motifs of ribbons, curls, and flowers, and a melodramatic storyline that involves doomed romances, sabotaged romances, class-barrier-defying romances, and the First World War, remains popular even without legitimate releases. The memories of millions of worldwide fans and the interest of American shojo fans, themselves denied a childhood of CANDY CANDY merchandise, will no doubt keep this show firmly lodged in the frontal lobe of the collective unconscious.

In America, CANDY CANDY got all of one home video release in the early 80s from ZIV International, the folks who brought us English-language versions of the Toei series Captain Future, the "Take To The Sky" Captain Harlock, Angel, and Fables of The Green Forest. Dubbing was by Jim "Force Five" Terry. Reports of CANDY CANDY being broadcast on American television have yet to be verified.

(additional crayon added by the original owner)

Help us increase the CANDY CANDY quotient by enjoying the contents of this red-vinyl 33 rpm single! Side A is the opening and ending theme to the CANDY CANDY anime TV series, and Side B is an amusing story involving Candy, her pal, and some rich kids. Even if you don't speak Japanese, you can enjoy the powerful stereo separation that still survives in spite of the pops and crackles. Keep seeking happiness, Candy!

-Dave Merrill

Thanks for reading Let's Anime! If you enjoyed it and want to show your appreciation for what we do here as part of the Mister Kitty Dot Net world, please consider joining our Patreon!