{"id":"urn:lj:livejournal.com:atom1:kayay","title":"A brief diversion from the endless repetition of life.","subtitle":"Warning: May impair your ability to think.","author":{"name":"Fish"},"link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom"}},{"@attributes":{"rel":"service.feed","type":"application\/x.atom+xml","href":"https:\/\/kayay.livejournal.com\/data\/atom","title":"A brief diversion from the endless repetition of life."}}],"updated":"2014-07-20T06:13:21Z","entry":[{"id":"urn:lj:livejournal.com:atom1:kayay:617006","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/617006.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=617006"}}],"title":"Breakdown of DashCon's Responses","published":"2014-07-18T15:59:00Z","updated":"2014-07-20T06:13:21Z","category":{"@attributes":{"term":"conventions"}},"content":"This will cover their reply on <a href=\"http:\/\/dashcon.tumblr.com\/post\/92035400621\/fuckno-con-dashcon-dashcon-separating-facts\" target=\"_blank\" rel=\"nofollow\">Tumblr<\/a> [1] and their <a href=\"http:\/\/www.dashcon.org\/\" target=\"_blank\" rel=\"nofollow\">website<\/a> [2]. Let's start with what was posted on Tumblr. (Note: Anything stated by DashCon is in blue.)<br \/><br \/><blockquote>Q:Why did you say you were partnered with Random Acts, when it was obvious that you weren\u2019t? And why is it still on your blog as of this post?<img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><br \/><br \/><font color=\"blue\">A: We did intend to implement fundraising for Random Acts, but we hadn\u2019t gotten the donation receptacles placed prior to things going pear shaped on Friday evening. In light of those events, we felt it was questionable whether they would even want us to continue with our original plan and, thus, we didn\u2019t. I\u2019ve since spoken to our Random Acts contact, and it seems we made the right decision. I\u2019ve made an attempt to remove all Random Acts references from our blog. If you could point out what I missed, I\u2019d like to remove that as well.<font size=\"1\">[1]<\/font><\/font><\/blockquote><br \/>that does not explain why they claimed to be \"partnered\" with Random Acts. \"Fundraising\" is not the same as \"partnering\".DashCon claimed in June:<br \/><br \/><blockquote><font color=\"blue\">DashCon is happy to announce we\u2019ve partnered with Random Acts... <a href=\"http:\/\/dashcon.tumblr.com\/post\/88442757126\/dashcon-and-random-acts-the-partnership-of\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[2]<\/font><\/font><\/a><\/blockquote><br \/>Random Acts, however, stated:<br \/><br \/><blockquote>We did not have any formal partnership in place with DashCon. One of DashCon\u2019s administrators completed a Volunteer Fundraiser form and was approved to run a fundraiser benefiting Random Acts at DashCon. [...] As of now, we do not know if funds were collected prior to that time. Subsequent emails to the individual asking that both the misleading language be removed and that we be given an accounting of any funds collected with a date when they will be transferred have gone unanswered. <a href=\"http:\/\/therandomactorg.tumblr.com\/post\/91755370797\/we-have-received-many-emails-and-social-media\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[3]<\/font><\/a><br \/><br \/>This differs from a partnership in that we do not offer any support to the program and the Fundraiser accepts all responsibility in maintaining the integrity of the event. <a href=\"http:\/\/thegeekiary.com\/dashcon-follow-up-random-acts-partnership-didnt-exist-but-was-it-really-a-scam\/14786\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[4]<\/font><\/a><\/blockquote><br \/>Moving on to the committee head who wrote a series of I-know-the-real-story posts:<br \/><br \/><blockquote>Q: Why are you letting a former admin and volunteer badmouth WTNV and spread lies about one of the other guests? Don\u2019t use the excuse that they\u2019re not a staff member. They were a former admin, helped out at the convention, and ran several panels. The comments are only serving to make DashCon look even worse.<br \/><br \/><font color=\"blue\">A:I have very little control over what others say and do. She was going off of the information that we knew and had made available when the convention ended. Since the press release, she has since rescinded her statements.<font size=\"1\">[1]<\/font><\/font><\/blockquote><br \/>The person in question made <a href=\"http:\/\/theprofessorstrikesagain.tumblr.com\/post\/92032815336\/press-release\" target=\"_blank\" rel=\"nofollow\">one short statement<\/a> then acted as if nothing malicious had been said. As far as I know there was no disciplinary action.<br \/><br \/><blockquote>Q: I don\u2019t think giving a refund calls your rules and policies into question. You know what does? Changing them halfway through the convention so you don\u2019t have to refund anyone\u2019s money. <br \/><br \/><font color=\"blue\">A: Acting in opposition to one of our rules, as I\u2019ve been told, does actually call all of our rules into question. The fact that someone changed rule 21 during the event has no bearing on the fact that rule 25 states: \u201cThe Schedule is subject to change at any time, even during the convention.\u201d Everyone who bought a badge agreed to these rules, including the fact that the schedule could indeed change at any time. Sadly, that\u2019s exactly what happened. That\u2019s all there is to it. Additional questions about this policy would have to be addressed to our legal counsel, as this stance was formed around his expertise in the matter.<font size=\"1\">[1]<\/font><\/font><\/blockquote><br \/>Considering the questions regarding the enforceability of EULAs and ToS, I have my doubts about how well \"reserves the right to change these rules at any time\" without offering a refund would hold up in court, but I'm not a lawyer. Still, this is a crappy thing to do, considering con-goers paid <a href=\"http:\/\/dashcon.tumblr.com\/post\/84372980341\/night-vale-live-show-reserved-seats\" target=\"_blank\" rel=\"nofollow\">\"$10 for the Live Reading, and $15 for the Live Reading and the Q and A\"<\/a> for reserved seating <i>on top of the<\/i> $20 to $40 daily passes or $65 weekend pass. Furthermore, in the Q&A it was reported that DashCon:<br \/><br \/><blockquote><font color=\"blue\">The admins fully intend to refund both the 17k donations, starting with the largest donations and working down and the reserved Night Vale seating (about $15 per person), it has not been stated where the refund money will come from, other than the unused funds for Night Vale and the implication that they are currently holding funds intended for the hotel that were unavailable Friday night <a href=\"http:\/\/nelibelium.tumblr.com\/post\/91674466349\/dashcon-clarifications\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[5]<\/font><\/font><\/a><\/blockquote><br \/>Already they've gone back on their word. Claims for refunded donations, meanwhile, must be made within TWO DAYS of the official post. i.e. \"If you donated cash and would like it returned, please also let us know by 11:59pm EST on Saturday, July 19, 2014.\" That's not much time.<br \/><br \/>What about the hotel problems and the claims the Renaissance were demanding meanies who hated the attendees?<br \/><br \/><blockquote>it was suggested that the Renaissance Schaumburg had denigrated our attendees, saying that they didn\u2019t like the \u2018type of clientele\u2019 our event brought in. That has since been proven 100% untrue. When two of the Con Heads were told by the third that such a thing had been said or otherwise insinuated, it wasn\u2019t wholly unbelievable\u2014as it\u2019s happened to so many other events in the past\u2014and, in our state of panic, we believed what we were told, therein passing it along to our attendees. DashCon\u2019s sincerest apologies go out to everyone who was hurt by this statement... <font size=\"1\">[2]<\/font><\/blockquote><br \/>As a reminder, this was the official plea for help on DashCon's Tumblr.<br \/><br \/><blockquote><font color=\"blue\">The upper management of the hotel is threatening to shut down dashcon, unless we give them $17,000 by 10 p.m. Central Time tonight. Please go to DashCon.org and click the Donate button and give her anything you can. Unless we get this by tonight everything is cancelled. We suspect it\u2019s due to the fact that upper management doesn\u2019t like the people at the con. <a href=\"http:\/\/webcache.googleusercontent.com\/search?q=cache:U6EngrHV6IUJ:dashcon.tumblr.com\/post\/91506923986\/urgent-please-help\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[1](cached)<\/font><\/font><\/a><\/blockquote><br \/>Panic, tears and hysteria followed in the ballroom:<br \/><br \/><blockquote>...there is just utter fucking hysteria and panic going on. [...] The initial reports that came out of the mass hysteria rumor mill was that the hotel was demanding 17k as additional insurance money in the event that the con-goers caused damage to the hotel. This was perceived as insulting by the con-goers [...] People were under the impression that they would be kicked out of their rooms, and there was quite a bit of crying and calling parents to be picked up. [...] and the mob psychology in this room was running really fucking strong.<a href=\"http:\/\/lastratstanding.tumblr.com\/post\/91619974832\/this-is-a-very-very-long-post-about-all-that-has\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[6]<\/font><\/a><br \/><center>~~~~~~~~~~<\/center><br \/> they have been told they will be kicked out of the con and their rooms if we do not raise this money, emotions got high. There were people crying. I saw a girl outside SOBBING and I had to stop and make sure she was okay.<a href=\"http:\/\/emilydickensen.tumblr.com\/post\/91910156750\/so-this-isnt-a-secret-but-i-was-at-dashcon-this\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[7]<\/font><\/a><\/blockquote><br \/>Thus convention management -- a cosplayer and Animation student, a Hospitality Management major, and self published writer with \"practical business experience\" and \"a solid base of event planning\" who has \"proven herself to be organized, effective, professional, and punctual\" heard a rumor and ran with it to the attendees. Methinks someone took creative liberties with their experience and qualifications.<br \/><br \/>Regarding NightVale, DashCon stated on June 30 that Night Vale agreed to accept payment \"upon arrival at the event\". On Friday July 11th, however:<br \/><br \/><blockquote><font color=\"blue\">After the Meet & Greet, I [Megan Eli] sat down with all three of them to discuss how the Live Reading would go the next day. Prior to sitting down with them, I placed a call to Roxanne Schwieterman, who was in possession of their aforementioned check. She was unavailable to answer at the time, and we waited for her to return my call while speaking about the next day\u2019s event. After a brief\u2014maybe ten minutes\u2014discussion, she had yet to return my call. When I offered to call her again or try to track her down, they casually offered pick up the check the following day. <font size=\"1\">[2]<\/font><\/font><\/blockquote><br \/>Note that already DashCon was technically in violation of their agreement. By Friday night, Cranor was informed of the hotel problems, and he replied at 9:57pm, right around the time con-goers were being assembled in the ballroom -- expressing his concerns and requesting their money before their panel. Too busy asking for donations to \"save the con\", Megan Eli didn't see it until the next morning.<br \/><br \/><blockquote><font color=\"blue\">To the best of our knowledge, this email was only seen by one member of DashCon\u2019s staff, who replied to it at 9:17am CST on Saturday, July 12, 2014. Mr. Cranor\u2019s email, as well as our response, wasn\u2019t found by Cain Hopkins and myself until late into the evening on July 15, 2014. We\u2019ve since identified the staff member who sent the reply and taken measures to remove them from the company. We at DashCon consider this response abrupt, just shy of rude, and completely unprofessional. Those of us who remain with DashCon pride ourselves on keeping communication, regardless of the recipient, as professional as possible.[...] And, for the record, none of the funds offered to Mr. Cranor were taken upon his departure.<font size=\"1\">[2]<\/font><\/font><\/blockquote><br \/> Jeffery Cranor replied right away, and there was a lot of talking apparently. Keep in mind this is a good two hours before their noon panel. How truthful is their explanation, I wonder. Previously, Megan stated \"Roxanne Schwieterman, [...] was in possession of their aforementioned check\". In the YouTube video Roxanne mentioned they'd have to run to the bank, so there was a bank open. If there was a check, that implies the account had sufficient funds -- unless they were counting on Night Vale not cashing it right away -- and they could dash to the bank, get a cashier's check and be back by noon. And let me stress again that Night Vale did not violate their agreement as they were promised a check upon arrival. I don't know if the form of payment was ever mentioned before or in their contract, but the only thing the emails show is they stipulated payment come in the form of cash or a cashier check which is guaranteed not to bounce.<br \/><br \/><blockquote>That account is full of half-truthes and leaves a lot of things they did out, but on the plus side they publicized private emails without asking us. ~ Joseph Fink <a href=\"http:\/\/vastderp.tumblr.com\/post\/92127852416\/joseph-fink-maxnmona-clarifies-that-the-dashcon\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[8]<\/a> (<a href=\"http:\/\/forums.somethingawful.com\/showthread.php?threadid=3493679&amp;userid=0&amp;perpage=40&amp;pagenumber=75\" target=\"_blank\" rel=\"nofollow\">original source<\/a>)<\/font><\/blockquote><br \/>Megan Eli herself, in fact, was responsible for spreading false information.<br \/><br \/><blockquote>Among the last panels today was 'A Fond Farwell,' an opportunity to basically have a Q&A with the Dashcon Admins. [...] Because WTNV could not receive the funds in their manner of choice, they ended the relationship. They did take about half of what the total amount owed to them was to help cover accommodations (flights, hotel rooms, car rentals, etc). Now, this is all just from what Meg (one of the admins) stated on the panel.<a href=\"http:\/\/www.reddit.com\/r\/nightvale\/comments\/2akdmy\/dashcon_and_the_awkwardness\/ciwrvj2\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[9]<\/font><\/a><\/blockquote><br \/>Reviewing the video Roxanne never really lays any blame on the convention.<br \/><br \/><blockquote><font color=\"blue\">what happened today was just a fluke, and basically, what happened was, they wanted everything up front which.. and they didn't want to wait until after their panel -- they had to go run to a bank -- and they refused to wait until after their panel to let us give them the rest.<a href=\"https:\/\/www.youtube.com\/watch?feature=player_detailpage&amp;v=l3_6v4J6AIk#t=119\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[10]<\/font><\/font><\/a><\/blockquote><br \/>The overall problem I have with the apology \/ explanation is it reminds me of what some call the politician's apology. I normally dislike picking on grammar, but in this case I think it's justified. Review the post taking note of the use of passive voice -- \"We are deeply sorry. Mistakes were made. Action will be taken.\" The only time the writer, Megan, takes any personal responsibility is when it has a positive spin. When an email was missed, it was someone else's fault for not informing her rather than her fault for not checking up on an important guest. It was an admin's fault for not calling back but not Megan's when she couldn't make a call because of \"phone reception was shoddy all weekend long\". When minors were allowed to head or co-head committees, it <a href=\"http:\/\/dashcon.tumblr.com\/post\/92035400621\/fuckno-con-dashcon-dashcon-separating-facts\" target=\"_blank\" rel=\"nofollow\">wasn't Megan's fault<\/a> because \"Committees were already in place when I arrived [...] and I was still willing to try and clean it up.\" The people who were \"responsible for allowing minors into positions of power\" were dismissed, but for some reason many of them remained in those positions despite her working \"triple time\". Ultimately, she's the owner, the eldest, and supposedly the most experienced in whatever she thinks qualified her. She appears to be the first to take credit for the good things, but the last to take responsibility for the bad, and that doesn't sit right with me.<br \/><br \/><blockquote> @Gingerhazing <br \/>good on dashcon for releasing that statement and clearing the names of the guests they badmouthed - <font size=\"1\"><a href=\"https:\/\/twitter.com\/Gingerhazing\/status\/489831438636695553\" target=\"_blank\" rel=\"nofollow\">10:58 AM - 17 Jul 2014<\/a><\/font><br \/><br \/>@Gingerhazing<br \/>- but everything seems to come down to \"that wasn't US, that was another staffer and I never saw that until later\" and like <font size=\"1\"><a href=\"https:\/\/twitter.com\/Gingerhazing\/status\/489831535676125185\" target=\"_blank\" rel=\"nofollow\">10:58 AM - 17 Jul 2014<\/a><\/font><br \/><br \/>@Gingerhazing<br \/>that's IT, that's the issue. You have some kind of hydra monster running a convention and none of the heads are talking to each other??? <font size=\"1\"><a href=\"https:\/\/twitter.com\/Gingerhazing\/status\/489831635748007936\" target=\"_blank\" rel=\"nofollow\">10:58 AM - 17 Jul 2014<\/a><\/font><br \/><br \/>@Gingerhazing<br \/>if there are emails that are getting officially answered that the people in charge don't even know EXIST, THAT IS THE PROBLEM. <font size=\"1\"><a href=\"https:\/\/twitter.com\/Gingerhazing\/status\/489831768355119105\" target=\"_blank\" rel=\"nofollow\">10:59 AM - 17 Jul 2014<\/a><\/font><\/blockquote><br \/>As for the vendors, she addressed none of <a href=\"http:\/\/whatiselle.tumblr.com\/post\/92049974947\" target=\"_blank\" rel=\"nofollow\">their problems<\/a> in the statement.<a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:616769","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/616769.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=616769"}}],"title":"DashCon 2014 Part Deux","published":"2014-07-17T23:37:15Z","updated":"2014-07-18T16:18:18Z","category":{"@attributes":{"term":"conventions"}},"content":"This is a followup to <a href=\"http:\/\/kayay.livejournal.com\/616378.html\" target=\"_blank\">my previous post<\/a>.<br \/><br \/>Though kinder more forgiving souls are willing to give the DashCon heads the benefit of the doubt and label the mess \"growing pains\", the more I read of their series of misinformation and outright lies the more I'm inclined to believe otherwise.<br \/><br \/> To those who had a \"good time\", that's great, but it does not discount the negative experiences of the <i>Night Vale<\/i> fans, guests who were locked out of their rooms and given the run around, and vendors, artist and exhibitors who suffered bad sales due to grossly overinflated attendance numbers. To make matters worse, a committee head spread rumors and created a series of false stories documented <a href=\"http:\/\/princessparadoxical.tumblr.com\/post\/92006263992\/things-the-official-head-of-the-doctor-who\" target=\"_blank\" rel=\"nofollow\">here<\/a>. Eventually she was <a href=\"http:\/\/dashcon.tumblr.com\/post\/92035400621\/fuckno-con-dashcon-dashcon-separating-facts\" target=\"_blank\" rel=\"nofollow\">debunked<\/a> by the con itself, but the campaign she held against a guests who expected to be paid according to contracts is horrid. Though she was also possibly <a href=\"http:\/\/trashcon.tumblr.com\/post\/92012892414\/theprofessorstrikesagain-was-100-an-admin-at-one-time\" target=\"_blank\" rel=\"nofollow\">an admin at one time<\/a>, there was no mention of her being let go by the con. Basically, if the convention likes you, there's no consequences for spreading libel.<br \/><br \/><i>\"When people start telling malicious lies to cover up their own mistakes, that is when they go from innocent incompetents to just bad people.\"<\/i> ~ <a href=\"https:\/\/twitter.com\/PlanetofFinks\/status\/489199946298847232\" target=\"_blank\" rel=\"nofollow\">Joseph Fink<\/a><br \/><br \/><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\">But even if those unhappy people are a minority, and most managed to make lemonade from lemons, I'd rather not give my trust and money to organizers who, as far as I can tell, are unethical, manipulative and disingenuous. What kind of \"professional\" organizer takes large sums of money from a room containing of crying, upset minors afraid to be kicked out? Unless DashCon dumps their <a href=\"http:\/\/www.reddit.com\/r\/TumblrInAction\/comments\/2ajtg0\/more_dashcon_sadness\/ciw3hp9\" target=\"_blank\" rel=\"nofollow\">current leaders<\/a> and gets a whole new group of competent people, I have no faith in 2015. At the moment, it looks like it's business as usual, and their plans remain quite ambitious. For example, they're tossing around the idea of <a href=\"http:\/\/www.dashcon.org\/2015-meal-plan-proposal\" target=\"_blank\" rel=\"nofollow\">meal plans<\/a>, another expense they'll have to properly plan, budget for and manage. <br \/><br \/>There's a lot of rumors going around, but here's a few first hand experiences. Most attendees -- with perhaps the exception of <i>Night Vale<\/i> fans -- had a good time, making the best of the panels and enjoying the company of like minded fans, but exhibitors and artists seemed to have experienced more troubles. While attendees were generally well behaved, the staff were the ones to whip them up into a frenzy over the hotel issues.<br \/><br \/><ul><li><a href=\"http:\/\/emmagrant01.livejournal.com\/591443.html\" target=\"_blank\">Emma Grant's Account of DashCon<\/a><br \/><i>There had been a dance party and panels going on, but con staff had closed it all down and herded everyone into one room to tell them that they had an hour to raise $17,000 or the hotel was canceling the event. [...] The thing that bothers me the most is that the concom made enough money in the year leading up to the con to pay at least one person a salary for her work planning.<\/i><br \/><li><a href=\"http:\/\/www.reddit.com\/r\/TumblrInAction\/comments\/2ajtg0\/more_dashcon_sadness\/ciw0ca3\" target=\"_blank\" rel=\"nofollow\">More DashCon Sadness<\/a><br \/><i>...the people and artists are awesome, but there are some half assed events. I went to the Myazaki (studio Ghibli) panel and the woman who was leading it started off saying \"the person who was supposed to help me with this bailed and I will just let you pick my brain and lead the conversation\". [...] A friend of mine said the same thing about the Fandom Karaoke: no equipment, just making up songs on the spot and singing in an conference room full of people. We entertained ourselves, but there was no structure. <\/i><br \/><li><a href=\"http:\/\/kirbeh.tumblr.com\/post\/91532857647\/i-was-at-dashcon-ama\" target=\"_blank\" rel=\"nofollow\">I was at DashCon AMA<\/a><br \/><i>Many of the hallways and lobbies were barely populated at all; as a person who prefers going to larger conventions, I was disappointed. The Dealer\u2019s Room\/Artist\u2019s Alley left much to be desired. There were practically no dealers selling official merchandise of any kind. [...] I did sit in one panel [...]  for a cool three minutes or so before walking out the door. It started 15 minutes late and was so poorly improvised on the spot it was terrible [...] The worst part, though, had to be the so-called \u201cvideo game room.\u201d [...] there was only ONE TV in the entire room, along with a bunch of tables.<\/i><br \/><li><a href=\"http:\/\/emilydickensen.tumblr.com\/post\/91910156750\/so-this-isnt-a-secret-but-i-was-at-dashcon-this\" target=\"_blank\" rel=\"nofollow\">This isn\u2019t a secret but I was at dashcon this weekend<\/a><br \/><i>...when we attended the welcoming ceremony I was not impressed with these people in charge, they were 20+ and acted like children.[...] I don\u2019t think the blond guy at the podium was any help at all, I feel like he made everyone in the room feel desperate...<\/i><br \/><li><a href=\"http:\/\/www.reddit.com\/r\/IAmA\/comments\/2amky9\/ama_request_dashcon_attendee\/\" target=\"_blank\" rel=\"nofollow\">AMA Request Dashcon Attendee<\/a><br \/><i>The venue was FAR too large for a first-year con. [...] The vendor area was embarrassing. [...] The showing of Pacific Rim almost certainly violated copyright for a public performance<\/i><br \/><li><a href=\"http:\/\/fail-fandomanon.dreamwidth.org\/94889.html?thread=462748073#cmt462748073\" target=\"_blank\" rel=\"nofollow\">I'm at the con now and the panels just all got cancelled and were beimg herded to one room.<\/a><br \/><li><a href=\"http:\/\/lastratstanding.tumblr.com\/post\/91619974832\/this-is-a-very-very-long-post-about-all-that-has\" target=\"_blank\" rel=\"nofollow\">This is a very long post<\/a> and <a href=\"http:\/\/lastratstanding.tumblr.com\/post\/91895213938\/this-is-the-last-post-i-will-make-about-the-events\" target=\"_blank\" rel=\"nofollow\">This is the last post I will make about the events of Dashcon<\/a><br \/><i>As we approached the room our panel was being held in at 10pm, we were stopped by a member of Dashcon security, who told us to congregate in one of the large rooms, because an emergency meeting was taking place.[...] So, after the celebratory, \u201cWoo the con is back on everybody go to your panels!\u201d announcement was over around midnight, I found the nearest staff member and talked them into taking me back to the \u201cAdmin War Room\u201d as Riot and I have dubbed it, where I grilled one of the staff members about rescheduling the Hannibal Panel. They told me to send them an email, which I did, which included all my contact information and a request to call me at any time. [...] And then there was the mess about getting our panel back. I\u2019m not going to go into the exhaustive details of the whole he-said-she-said-ze-said event, but essentially, we were told three separate times by staff that our panel had been canceled, only to be texted by a con-goer whom we knew that we were back on the schedule! Had no one attending the convention alerted us, we never would have shown up!<\/i><br \/><li><a href=\"http:\/\/redfoxindy.tumblr.com\/post\/91879996794\/yes-i-was-media-for-the-convention-no-i-was-not\" target=\"_blank\" rel=\"nofollow\">Yes I was media for the convention<\/a><br \/><i>no I was not given what I was promised. I only care about the people that attended the convention now. I don\u2019t know what the future holds for Dashcon but I will do what I can for the people that attended. I lost a lot of money with this convention and not from donating but from just expenses incurred and not getting what was promised.<\/i><br \/><li><a href=\"http:\/\/peanutbummer.tumblr.com\/post\/92009614503\/yes-i-was-at-dashcon\" target=\"_blank\" rel=\"nofollow\">Yes I was at DashCon<\/a><br \/><i>The artist\u2019s alley opens at 8 only to artists, so I figured I would just go wait.[...] It\u2019s 7:20am. No one is watching the artists alley entrance and I try the door fully expecting it to be locked. It wasn\u2019t. Many artists left their wears in the artist alley because we were told that it would be locked and\/or guarded until artists were allowed in at 8am. This is a breach of contract, and therefore dashcon owes EVERY ARTIST AND DEALER full refunds for the tables the paid for($150 per table). Trying to confront the convention organizers about this proved frustrating. When Roxanne finally did meet with a group of artists, including myself, she refused to believe me when I explained the doors were unlocked and unguarded. As a group, we asked that we each be refunded fully for our tables since dashcon did not uphold their end of the contract. She asked for 30 minutes to make a decision. She did not ever actually meet with any of us again. Most of us were forced to leave before anyone would talk to us about the issue at hand due to things like travel arrangements, work the next day, etc etc.<\/i><br \/><li><a href=\"http:\/\/chiiathingy.tumblr.com\/post\/91689782904\/dashcon-masterpost-by-a-vendor\" target=\"_blank\" rel=\"nofollow\">Dashcon masterpost by a vendor<\/a><br \/><i>Not sure of full numbers yet but it doesn\u2019t feel like there were that many people there, not really. I\u2019ve seen a ton of numbers tossed out and none of them really seem to match.  So I had to send home a fair bit of stuff, which sucks. [...] <br \/>A girl comes around and introduces herself as the head\u2026something? I\u2019m not sure if it\u2019s the dealer room head person or what but she\u2019s basically the vendor\u2019s POC. Very nice girl, I give her one of the extra pastries I have. The other girl who I met on day 1 ended up resigning, I guess. Fantastic.  I don\u2019t think anyone who signed up for this knew what they were signing up for. <\/i><br \/><li><a href=\"http:\/\/misslucid.tumblr.com\/post\/92013966464\/what-the-heck-happened-at-dashcon-an-artists\" target=\"_blank\" rel=\"nofollow\">What the heck happened at DashCon, an artist's perspective<\/a><br \/><i>Those of us in the AA were starting to freak out about not being able to make back what we put in to going to this con. This is a risk of every convention, but DashCon exploded so fantastically around us that the majority of the artists there did not break even. I was one of the lucky few that was able to pay for my hotel and table, but taking in the time I took off work to be there, it was by a slim margin. This was supposed to be a con to end my summer con season on a good note. Instead I this hot mess of complete financial irresponsibility surrounded by lies and mystery. [...]<br \/>Sunday: At 7:20AM a fellow artist checked out the AA doors to find them unlocked and no security present. We had hotel security confirm that they had been unlocked since 5AM. [...] Myself and a group of other artists went to speak with the head of the con around 9:30AM. We were told we would have to wait for Roxanne, probably for a half hour. We were there for at least an hour before she showed up and spoke with us for maybe five minutes. We weren\u2019t getting anywhere in the conversation, so we just asked for our money back and for us to be released from our contracts as we did not want to be associated with DashCon as vendors any longer. She told us she would have to talk about it with her fellow admins and disappeared again. [...] Things didn\u2019t get cleared up. Elle was refunded a paltry fraction of the table cost, and there was no legal clarity achieved whatsoever. <\/i><br \/><li><a href=\"http:\/\/thezodiacprophecycomic.tumblr.com\/post\/91954382521\/dashcon-official-statement\" target=\"_blank\" rel=\"nofollow\">DashCon Official Statement<\/a><br \/><i>the icing on the cake for me we were informed that the doors to the hall had been open since 5 AM. This was completely unacceptable. Our entire stock was left in the hall. We were told explicitly in our contract that the doors would be locked after we had left and that they would not be open till 7AM. So we, us including other artists and vendors, decided to go to the con admins and ask for our money back. If things went as we hoped we would have taken our refund and kindly left the convention with no ill will. But instead we were ignored for and hour and a half. When we were finally able to speak with the head admin she tried to say that another artist was blatantly lying about the time they came in and the fact that the hall was completely unguarded. And I don\u2019t mean in a firm way I mean she was practically stomping her foot about it.<\/i><br \/><li><a href=\"http:\/\/whatiselle.tumblr.com\/post\/91862766322\" target=\"_blank\" rel=\"nofollow\">My Dashcon experience as an Artist<\/a> (TINY FONT WARNING)<br \/><i>9:30 AM Along with 2 staff witnesses, a volunteer security personnel for DC, we (Myself and 5 others) confront Roxanne about our concerns. After asking for a refund, she quotes us 30 minutes to talk about it with other admins. We agree. <br \/>Noon: We (myself and booth-mate) finish packing up and wait to hear back from Roxanne. (Nearly 3 hours by this point)<br \/>1:00PM Roxanne and others leave the room next to the registration office to go to the final farewell without saying anything to us. <br \/>Approximately 2:30PM: We talk to Roxanne again. We demand our money back. She leaves to discuss this again with other Admins while saying again that badge sales are non-refundable. I persist. <br \/>My table mate and I wait for news. A woman (staff, likely) hands me 20$ saying \u201cThis is for you.\u201d I ask her what it\u2019s for. She says she \u201cdoesn\u2019t know, they just told [her] to give it to [me]\u201d. I say \u201cIs this for the tables? I had two.\u201d And she goes back to ask for more information. She comes back minutes later with 40$ saying that this is the difference between 4 badges (for the 2 tables) and the actual table cost. <br \/>Roxanne still has not come back to talk to me. I leave without seeing her or any more admins. This \u201chalf hour\u201d process takes 5 hours from start to finish.<\/i><br \/><li><a href=\"http:\/\/hythe.tumblr.com\/post\/91827173957\/interview-with-dashcon-artist\" target=\"_blank\" rel=\"nofollow\">Interview with a DashCon Artist<\/a><br \/><i>Artists paid $150 for their tables; vendors paid $300.<br \/>Admins assured artists and vendors that they were expecting 3,000-7,000 attendees, which as we know did not happen, but the artists anticipated those numbers.<br \/>Some artists did very well, others were just barely able to break even.<br \/>On Saturday morning, Amber, the admin who was in charge of the artist alley\/vendors\u2019 hall resigned. The replacement staff member was seen once and then never again.<br \/>Set-up and opening times were unclear and not communicated properly to artists and vendors.<\/i><br \/><li><a href=\"http:\/\/hythe.tumblr.com\/post\/91800502967\/interview-with-dashcon-volunteer\" target=\"_blank\" rel=\"nofollow\">Interview with a DashCon Volunteer<\/a><br \/><li><a href=\"http:\/\/animesecrets.org\/dashcon-2014-day-1-friday\/\" target=\"_blank\" rel=\"nofollow\">Anime Secrets DashCon 2014<\/a> <br \/><i>Although it was already 2pm, some of the dealers hadn\u2019t arrived or finished setting up yet [ED: according to a friend, vendors only had four hours to set up before the hall opened, which is ridiculously rushed] [...]<br \/>We had barely gotten underway on our first episode\u2014the panelist was a no-show, so a few of the DashCon staff went out of their way to procure speakers and an mp3 device containing the podcast\u2014when the door opened at the back of the room. Three staffers appeared and announced that, due to a financial issue, they\u2019d have to move us into the ballroom. [...] In the hallway, however, my friend and I realized that all the panels were being herded into the ballroom...<\/i><\/li><\/ul><br \/>Finally, those arguing anyone who didn't attend DashCon has not right to criticize it, lets apply that logic to other important issues. If you've never been assaulted or bullied, does that mean you have no right to take a stand against such things? Before you say, \"But it's different\", I ask you, \"Why?\" Is it because it's not a \"crime\"? Some argue bullying isn't an official crime, but no moral person would condone it. Because the organizers are \"good people\"? \"But s\/he's a good person\" or \"S\/he's always been nice to me,\" are often used to excuse acts of abuse. \"You wouldn't understand if you weren't there\"? You're telling me the only people who have a right to stand up against a wrong are the victims themselves? That's bullshit.<br \/><br \/><br \/><font size=\"1\">Additional articles can be found on <a href=\"http:\/\/observationdeck.io9.com\/when-fandom-falls-apart-dashcon-edition-1604303148\" target=\"_blank\" rel=\"nofollow\">io9<\/a>, <a href=\"http:\/\/www.escapistmagazine.com\/news\/view\/136108-Tumblr-Convention-Disaster-Unfolds-at-Illinois-DashCon\" target=\"_blank\" rel=\"nofollow\">Escapist<\/a>, Reddit, <a href=\"http:\/\/fail-fandomanon.dreamwidth.org\/94889.html?thread=463175849#cmt463175849\" target=\"_blank\" rel=\"nofollow\">Fandom Fail<\/a> on Dreamwidth, and <a href=\"http:\/\/www.journalfen.net\/community\/fandom_wank\/1306987.html\" target=\"_blank\" rel=\"nofollow\">Fandom Wank<\/a> on JournalFen.<\/font><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:616378","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/616378.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=616378"}}],"title":"Failed Conventions: DashCon 2014","published":"2014-07-16T03:39:21Z","updated":"2014-07-16T11:52:43Z","category":{"@attributes":{"term":"conventions"}},"content":"What happens when a group of fans with no relevant experience get together to run a three day geek convention? DashCon 2014.  It begun its life as Tumlbr-Con, organized by fans who had no idea what they were doing.<br \/><br \/><blockquote>While Dashcon was Tumbl-Con USA, they decided to create committees for each fandom to raise money for the convention itself. Their method would be to ask popular fanartists\/fanfic writers to donate fanworks so that they could be auctioned off and the proceeds would go to the con. They first wanted to secure a convention area and get hotels. The way the committees were formed was absolutely fucked up, they literally put an open call on the blog and said \u201cWHO WANTS TO FORM A COMMITTEE TO HELP US RAISE FUNDS?\u201d they asked no questions whatsoever.  <a href=\"http:\/\/augustinesycamore.tumblr.com\/post\/91592502875\/here-goes-i-decided-to-write-up-my-personal\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[1]<\/font><\/a><\/blockquote><br \/>What about the organizers? Surely they had the chops to handle something of this scale. <br \/><br \/><blockquote> None of the main convention organizers appear to have a background in fan conventions or similar events. DashCon owners Megan Eli and Roxanne Schwieterman are a novelist \u201cwith 15 years of business experience\u201d and a 20-year-old with \u201ca degree in hospitality management,\u201d respectively. <a href=\"http:\/\/www.dailydot.com\/geek\/dash-con-controversy-tumblr\/\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[2]<\/font><\/a><\/blockquote><br \/>Early plans fell through, such as the production a web series called <i>Tumblr University<\/i> because the art director (I have not verified his claims) \"<a href=\"http:\/\/augustinesycamore.tumblr.com\/post\/91679232965\/heyo-former-art-director-here-yes-i-left-i-was\" target=\"_blank\" rel=\"nofollow\">saw<\/a> a <a href=\"http:\/\/augustinesycamore.tumblr.com\/post\/91681092685\/no-i-completely-get-it-the-main-person-rox-had-us\" target=\"_blank\" rel=\"nofollow\">sinking ship<\/a>\".<img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><br \/><br \/><blockquote>some of the \u201cheads\u201d were as young as 13. I told them they needed to vet and screen people, and people who are at least 18, but they took anyone who volunteered. I believe a few of the admins were still in high school. And as a first hand witness, they did indeed treat you guys like shit, and there\u2019s WAY more things they did wrong behind the scenes but I\u2019m running out of characters. [...]<br \/><br \/>I left mainly because they are NOT experienced. In ANYTHING. As someone who\u2019s worked for big companies and work behind-the-scenes all the time, I saw that they were just a group of kids on the Internet LOLing over an idea.<\/blockquote><br \/>Three days seems overly ambitions for a brand new con with new organizers.  Moreover, the article and <a href=\"http:\/\/augustinesycamore.tumblr.com\/post\/91902712920\/i-didnt-expect-to-write-this-but-here-is-part-3\" target=\"_blank\" rel=\"nofollow\">other sites reported<\/a> names like Misha Collins, Benedict Cumberbatch, Ian Somerhalder, Stan Lee, Tom Hiddleston and Tom Felton were considered as guest. These are high profile actors, some with smart, tough cookie agents who won\u2019t take any B.S. If fact, if those agents even accepted an offer from such an unproved new convention I\u2019d have been extremely surprised.<br \/><br \/>The numbers didn\u2019t even add up. Originally organizers <a href=\"http:\/\/dashcon.tumblr.com\/post\/53318029019\/badge-and-hotel-pricing-faq\" target=\"_blank\" rel=\"nofollow\">projected three to seven thousand<\/a> attendees with costs of over $100,000. However, <a href=\"http:\/\/dashcon.tumblr.com\/post\/89935086461\/announcing-dashcon-daily-ticket-prices\" target=\"_blank\" rel=\"nofollow\">only 500 tickets were available each day<\/a>. Even assuming that was for one day passes only,  you\u2019d need to have at least 1500 three day tickets to reach their goals. As far as I know, there were no presales.<br \/><br \/>Unsurprisingly, things quickly went pear shaped by day one.<br \/><br \/><blockquote>a Saturday badge cost $45 [...] At 9PM, the organizers claimed that because of a sudden change of plans with hotel staff, they had to raise $17,000 within an hour or shut down the convention <a href=\"http:\/\/www.theverge.com\/2014\/7\/15\/5901679\/disastercon-how-a-tumblr-fan-conventions-big-dream\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[3]<\/font><\/a><\/blockquote><br \/>This sounds familiar, much like some of the problems those failed anime cons had. Even if I love the fandom, I refuse to toss money at people who have no idea how to manage it. Furthermore, shouldn't the convention have a contract with the hotels stating the rates and monies owed? I'm no expert on this, but it just seems the logical business-y thing to do. At best, the con staff failed to understand and honor whatever the contract stated. And what if they hadn\u2019t been able to raise enough? Would the money be returned right there and then?<br \/><br \/>A video of the plea for money is <a href=\"https:\/\/www.youtube.com\/watch?v=RCSgrHogq6I\" target=\"_blank\" rel=\"nofollow\">here<\/a>. Though DashCon promised to be <a href=\"http:\/\/dashcon.tumblr.com\/post\/91532419341\/the-explanation\" target=\"_blank\" rel=\"nofollow\">\u201drefunding you guys after the convention as soon as possible\u201d<\/a> it's uncertain how they\u2019ll do so as there\u2019s no evidence that they kept a record of donations.<br \/><br \/>Things got worse on Saturday.<br \/><br \/><blockquote> a room full of people have been waiting over an hour to see the creators of beloved surrealist podcast <i>Welcome to Night Vale<\/i>. When an organizer says they left after not getting paid, a cry of disbelief runs through the audience. <a href=\"http:\/\/www.theverge.com\/2014\/7\/15\/5901679\/disastercon-how-a-tumblr-fan-conventions-big-dream\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[3]<\/font><\/a><\/blockquote><br \/>Aren\u2019t guests paid up front or a percentage up front and the rest at the convention? If it\u2019s all worked out prior to the convention this really shouldn\u2019t be an issue, should it? Dash Con spun the explanation thusly: <br \/><br \/><blockquote> With regards to today and Welcome to Night Vale, we don\u2019t want to get into it, but we want to officially say that we did have the money for Night Vale, and a large majority of it was in cash. The remainder was available via PayPal, but unfortunately PayPal was malfunctioning and they were unwilling to wait. <a href=\"http:\/\/dashcon.tumblr.com\/post\/91582246126\/clarifications-and-back-up-plans\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[4]<\/font><\/a><\/blockquote><br \/>Moreover, in the <a href=\"https:\/\/www.youtube.com\/watch?v=l3_6v4J6AIk\" target=\"_blank\" rel=\"nofollow\">The Geekiary video<\/a> the convention representative who delivers the band news, in my opinion, implies Night Vale just wasn\u2019t patient enough, i.e. if only WTNV would have waited after the panel or hadn\u2019t wanted \u201ceverything up front\u201d. <br \/><br \/><blockquote>The con didn\u2019t have the money to cover WTNV\u2019s transportation and performance fees. When WTNV asked them to pay the remainder of their performance fee prior to the panel beginning, DashCon was unable to do so, and WTNV walked out as they are positively free to do because what the fuck you don\u2019t invite keystone guests if you aren\u2019t able to pay their fees upfront (and showing them your PayPal balance on a smartphone absolutely does not count). <a href=\"http:\/\/hythe.tumblr.com\/post\/91687190552\/you-seem-to-really-not-like-dashcon-is-it-like-the\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[5]<\/font><\/a><\/blockquote><br \/>But this isn\u2019t the whole story, and Night Vale had this to say:<br \/><br \/><blockquote> The organizers of an event we were scheduled to be part of today were unable to pay for our flights, hotel, or performance fee.<br \/><br \/>We tried very hard to make this happen. We took a full break in the middle of our July tour to attend this small fan-based event. We paid for our own hotel and plane fare, and were very excited to be part of this intimate fan gathering. But after a morning of discussion, organizers were unable to pay for the costs of travel and performing. <a href=\"http:\/\/happierman.tumblr.com\/post\/91567505339\/apologies-to-fans-in-northern-illinois\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[6]<\/font><\/a><\/blockquote><br \/>Then guests found out they had to pay for their own hotel rooms.<br \/><br \/><blockquote> After the Night Vale panel was called off, guest webcomic artist Noelle Stevenson discovered secondhand that she would be paying her own hotel bill, after having to moderate her own panel. She ended up sleeping on a sofa in the Night Vale cast\u2019s Airbnb rental. Sherlock Holmes podcasters the Baker Street Babes pulled out of the show for the same reason.<a href=\"http:\/\/www.theverge.com\/2014\/7\/15\/5901679\/disastercon-how-a-tumblr-fan-conventions-big-dream\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[3]<\/font><\/a><\/blockquote><br \/>Though <a href=\"https:\/\/twitter.com\/Gingerhazing\/status\/489098442199662593\" target=\"_blank\" rel=\"nofollow\">Stevenson<\/a> and the <a href=\"https:\/\/twitter.com\/BakerStBabes\/status\/489098874275913729\" target=\"_blank\" rel=\"nofollow\">Baker Street Babes<\/a> got their money refunded -- after <a href=\"http:\/\/bakerstreetbabes.tumblr.com\/post\/91649409655\/dash-con\" target=\"_blank\" rel=\"nofollow\">much hassling<\/a> -- it shouldn\u2019t have happened in the first place.<br \/><br \/>Even the supposed charity tie became suspect as the Random Acts didn\u2019t even have an official joint project with DashCon.<br \/><br \/><blockquote>Critics cast suspicion on a \"partnership\" with charity Random Acts, which later said it had only approved a fundraiser, not agreed to any kind of joint project. <a href=\"http:\/\/www.theverge.com\/2014\/7\/15\/5901679\/disastercon-how-a-tumblr-fan-conventions-big-dream\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[3]<\/font><\/a><\/blockquote><br \/>While it's great to raise money, I think it's a mistake to assume people doing something for charity = competent. To top it off was the feedback panel at the end in which the organizers promised a DashCon 2015. After such a big failure, I sure as heck wouldn\u2019t pay to any convention by the organizers.<br \/><br \/><blockquote>There was in fact a feedback panel at the end of the convention during which the organizers claimed that DashCon 2015 was still going to happen, and I for one am interested in seeing how that pans out <a href=\"http:\/\/thegeekiary.com\/dashcon-follow-up-random-acts-partnership-didnt-exist-but-was-it-really-a-scam\/14786\" target=\"_blank\" rel=\"nofollow\"><font size=\"2\">[7]<\/font><\/a><\/blockquote><br \/>Everyone thinks they can just jump in and organized a con, but without the know how or connections to pull off such a large endeavor the odds are against you. Successful conventions are usually run by staff of other conventions; they understand what's needed as far as logistics, costs and contracts and the potential problems that may arise. Though I've known some smart teenagers, chances are a group of 18 to 20 year olds are going to have limited to no experience when it comes to this kind of thing. Perhaps if they'd planned small they might have pulled it off.<br \/><br \/>I see this a lot in writing circles where someone wants to start their own publishing business. They think \u201c business experience\u201d or \u201c degree in hospitality management\u201d is proof of their competency, yet they lack the detailed knowledge and experience of the actual industry. Often criticism or concerns are met with hostility or labels of being a \u201chater\u201d \u2013 another warning sign. But in the end, the majority fail and take many a writer down with them.<br \/><br \/>Years back there were a string of failed fandom and anime conventions -- and one outright scam-- by people who saw the attention organizers received and craved their own little slice of praise and fame. Imagine rubbing elbows with some of the big Names in the fandom! The respect of being a committee head or possibly a Big Star can cause some to toss caution to the wind, and the bigger the event the better. A one day gathering simply wouldn't do. A few were actually well intentioned but all were ill prepared and inexperienced.<a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:616082","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/616082.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=616082"}}],"title":"F*X*T","published":"2014-04-05T03:12:33Z","updated":"2014-04-08T15:52:51Z","category":[{"@attributes":{"term":"art thoughts"}},{"@attributes":{"term":"writing thoughts"}}],"content":"Been away a while, and there's a lot of topics I could go on about, but I'm not sure who's around anymore. Most people I know have moved on to Twitter, Tumblr or even resigned themselves to the bowels of Facebook.<br \/><br \/>While looking up old transcripts, I discovered <a href=\"http:\/\/kayay.livejournal.com\/?skip=10&amp;tag=writing%20thoughts#asset-kayay-569251\" target=\"_blank\">this old post<\/a> about a magazine project called F*X*T. I was skeptical, but they did, apparently, create a product. the only problem is... they only produced two issues though it was supposed to be a \"quarterly serialized comic and illustration magazine\". Even <a href=\"http:\/\/www.fixit-mag.com\/\" target=\"_blank\" rel=\"nofollow\">their website<\/a> hasn't been updated since 2010and <a href=\"https:\/\/twitter.com\/FIXITMag\" target=\"_blank\" rel=\"nofollow\">Twitter<\/a> since 2011. <br \/><br \/><blockquote>Fawn is probably well intentioned, but so are many who want to start their own small press or anime con, and a lot of those don't get very far.<\/blockquote><br \/>So while my concerns about the Kickstarter were not completely right, my doubts were not entirely unfounded. The two issues FiXIt did create look nice, but in the end, it didn't last as long as it was supposed to. As much as supporters don't like to hear it, and as much as they think it's pessimistic naysayers, the harsh truth is: running a publishing house (even for one magazine) is not easy.<br \/><a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:615762","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/615762.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=615762"}}],"title":"A Liberal Arts PR Problem","published":"2013-10-01T22:20:53Z","updated":"2013-10-01T22:47:32Z","category":[{"@attributes":{"term":"money money moooney"}},{"@attributes":{"term":"education"}}],"content":"\"Help a broke anthropology student go to field school!!!!\" read the GoFundMe. The amount for the summer study abroad was raised, but a couple of months later another plea went up to help cover rent, bills, medicine and moving. A few days later followed posts about how much they\u2019re enjoying the latest Grand Theft Auto, currently retailing around $60.<br \/><br \/>It was this that made me wonder something. Sites like Reddit, according to a friend, bristle when people stress STEM (Science, Technology, Engineering and Math) over the liberal arts --  a misconception of liberal arts students being less intelligent doesn't help -- but I wonder if people are being a little blind or naive in defense of the latter.  People want to believe their degree is useful and their money well spent. They want to believe there's a future for them, but no matter how fascinating that degree is it might not actually be marketable. Case in point: anthropology. <br \/><br \/><blockquote>According to Vicki Lynn, senior vice president of Universum, a global talent recruiting company that works with many Fortune 500 companies, bachelors degrees in anthropology and area studies are useless for finding a job.[\u2026]<br \/><br \/>This goes back to my argument in my previous post that Anthropology has a huge PR problem. It is also reminiscent of the time Gov. Rick Scott of Florida tried to eradicate anthropology from his state because of its inherent uselessness. [\u2026] In my previous blog post, I concluded that anthropology's problem is at least two-fold: how we engage with each other and how we present ourselves to the rest of the world. Clearly we are failing at the latter. [\u2026] It is easy to dismiss assessments like this of anthropology as \"ignorant\"; however, we are responsible for the level of public ignorance about anthropology and its usefulness in the world. <a href=\"http:\/\/www.analogdigital.us\/2012\/12\/unwanted-dont-bother-earning-degree-in.html\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[1]<\/font><\/a><\/blockquote><br \/>Thus a field where students are supposed to develop \u201canalytical reading and critical thinking skills\u201d and \u201chow to deal with unfamiliar social situations\u201d is failing miserably at getting across what they can do. Even in other countries it suffers an image problem. In Thailand, for example, it\u2019s popular among upper class females but considered something of a throwaway degree, and the \"smart\" people get STEM degrees. <br \/><br \/>But there\u2019s another possible problem, in my opinion. The above article quotes how anthropology is useful to many fields such as medicine, business and teaching. However, how many people decide they need an anthropologist over an economist, or over a physician? Are students not being properly prepared or, worse, deceived?<br \/><br \/>Though I have a Bachelor\u2019s and Master\u2019s of Science, I took many extra liberal arts classes because I enjoyed them. In fact, I believe my anthropology, literature and language classes helped develop my critical thinking and communication skills in ways the hard sciences don't.  It may be my ego speaking, but looking back on some of my predictions and analysis of social situations I've been in, I think I called them pretty well and believe those classes played a role. In other words, STEM + liberal arts are a useful combination. That's why most colleges push for students to take classes in both, but it's usually the absolute bare minimum, and the liberal arts kids trudge through the STEM classes, promptly forgetting these \"unnecessary\" classes once the semester is over, and vice versa. <br \/><br \/>Let me stress show much I enjoyed my Anthro classes. The teacher was fun, the discussions engaging, and the idea of a career in anthropology was intriguing. But what do you think of as careers options when one says \"anthropology degree\"? If you're like me, what first comes to mind are teaching and museum work. Some probably even picture exciting trips to far off locations working with indigenous people or uncovering artifacts; in fact this is the image I found pushed most by the university. Rarely did I hear about work with an economist or doctor in an office or hospital setting. It wasn\u2019t nearly as exciting sounding and doesn\u2019t cost thousands of dollars of the student\u2019s money to study abroad. <br \/><br \/><blockquote>Yet his suggestion that the field is not preparing its graduates for jobs is not so far off the mark. For all that the discipline has done to defend the many jobs that anthropology graduates are prepared for, beyond the academy few of these jobs require a background in anthropology as much as they require generic skills in critical thinking, writing and social science methodologies -- skills obtained from any number of liberal arts degrees. And when it comes to advanced degrees in anthropology, a strong argument can be made that the degree is one of the most cost-ineffective degrees out there. According to the National Science Foundation, a Ph.D. in anthropology takes more time than any other degree to achieve -- with a median age at graduation of 36. Yet the number of jobs for those graduates is among the lowest<a href=\"http:\/\/www.huffingtonpost.com\/janice-harper\/rick-scott-anthropology_b_1010881.html\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[2]<\/font><\/a><\/blockquote><br \/><br \/>As for the costs:<br \/><br \/><blockquote> Patrick Buehler, 20, is a case in point [...] as a junior in anthropology, he currently holds $60,000 in debt and expects to owe $80,000 upon graduation. \u201cI\u2019ve wondered if going to college is still worth it. Will I be able to pay back all those loans?\u201d[\u2026]<br \/><br \/>PBS Newshour found Cook in Colorado washing trashcans, at $9 an hour, to support his wife and young son. Together with his wife they owe $60,000 in student loans. Two years after receiving a B.A. from Georgia State University, Cook was profiled on the December 3, 2010 broadcast. \u201cI don\u2019t want to seem ungrateful,\u201d he told PBS, \u201cI just feel like I devoted years of my life and thousands of dollars into developing specialized skills that I\u2019m not using\u201d[\u2026]<br \/><br \/>John Smith is an adjunct professor at a Southern University and owes $125,000 total for his three degrees: BA, MA, and PHD in anthropology. \u201cI\u2019ve been able to get them on a reduced payment from the $1700 per month that I was supposed to pay to $151 a month based on my low income,\u201d he told me. \u201cI am being paid an adjunct wage of $3000 per class. \u2018There just isn\u2019t any money to pay you more than this.\u2019 I am told. At four classes per semester that comes to $24,000 per year[\u2026]<br \/><br \/>Another anthropologist, Elizabeth Beeker, is a graduate student about to defend her dissertation. \u201cI have at least $75,000 worth of school debt from undergraduate, a post-bacc, and graduate school. I think with the undergraduate and post-bacc I had no idea what I was getting into. After, I couldn\u2019t repay because I wasn\u2019t making enough money. I think the amount is so much more than the base amount I borrowed because of compounding interest rates! [...]  My family has no money. I\u2019ll be the first person to get a Ph.D. But I\u2019ve had no family help for school expenses. My undergrad was paid for by some scholarships, but mostly school loans. I didn\u2019t think it would be a big deal or didn\u2019t envision I would have problems paying it back.\" [\u2026]<br \/><br \/>\u201cI\u2019m personally sitting on nearly $70K in student loan debt.\u201d Mary Guilford told me. \u201cMy undergraduate degrees are in Anthropology and Political Science, and I received a recent Master\u2019s Degree in Social Planning. I blame myself as much as my degree choices for now being unemployed, unemployable, and desperate for anything I can get. It seems a bachelors degree in anthropology in the U.S. gets you very little, other than qualified to work with people in some capacity. Trying to explain it to potential employers is an entirely different nightmare. They recognize the human aspect but not the intricacies that an anthropology degree gives you. Nor does it seem that the U.S. truly respects the degree, as everything is so market driven economics, that the human aspect goes untouched unless it is included in some way to make more money.[\u2026]<br \/><br \/>Christina Stewart is currently in graduate school getting her Ph.D. in archaeology. [...] \u201cSo, now that I am in graduate school, and I am still having to take out student loans just to get by in graduate school and help pay back these private student loans I took out as an undergraduate [...] my student loan debt is well over $100,000 and so is my husband\u2019s.\"<a href=\"http:\/\/sfaanews.sfaa.net\/2011\/11\/01\/student-loan-fury-at-occupy-wall-street-anthropologys-shadow-world-of-debt-and-despair\/\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[3]<\/font><\/a><\/blockquote><br \/>Maybe it's help if universities started to stress to students the usefulness of those boring non anthro classes while working with other professors to explain how these fields can compliment each other, perhaps even offering minors that compliment their undergraduate degree.<a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:615578","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/615578.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=615578"}}],"title":"Saving Time & Money","published":"2013-09-21T22:54:15Z","updated":"2013-09-21T23:16:54Z","category":{"@attributes":{"term":"psa"}},"content":"Recently an artist posted tips for making \"freelance life easier by saving you time and money and keeping your morale up\". Her tips included (summarized):<br \/><br \/><ul><li>Put dish soap on greasy pans first before water and rub it around<br \/><li>Throw out scrubby sponges when they smell.<br \/><li>Use vinegar for everything.<br \/><li>Buy a cheap pumice stone to scrub porcelain.<br \/><li>Shop at the 99 cent store for produce, food, etc.<br \/><li>Don't shop at Goodwill or Salvation army. Instead shop at local thrift stores.<br \/><li>\"Couponing is a full-time job, and you often have to buy in large quantities.\"<\/li><\/ul> <br \/>There's some good advice there, but lacking in my opinion. Going over her tips, I'd add:<br \/><br \/><ul><li>When dish sponges are getting smelly (actually <i>before<\/i>) but are in good shape, bleach them. Make sure you let the bleach soak in and disinfect the sucker. Another option is to wet them then pop them in the microwave. Also, wring them out and allow them to dry out between uses because most bacteria thrive only in moistness.<br \/><li>Pumice stones and vinegar are great, but the former can scratch some surfaces and the latter requires some good rinsing to remove the smell, but you know what cleans crud off the bath easily? Shampoo! It's made to remove the oils product buildup from hair, so it works great on soap scum. Buy a cheap bottle, apply with a rag or bath poof, let it sit a bit, then rinse clean.<br \/><li>Don't overlook the power of lemon juice, salt, and baking soda either. Google all the uses, from rust stain remover, metal polish to finger nail whitener (toothpaste works too).<br \/><li>Shopping only local thrift stores is a nice idea, but to be honest, most I've visited have fewer hours and poor selection than the big two. Then again, the main things I buy there are dishes and odds and ends for crafts. If you really have issue with their policies, it's a matter of comparing how important that is to your need. Growing up on a lower income, we didn't have that luxury.<br \/><li>\"Couponing\" can get out of control, but that doesn't mean it's not worth it. Check if any stores around you have double coupon days. Also keep them on hand for quick shopping trip, and don't clip willy-nilly. Save and organize the coupons you actually will use.<\/li><\/ul><br \/>Here's a few more of my own:<br \/><br \/><ul><li>Your oven racks looking icky with burnt on food? Put in your tub with a hot water and cheap powder dish-washing detergent. Let sit for a couple hours. To avoid scratching your tub, lay it on an old towel.<br \/><li>Buy store brand medicines. Check the active ingredients. 99% of the time they're the same and half as expensive.<br \/><li>Speaking of store or generic brands, don't be afraid to give them a try. There are still some products where I prefer the \"name\" brand -- the first time I tried a decent peanut butter growing up I knew I could never go back -- but they've come a long way since the old black and white minimalist <a href=\"http:\/\/historysdumpster.blogspot.com\/2012\/08\/generic-products-of-80s.html\" target=\"_blank\" rel=\"nofollow\">packaging of the 80s<\/a>. <br \/><li>Do the math when shopping. Is that $5 paper towel really cheaper than that $7 one? Calculate the cost per foot or square foot.<br \/><li>Don't buy brown paper to mail packages. Use paper bags from the store. It's sturdy, and I've not bought packing paper in years.<br \/><li>Love those sugar scrubs for the bath?* Make some yourself. There's many recipes online. The tiny bottles of oil or essence used in some recipes are the most expensive part, though, but it goes a long way, and, put into a cute inexpensive jar with a bit of decoration, they make great personalized gifts.<br \/><li>\"Use-by dates and expiration dates aren\u2019t strict mandates designed to save you from the brink of gastrointestinal hell, <a href=\"http:\/\/consumerist.com\/2013\/09\/20\/use-by-date-confusion-is-making-us-waste-millions-of-pounds-of-food-every-year\/\" target=\"_blank\" rel=\"nofollow\">they\u2019re more like guidelines<\/a>.\"<\/li><\/ul><br \/><a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a><br \/>*Note: Not everything do it yourself is cheaper.  True, you'll know what went into it, but there's discount stores where you may find deals that are actually less expensive and time consuming than making it yourself.  Don't be afraid to poke your head into one to see what they have to offer. Be wary of food items in some discount stores though.<a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:615362","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/615362.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=615362"}}],"title":"Sheltered","published":"2013-07-12T00:55:31Z","updated":"2013-07-12T17:07:48Z","content":"<i>\"Life is what happens while you're busy making other plans.\" - John Lennon<\/i><br \/><br \/>Years back if you asked Shari where she saw herself in comics, it probably wouldn't be as a colorist. She could have stuck with what was familiar: black and white comics; a lot of people do. But I think it's a mistake to stick to only what you know. You may be good at it, but it also limits oneself, and opportunities can be missed. <br \/><br \/>Anyway, in the end, she added colorist to her skill set. First was Kill Shakespeare: The Tide of Blood which <a href=\"http:\/\/www.comicbookresources.com\/?page=user_review&amp;id=5698\" target=\"_blank\" rel=\"nofollow\">recieved<\/a> <a href=\"http:\/\/multiversitycomics.com\/reviews\/review-kill-shakespeare-the-tide-of-blood-1-2\/\" target=\"_blank\" rel=\"nofollow\">good<\/a> <a href=\"http:\/\/bloody-disgusting.com\/news\/3219908\/review-kill-shakespeare-the-tide-of-blood-1\/\" target=\"_blank\" rel=\"nofollow\">reviews<\/a>. The last issue should be out this or the next month. Her next work released yesterday, Sheltered.<br \/><br \/><blockquote>A PRE-APOCALYPTIC TALE OF SURVIVAL AT ANY COST.The men and women of Safe Haven have been preparing for any-and-all end of world scenarios for years. However, their bunkers, weapons and training can't save them from the one threat they never could have expected: Their own children. <a href=\"https:\/\/www.imagecomics.com\/comics\/releases\/sheltered-1\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[1]<\/font><\/a><\/blockquote><br \/>I'm happy with the reviews. Pre-orders were good, and hopefully people will continue to enjoy the series.<br \/><br \/>Now I'm just going to enjoy the nice things people have said:<br \/><br \/><blockquote>[...] a great example of storytelling by the colorist! ~ <a href=\"http:\/\/heliossacrifice.com\/review_sheltered\/\" target=\"_blank\" rel=\"nofollow\">heliossacrifice<\/a><br \/><br \/>The mix of Christmas\u2019 inking and Chankhamma\u2019s color palette perfectly represents the grim winter setting of Safe Haven, and as the story turns deadly, the colors turn darker and the inks heavier. ~ <a href=\"http:\/\/www.brokenfrontier.com\/sheltered-1\/\" target=\"_blank\" rel=\"nofollow\">brokenfrontier<\/a><br \/><br \/>Chankhamma, the colorist, contributes hugely by maintaining an appropriately faded, hazy palette that lures you into a false sense of security with gentle scenery then kicks into high gear as everything goes pear-shaped. ~ <a href=\"http:\/\/www.destroythebrain.com\/comics\/comic-execution-711-sheltered-ballistic-ghosted\" target=\"_blank\" rel=\"nofollow\">destroythebrain<\/a><br \/><br \/>The colour choices of Chankhamma are excellent; dull hues expose the \u2018bulk-buy\u2019 similarity of the equipment and dress of Safe Haven\u2019s inhabitants, and provide its practical and no-nonsense design an extra layer of believability. This also gives room for expression, when in the more frantic moments the line work and colours combine in bursts of unexpected vivacity which feel appropriately out-of-kilter with the sedate setting. ~ <a href=\"http:\/\/www.geekchocolate.co.uk\/index.php?option=com_content&amp;view=article&amp;id=391:sheltered-issue-1&amp;catid=39:comics&amp;Itemid=61\" target=\"_blank\" rel=\"nofollow\">geekchocolate<\/a><br \/><br \/>Shari Chankhamma's color choices are equally well-considered; they're vibrant when appropriate and muted when they need to be. ~ <a href=\"http:\/\/www.ign.com\/articles\/2013\/07\/11\/sheltered-1-review\" target=\"_blank\" rel=\"nofollow\">IGN<\/a><br \/><br \/>Rounding out the creative team is colorist Shari Chankhamma, whose contribution proves invaluable.  Given the slightly odd, angular character designs of Christmas, I think it would have been easy for a colorist to go rough and scratchy, or for a washed-out Dave Stewart styled pallette that often compliments the stark imagery of a Sean Phillips or a Dave Aja well.  And that would have been effective enough, but it would totally have changed the vibe of the story, something more along the lines of pulpy noir.  Instead, Chankhamma goes rich and lush, having the flush of a cheek, the texture of skin and the brightness of clothes really pop against the stark white, snowy landscape.  It adds a warmth to the atmosphere, makes the characters feel more human and vulnerable, giving the story an almost fairy tale quality.  It\u2019s amazing how much the choice of colorist can impact your comic. ~ <a href=\"http:\/\/johnleescomics.wordpress.com\/2013\/07\/04\/review-sheltered-1\/\" target=\"_blank\" rel=\"nofollow\">johnleescomics<\/a><br \/><br \/>Shari Chankhamma delivers some beautiful colors as well [...] She fooled me with her sparse colors of snow in the background. ~ <a href=\"http:\/\/www.unleashthefanboy.com\/comics\/sheltered-1-review\/62141\" target=\"_blank\" rel=\"nofollow\">unleashthefanboy<\/a><a href=\"http:\/\/www.statcounter.com\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/4513cf194284a4a90d8ecc363c103e228e1a22852433c8799ab426d4297ed652\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpVBUjTRQm5g0F0zmIZVFEH1cP0kl0vVs:pOfEAu158WcF6p99E5Y1Ag\" border=\"0\" fetchpriority=\"high\"><\/a><\/blockquote><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:614935","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/614935.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=614935"}}],"title":"Not Career Suicide, but it is Judgemental","published":"2013-07-04T00:18:37Z","updated":"2013-07-04T00:23:28Z","content":"I took a trip down the rabbit hole, sort of. Bear with me.<br \/><br \/>While checking out the latest updates on the <a href=\"http:\/\/comicsalliance.com\/mark-andrew-smith-sullivans-sluggers-kickstarter\/\" target=\"_blank\" rel=\"nofollow\">Sullivan's Sluggers Kickstarter fiasco<\/a> -- I didn't pledge to that project, but and saddened to see the writer behaving so poorly -- I came upon one person's <a href=\"http:\/\/t.co\/UUkvv7Hhq5\" target=\"_blank\" rel=\"nofollow\">reviews of projects he's supported<\/a>. One he ranked lower was Ashes. The names sounded familiar, so I dug a little. Lo and behold, I remembered this bit of drama. <br \/><br \/>It's a long he said she said story that seems to boil down to a clash of personalities, pride, ego and unclear definitions of each contributor's roles\/say. After reading one person's vague \"hoo hoo if only I could say more but I won't\" type of posts <a href=\"http:\/\/www.bleedingcool.com\/forums\/comic-book-forum\/53897-ashes-drops-jimmy-broxton-shows-up-problems-kickstarter-update-5.html\" target=\"_blank\" rel=\"nofollow\">on a forum<\/a> my opinion was swayed in favor of the other side. His well written <a href=\"http:\/\/comicsbeat.com\/exclusive-jimmy-broxton-talks-about-the-ashes-split\/\" target=\"_blank\" rel=\"nofollow\">interview<\/a> started to sway it back, but I noted he broke his \"silence\" soon after declaring he couldn't say anything. The <a href=\"http:\/\/comicsbeat.com\/ashes-to-ashes-alex-de-campi-responds-to-jimmy-broxtons-tale\/\" target=\"_blank\" rel=\"nofollow\">retort<\/a> by the other side made me conclude I'll probably never know for certain who was \"right\" or \"wrong\" without knowing more about each individual on a more personal level. I'm not sure I really want to, so I chalked it back up to \"personality clash\". <br \/><br \/>However, among the comments was this one:<br \/><br \/><blockquote>GossipQueen says:\t<br \/>01\/19\/2012 at 7:40 pm<br \/><br \/>I seem to remember Di Campi on a gossippy comics message board describing her disappointment at the Vertigo office when she went there looking for work. The way the Vertigo editor dressed and wore her hair completely offended Di Campi, who spoke at length about this editor\u2019s lack of style and attractiveness as some sort of detriment to her character and profession.<\/blockquote><br \/>Now I was curious. I did a <a href=\"http:\/\/www.comicbookresources.com\/?page=article&amp;id=15591\" target=\"_blank\" rel=\"nofollow\">little<\/a> <a href=\"http:\/\/www.comicsbulletin.com\/main\/sites\/default\/files\/rage\/118421758121201.htm\" target=\"_blank\" rel=\"nofollow\">a bit<\/a> <a href=\"http:\/\/comicsbeat.com\/how-not-to-be-snotty\/\" target=\"_blank\" rel=\"nofollow\">of digging<\/a>. The VHive forum linked to underwent some changes over the years, so the original URLs were useless. So I turned to the every so useful <a href=\"http:\/\/web.archive.org\/web\/20070706075520\/http:\/\/www.thevhive.com\/forum\/index.php?webtag=THEV&amp;msg=13.11289\" target=\"_blank\" rel=\"nofollow\">Wayback Machine<\/a>. (emphasis mine)<br \/><br \/><blockquote>From:  \tAlex de Campi (ALEXDECAMPI) \t2 Jul 17:50 <br \/> To:  \tBrian Wood (BRIANWOOD)   2 Jul 18:07 <br \/><br \/>It was great, in that it made me realise that I really have no interest in making any further efforts to get published by Vertigo, ever. There's just nobody there I click with.<br \/><br \/><b>When Shelly came out to get me from Reception I swear to God I thought she was the floor security guard. Black man-trousers, sensible shoes. skinny red stripy tie and white blouse.<\/b> I was like NO I WASN'T TOUCHING THE KRYPTONITE, HONEST MA'AM oh you're Shelly? HIIIIIII.<br \/><br \/>When we got to her office, Shelly dismissed all my ideas out of hand - the pitch-book that Federica and Bertozzi and I took like two weeks to make, without even looking at it - then asked me if I wanted to write a pitch based on a newspaper article she had read that morning.<br \/><br \/>I know people produce some great work there, but oh dear heavens, not my kind of place.<br \/><br \/>The Minx freebies were so bad, I left them at Haspiel's place as I couldn't be arsed to take them home.<br \/><br \/><br \/> From:  \tBrian Wood (BRIANWOOD) \t2 Jul 18:13 <br \/> To:  \tAlex de Campi (ALEXDECAMPI)   2 Jul 19:16  <br \/><br \/>\"it made me realise that I really have no interest in making any further efforts to get published by Vertigo, ever.\"<br \/><br \/>heh, well, making fun of how the senior editor looks is probably a good place to start in that noble quest. :)<br \/><br \/>seriously, yeah, getting a book going at Vertigo is a total trial by fire, and one of the reasons I think its such an exclusive shop. spending 18 months writing a couple dozen drafts of a proposal tends to separate the wheat from the chaff. that's why I didn't bother from the time my first Vertigo series ended in 2002 and when I tried again in 2004... i couldn't bear to go through that again. but it got better, or i got more used to it.<\/blockquote><br \/>A lot of people at the time equated her words to \"career suicide\". That was an exaggeration. In fact, she seems to be doing okay now, however I'm bothered by the bolded bit, because it comes off as a snarky criticism of the senior editor's femininity. I'd go so far as to suggest de Campi was implying the woman was \"butch\". Despite her high level position as senior editor, she was deemed unworthy due to her attire. I can't say for certain as the rest of the thread wasn't archived, but I didn't find any indication de Campi was apologetic or embarrassed for her snap judgement.<br \/><br \/>Knowing that, and seeing her persona now, I wonder what is the truth and what is fiction. What does she really believe in? Do her actions match her words?<a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:614780","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/614780.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=614780"}}],"title":"Better, Worse... Whatever -- It's All Personal Opinion.","published":"2013-06-28T16:33:52Z","updated":"2013-06-28T16:37:03Z","category":[{"@attributes":{"term":"fandom"}},{"@attributes":{"term":"human nature"}}],"content":"I've thought of this before, and I think I've mentioned a variation of this elsewhere: indirectly criticizing someone else's likes.<br \/><br \/><blockquote>Person #1: I like [thing]!<br \/>Person #2: Uh-huh sure but know what's better? [Other thing that has ABSOLUTELY NOTHING to do with the first thing]!<br \/><br \/>This bugs me. Just reeks of \"I'm looking down on you for what you like because what I like, regardless of how relevant that interest is in this conversation, is clearly superior. I don't care that you didn't ask and you're specifically talking about that first thing, let's now focus on what I like.\" [...]<br \/><br \/> I caught myself before I did it [...] It was a slightly different form of this, though... some one posted \"please pray for me\" and I almost commented along the lines of \"I don't pray, but I'll send good thoughts\" essentially. Was what I almost said cruel or ill-intended? No. But if I'd said that it'd STILL be me commenting and making it about ME. Who the fuck cares if I pray or not? She didn't ask. No one did. Commenting with that would have been self-centered and egotistical and I would have been taking the focus off of her for no good reason whatsoever. <a href=\"http:\/\/shinga.livejournal.com\/1255349.html\" target=\"_blank\"><font size=\"1\">[1]<\/font><\/a><\/blockquote><br \/>I think it a situational thing. If someone is going through a tough time, such as the example above, and asks for \"prayers\", i think it <i>is<\/i> rather a insensitive thing to insert your own religious views. Don't believe in a god but do care about the person? You could say, \"I'll send good thoughts,\" or, \"I hope everything works out.\" <br \/><br \/>In another situation, say someone is discussing their favorite show. If they want to get into the pros and cons, then I think criticism is welcome. But if they're just talking about what they like, saying another show is \"better\" or mentioning you \"hate\" the show can be annoying and at times, can come off as saying their tastes are superior. Upon reflection, I realize I myself have mentioned in discussions something \"isn't my cup of tea\" or, \"I couldn't get into it\", but I don't think I'm one to say X show is better than Y.  It might be better for my tastes, but what I like might not be better for someone else. I think it's more polite to say something like, \"If you like X, you might want to try Y\", and let them decide what they think is better.<br \/><a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:614353","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/614353.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=614353"}}],"title":"Document Readability","published":"2013-06-06T20:40:16Z","updated":"2013-06-06T20:41:09Z","content":"<a href=\"http:\/\/www.online-utility.org\/english\/readability_test_and_improve.jsp\" target=\"_blank\" rel=\"nofollow\">This<\/a> is a fun little test of your writing. The site explains it thusly:<br \/><br \/><blockquote>This free online software tool calculates readability : Coleman Liau index, Flesch Kincaid Grade Level, ARI (Automated Readability Index), SMOG. The measure of readability used here is the indication of number of years of education that a person needs to be able to understand the text easily on the first reading. Comprehension tests and skills training. [...] In general, these tests penalize writers for polysyllabic words and long, complex sentences.<\/blockquote><br \/>I ran a few blog entries that are devoid of quotes from other sources through the tool and came up with the following:<br \/><br \/><blockquote>Gunning Fog index : \t9.25<br \/>Flesch Reading Ease : \t61.77 <br \/><br \/>Gunning Fog index : \t9.75<br \/>Flesch Reading Ease : \t62.46 <br \/><br \/>Gunning Fog index : \t11.20<br \/>Flesch Reading Ease : \t57.80 <br \/><br \/>Gunning Fog index : \t11.22<br \/>Flesch Reading Ease : \t59.79<br \/><br \/>Gunning Fog index : \t8.22 <br \/>Flesch Reading Ease : \t68.92<\/blockquote><br \/>When running a few of my short stories though the tool, it scored even higher on average. I don't place too much importance in such a rating, especially considering the rather unstructured, rambling nature of a blog. It is very interesting though.<br \/><br \/>To compare, I placed an excerpt from <a href=\"http:\/\/www.math.rutgers.edu\/~sujith\/winniethepooh.txt\" target=\"_blank\" rel=\"nofollow\">Winnie the Pooh<\/a> and <a href=\"http:\/\/www.math.rutgers.edu\/~sujith\/lookingglass.txt\" target=\"_blank\" rel=\"nofollow\">Through the Looking Glass<\/a> into the tool and got the following results, respectively:<br \/><br \/><blockquote>Gunning Fog index : \t7.41<br \/>Flesch Reading Ease : \t81.70 <br \/><br \/>Gunning Fog index : \t6.57<br \/>Flesch Reading Ease : \t76.02 <\/blockquote><br \/><a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:614126","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/614126.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=614126"}}],"title":"The Innocent Little Stalker","published":"2013-06-04T22:23:21Z","updated":"2013-06-06T20:22:11Z","category":{"@attributes":{"term":"armchair psychiatry"}},"content":"Google is eerie sometimes. A search begins with parrots and micro-chipping, and somehow ends with stalking behavior. It's as if the internet is saying, \"You need to see this.\" Or maybe it's my subconscious. Anyway, I came across this excerpt from a little known book by a group of psychologist.<br \/><br \/><blockquote>...other features that may alert the examiner to the illegitimate victim, irrespective of the underlying diagnosis, include: disorganized or convoluted histories that cannot be verified of are falsified by the available evidence; the engagement of multiple therapists, moving from one to another at the first hint of skepticism; and the possession of dossiers of 'evidence', the latter often proving to be of dubious significance.<br \/><br \/>- Paul E. Mullen, Michele Path\u00e9, Rosemary Purcell, <i>Stalkers and Their Victims<\/i> (Cambridge University Press)<\/blockquote><br \/>Once I found that, I had to dig a little more, and <a href=\"http:\/\/stoponlinestalking.com\/stalking-behaviour-blog\/66-stalkers-always-blame-the-victim.html\" target=\"_blank\" rel=\"nofollow\">this website<\/a> had something to say that reassured me my own experience was far from unusual. In fact, ICP is actually quite predictable.<br \/><br \/><blockquote>One aspect a stalking victim quickly notices is that the stalker often makes references to perceived wrongdoing by the victim, or straight out tells the victim in a number of different ways that the victim is the one who is at fault. Furthering on from this, the stalker will also often take on the role of the victim. Repeatedly telling the victim all the things they are doing bad to the stalker. They will even send \"mercy\" type messages to the victim\u2026 whereby the stalker literally behaves like an innocent little victim, who is now asking for your mercy, so that you stop doing whatever they think you are doing to them. [...]<br \/><br \/>...these \"I'm The Victim\" emails are sent with the express purpose that they will be released to other people in one way or another.  It is a purposefully thought out and designed method to try to taint the evidence so to speak. [...] So that once they are released to others, they have already tainted the bowl of evidence with their own victimization storyline.[...] they are clearly demonstrating to the group involved that they are trying to get through to you (their victim), trying to make you see reason, why won't you leave them alone\u2026 and on and on and on. [...]<br \/><br \/>This is when a stalker is going through states of realization of what they have done, what they are doing, what they have become. They are going through moments of clearly seeing their own depravity, and evil sick deeds. And they don't want to admit to themselves what they are. It would cause a massive conflict in their minds to self admit what it is they really are. Which is evil. To overcome this, so that they can live with themselves, they must justify themselves. Not only to themselves so that they believe it, but to their victims as well. And in doing so, this is when the victim will receive these sporadic emails of the stalker's imaginary storyline alterations, whereby the story changes so that you become the perpetrator, and they become the helpless victim. They cannot deny the evidence of what they have done, so justification is the only option. In other words, the story now becomes that the stalker was somehow wronged by the victim and only did what they had to do to stop the imaginary perpetrator from doing whatever imaginary thing they were doing to the stalker.<\/blockquote><br \/>It's textbook. It's exactly the behavior of ICP. The last paragraph is also insightful, for it implies certain things the victim says sparks the need of the stalker to justify themselves. Thus, a criticism of ethics might cause another outburst, thus illustrating that which the stalker him\/herself, perhaps subconsciously, knows they're guilty of.<br \/><br \/><br \/><font size=\"1\">In my head this goes under the \"nutcase in need of therapy\" tag.<\/font><a href=\"http:\/\/www.statcounter.com\/tumblr\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/1ea4e3bf6db337e48deb92b398f0c02f2ee7ff8bb8ae67594725da87203b538b\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpVBQkSBQg5A0F02-GZVpHHANY0kl0vVs:aHKAPNcYYhHIiqpYokRXjQ\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:613788","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/613788.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=613788"}}],"title":"Third Party Sellers on Amazon & Oh Those Crazy Prices","published":"2013-06-01T00:41:47Z","updated":"2013-06-01T00:41:59Z","category":{"@attributes":{"term":"fraud scams theft &amp; plagiarism"}},"content":"Imagine you wrote a book or drew a comic. You decided to print it yourself or perhaps you went with a really small press, the type that doesn't put much effort into marketing and advertising. Basically, for the most part, it's all up to you. Your book is thankfully online via the usual channels: Smashwords, Amazon, KaBlam, Lulu, Comixology, etc. but it's not in physical stores. <br \/><br \/>Time passes, and you get some sales. Yay! More time passes, years perhaps, and one day you notice a seller is offering your book used for an amazingly high amount, perhaps a hundred dollars or more. You're shocked. Is you book really worth that much?<br \/><br \/>Doubtful. Stow away those daydreams of being the next cult hit and a movie deal, because it's more likely an unscrupulous third party seller. Chances are the seller doesn't even have your book in stock, especially if it's print on demand (PoD). All they need to do is list your book for an exorbitant amount and wait. All it takes is one sucker, then they order the book from another vendor --  often the publisher -- ship it to the foolish customer, and pocket the difference between their cost and the outrageous amount paid by their customer.  <br \/><br \/>Do people really fall for it? Apparently enough to make it worth while. There's little risk for them, no warehouse fees, and they can do it with multiple books. It's a lot like \"publishers\" that <a href=\"http:\/\/rufftoon.livejournal.com\/59337.html\" target=\"_blank\">cobble together books<\/a> <a href=\"http:\/\/whatever.scalzi.com\/2010\/11\/03\/dear-barnes-noble-crap-is-cluttering-up-your-author-searches\/\" target=\"_blank\" rel=\"nofollow\">from Wikipedia articles<\/a>.<br \/><a href=\"http:\/\/www.statcounter.com\/tumblr\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/4cab900a39f141241b3374a30616027da3e45dafe26ec4bd7e982ec35824f021\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpVBUjTRQi4A0F0ziPNltGTAVd0kl0vVs:MUmnRjx5y5OY5bFdIlL9Ag\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:613113","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/613113.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=613113"}}],"title":"A Screenwriter's Dream","published":"2013-04-11T19:50:28Z","updated":"2013-04-11T19:50:40Z","content":"Watching a <a href=\"http:\/\/io9.com\/a-zombie-bitten-father-tries-to-save-his-infant-daughte-471057417\" target=\"_blank\" rel=\"nofollow\">well done short<\/a> for Tropfest Australia 2013 sparked a discussion about someone I knew who used to talk about being a screenwriter or producer. Through all the years I knew him, though, he didn't make any effort to get involved with the film community.<br \/><br \/>Considering the shoestring budgets of such films people make due with what they can. Though I'm an advocate for paying creatives, I have nothing against bartering and favors or recruiting friends and family. I strongly believe, though, it's rude to ask strangers for free labor. For example, don't prance into a forum and ask for people to work on your Big Idea out of the goodness of their hearts. Lurk, listen and learn. Participate in discussions. Volunteer to help locally with other more experienced people. Maybe learn a skill other than writing so you can better understand the process and contribute eventually to your own project.<br \/><br \/>Then I realized why the person I knew never got involved. He didn't want to work on other people's dreams. He wanted other sot work on \/his\/ dream. I'm further convinced of this when taking into account his one foray into film-making in which he basically hired a bunch of people create a short for him -- a vanity project that languishes on the net with no purpose. It was never entered into any contests, never shown anywhere, and he's followed it up with nothing.  He wanted to be in charge, the one who's name appears after \"produced\/written by\", not one of many forgettable names scrolling by in the credits. And I think that was his folly.<br \/><a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:612369","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/612369.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=612369"}}],"title":"Writers Seeking Artists: What Not to Do","published":"2013-02-08T19:16:34Z","updated":"2013-02-08T19:20:32Z","category":[{"@attributes":{"term":"classifieds"}},{"@attributes":{"term":"comics"}}],"content":"<a href=\"http:\/\/www.penciljack.com\/forum\/showthread.php?119061-Looking-for-sequential-artist&amp;s=3482ea2dc72c1a7e49e28b143ca24e3f\" target=\"_blank\" rel=\"nofollow\">This<\/a>\"Writer Seeking Artist\" ad is an example of so many examples of what not to do that I just had to share.<br \/><br \/><blockquote>I have recently finished writing and am now scripting, what I consider, a very good BATMAN story, a new twist on the character. This story is long enough that it would be graphic novel in length, again, I put A LOT of time into it. This is a project that I VERY much want to finish; I know it's Batman so no money will be made but this is my idea:<\/blockquote><br \/>Not only is this an unpaid job with no chance of profit, but it's a property owned by someone else. The OP is basically seeking someone to draw his fanfic.<br \/><br \/><blockquote>Once the book is finished, I will created a website and put the book on the site for review, people can tell \"us\" they love it, they hate it, offer any feedback they like. I think it would be a GREAT learning experience and who knows, \"we\" just might get discovered...<\/blockquote><br \/> Considering the plethora of comics out there by people of all skill levels, it's not easy to be noticed. If you post it they will come usually doesn't work; there are exceptions should the right eyes spy it, but more often than not you need spread the word.<br \/><br \/><blockquote>I'm telling you, this is a REALLY good story! <br \/>YES, this is my first attempt at a script but I put a lot into it, the concept is SOLID...<\/blockquote><br \/>With no information at all provided as to the story, artists are expected to take his word for it. A kinder soul would say he's enthusiastic; to me he sounds amateur and desperate. In my mind, I imagine a teenager with little to no knowledge of the comic industry beyond that of a consumer.<br \/><br \/><blockquote>I'm a 48 year old male with good writing experience and a love of comics...<br \/>I have run my story past the owners of a very successful comic book store and they would not BS me if they thought the idea sucked...<br \/>My issue is that I don't have the funds to pay someone to do the artwork for me...<\/blockquote><br \/>Now I'm even more wary. I've had friends deal with such naivet\u00e9, and even if the writer is a nice person, it can be an annoying waste of time to have to be artist <i>and<\/i> teacher to a stranger who didn't seem to do any research on his\/her own. As for the inability to even pay even a token page rate, if you're 48 and are serious about breaking into comics, you better be willing to invest the money required.  Also running it by some comic shop owner who is probably a friend doesn't convince me.<br \/><br \/>The frosting on the cake is the OP posted <a href=\"http:\/\/www.penciljack.com\/forum\/showthread.php?119197-ARTIST-Do-you-need-a-writer&amp;s=3482ea2dc72c1a7e49e28b143ca24e3f\" target=\"_blank\" rel=\"nofollow\">two<\/a> <a href=\"http:\/\/www.penciljack.com\/forum\/showthread.php?119229-Original-Concept-Looking-for-Artist&amp;s=3482ea2dc72c1a7e49e28b143ca24e3f\" target=\"_blank\" rel=\"nofollow\">more<\/a> times within a week.<br \/><a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:612135","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/612135.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=612135"}}],"title":"How To Books: Are they trying to do it all?","published":"2013-01-15T21:23:30Z","updated":"2013-01-15T21:24:33Z","category":{"@attributes":{"term":"art thoughts"}},"content":"This article, <a href=\"http:\/\/robot6.comicbookresources.com\/2013\/01\/how-not-to-draw-manga-some-free-advice\/\" target=\"_blank\" rel=\"nofollow\">How not to draw manga: Some free advice<\/a>, prompted a thoughtful discussion.<br \/><br \/>I've seen a lot of how to books in stores. Some are really horrible, the kind that make you suspect the publisher wanted to cash in on the manga craze of the early 2000s. That made me wonder what makes a good how to book, and I have a theory that perhaps too many books try to cover it all, and by doing so do a mediocre job overall. <br \/><br \/><blockquote>Friend: I read a how to book by Toriyama Akira, and I still use and remember what I read from that.<br \/>Me: What did he cover?<br \/>Friend: Panel flow, how you don't need to show everything, pacing, focus...<\/blockquote><br \/>I think how two books could\/should be divided into categories: beginner and more advanced.  These are two difference audiences. Without this separation, you may end up with pages covering basic imagery such as sweatdrops, chibis, etc. that those familiar with manga may find boring and unnecessary and dismiss the book as a waste of money. As a resource for one completely new to manga, however, it may be useful. <br \/><br \/>Within those two categories it can be divided even further into straightforward figure drawing and more in depth discussion of sequential art. I suggest this because some people just enjoy doing pinups and splash pages. But if they want to venture into sequential with the possibility of printing their work, discussions of bleed, print resolution, Moir\u00e9 pattern issues, the pros and cons of various inks, brushes and software, etc. may be what they need.<br \/><br \/>Legal Art Writing Thoughts<br \/><a href=\"http:\/\/www.statcounter.com\/tumblr\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/4cab900a39f141241b3374a30616027da3e45dafe26ec4bd7e982ec35824f021\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpVBUjTRQi4A0F0ziPNltGTAVd0kl0vVs:MUmnRjx5y5OY5bFdIlL9Ag\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:612091","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/612091.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=612091"}}],"title":"Happy 2013 people! ","published":"2013-01-07T05:16:40Z","updated":"2013-01-15T21:24:59Z","category":{"@attributes":{"term":"armchair psychiatry"}},"content":"<font size=\"1\">I had to put a few of the last posts under a filter to avoid upsetting a nutcase. Tired of being blamed for their problems du jour.<\/font><br \/><br \/>When looking back on some social media feeds, I saw a lot of complaining, though not on my immediate friendslist. People who gripe too consistently usually don't remain on my feed for long. It's not that I don't think people shouldn't complain, but when I review some strangers' feeds I see complaints about a lot of relatively mundane things by people who, though they might not realize it, are among the privileged. That's not to say, either, \"first world\" people haven't a right to complain about their \"first world problems\", but it often feels like these people don't realize how lucky they are. Sometimes it feels as if these people believe that the world owes them something.<br \/><br \/>For example, a college student may complain how much they spent on video games, how much their phone bill is, the long drive home in traffic, the term paper due or the test preventing them from partying with their friends. While they're legitimate complains for a person of that age, there's another way to look at their \"problems\": They have the extra income to purchase games, afford a smartphone, attend college, got out with friends and party, and drive and maintain an air conditioned car.  In another example we have a middle to upper middle class Caucasian with a college degree, no huge debt, and plenty of people to take care of you. Focus on that rather than all things turning you into an angry, frustrated mess.  <br \/><br \/>I loved my parents' philosophy. My mom often said she knew our house wasn't the biggest, newest or cleanest. We didn't have trendy clothing or organic foods and big cars. We didn't have everything we wanted, but we had all we needed: a roof over our heads, food to eat, our health and each other. We didn't want for anything necessary. So why be so bitter and resentful? Life can be worse. Vent, but also be grateful for what you have. <br \/><a href=\"http:\/\/www.statcounter.com\/tumblr\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/1ea4e3bf6db337e48deb92b398f0c02f2ee7ff8bb8ae67594725da87203b538b\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpVBQkSBQg5A0F02-GZVpHHANY0kl0vVs:aHKAPNcYYhHIiqpYokRXjQ\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:610630","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/610630.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=610630"}}],"title":"The Tobermory Cat Troll","published":"2012-10-30T21:18:16Z","updated":"2012-11-01T06:29:33Z","content":"Let me share <a href=\"http:\/\/fiddleandpins.blogspot.com\/2012\/10\/the-tobermory-cat-trolls-me.html\" target=\"_blank\" rel=\"nofollow\">a story of an online troll<\/a>.<br \/><br \/><blockquote>There is (was?) a cat in Tobermory. Several, actually, but one in particular who was known for his ballsy cat antics about town. The post from the bookshop owner in this thread makes it clear that the cat was known by the town for doing amusing things, and observed doing them by many--that his \"celebrity,\" if it can be called that, came as a direct result of his own amusing cat actions. The bookshop owner contacted a publisher who contacted an author who wrote a book about a fiddle-playing cat in Tobermory who has slightly more than fuck-all to do with that or any actual Tobermory cat. The author invented the story herself, using the real cat and the real town as her inspiration.<br \/><br \/>There happened to be an artist in the town who took some photographs of cats in Tobermory and created a Facebook page for \"the\" Tobermory cat. It is unclear which cat, or if it matters. The bookshop owner thought that the book and the Facebook page could sort of dovetail with each other and create more publicity for one another, and in turn more publicity for the town itself, thus boosting tourism. This is the only reason the artist was approached.<br \/><br \/>The artist refused. Even though he could have benefited from the publicity, even though the town could have benefited, he insisted that the idea for the book was his. That no one could possibly have come up with a story about a Tobermory cat without stealing it from his Facebook page, even though there were multiple Tobermory cats in existence, even though one of them was known in town by everybody else for doing amusing things, even though somebody had already written a book about a Tobermory cat some time ago, even though books about cats are as commonplace as cat poop. <\/blockquote><br \/>The writer\/illustrator told the whole story only recently after nearly a year of harassment.<br \/><br \/><blockquote>Two days later, the Artist started his campaign on Facebook. He had been visited by two thieves, he posted. They came to his house to steal the Tobermory cat.His followers were furious. Who were these people? How dare they? The Artist ignored this question. He posted again. And again. And again. He never missed an opportunity to make some snarky remark about robbers or thieves and then off he'd go, drawing comparisons with 'an Edinburgh illustrator' or 'an Edinburgh publisher'. And the Artist's followers lapped it up. Who were these awful people, they demanded?  Poor artist, they soothed, how awful for him. Then, thankfully, the Artist stopped posting for a while. In the blissful silence, I got on with my book.  [...]<br \/><br \/>By April, I was almost finished with the preparatory drawings in pencil for the book. We were all getting excited by now; watching the book take shape is a bit like seeing prints come up in the tray of developer fluid way back in the dark days of photography. I'd been keeping an occasional eye out on Facebook just to check that the Artist hadn't restarted his campaign of name-calling, and sadly, in the spring, he began again. In a cleverly targeted series of posts, he returned the Tobermory cat back to Facebook and began to post once more. On Facebook and Twitter. More comments about thieving publishers and Edinburgh illustrators. After an absence of several months, his followers were delighted to have him back. And then, on my way to do a library visit in Perth, the Artist posted on the Twitter account of the library I was about to visit. An hour before my event. He was wondering if they had any books on copyright or the theft of intellectual property.[...]<br \/><br \/>Then the Artist began to tweet to selected numbers of my @DebiGliori followers. Followers like the Edinburgh Book Festival. A fellow-author. A fellow-illustrator. Did they know, he tweeted, that someone they followed was engaged in the theft of intellectual property? Not naming me. No. This was a horrible game of cat-and-mouse, skirting perilously close to defamation, but not so close that I could make it stop. <br \/><br \/>On it went. Until, after posting a final silly thing on Facebook asking his 'friends' to fill in an online survey about who they thought the idea for the Tobermory Cat belonged to- the Artist or the Colonial Publisher, finally, with everyone howling \"Who? Who? Who Is this colonial publisher and his thief of an illustrator? \" the Artist posted, on the May bank holiday, a self-pitying post, the gist of which was<br \/><br \/>I can't carry on with my Facebook page any more. It's no longer any fun. Birlinn Books are going to publish a book by Debi Gliori called The Tobermory Cat. I have no option but to stop doing this Facebook page. It's been a lot of fun but....goodbye.[..]<br \/><br \/>As we drove home, the 'friends' of the Artist were massing on Facebook. They were leaving me messages. They knew where I lived. They were digging around on the Internet, Googling me, digging up whatever they could find. <a name='cutid1-end'><\/a><\/blockquote><br \/><a href=\"http:\/\/www.guardian.co.uk\/books\/2012\/oct\/30\/children-tale-ginger-cat-copyright\" target=\"_blank\" rel=\"nofollow\">The Guardian<\/a> has covered this story and there's a long thread <a href=\"http:\/\/www.absolutewrite.com\/forums\/showthread.php?t=257396\" target=\"_blank\" rel=\"nofollow\">here<\/a> where the artist Angus Stewart appears, insisting he's right even when presented with UK law.  As far as I know, he's not consulted an IP lawyer -- real and not just someone online. Perhaps that's the only thing that'll make him listen to reason, though it's easier to wallow in willful ignorance.<br \/><br \/>Debi Gliori kept an eye on another who was verbally badmouthing her. She didn't post on his page or contact him, but she wanted to be sure he wasn't planning anything that might hurt her or her profession. She kept an eye on him <i>because<\/i> she knew he might cause trouble. I find that a reasonable thing to do, especially since she was <i>right<\/i>. In contrast, his supporters, egged on by him, threatened her and her publisher. Sadly, I bet some of Angus's supporters are now accusing her of being the harasser when all she was, in my opinion, was smart. Hopefully she screencapped and saved all those messages. [Edit] <a href=\"http:\/\/www.guardian.co.uk\/discussion\/comment-permalink\/19175629\" target=\"_blank\" rel=\"nofollow\">I was <b>right<\/b>.<\/a>.<br \/><br \/>Though these comments are chastising a poster who has a habit of deleting his posts, I wanted to highlight them, because when someone insists they're right or never said something it irks me. Willful ignorance is frustrating. I want to yell, \"Are you *bleeping* blind? Are you so stubborn you can't see what's in front of your face?\" <br \/><br \/><blockquote>This isn't about somebody wanting to be right for the sake of being right and arguing to prove his voice is loudest. This is about (continuously?) broadcasting incorrect information about plagiarism in a writing forum and having that information corrected in a polite yet firm as possible manner. [...]<br \/><br \/>If you don't understand something, it doesn't hurt to come right out and say you don't understand something. We've dozens of experts in myriad fields who are more than willing to share that knowledge. All you need to do is ask. But when you demonstrate that lack of knowledge and hide behind \"well, it's just my opinion that...\", yeah, you're gonna get called on the carpet but good. Do it enough and play the butt-hurt victim whenever you get called out and, yeah, you're gonna piss people off. <\/blockquote><br \/> I knew someone who used to get so mad when I was right. He used to whine I always had to be right. I don't. I can and have been be wrong, but when it came to certain things I just happened to be right more often because I was careful in my predictions, thus giving me a good track record. I think he resented it.<br \/><br \/><blockquote>I HOPE the repercussions of that behavior make him uncomfortable. He deserves to be uncomfortable. I hope the long-term effects of his actions create pond-ripples that keep him up nights for years. He's bought and paid for that.<\/blockquote><br \/>So do I. Not wishing him bodily harm, just that he suffers the consequences and gets what he deserves. <a href=\"http:\/\/www.statcounter.com\/tumblr\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/4cab900a39f141241b3374a30616027da3e45dafe26ec4bd7e982ec35824f021\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpVBUjTRQi4A0F0ziPNltGTAVd0kl0vVs:MUmnRjx5y5OY5bFdIlL9Ag\" border=\"0\" fetchpriority=\"high\"><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:610032","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/610032.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=610032"}}],"title":"The Much Abused Punctuation Mark","published":"2012-10-17T20:39:26Z","updated":"2012-10-17T22:22:31Z","category":{"@attributes":{"term":"human nature"}},"content":"After revisiting and pondering various wank and drama (fandom and political), I've come to a conclusion as to what is the most maliciously misused punctuation out there: the quotation mark.<br \/><br \/>When representing spoken language, as in a fictional story, it's fine and dandy, but a problem I've noticed arises when it's meant to represent <i>quoted<\/i> language. For example, let's assume Amy -- a person I just made up -- writes about her bad experiences with cats. Her roommate kept a filthy litterbox, the cat had fleas, got pregnant and peed everywhere. Consequently, wanted to get rid of it and \"hates that cat\". Later, when talking to friends, I relate that Amy said \"I hate cats.\" Without any additional information, such as mentioning I'm paraphrasing, people may believe Amy is a cat-hater. <br \/><br \/>Mine is a simple, benign example, but my point is this is a something I've seen people do, sometimes intentionally. In my opinion, it's misleading and, when it comes to certain issues, potentially harmful. In my example, \"I hate that cat,\" could be conveyed to a third party as, \"I want to hurt that cat,\" and now Amy is not only a cat-hater but an animal abuser as well.<br \/><br \/>I think the internet, however, has made it harder to misquote. It's easier to go back and point to the record of what was said. Unfortunately, in a way the damage is already done. The belief of what Amy supposedly said is already in people's heads, and some folk stubbornly prefer to believe what they thought she said rather than what she actually said, even if in black and white. Look at the contradictory statements of politicians highlighted by programs like The Daily Show. Even when presented with proof, they deny. Annoying, isn't it?<a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:609265","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/609265.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=609265"}}],"title":"Revealing the Wizard","published":"2012-10-16T23:26:33Z","updated":"2012-10-17T00:32:41Z","category":{"@attributes":{"term":"psa"}},"content":"It is time to pull the curtain back and reveal all.<br \/><br \/>Special post coming soon.<br \/><br \/>That is all... for now.<br \/><br \/><font size=\"1\">Ooh I have a Playfish employee as a watcher\/lurker. <i>*waves*<\/i><\/font><a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a><a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:608806","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/608806.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=608806"}}],"title":"Delicious Spam","published":"2012-07-02T20:17:27Z","updated":"2012-10-15T18:21:13Z","category":[{"@attributes":{"term":"fluff"}},{"@attributes":{"term":"psa"}}],"content":"Now and then I receive an email notification that someone has requested membership to one of the closed communities I mod. They're small groups; one <i>could<\/i> even call them exclusive, if one wanted to sound fancy pants special. Black tie only. Tut tut.<br \/><br \/>Thus far the spam has all been from Russian \"users\"*. Once, due to my own negligence in checking all settings, someone managed to post in one of the communities. They couldn't view it afterwards though as I did set that properly. <br \/><br \/>It's very satisfying deleting and banning such spammers, and in my head I imagine explosions or a giant mallet coming down on them at their computer. SMOOSH! Like in the cartoons, it leaves them flattened and scuttling around crablike.<br \/><a href=\"http:\/\/www.statcounter.com\/drupal\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/3fba72fe548c5b6fb5bd6a1ccc47993975c3170a05165809b32e621569c0cf2d\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpUR8kTB4m5w0F02qMYVIVTAYJ0kl0vVs:ShKm2z_7ZhRlYd_N90bY0w\" border=\"0\" fetchpriority=\"high\"><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:601877","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/601877.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=601877"}}],"title":"Red Riding Hood Movie","published":"2011-04-28T00:51:46Z","updated":"2011-04-28T04:37:32Z","category":{"@attributes":{"term":"movies"}},"content":"I knew it was directed by Catherine Hardwicke, the same woman who directed <i>Twilight<\/i>. I knew <a href=\"http:\/\/www.rottentomatoes.com\/m\/girl_with_the_red_riding_hood\/\" target=\"_blank\" rel=\"nofollow\">Rotten Tomatoes<\/a> gave it 11% at the time. But I have a plethora of movie passes from work, so <span  class=\"ljuser  i-ljuser  i-ljuser-type-P     \"  data-ljuser=\"headlesspuppet\" lj:user=\"headlesspuppet\" ><a href=\"https:\/\/headlesspuppet.livejournal.com\/profile\/\"  target=\"_self\"  class=\"i-ljuser-profile\" ><img  class=\"i-ljuser-userhead\"  src=\"https:\/\/l-stat.livejournal.net\/img\/userinfo_v8.png?v=17080&v=915\" \/><\/a><a href=\"https:\/\/headlesspuppet.livejournal.com\/\" class=\"i-ljuser-username\"   target=\"_self\"   ><b>headlesspuppet<\/b><\/a><a class=\"i-ljuser-badge i-ljuser-badge--pro\" data-badge-type=\"pro\" data-placement=\"bottom\" data-pro-badge data-pro-badge-type=\"1\" data-is-raw hidden href=\"#\"><span class=\"i-ljuser-badge__icon\"><svg class=\"svgicon\" width=\"25\" height=\"16\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 33 24\"><path fill-rule=\"evenodd\" d=\"M19.326 11.95c0 2.01 1.47 3.45 3.48 3.45 2.02 0 3.49-1.44 3.49-3.45 0-2.01-1.47-3.45-3.49-3.45-2.01 0-3.48 1.44-3.48 3.45Zm5.51 0c0 1.24-.8 2.19-2.03 2.19-1.23 0-2.02-.95-2.02-2.19 0-1.25.79-2.19 2.02-2.19s2.03.94 2.03 2.19ZM7.92 15.28H6.5V8.61h3.12c1.45 0 2.24.98 2.24 2.15 0 1.16-.8 2.15-2.24 2.15h-1.7v2.37Zm1.51-3.62c.56 0 .98-.35.98-.9 0-.56-.42-.9-.98-.9H7.92v1.8h1.51ZM18.3802 15.28h-1.63l-1.31-2.37h-1.04v2.37h-1.42V8.61h3.12c1.39 0 2.24.91 2.24 2.15 0 1.18-.74 1.81-1.46 1.98l1.5 2.54Zm-2.49-3.62c.57 0 1-.34 1-.9s-.43-.9-1-.9h-1.49v1.8h1.49Z\" clip-rule=\"evenodd\"\/><path fill-rule=\"evenodd\" d=\"M2 8c0-2.20914 1.79086-4 4-4h20.5c2.2091 0 4 1.79086 4 4v7.9c0 2.2091-1.7909 4-4 4H6c-2.20914 0-4-1.7909-4-4V8Zm4-2.5h20.5C27.8807 5.5 29 6.61929 29 8v7.9c0 1.3807-1.1193 2.5-2.5 2.5H6c-1.38071 0-2.5-1.1193-2.5-2.5V8c0-1.38071 1.11929-2.5 2.5-2.5Z\" clip-rule=\"evenodd\"\/><\/svg><\/span><\/a><\/span> and I decided to see it last month. At worst we'd lose a couple of hours. <br \/><br \/>Long story short: it's bad. <br \/><br \/>Aesthetically it's pleasing. Splashes of old colors clash against the predominantly gray and white background of the woods and village. But that's the only good thing about this film. The movie doesn't know what it wants to be: horror, romance or mystery. At times I suspect it's even unintentionally comedy.<br \/><br \/>Too much can be compared to <i>Twilight<\/i>. Longing looks, switching head shots, cringe worthy dialogue, and \"passionate\" scenes come straight from Twilight 101. Additional echos of it appear in the girl-loves-boy-she-can't-have-while-being-pressured-to-choose-another-boy theme with supernatural undertones in a soppy, contrived love triangle. The two guys, however, later reluctantly work together to save the girl after uttering predictable and familiar threats to each other about not hesitating the kill the other if he's the wolf. In the end, one must give up on the girl because she obviously loves the other from the start, and though the movie tries to play up the \"oh no who will she choose\" suspense, there is none. There's no fascination value to the mystery or real emotional connection to the romance.<br \/><br \/>After a trio of confusing and\/or uninteresting trailers -- how can anyone figure out what <i>The Tree of Life<\/i> is about based on <a href=\"http:\/\/www.youtube.com\/watch?v=fLPe0fHuZsc\" target=\"_blank\" rel=\"nofollow\">this<\/a> -- the movie begins with an aerial view of snowy foothills and evergreen forests. I suspected Hardwicke was recycling some of her <i>Twilight<\/i> footage. From there the camera zooms into a simple thatched roof village plagued by a werewolf \"for generations\". Then we're treated to an annoying narration by the protagonist, Valerie, describing her childhood and the dangers of the woods and the wolf. But as long as the villagers sacrifice livestock once a month to the wolf, everything is more or less fine, though the people still live in fear of the full moon.  Next comes a scene that introduces the child of a woodcutter, Peter. He and Valerie trap and kill a white rabbit which is supposed to show how she's different from other girls, tomboyish, and has a dark side or something. But I was marveling at how a supposedly wild rabbit -- curiously, snowy white in the middle of a forest devoid of snow -- immediately entered the box cage (propped up on a stick) as the two children \"hide\" about 5 feet away, then sat calmly as child-Valerie lifts the box-cage and scoops it up. With wildlife like that around, everyone must be a master hunter. <br \/><br \/>Fast forward, and Valerie is the different, lonely, most beautiful in the village. She's also strangely popular and desired by the two most desirable young bachelors around: dark, perpetually brooding, dangerous <strike>Edward<\/strike> Peter and wealthy, safe, moping blacksmith <strike>Jacob<\/strike> Henry. She also sports a gaggle of shallow secondary character as friends. But her heart belongs to the former, and several minutes are devoted to the pair flirting and flirting and flirting some more in the woods, then talking about running off after it's revealed she is betrothed to <i>*gasp*<\/i> Henry. They decide on the spot to run away together, no food, clothing or essentials. What a great idea! Fortunately Fate interrupts their stupidity, for the wolf has killed someone: Valerie's sister. The two rush to the scene of the crime. Grief, grieving, fear of the wolf, and angry villagers rallying in the tavern follows. <br \/><br \/>From a review of the book based on the film:<br \/><br \/><blockquote>So, here we have the main character, Valerie. She\u2019s different, special, can hear and see things that others cannot,[...] but she has no less than four close girl friends and the eyes, hearts and loins of the two most desirable young men in town. Henry is the wealthy, desirable son of the blacksmith over whom all the girls in town (apart from Valerie) are seen to be \u2018losing it\u2019 (p. 30). Peter could have been drawn straight from the Teen Heartthrob Handbook: \u2018a heart-stoppingly handsome, dark-haired young man. He looked wild and haunted, wearing all black, like a horse that could not be tamed.\u2019 (p. 39). But of course, looks aren\u2019t everything: \u2018He understood Valerie\u2019s impulses. He understood adventure; he understood not following the rules.\u2019 (p. 7).<br \/><br \/>Valerie\u2019s friends are as interchangeable as they are forgettable. There\u2019s a prudish one and one who\u2019s defining trait is her d\u00e9colletage. They exist purely to validate Valerie\u2019s popularity with their jealousy over her betrothal to Henry.<\/blockquote>After mistakenly believing they've killed the wolf, the village celebrates. Heavy beat music with a Renaissance tinge plays as the people perform <a href=\"http:\/\/www.youtube.com\/watch?v=ThtEdGAAwGg\" target=\"_blank\" rel=\"nofollow\">hip grinding harvest dances<\/a> with a touch of implied Lesbianism. I didn't know farming communities of the middle ages danced like that.<br \/><br \/>[SPOILERS AHEAD]<br \/><br \/>Blah blah blah stuff happens, the wolf isn't dead, the priest\/hunter Father Solmon says (paraphrased), \"Neener neener I told you so,\" the wolf \"speaks\" to Valerie in her head and wants her to leave with him, she wonders if it might be Peter since he wanted her to run away with him, people die, Valerie notices Father Solmon replaced a few of his fingernails with silver, he dies, the wolf turns out to be Valerie's father, he kills her grandmother\/his mother who didn't know he or her husband was a wolf but <i>just<\/i> figured it out, Peter and Valerie fight the wolf, Peter hits it in the back with an axe and Valarie delivers the finishing blow with.... silver fingernails. That's right. Silver fingernails. During his fight with the wolf Father Solmon lost his hand, and Valerie took it with her in her basket before going to warn her grandmother. She shoves the disembodied hand into the wolf's stomach, probably penetrating an inch at most, and he dies. Peter, however, was bitten and is fated to become a wolf, so he leaves the village to learn to control his new ability. There's some weird, pointless scene where Valerie imagines them walking through snowy mountains, her red cape blowing behind her, and the pair having sex in the snow. She stays behind in dead Grandmother's house -- remember she's so different and special she's happier there away from the main village -- and waits for his return, prompting a line I hated from Peter. \"I knew you'd say that.\" Not, \"I hoped\". Ick. finally the movie ends with another narration by Valarie explaining how Peter stood by her even when she doubted him, as if the audience didn't just watch it themselves; it's a good example of narration\/voice over being used badly in a film. After a while, but not too long 'cuz then everyone wouldn't be young and pretty anymore, Peter returns after he's learned to control his homicidal urges while in wolf form, and we assume the two live happily ever after. <br \/><br \/>The end.<a name='cutid1-end'><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:601439","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/601439.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=601439"}}],"title":"Cabin Con 2011","published":"2011-04-26T19:03:45Z","updated":"2011-04-26T23:43:20Z","category":[{"@attributes":{"term":"photography"}},{"@attributes":{"term":"traveling"}}],"content":"First of all <span  class=\"ljuser  i-ljuser  i-ljuser-type-P     \"  data-ljuser=\"ekaterini\" lj:user=\"ekaterini\" ><a href=\"https:\/\/ekaterini.livejournal.com\/profile\/\"  target=\"_self\"  class=\"i-ljuser-profile\" ><img  class=\"i-ljuser-userhead\"  src=\"https:\/\/l-stat.livejournal.net\/img\/userinfo_v8.png?v=17080&v=915\" \/><\/a><a href=\"https:\/\/ekaterini.livejournal.com\/\" class=\"i-ljuser-username\"   target=\"_self\"   ><b>ekaterini<\/b><\/a><\/span> you should have dropped everything and come. School? Work? PSHAW! There was room for two more, and I promise I'd not harass your guest... too much.<br \/><br \/><span  class=\"ljuser  i-ljuser  i-ljuser-type-P     \"  data-ljuser=\"headlesspuppet\" lj:user=\"headlesspuppet\" ><a href=\"https:\/\/headlesspuppet.livejournal.com\/profile\/\"  target=\"_self\"  class=\"i-ljuser-profile\" ><img  class=\"i-ljuser-userhead\"  src=\"https:\/\/l-stat.livejournal.net\/img\/userinfo_v8.png?v=17080&v=915\" \/><\/a><a href=\"https:\/\/headlesspuppet.livejournal.com\/\" class=\"i-ljuser-username\"   target=\"_self\"   ><b>headlesspuppet<\/b><\/a><a class=\"i-ljuser-badge i-ljuser-badge--pro\" data-badge-type=\"pro\" data-placement=\"bottom\" data-pro-badge data-pro-badge-type=\"1\" data-is-raw hidden href=\"#\"><span class=\"i-ljuser-badge__icon\"><svg class=\"svgicon\" width=\"25\" height=\"16\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 33 24\"><path fill-rule=\"evenodd\" d=\"M19.326 11.95c0 2.01 1.47 3.45 3.48 3.45 2.02 0 3.49-1.44 3.49-3.45 0-2.01-1.47-3.45-3.49-3.45-2.01 0-3.48 1.44-3.48 3.45Zm5.51 0c0 1.24-.8 2.19-2.03 2.19-1.23 0-2.02-.95-2.02-2.19 0-1.25.79-2.19 2.02-2.19s2.03.94 2.03 2.19ZM7.92 15.28H6.5V8.61h3.12c1.45 0 2.24.98 2.24 2.15 0 1.16-.8 2.15-2.24 2.15h-1.7v2.37Zm1.51-3.62c.56 0 .98-.35.98-.9 0-.56-.42-.9-.98-.9H7.92v1.8h1.51ZM18.3802 15.28h-1.63l-1.31-2.37h-1.04v2.37h-1.42V8.61h3.12c1.39 0 2.24.91 2.24 2.15 0 1.18-.74 1.81-1.46 1.98l1.5 2.54Zm-2.49-3.62c.57 0 1-.34 1-.9s-.43-.9-1-.9h-1.49v1.8h1.49Z\" clip-rule=\"evenodd\"\/><path fill-rule=\"evenodd\" d=\"M2 8c0-2.20914 1.79086-4 4-4h20.5c2.2091 0 4 1.79086 4 4v7.9c0 2.2091-1.7909 4-4 4H6c-2.20914 0-4-1.7909-4-4V8Zm4-2.5h20.5C27.8807 5.5 29 6.61929 29 8v7.9c0 1.3807-1.1193 2.5-2.5 2.5H6c-1.38071 0-2.5-1.1193-2.5-2.5V8c0-1.38071 1.11929-2.5 2.5-2.5Z\" clip-rule=\"evenodd\"\/><\/svg><\/span><\/a><\/span>, <span  class=\"ljuser  i-ljuser  i-ljuser-type-P     \"  data-ljuser=\"ladykylene\" lj:user=\"ladykylene\" ><a href=\"https:\/\/ladykylene.livejournal.com\/profile\/\"  target=\"_self\"  class=\"i-ljuser-profile\" ><img  class=\"i-ljuser-userhead\"  src=\"https:\/\/l-stat.livejournal.net\/img\/userinfo_v8.png?v=17080&v=915\" \/><\/a><a href=\"https:\/\/ladykylene.livejournal.com\/\" class=\"i-ljuser-username\"   target=\"_self\"   ><b>ladykylene<\/b><\/a><\/span>, <span  class=\"ljuser  i-ljuser  i-ljuser-deleted  i-ljuser-type-P     \"  data-ljuser=\"sc0o8i3\" lj:user=\"sc0o8i3\" ><a href=\"https:\/\/sc0o8i3.livejournal.com\/profile\/\"  target=\"_self\"  class=\"i-ljuser-profile\" ><img  class=\"i-ljuser-userhead\"  src=\"https:\/\/l-stat.livejournal.net\/img\/userinfo_v8.png?v=17080&v=915\" \/><\/a><a href=\"https:\/\/sc0o8i3.livejournal.com\/\" class=\"i-ljuser-username\"   target=\"_self\"   ><b>sc0o8i3<\/b><\/a><\/span> and I rented a house up near the islands the weekend of the 14th. The most predictable thing about weather in this region is its unpredictability. It can be raining and hailing in one spot, but drive 40 minutes south and the sun is shining. The morning can start of bright can clear (yet cold), but two hours later the clouds have rolled in and it's drizzling. Come nighttime the clouds blow away and a beautiful full moon reflects off the lake... which I'm still bitter about because <i>someone<\/i> didn't wake me.<br \/><br \/>We wanted something with character, not something that looked like a suburban condo. After a couple weeks of searching listings we found this:<br \/><a href=\"http:\/\/www.flickr.com\/photos\/sharihes\/5655549287\/\" title=\"Untitled by Shari \u27a5, on Flickr\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/farm6.static.flickr.com\/5261\/5655549287_1a51e5073b.jpg\" width=\"281\" height=\"500\" alt=\"\" fetchpriority=\"high\"><\/a> <br \/>The owner, who also designed it, was very nice; she stopped by to make sure everything was okay and drop off cookies. Don't let the blue skies fool you though. It was chilly when we arrived around noon, so hovering by the fire and\/or wrapped in blankets was a popular thing to do until the house warmed up.<br \/><a href=\"http:\/\/www.flickr.com\/photos\/sharihes\/5658076891\/\" title=\"Untitled by Shari \u27a5, on Flickr\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/farm6.static.flickr.com\/5067\/5658076891_90ea4f84e9_m.jpg\" width=\"240\" height=\"135\" alt=\"\" loading=\"lazy\"><\/a> <a href=\"http:\/\/www.flickr.com\/photos\/sharihes\/5658077509\/\" title=\"Untitled by Shari \u27a5, on Flickr\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/farm6.static.flickr.com\/5309\/5658077509_d17cdaa871_m.jpg\" width=\"240\" height=\"135\" alt=\"\" loading=\"lazy\"><\/a> <br \/>A few steps down and we were on a rocky beach. <br \/><a href=\"http:\/\/www.flickr.com\/photos\/sharihes\/5656146472\/\" title=\"Untitled by Shari \u27a5, on Flickr\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/farm6.static.flickr.com\/5147\/5656146472_8e7dca9ecd.jpg\" width=\"500\" height=\"333\" alt=\"\" loading=\"lazy\"><\/a><br \/> While there we baked fish, trekked through muddy fields to view tulips, admired the view from Deception Pass, roasted marshmellows at a firepit, grilled steaks, got massages, and played a lot of card and board games; FLUXX was a lot of fun, but wish I'd brought Munchkin. There was a TV with cable, when you have WiFi who needs tv?!<br \/><a href=\"http:\/\/www.flickr.com\/photos\/sharihes\/5655620869\/\" title=\"Untitled by Shari \u27a5, on Flickr\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/farm6.static.flickr.com\/5106\/5655620869_9a7310ae1f.jpg\" width=\"500\" height=\"333\" alt=\"\" loading=\"lazy\"><\/a><br \/>Someone was crazy enough to go into the icy water because, \"It's so pretty!\" She lasted maybe 3 seconds.<br \/><a href=\"http:\/\/www.flickr.com\/photos\/sharihes\/5655624547\/\" title=\"Untitled by Shari \u27a5, on Flickr\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/farm6.static.flickr.com\/5106\/5655624547_cbcfc29aef_m.jpg\" width=\"160\" height=\"240\" alt=\"\" loading=\"lazy\"><\/a> <a href=\"http:\/\/www.flickr.com\/photos\/sharihes\/5656140562\/\" title=\"Untitled by Shari \u27a5, on Flickr\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/farm6.static.flickr.com\/5109\/5656140562_2f965d0119_m.jpg\" width=\"240\" height=\"160\" alt=\"\" loading=\"lazy\"><\/a> <a href=\"http:\/\/www.flickr.com\/photos\/sharihes\/5656144580\/\" title=\"Untitled by Shari \u27a5, on Flickr\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/farm6.static.flickr.com\/5226\/5656144580_55b3a6d57a_m.jpg\" width=\"240\" height=\"160\" alt=\"\" loading=\"lazy\"><\/a><br \/><br \/>La Conner is a small town. Really small. It has one gas station and two grocery stores, one of which that closes early and the other the size of a large 7-11. If you want to do any significant shopping, you need to drive over Deception Pass. Though I wouldn't want to live there -- I'd probably die of boredom or end up a homicidal maniac just to fill the time -- I'd love to stay at that house again and just relax. If only I could move the house <i>and<\/i> the view and the land to the city..."},{"id":"urn:lj:livejournal.com:atom1:kayay:600985","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/600985.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=600985"}}],"title":"Easter Weekend Conventions","published":"2011-04-26T00:21:57Z","updated":"2011-04-26T00:38:58Z","category":{"@attributes":{"term":"conventions"}},"content":"First of all, Happy Belated Easter. Whether you celebrate it or not, beware <a href=\"http:\/\/4.bp.blogspot.com\/-xZ4KqXDLw6I\/TbTJ6UyEZxI\/AAAAAAAACPI\/_VUsO5Aa9bs\/s1600\/rabbit%2B3.jpg\" target=\"_blank\" rel=\"nofollow\">this Easter Bunny<\/a>; he'll suck your soul if you look him in the eyes.  There's more awkward family Easter photos <a href=\"http:\/\/www.huffingtonpost.com\/mike-bender\/awkward-family-photos_b_851697.html#s267279&amp;title=An_Earful\" target=\"_blank\" rel=\"nofollow\">here<\/a>.<br \/><br \/>This weekend was convention weekend for myself and <span  class=\"ljuser  i-ljuser  i-ljuser-type-P     \"  data-ljuser=\"headlesspuppet\" lj:user=\"headlesspuppet\" ><a href=\"https:\/\/headlesspuppet.livejournal.com\/profile\/\"  target=\"_self\"  class=\"i-ljuser-profile\" ><img  class=\"i-ljuser-userhead\"  src=\"https:\/\/l-stat.livejournal.net\/img\/userinfo_v8.png?v=17080&v=915\" \/><\/a><a href=\"https:\/\/headlesspuppet.livejournal.com\/\" class=\"i-ljuser-username\"   target=\"_self\"   ><b>headlesspuppet<\/b><\/a><a class=\"i-ljuser-badge i-ljuser-badge--pro\" data-badge-type=\"pro\" data-placement=\"bottom\" data-pro-badge data-pro-badge-type=\"1\" data-is-raw hidden href=\"#\"><span class=\"i-ljuser-badge__icon\"><svg class=\"svgicon\" width=\"25\" height=\"16\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 33 24\"><path fill-rule=\"evenodd\" d=\"M19.326 11.95c0 2.01 1.47 3.45 3.48 3.45 2.02 0 3.49-1.44 3.49-3.45 0-2.01-1.47-3.45-3.49-3.45-2.01 0-3.48 1.44-3.48 3.45Zm5.51 0c0 1.24-.8 2.19-2.03 2.19-1.23 0-2.02-.95-2.02-2.19 0-1.25.79-2.19 2.02-2.19s2.03.94 2.03 2.19ZM7.92 15.28H6.5V8.61h3.12c1.45 0 2.24.98 2.24 2.15 0 1.16-.8 2.15-2.24 2.15h-1.7v2.37Zm1.51-3.62c.56 0 .98-.35.98-.9 0-.56-.42-.9-.98-.9H7.92v1.8h1.51ZM18.3802 15.28h-1.63l-1.31-2.37h-1.04v2.37h-1.42V8.61h3.12c1.39 0 2.24.91 2.24 2.15 0 1.18-.74 1.81-1.46 1.98l1.5 2.54Zm-2.49-3.62c.57 0 1-.34 1-.9s-.43-.9-1-.9h-1.49v1.8h1.49Z\" clip-rule=\"evenodd\"\/><path fill-rule=\"evenodd\" d=\"M2 8c0-2.20914 1.79086-4 4-4h20.5c2.2091 0 4 1.79086 4 4v7.9c0 2.2091-1.7909 4-4 4H6c-2.20914 0-4-1.7909-4-4V8Zm4-2.5h20.5C27.8807 5.5 29 6.61929 29 8v7.9c0 1.3807-1.1193 2.5-2.5 2.5H6c-1.38071 0-2.5-1.1193-2.5-2.5V8c0-1.38071 1.11929-2.5 2.5-2.5Z\" clip-rule=\"evenodd\"\/><\/svg><\/span><\/a><\/span>, who\u2019d never attended <a href=\"http:\/\/www.norwescon.org\/\" target=\"_blank\" rel=\"nofollow\">Norwescon<\/a> nor <a href=\"http:\/\/www.sakuracon.org\/\" target=\"_blank\" rel=\"nofollow\">Sakuracon<\/a>. We decided to visit both. The former I\u2019d only attended once before a couple of years back as a volunteer; the latter I\u2019ve volunteered once and attended once (for one day). <br \/><br \/>The mood of each is different from cons like ECCC, PAX and SDCC, but I had a hard time accurately describing the feel of each gathering when asked. Sakuracon has a predominately younger crowd, and with it comes a lot of the attitude one would expect. Comic and game con attendees, from my experience, have a broader demographic. The indy and small press presence at anime cons always felt smaller to me, with fans of popular series like Sailor Moon, Bleach, Death Note and Street Fighter, being the most vocal and obvious. Less so are the Uzumaki (Junji Ito) and Blame (Tsutomu Nihei) fans. Norwescon, in contrast, has an older demographic.  Maybe some of it has to do with the amount of time, money and space required to craft the kind of items I saw.  Norwescon <a href=\"http:\/\/www.flickr.com\/photos\/norwescon\/sets\/72157624151894997\/\" target=\"_blank\" rel=\"nofollow\">does costumes<\/a> <a href=\"http:\/\/www.flickr.com\/photos\/djwudi\/sets\/72157616671131955\/\" target=\"_blank\" rel=\"nofollow\"> really well<\/a>; there were some really gorgeous outfits. Both are pretty gregarious gatherings, with Sakuracon seeming the more so of the two, though they lacked the sort of spontaneous inclusion of strangers into groups I experienced at game and comic cons. That's not to say people at these two conventions were standoffish or snooty, but both as an attendee and volunteer I felt it easier to join in a conversation with complete strangers at PAX. Perhaps it\u2019s because the nature of games is to engage in an activity with another person; you\u2019re encouraged to join in. <br \/><br \/>I have a lot of thoughts, questions, and concerns about Norwescon, which we spent more time at. I have to mull over how much to say, though, and I've already talked about my experience volunteering at both Norwescon and Sakuracon in the past, the good, the bad and the ugly.<br \/><br \/>Pictures of this and last (CabinCon) weekend coming soon."},{"id":"urn:lj:livejournal.com:atom1:kayay:600691","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/600691.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=600691"}}],"title":"Self Publishing Stars","published":"2011-04-13T23:12:35Z","updated":"2012-10-15T18:27:21Z","category":{"@attributes":{"term":"writing thoughts"}},"content":"During discussions about self publishing, names are often listed as examples of how anyone can \u201cmake it\u201d without education and\/or editors. They\u2019re held up as shining examples of self publishing success. But listing writers from a hundred years ago (or more) doesn\u2019t seem relevant to today\u2019s industry as publishing was a whole other game then. More recent examples, meanwhile, are more the exception rather than the rule. <br \/><br \/>I\u2019m not against self publishing, but I am against deception and ignorance. Self publishing can work, and it might be for you. It does allow greater control, but it also requires a lot of time and capital; you must be writer, marketer, accountant, editor and cover artist -- the ability to poorly slap a bunch of stock photos and font together in Photoshop btw does not a good cover artist make. Being a successful commercially published author isn\u2019t easy either; both roads require a whole lot of effort (and luck) to reach the level of success of the \u201cbig names\u201d. Neither self nor commercial publishing is, in my opinion, superior to the other for everyone and in all situations. Goals are good, and dreaming big isn't necessarily a bad thing, but it can set one up for disappointment, so to pretend every author has an excellent chance of being the next Amanda Hocking or Christopher Paolini does the writer no favors.  <br \/><br \/>This is a list compiled from various websites that I\u2019ve seen quoted as people who\u2019ve self published:<br \/><br \/><blockquote>William Blake, Virginia Woolf, William Morris, Walt Whitman, James Joyce, James Redfield (The Celestine Prophecy), Stephen Crane, E.E. Cummings, Oscar Wilde, Tom Peters (In Search of Excellence), Edward Tufte, Elynn Harris, Matthew Reilly, Howard Fast (Spartacus), D.H. Lawrence, Thomas Paine, Christopher Paolini (Eragon), Edgar Allen Poe, George Bernard Shaw, Upton Sinclair, G.P. Taylor (Shadowmancer), Mark Twain, Henry David Thoreau, Deepak Chopra, Benjamin Franklin, Richard Paul Evans (The Christmas Box), Zane Grey, Rudyard Kipling, Ezra Pound, Jack Canfield and Mark Victor Hanson (Chicken Soup for the Soul), Carl Sandburg, Gertrude Stein, John Grisham (A Time to Kill), and Stephen King.<\/blockquote>It\u2019s impressive at first glance, until you <a href=\"http:\/\/absolutewrite.com\/forums\/showpost.php?p=3050999&amp;postcount=110?\" target=\"_blank\" rel=\"nofollow\">do some research<\/a>. <br \/><br \/>Many of the older writers mentioned come from a time when \"self-publish\" had a different meaning, a time of no computers or internet or digital printing technology. Some of the later ones who actually did self publish something did so <i>after<\/i> they were already well known in literary circles. <br \/><br \/>That leaves us with only a handful that are more legitimate examples, but even those aren\u2019t cut and dry cases.  Christopher Paolini, for example, had parents who owned a small press; they had contacts, experience and money, but it wasn't until Carl Hiassen that passed the book on to Knopf that <i>Eragon<\/i> became a hit. <br \/><br \/><blockquote>We were learning that we could not take the sales to the next level without duplicating the process a large publishing house uses-- the distribution system, the marketing, etc. Once Knopf had proven they were really serious about the offer, that they would give the book the marketing attention we hoped for, we were happy to have them take Eragon off our hands. <a href=\"http:\/\/www.absolutewrite.com\/novels\/christopher_paolini.htm\" target=\"_blank\" rel=\"nofollow\"><font size=\"1\">[1]<\/font><\/a><\/blockquote><br \/>Stephen King did try an <a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Plant\" target=\"_blank\" rel=\"nofollow\">online publishing experiment<\/a>, but it didn't go as well as hoped. He also released some limited editions through small presses, but those weren't self published. Or perhaps they're referring to the stories he sold to his friends while in school. <i>The Christmas Box<\/i>, by Richard Paul Evans, is an interesting case <i>because<\/i> it's a publishing phenomenon so rare and remarkable. And the author of <i>The Celestine Prophecy<\/i> spent thousands to print his novel then worked his ass off traveling to bookstores, convincing them to stock his book. <br \/><br \/>People can and have become successful through self-publishing, but people can and have become rich through the lottery. Does that mean I should invest everything in lotto tickets if I want to become wealthy? My point is that pointing to a few successes doesn\u2019t prove the superiority of one path over another. It does show it <i>can<\/i> be done, but it doesn\u2019t prove how likely it is to happen to the average writer.<br \/><br \/><blockquote>What Amanda Hocking has proven is that one outlier will be used over and over again and forever to prove a nonexistent point. I could just as easily keep screaming \"Dan Brown! Dan Brown! We can all be like Dan Brown! Dan Brown proves my point! Dan Brown! Don't you want to be like Dan Brown!\" to argue the superiority of commercial publishing. I am as likely to have Dan Brown's success as any self-pubbed author is likely to duplicate Amanda Hocking's.<\/blockquote><br \/>I want to end with some letters from Jack London to aspiring writers. The sample is not complete but I think <a href=\"http:\/\/books.google.com\/books?id=kU7CjupoZGsC&amp;pg=PA148&amp;lpg=PA148&amp;dq=jack+london%27s+letters+to+aspiring+writers,&amp;source=bl&amp;ots=viBNQHQEyq&amp;sig=0gW-nPUXdcLYa75OkgXXOnhRNmE&amp;hl=en&amp;ei=wQumTcDEOoHSsAOvi_n5DA&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=5&amp;ved=0CDsQ6AEwBA#v=onepage&amp;q&amp;f=false\" target=\"_blank\" rel=\"nofollow\">it gets his point across<\/a>. Someone used Mr London as an example of a \u201cgreat American voice\u201d that didn\u2019t take a writing class, but just \u201cbounced off a ship after a sojourn in the Yukon and began pounding out great tales on a typewriter\u201d, as if his success was instantaneous. It's very true that one doesn't need a \"fancy education\" or \"letters behind your name\" to write well, but it doesn't mean those writers sure didn't try their best to improve.<br \/><a href=\"http:\/\/www.statcounter.com\/tumblr\/\" target=\"_blank\" target=\"_blank\" rel=\"nofollow\"><img src=\"https:\/\/imgprx.livejournal.net\/4cab900a39f141241b3374a30616027da3e45dafe26ec4bd7e982ec35824f021\/P2WlxyVijxKgh2tr8s5UUEMdsf-ah7h03ACRU7NHjN_G_QzRh4-mB0dpVBUjTRQi4A0F0ziPNltGTAVd0kl0vVs:MUmnRjx5y5OY5bFdIlL9Ag\" border=\"0\" fetchpriority=\"high\"><\/a>"},{"id":"urn:lj:livejournal.com:atom1:kayay:599837","link":[{"@attributes":{"rel":"alternate","type":"text\/html","href":"https:\/\/kayay.livejournal.com\/599837.html"}},{"@attributes":{"rel":"self","type":"text\/xml","href":"https:\/\/kayay.livejournal.com\/data\/atom\/?itemid=599837"}}],"title":"The Downfall of Dorchester","published":"2011-03-30T18:40:03Z","updated":"2011-03-30T18:40:03Z","category":{"@attributes":{"term":"writing thoughts"}},"content":"Dorchester Publishing was founded in 1971 and was well regarded, but in the past few years the pub began spiraling towards disaster. Some remained as optimistic as possible, but announcement after announcement indicated Bad Things were happening. Making Light's post, <a href=\"http:\/\/nielsenhayden.com\/makinglight\/archives\/012927.html\" target=\"_blank\" rel=\"nofollow\">\"Whither Dorchester?\"<\/a> summarizes this slowly moving train wreck well, but to break it down for those who don't want to read the whole thing, here's a timeline created from that post; it's basically parts of the article cut and paste here.<br \/><br \/><ul><li>2008 - Rumors spread that royalty payments are being deferring until 2009. <br \/><li>2009 - The publisher is rumored to not be answering phone calls or emails from its authors and that Dorchester is planning to get into e-publishing. <br \/><li>Jan 2010 - Dorchester sells some of its back and frontlist to Avon; those sold are NYT bestsellers and writers with major agents. There\u2019s talk that checks from the magazine publishing arm are bouncing. <br \/><li>Feb 2010 - Dorchester announces a \"Publisher\u2019s Pledge\" to focus on \"identifying emerging voices and trends in the industry rather than chasing bestsellers\".<br \/><li>July 2010 - According to rumor, all editor appointments, workshops and spotlights on Dorchester at the Romance Writers of America (RWS) conference are canceled. The pub is dis-invited from RWA.<br \/><li>Aug 2010 - Dorchester, \"known as a company ahead of the curve and willing to take risks\", sends out an email to its authors saying the pub will cease mass market publication in favor of e-books and digital printing to \"fully capitalize on the most profitable emerging technologies\", effective Sept 1st, 2010. Dorchester also fires its sales force. <br \/>A few days later editorial director Leah Hultenschmidt contradicts what Chief Executive John Prebich said about the publisher going digital and print-on-demand only. She explains, \"It\u2019s true Dorchester is going digital, but only for the next six months.\"<br \/>In the same month, authors learn the publisher has also let all but one editor go and is apparently not filling orders to vendors, bookstores or authors. <br \/>Just a week from their all-digital announcement, Dorchester lets their digital director go.<br \/><li>Sept 2010 - The month's releases are announced, but all are \u201cout of stock\", and there\u2019s no indication as to where or how to get e-versions. it's rumored all titles are being returned by Borders, B&N, etc. Meanwhile, up in Canada older Dorchester titles are all allegedly unavailable on Chapters\u2019 website while new titles are reportedly not even listed. <br \/>Some authors report getting reversion letters on their books. Some are stilled owed thousands in back-royalties with no indication when they\u2019ll be paid. E-book versions of at least some Dorchester titles are available, including some titles that have reverted. Some True magazine authors are told that their lack of payment is their own fault for failing to send invoices.<br \/><li>Oct 2010 - Authors who submitted manuscripts three or more years earlier start getting rejection slips. <br \/><li>Nov 2010 - Dorchester hires a new CEO, Robert Anthony to replace John Prebich.  Robert plans to \u201crevitalize\u201d the publisher, but seems to have a marketing, rather than publishing, background. <br \/>Subscribers to <i>True Story<\/i> and the other <i>True<\/i> titles are notified there will be a delay in printing their December 2010 Issue that will cause the magazine to be delivered up to 4 weeks late.<br \/><li>Dec 2010 - The Science Fiction and Fantasy Writers of America (SFWA) puts Dorchester on probation.<br \/><li>Jan 2010 - Some of Dorchester\u2019s magazines are up for sale.<br \/><li>Feb 2010 - <i>The Trues<\/i> are up for sale.<br \/><li>March 2010 - Dorchester announces a contest for readers to help select backlist titles to be released as e-books, entering them for a chance to win $25 worth of e-books. How the pub is going to get the e-rights for books that came out before e-books were even a possibility isn\u2019t specified. <br \/>Unhappy people comment on Dorchester\u2019s Facebook page, but the comments are deleted on an hourly basis. <br \/>Multiple authors continue to report their books are still being sold in e-format despite having their rights reverted back to them by the publisher.<br \/>By the end of March, Dorchester insists they're \"committed to solving the problem... and treating all authors fairly\". CEO Anthony acknowledges the company had to \u201cprioritize its cash flow\", resulting in not all authors being paid.<br \/>Horror Writers Association (HWA) reportedly dis-invites Dorchester from the annual Bram Stoker Awards. <\/li><\/ul>"}]}