{"@attributes":{"version":"2.0"},"channel":{"title":"kaie","link":"https:\/\/kaie.ca","description":"kaie","pubDate":"Wed, 28 Feb 2024 15:07:56 +0000","generator":"https:\/\/kaie.ca","language":"en","item":[{"title":"home","link":"https:\/\/kaie.ca\/home","pubDate":"Fri, 17 Aug 2018 02:31:48 +0000","guid":"https:\/\/kaie.ca\/home","description":"\nword                   fyear                sound                  dates                  collected                 live                  bio     \n\n\n\nKaie Kellough                                        \n\n\n\n\n\n\n\n\n\n"},{"title":"word","link":"https:\/\/kaie.ca\/word","pubDate":"Sat, 17 Sep 2016 16:05:59 +0000","guid":"https:\/\/kaie.ca\/word","description":"h        word    f         s         d         c         l         b\nInterposition \nPenguin Canada \/ McClelland and Stewart \n\t\n\tLong poem, ed. Canisia Lubrin, March 2026\nInterposition appropriates the language of the present. It draws from the news, from entertainment, advertising, war, tragedy, and popular culture. It finds morbid humour in our inability to distinguish between the urgencies of personal achievement and climate crisis. It compresses sound and rhythm into paradox, and it conflates absurdity and emergency. Begun in 2020, Interposition maps the continued encroachment of capital and virtual culture upon our psychic space. It examines how, with each click, we are reconstituted online and sold back to ourselves. Interposition asks: how do we uncouple ourselves from our avatars?Interposition extends Kellough\u2019s work into new themes, while continuing his exploration of the poem as a space in which linguistic convention, empire, and the impositions and internalized desires of power can be contested.\n\n\u00c9quateur magn\u00e9tique \n\ntriptyque \n\t\n\t\nFrench translation of Magnetic Equator by St\u00e9phane Martelly, April 2023\nWinner, QWF Cole Foundation Prize for Translation, 2025\nEntre l\u2019Am\u00e9rique du Sud et celle du Nord, les po\u00e8mes de ce livre d\u00e9rivent. Ils cherchent une ancestralit\u00e9 \u00e0 Georgetown, au Guyana, dans la for\u00eat amazonienne et dans l\u2019Atlantique. Ils retournent aux ann\u00e9es 1980, en banlieue de Calgary et dans les quartiers montr\u00e9alais emmur\u00e9s dans la neige post-r\u00e9f\u00e9rendaire. Comme la travers\u00e9e des vaisseaux noirs jusqu\u2019\u00e0 la terre ferme, ces po\u00e8mes se fraient un chemin dans ce monde et peinent \u00e0 expliquer l\u2019\u00e9tat d\u2019une personne scind\u00e9e en deux h\u00e9misph\u00e8res. Pr\u00e9sents dans un ici tout en portant les battements de l\u2019ailleurs, les po\u00e8mes d\u2019\u00c9quateur magn\u00e9tique cartographient les distances parcourues.\nPetits marronnages\n\nLes \u00e9ditions du Bor\u00e9al\n\t\n\n\tFrench translation of Dominoes at the Crossroads by Madeleine Stratford, February 2021\nFinalist, Governor General\u2019s Award, French Translation 2021\nDans Petits marronnages, Kaie Kellough s\u2019engouffre dans les interstices de l\u2019histoire officielle pour tirer de l\u2019oubli les figures fictives ou bien r\u00e9elles des diasporas carib\u00e9ennes et africaines. Musiciennes et autostoppeurs, po\u00e8tes et banlieusards sans histoire, agents secrets et historiennes, domestiques et r\u00e9volutionnaires s\u2019y croisent et s\u2019y recroisent dans une improvisation d\u00e9brid\u00e9e et foisonnante plac\u00e9e sous le signe du d\u00e9racinement.\nDominoes at the Crossroads\n\nV\u00e9hicule Press\n\n\t\n\n\tShort stories, ed. Dimitri Nasrallah, published February 2020\nLonglist, Scotiabank Giller Prize 2020\nLonglist, CBC Canada Reads 2021\nWinner, Quebec Writers Federation Hugh MacLennan Prize for Fiction 2020Finalist, Grand Prix du Livre de Montr\u00e9al 2020\nFinalist, Danuta Gleed Award for Short Fiction, 2021\nFinalist, ReLit Award for Short Fiction 2021\nCover story, Quill and Quire, December 2020Globe and Mail, Globe 100 Best Books of 2020CBC, Best Books of 2020\n\n\nDominoes at the Crossroads plays double-dutch with time and latitude as its characters skip between their Caribbean roots and their Canadian present. Through the eyes of jazz musicians, hitchhikers, quiet suburbanites, student radicals, secret agents, historians, and their fugitive ancestors, Kellough guides us from the cobblestones of Montreal\u2019s Old Port to the foliage of a South American rainforest, from a basement in wartime Paris to an underground antique shop in Montr\u00e9al during the October Crisis, allowing the force of imagination to tip the balance of time like a line of dominoes.\nMagnetic Equator\nPenguin Canada \/ McClelland and Stewart\n\n \n\t\n\tPoetry, ed. Dionne Brand 2019\nWinner, Griffin Poetry Prize 2020Finalist, Quebec Writers Federation A.M. Klein Prize for Poetry 2019\nCBC, Best Books of 2019 \nFinalist, Carte Blanche 3Macs Award 2018\nThe poems in MEQ are inhabited by migration and distance. They are ghosts that issue from suburban oblivion.They drift between North and South America looking for their ancestry in the cities and rainforests of Guyana, the Atlantic Ocean, and the prairies, foothills, and badlands of Western Canada.\nAccord\u00e9onARP Books\n\n\t\n\tNovel. Jacket and text by LOKI Design, published 2016\nFinalist, Amazon \/ Walrus Foundation First Novel Award 2017\nCover story, Montr\u00e9al Reivew of Books, Spring 2017 \nThe Ministry of Culture seeks to shape and direct every detail of Qu\u00e9bec society, and institutes a vast surveillance program. It plants agents in offices, caf\u00e9s, and daycares. It abducts citizens, interrogates them, and meticulously catalogues their testimony. When Accord\u00e9on's itinerant narrator is detained, their testimony discloses a counter-conspiracy in which a mythic flying canoe will ascend to thwart the Ministry and radically transform Qu\u00e9bec society.\n\nMaple Leaf RagARP Books\n\t\n\t\n\n\n\t \n\n\n\tPoetry, published 2010\nShortlist, Manitoba Book Awards, Manuela Dias Design Prize, 2010\nMaple Leaf Rag is a dynamic, jazz-and-noise-infused riff on Canadian culture. Its concrete and written soundscape explores belonging, dislocation and relocation, and national identity from a Black Canadian perspective. This collection of poems syncopates the page and scores speech. \n\nNavette Shape & Nature Press\n\n\n\t\n\tShort story and conceptual walk, published 2015, Greenfield, Mass.\n\nNavette contains a conceptual walk and a work of short fiction. The walk visits familiar Montr\u00e9al landmarks that double as passages along a migrant's journey. The story is one of revolution and flight in which a nameless youth, the child of Haitian immigrants, comes of age during the 2012 student strike. The Duvalier r\u00e9gime and the space shuttle Challenger haunt the family's memory, while a future blurred by social unrest, language politics, vintage Congolese recordings, and interstellar space engulfs their city.\n\n"},{"title":"fyear","link":"https:\/\/kaie.ca\/fyear","pubDate":"Wed, 28 Feb 2024 15:07:56 +0000","guid":"https:\/\/kaie.ca\/fyear","description":"\n\t\n\t\n\n\n\t\n\nh.    w     fyear     s       d      c      l      b    \n\n\n\tFYEAR  \nFYEAR \ufeff is a Montr\u00e9al-based nonet led by composer Jason Sharp and poet\/writer Kaie Kellough. FYEAR fuses spoken word into multi-genre compositions for electronics, two voices, two drummers, processed saxophone, pedal steel guitar, and violins. Their debut self-titled  studio recording was released by Constellation Records in 2024. It is available in all digital formats, 180-gram vinyl edition, and compact disc.FYEAR incorporates drone, out-jazz, post-classical, ambient metal, avant-rock, and modular synthesis, and creates a unified sound\/aesthetic while traversing adventurous and varied terrain. Kellough\u2019s langauge engages with the challenges of modernity: extraction, inflation, and the unequal distribution of access to the future. This self-titled debut album is a supremely innovative 40-minute multi-movement work.\n\n\n\n\t\n\t\n180 gram vinyl LP and compact disc designed by Kevin Yuen Kit Lo and Constellation.\n\nVideo design by Kevin Yuen Kit Lo & Sarah Auches \n\n\n\t\n\n\n\n\n\n\n\n\n\nSchemmann Photography, Moers Festival, Germany, 05\/2023\nContributors, L-R:  Jesse Zubot, Kevin Yuen Kit Lo, Kaie Kellough, Jason Sharp, Joe Grass, Josh Zubot, Tawhida Tanya Evanson, Stefan Schneider, Tommy Crane\n\n\nJason Sharp is a bass and baritone saxophonist, synthesist, and composer who has recorded 3 studio albums for the prestigious Constellation Records label.Kaie Kellough (text, voice) is a poet, novelist, and sound performer. A recipient of the Griffin Poetry Prize, Kaie\u2019s writing emerges where social engagement and formal innovation meet.Joe Grass (pedal steel) is a guitarist, composer, and producer who has worked extensively with Lhasa, Patrick Watson, Marie-Pierre Arthur, and Elisapie.Kevin Yuen Kit Lo is a graphic designer. He is the founder and creative director of  LOKI Design Studios, which blends a passion for craft with a commitment to equality and social justice.Tawhida Tanya Evanson (voice) is a poet, novelist, sound performer, and whirling dervish. Her publications, solo perfromances, and collaborations have reached Africa, Australia, Indonesia, and the Caribbean.Jesse Zubot (violin) is a composer, musician, and producer who is a four-time Juno Award winner. As a film composer, he has won acclaim for his innovative scores for Monkey Beach, Indian Horse, and Academy Award-nominated Two Lovers and a Bear.Joshua Zubot (violin) is a central figure in both the Montr\u00e9al and Vancouver creative music scenes. Some of his frequent collaborations are with Bernard Falaise, Francois Houle, Sam Shalabi, Nicolas Caloia, and Isaiah Ceccarelli.Stefan Schneider (percussion) is a founding member of the Bell Orchestre and The Queer Songbook Orchestra. Tommy Crane (percussion) is a Montr\u00e9al-based musician who has recorded and performed with Ambrose Akinmusire, Melissa Aldana, The Mingus Big Band, Linda Oh, Thus Owls, Aaron Parks, Richard Reed Parry, and Logan Richardson.\n\n"},{"title":"sound","link":"https:\/\/kaie.ca\/sound","pubDate":"Sat, 17 Sep 2016 16:06:02 +0000","guid":"https:\/\/kaie.ca\/sound","description":"h         w      f        sound      d         c         l         b\n\nSmall Stones05\/2021\n\n\nSmall Stones is a 21-minute work that blends audio, graphic design, animation, and text. It was commissioned by Jason Camlot at Spokenweb for the Listening, Sound, Agency Symposium. \nText and voice: Kaie Kellough, Bass and baritone saxophones: Jason Sharp, Visual and typographic design: Kevin Yuen Kit Lo, Editing and animation: Sarah Auches.\n\n\nFYEAR\n04\/2021\nFYEAR is a 9-piece ensemble. This performance was recorded live at the Lion D\u2019Or venue in Montr\u00e9al. It was commissioned by JazzAhead! Bremen, the National Arts Center, and the Canada Council for the Arts, and it  aired on April 29 with partnering jazz festivals in Canada and Europe.Contributors are Jason Sharp (compositions, electronics, bass and baritone saxophones), Kaie Kellough (text, voice), Tawhida Tanya Evanson (voice), Joe Grass (pedal steel),  Stefan Schneider (drums), JahSun (drums),  Jesse Zubot (Violin), Josh Zubot (violin), and Kevin Yuen Kit Lo (type and visual design). \nwww.fyear.ca\n\nUBGNLSWRE09\/2020\n\nUBGNLSWRE is a mixed media collaboration between Jason Sharp (bass saxophone, electronics, composition), Kaie Kellough (voice, text), and Kevin Yuen Kit Lo (visual design). Interview: 00:00-15:35w\/ Jason Sharp and Kaie Kellough, by David Dacks Performance: 15:38-46:45\n\nThis work was composed during the 2020 pandemic. It emerges from a moment when climate change, global uncertainty, and sharply rising inequality appeared to suspend the future. It examines that suspension and it considers how we construct our sense of self in such a moment. It explores questions of (historical) access to the idea of a future, and what happens to a self when that access is limited.UBGNLSWRE was presented in collaboration with the Aga Khan Museum, with the X AVANT Festival, and with the Music Gallery Toronto.\n\nRocket #09\/2020\n\n\nRocket # is a series of 00:45-second improvised conversations between voice (poem) and brass. \nText is drawn from the book Magnetic Equator, winner of the 2020 Griffin Poetry Prize.Kaie Kellough (voice, text)Jason Sharp (baritone saxophone) Produced in collaboration with the Aga Khan Museum, Toronto.\n\nFire in the Mainframe09\/2019\n\n\nFire in the Mainframe is a lecture with an electronic narrative embedded in the middle. It features live voice, recorded voice, and modular syntehsizer, and was composed and presented by Kaie Kellough.\nThis performative lecture was delivered at the Power Plant, Toronto, in October 2019. The lecture begins and ends with an essay on the 1969 student occupation of the Sir George Williams Computer Center, a protest against racial bias in grading.The lecture was published in TOPIA Journal, Special Issue, Legacies of the 1969 Sir George Williams Student Protests, ed. Ronald Cummings, Nalini Mohabir, Vol. 44\n\n The narrative embedded in the lecture is a work of short fiction that was published as \u201cAshes and Juju\u201d in the collection Dominoes at the Crossroads.\n\n\nTurning Centre of the Still World\n06\/2018\n\nTurning Centre of the Still World is a cross-disciplinary work, composed with Cheryl Duvall (prepared piano), Ilana Waniuk (violin, effects), Jason Sharp (electronics, sound design), and Kaie Kellough (voice, vocal effects, text).\nThis work draws on ideas of diaspora, displacement, erasure, ambivalence, and on personal history. It looks at place (the Canadian prairies) from the perspective of one who is physically present there, yet who is culturally absent or erased. \nThis work was performed live at the Music Gallery, Toronto, in 06\/2018, as part of the Thin Edge New Music Collective\u2019s event, Fusing.\n01100001\n09\/2014\n\n01100001 is a mixed media collaboration between Jason Sharp (electronics, sound design), and Kaie Kellough (live and synthesized voice, text, visual design). Video shot\/edited by Victoria Nam, 05\/09\/2014, Montr\u00e9al. This performance of the book of Genesis converted into binary code, is inspired by the quote: \u201cToo much has been made of origins, all origins are arbitrary\u201d by Dionne Brand, from A Map to the Door of No Return . \nExcerpt from a performance at the launch of Creole Continuum.\n\nProduced in collaboration with HOWL! Arts Collective.\nFunded by the Canada Council for the Arts\nCreole ContinuumHowl!\n\nDesign: Nazik Dakkach\n\nCreole Continuum was released on vinyl, CD and MP3 on September 5th, 2014 with Howl! records. \nPersonnel: Martin Heslop (contrebasse), Jason Sharp (bass & baritone saxophones), Ted Strauss (piano, organ), Brahja Waldman (drums, alto saxophone), Kim Zombik (voice), Tyler Fitzmaurice (recording, mixing), Dimitiri Condax (mastering).\nFrom Creole Continuum, \u201cd-o-y-o-u-r-e-a-d-m-e\u201d was selected for BAX Online (Best American Experimental Writing) 2015, eds. Douglas Kearney, Seth Abramson, Jesse Damiani, and was named among the top poems of 2014 by the Vancouver Poetry House.\n\nVox:Versus\nWired On Words\nVox:Versus\n\nDesign: Kevin Yuen Kit Lo (LOKI)\n\nVox:Versus was recorded in 2010 at Hotel 2 Tango, Montr\u00e9al.  \nPersonnel: Martin Heslop (contrebasse), Jahsun (drums), Stefan Christoff (piano), Kim Zombik (vocal), DJ Andy Williams (soundscapes), Zeke (sound collage), Jason Selman (trumpet), Radwan Ghazi Mounmeh (recording), Graham Lessard (mixing), Harris Newman (mastering). \n\n\n\nVox:Versus was launched at th 2011 Suoni Per Il Popolo festival, Montr\u00e9al."},{"title":"dates","link":"https:\/\/kaie.ca\/dates","pubDate":"Sat, 17 Sep 2016 16:06:23 +0000","guid":"https:\/\/kaie.ca\/dates","description":"h         w      f       s         dates         c         l         b\n\nUpcoming\n\n\n\n2026\nLaunch of Interposition, published by McClelland & Stewart\n\n\n\n\n\n\nAchieved\n\n2025\nNovember , Miami, Naples, FL\nDark Ride with Rafael Lozano-Hemmer\n\nOctober, Utrecht\nFYEAR plays Le Guess Who Festival \n2024June 6, TorontoFirst novel award ceremony, juror w\/ Francesca Ekwuyasi, Billy Ray Belcourt\nMay 9, SudburyDuo w\/ Oana Avasilichoaei, Productions Rhizome\nMay 7, TorontoDuo w\/ Oana Avasilichoaei, Productions Rhizome\nApril 30, MontrealMontreal International Poetry Prize Reading Series w\/ Bianca Stone, Sadiqa de Meijer, Jeremy Desjarlais\nMarch 7-16, Montr\u00e9alInfinitheater Presents: Dominoes at the Crossroads, a play based on the collection of short stories \nFebruary 15-25: Rhizome, Qu\u00e9bec City\nIn residence with Oana Avasilichioaei February 5: Toronto\nLaunch of Code Noir with Canisia Lubrin\n\n\n2023April 21: Librairie Port de T\u00eate, Montr\u00e9alLancement d\u2019\u00c9quateur magn\u00e9tique, traduite par St\u00e9phane MartellyMay 11th-15th: Stockholm, SwedenH\u00e4gerstens\u00e5sens medborgarhus Festival, with Michael Nardone, Jordan Abel, Cecily Nicholson, Gail Scott. Lisa Robertson\nMay 25th: Moers Festival, Moers, GermanyFYEAR performance, with Jason Sharp (composition, bass saxophone, electronics), Kevin Yuen Kit Lo (visual projections), Tawhida Tanya Evanson (voice), Joe Grass (pedal steel, electronics), Stefan Schneider (drums), Tommy Crane (drums), Josh Zubot (violin), Jesse Zubot (violin)Feberuary 27th: Casa del Popolo, Montr\u00e9alTrio with Jason Sharp (saxophones, electronics) & Liam O\u2019Neill (drums)\nFebruary 14th: Queens University, Kingston, ONCourse guest, lauch of A is for Acholi with Juliane Okot BitekFebruary 7th: VirtualGiller Book Club interview with Rawi HageJanuary 25th: Mus\u00e9e des Beaux Arts, Montr\u00e9alReading as part of the Jean-Michel Basquiat exhibitWith David Bradfort, Tawhida Tanya Evanson, Jason Sharp, Mo Bolduc\n\n2022November 28-Dec 01: Guadalajara, MexicoGuadalajara Feria Internacional del Librow\/ Oana Avasilichioaei & Productions Rhizome\nNovember 25: Montr\u00e9alPo\u00e9sie et musique improvis\u00e9e \nNovember 23: Concordia University Montreal writing in English, Course guest November 22: McGill UniversityIntroduction to the Philosophy of Race, Course guest \nNovember 20: Montr\u00e9al\nThe Fire That Time, book launch \nNovember 15: Universit\u00e9 de Montr\u00e9al \nD\u00e9partement des litt\u00e9ratures et langues du monde, pr\u00e9sentation litt\u00e9raire\nNovember 10: McGill UniversityGenetic Cascade Presented by the Department of English and the Montr\u00e9al Poetry Prize\n\nJune 14: La Sala Rossa, Montr\u00e9al    Suoni Per Il Popolo Festival, FYEAR performance, with Jason Sharp (composition, bass saxophone, electronics), Kevin Yuen Kit Lo (visual projections), Tawhida Tanya Evanson (voice), Joe Grass (pedal steel, electronics), Stefan Schneider (drums), Jahsun (drums), Josh Zubot (violin), Jesse Zubot (violin)June 10: URSA, Montr\u00e9al   June 01: Montr\u00e9alFestival de la Po\u00e9sie de Montr\u00e9alMay 27: Montr\u00e9alACCUTE Conference Keynote, with Eric Schmaltz (visual projections)April 29-May 01: New BrunswickFRYE Festival \n\nMarch 15: Guelph University, College of Arts Black Writers and Thinkers series, with Tessa McWatt, David Austin, Lawrence Hill, Ronald Cummings, Nalini Mohabir, and Canisia Lubrin, curated and hosted by Paul Barrett\nJan-Aug: Writers\u2019 Trust  of Canada Mentor, poetry, with Sho Yamagushiku\nJan-Oct: Scotiabank Giller Prize Juror\n2021\n\nDecember 01, 2021: Concordia University\nWriters Read, w Oana Avasilichioaei, Caroline Bergvall\nNovember 03: York University\nA Map to the Door of No Return at 20: A Gathering, Fields of Imagining, w Natalie Diaz, Torkwase Dyson, Canisia Lubrin, Nanjala Nyabola, Brandon Shimoda\nOctober: TIFA, TorontoMasterclass\nSeptember: Canadian Literature Centre, University of Alberta, Edmonton        Guest presentation, Q&A\nSeptember 16: Word Vancouver FestivalWith Tawhida Tanya Evanson and Cecily NicholsonSeptember: Send & Recieve Festival, Winnipeg\nAugust: Banff Centre for Arts and CreativityFaculty, Online Literary Program, w Jordan Abel\n\nMay 24: Giller Book ClubIn coversation with David Chariandy\nMay 22: Concordia University   SpokenWeb Symposium, premiere of Small Stones, an audio-video work in collaboration w Kevin Yuen Kit Lo (visual design), Jason Sharp (bass and baritone saxophones), Kaie Kellough (text, voice)\nApril 29: Jazzahead! Festival, Bremen FYEAR, a 7-piece ensemble audio-visual work, w Jason Sharp (composition, modular electronics, bass saxophone), Kaie Kellough (text, voice), Tawhida Tanya Evanson (voice), Joe Grass (pedal steel), JahSun (drums), Stefan Schneider (drums), Kevin Yuen Kit Lo (visual design, projections) in collaboration with the Canada Council for the Arts, Jazzahead! Bremen, and the National Arts Center\nApril 25: Bocas Literary Festival, TrinidadIn a Cold Country, conversation with Andr\u00e9 Alexis and Anton Nimblett\nApril 24: Stanstead Arts Center, Montr\u00e9al    Reading and conversation with Oana Avasilichioaei and Shelley Pomerance\nApril 21: Memorial University, NewfoundlandDoing Representation Justice, conversation with Zalika Reid-Benta and Dr. Stephanie McKenzie\n\nApril 9th: Qu\u00e9bec City (Virtual)Imgination Festival\nApril 6th: Queen\u2019s UniversityOn Translation, discussion w Madeleine Stratford\nApril 1st: Concordia UniversityFARR (Fine Arts Reading Room), discussion, Q&A \nMarch 16th: Queen\u2019s University Language, Liberation, and Design, discussion w Kevin Yuen Kit Lo, Dani Spinosa\nMarch 10th: Queens\u2019s University Music Department, Extended Technique, discussion w Jason Sharp, Matt Rogalsky\nMarch 5th: Queen\u2019s University2021 Scotiabank Giller Prize Annual Event, discussion w Souvankham ThammavongsaFebruary 26th: Queen\u2019s UniversityThe Politics of Multidisciplinarity, discussion w Gary Barwin, Tawhida Tanya Evanson, Kama La Mackerel\nFebruary 23rd: Toronto (Virtual)York University, Canadian Writers in Person Lecture Series\n\nFebruary 18thV\u00e9hicule Press, launch of The Book of Wings, a novel by Tawhida Tanya Evanson, author interviewFebruary 12: CBC GemJah in the Ever-Expanding Song, a monodrama presented by Obsidian Theatre, as part of the 21 Black Futures project\nFebruary 9th: Toronto (Virtual)Toronto Public Library, The Black Prairie Archives, discussion with Dr. Karina Vernon and Ismaila Alfa (CBC)\n\nJanuary 20, CBC IdeasEverything at Once, interviewed as part of an episode on time during the pandemicJanuary 19: Queen\u2019s UniversityMaroon Time: Time and Ancestry in the Poem, Queen\u2019s University WiR Opening Address\n2021 Winter Semester: Kingston, ON (Virtual)Queen\u2019s University, Writer in Residence\n\n\n2020\nNovember 27th: Montr\u00e9al (Virtual)QWF \/ AELAQ Black Writers Out Loud, in conversation w Canisia Lubrin, curated by Tanya Evanson\n\nNovember 25th: Oakville, ON (Virtual)Sheridan College, Masterclass and public discussion w Gary Barwin\nNovember 19th: Montr\u00e9alJohn Abbott College, course guest w Dr. Sara Villa\nNovember 18th: Montr\u00e9alConcordia University, Contemporary Canadian Fiction, course guest w Dr. Jessica Bardill\nNovember 7th: Ottawa (Virtual)Ottawa Versefest, Official Welcome w Karen Solie, Anne-Marie Desmeules, Albert DumontNovember 6th: Sudbury (Virtual)Wordstock Sudbury, Our Belonging, panel w Chelene Knight, Jonina Kirton, Kim Fahner\nOctober 29th: Toronto Toronto International Festival of Authors (TIFA), Far From Home, in conversation w Souvankham Thammavongsa\nOctober 15th: Toronto (Virtual)Aga Khan Museum \/ Music Gallery \/ Avant X Festival co-present UBGNLSWRE, live performance w\/ Jason Sharp (bass \/ baritone saxophones, electronics), Kevin Yuen Kit Lo (visual projections)\nOctober 8th: Montr\u00e9alSuoni TV, live performance w\/ Jason Sharp (bass \/ baritone saxophones, electronics), and JahSun (drums)\nOctober 7th: Toronto (Virtual)Coach House Books, Watch Your Head anthology launch October 7th: Toronto (Virtual)Toronto International Festival of Authors (TIFA) Book Club\nOctober 2nd: Toronto (Virtual)The Art of the Short Story,conversation among Giller prize nominees, w Souvankham Thammavongsa and David Bergen\nSeptember 28th, 29th: TorontoAga Khan Museum, audio \/ video recording date w\/ Jason Sharp (bass saxophone, electronics), and Kevin Yuen Kit Lo (visual projections)September 23\/24th: Montr\u00e9alRhizome Productions, live recording at the Lion D\u2019or w Oana Avasilichioaei\n\nSeptember 21st: Ottawa (Virtual)OIWF - Ottawa Internatioal Writers Festival w Ian Williams and CBC host Adrian HarewoodSeptember 11th: Vancouer (Virtual)Word Vancouver - Host, w Souvankham Thammavongsa, Derek Mascarenhas, Nilofar Shidmehr\nSeptember 10th: Toronto (Virtual)WOTS - Word on the Street, At the Crossroads, conversation w Jack Wang\n\nAugust 10th-22nd: Banff Cancelled due to COVIDBanff Centre for the Arts, Poetry Program Faculty, w\/ Jordan AbelJune 5th-11th: Berlin Cancelled due to COVIDFestival Poesie Berlin, w\/ Oana Avasilichioaei, Rhizome ProductionsMay 1st-10th: Hong Kong Cancelled due to COVIDContemporary Musiking Hong Kong, Sound Forms Festival w\/ Kevin Yuen Kit Lo\nApril 30th: Ottawa Cancelled due to COVIDOttawa Writers Festival\nApril 18th: Toronto Cancelled due to COVIDAga Khan Museum, duo performance w\/ Jason Sharp\nApril 7th-9th: Qu\u00e9bec City Cancelled due to COVIDRhizome Productions March 28th: Ottawa Cancelled due to COVIDOttawa VerseFest\n\nMarch 26th: Montr\u00e9al Cancelled due to COVIDMRB (Montr\u00e9al Review of Books) Spring Launch @ D&QMarch 13th: Montr\u00e9al Cancelled due to COVIDConcordia University, Black Studies Conference, Opening\nLaunch March 3rd: Montr\u00e9alConcordia University, course guest w\/ Dimitri Nasrallah\nFebruary 27th: Qu\u00e9becOpen Book Diaspora Panel, Centre Morin, w\/ Rebecca Fisseha\nFebruary 19th: Montr\u00e9alDrawn & Quarterly Bookstore: Launch of Dominoes at the Crossroads, with Dimitri Nasrallah, V\u00e9hicule Press\nJanuary 17th: VancouverUBC, Black Noise. Course guest w\/ Phanuel AntwiJanuary 15th: VancouverUBC, Thinking While Black. Claudia Rankine, moderated by Kaie KelloughPresented by The Phil Lind Initiative\n\n2019November 27th: Montr\u00e9alRhizome, recording\nNovember 21st: Montr\u00e9alDuo  w\/ Jason Sharp, Casa del Popolo\nNovember 15th: KingstonQueens University\nNovember 7th: Montr\u00e9alConcordia University, Deep Curation\nNovember 5th: Montr\u00e9alQWF Awards: Shortlisted for the A.M. Klein Poetry Award\nOctober 23rd-25th: VancouverVancouver International Writers Festival\nOctober 22nd: Montr\u00e9alParagraphe Bookstore: QWF Awards Readings\nOctober 19th: TorontoHarborfront Center, hosted by the Power Plant\nOctober 11th: Montr\u00e9alDeath of Futurism\nOctober 10th: Montr\u00e9alConcordia University, Wired on Words\nSeptember 24th-25th: WinnipegWinnipeg International Writers Festival\nSeptember 20th: St. CatharinesSonic Glow Festival\nSeptember 9th: Montr\u00e9alLOGOS Reading Series\nJune 13th: Montr\u00e9alSuoni Per Il PopoloSextet w\/ Jason Sharp (modular synth, bass saxophone), Kevin Yuen Kit Lo (visual language projections), Joe Grass (pedal steel), Tanya Evanson (voice), Stef Schneider (drums) \nMay 24th: Montr\u00e9alPublishing Sphere ConferenceReading with Erin Moure, Nicole Raziya Fong\nMay 4th: Montr\u00e9alWords and Music, Blue Metropolis FestivalMay 3rd: Montr\u00e9alThe Equivocal City author panel, Blue Metropolis FestivalApril 25-27th: DublinMaking In Canadian Space conference\nApril 12th: Montr\u00e9alSounding the City, Concordia UniversityIn collaboration with Dr. Katherine McLeod, Writers Read, Spokenweb\nMarch 27th: TorontoLaunch of Magnetic Equator (Poetry, McClelland and Stewart), AGO\n\nFebruary 8th, 9th: Montr\u00e9alProtests and Pedagogy Conference, Concordia University\n\n2018\nNovember 25th: Montr\u00e9alMile End Poets\u2019 Festival\nNovember 20th: Montr\u00e9alQWF Awards. Poem Bow nominated for the 3Macs Carte Blanche AwardNovember 14th: Montr\u00e9alConcordia University, Montr\u00e9al \/ Qu\u00e9bec Literature w\/ Katherine Mcleod\n\nOctober 7-15: AustraliaBundanon Trust Artist Residency\nOctober 19-21: Sydney, AustraliaWord Travels Storyfest\nJune 22: TorontoThin Edge New Music Collective: FusingNew composition by Cheryl Duvall, Kaie Kellough, Jason Sharp, Ilana Waniuk\nJune 9th: Montr\u00e9alMy Backyard, Somewhere \/ Quelque part, mon jardin Music by Collectif 9 & Architek Percussion, works by 5 composers, incl. bilingual text by Kaie Kellough\nMay 2nd: Montr\u00e9alMonastiraki Gallery. Launch of Hider Seeker by Jen Currin, with Nicole Raziya Fong, Helen Guri, Emilie O'brien\nApril 7th: Montr\u00e9alSBC Gallery. Electronic narrative presentation, as part of Relief Theory\nMarch 29th: Montr\u00e9alCanadian Literature, w\/ Robert Lecker, McGill Univeristy\nMarch 16th: Montr\u00e9alQu\u00e9bec \/ Montr\u00e9al Writing in English, w\/ Gillian Sze, Concordia University\nJanuary 25th: Montr\u00e9alContemporary Poetry, w\/ Michael Nardone, Concordia University\n\n2017\n\nNovember 9th: Montr\u00e9alVanier College Literary Symposium \nNovember 4th: St.Catharines, OntarioFestival of Readers \nOctober 13th: TorontoXAvant XII Festival: Int\u00e9rro, collaborative work w\/ Jason Sharp, Kevin Yuen Kit Lo, Tanya Evanson, The Music Gallery\nSeptermber 15th: Montr\u00e9alUnderground Sounds. Phonopolis. Modular synth improv set\nJuly 26th: TorontoCourse Guest: Mixed Race and Other Border Crossings, University of Toronto, w\/ Karina Vernon\nJuly 12th: Montr\u00e9alMixed with Dust (duo w\/ Stefan Christoff), Casa del Popolo\nJune 24th: Montr\u00e9alDuo w\/ Jason Sharp. Casa Del Popolo\nJune 14th: Montr\u00e9al\nSuoni Per Il Popolo Festival, at La Vitrola w\/ Lillian Allen, Tanya Evanson\nMay 25th: TorontoShortlisted: Amazon.ca \/ Walrus Foundation First Novel Award gala at the Four Seasons\nApril 29th: Montr\u00e9al \nBlue Metropolis Festival at Hotel Dix. Round table: Performing Words, Performing Signs\nApril 22nd: Montr\u00e9al\nHowl! Festival at Casa Del Popolo w\/ Sam Shalabi, Stefan Christoff, Mark Haynes\nApril 19th: Vancouver\nWax Poetic program at Co-op Radio 100.5 fm w\/ RC Weslowski\nApril 12th: Victoria\nTongues of Fire series w\/ Bill Bissett\nApril 7th: Montr\u00e9al\nMontr\u00e9al Monochrome V at Articule Gallery\nApril 4th: Montr\u00e9al\nMile End Poets Festival w Tanya Evanson, Victoria Stanton, Skin T0ne\nMarch 13th: Montr\u00e9al\nKola Reading Series w Joel Desrosiers, Olive Senior\nFebruary 17th: Montr\u00e9al\nBlack Future w Elena Stoodley & Kaitlyn Ramsden, DJ Ellise Barbara, Slowpitchsound & Lybido \nJanuary 31st: Montr\u00e9alPoetry, Engl 234 course guest, w\/ Michael Nardone @ Concordia University\nJanuary 27th: Montr\u00e9al\nAccord\u00e9on novel launch @ Casa Del Popolo\n\n2016\nDecember 15th: Montr\u00e9alGod is Alive, Magic is Afoot: Leonard Cohen Tribute @ Rialto \nNovermber 26th: Montr\u00e9alQWF Book Fair @ Atwater Library\nNovember 23rd: TorontoARP Books Authors' Showcase @ The Gladstone\nw\/ Hal Niedzviecki, Andrew Sullivan, Emma Healey, Angela Hibbs \nNovember 20th: Montr\u00e9alWired on Words @ Casa Del Popolo \nw\/ Tanya Evanson, Paul Dutton\nNovember 3rd: Montr\u00e9alLa Plante: duo performance w\/ Jason Sharp\nOctober 22nd: Montr\u00e9alCBC 5 \u00e0 6 interview w\/ Nantali Indongo\n August 17th, 18th: Edinburgh, ScotlandEdinburgh Int'l Book Festival: GlossPerformance & panel w\/ Tanya Evanson & Pamela Witcher\nJuly 14th: Montr\u00e9alArgo Books: Africa as a Dream that Travels Through my Heart\nduo performance with Jason Selman\nJune 2nd: Montr\u00e9alSuoni Per Il Popolo Festival, Int\u00e9rro: Performance w\/ Jason Sharp, Tanya Evanson, Kevin Yuen Kit Lo\nMay 26th: HalifaxObey Convention, Solo Performance\nMay 7th: TorontoPages Unbound Festival, duo performance w\/ Jason Sharp. solo performance by Aisha Sasha John\nApril 16th: Montr\u00e9alBlue Metropolis Festival, Rapid-Fire Reading \/ Ricochet Writing Series\nApril 8th: Qu\u00e9becLes Vendredis de Po\u00e9sie\nMarch 25th: Montr\u00e9alHowl! Arts event, duo w\/ Stefan Christoff (Mixed with Dust)\nMarch 9th: Montr\u00e9alPerformance, festival Dans ta T\u00eate\nMarch 1st: Montr\u00e9alR\u00e9sonance Reading Series, with Oana Avasilichioaei, Jeramy Dodds, Lisa Fishman, Virginia Konchan, Andrew Zawacki\nJanuary 25th: Montr\u00e9alJessica Moss, + trio w\/ Jason Sharp, Kaie Kellough, Stefan Schneider \nJanuary 22nd: Montr\u00e9alHowl! pr\u00e9sente: Sarah Pag\u00e9, R\u00eaves Sonores, Markus Floats\nJanuary 9th: Montr\u00e9alHowl! Benefit duo w\/ Stefan Christoff (Mixed with Dust), \n\n2015\n\nNovember 25th: Montr\u00e9alAtwater Poetry Project w\/ Oana Avasilichioaei\nNovember 8th: Kingston (Ontario)Tone Deaf Festival w\/ Skin Tone & Nobuo Kubota\nOctober 22nd, 23rd: St Catharines (Ontario)Harriet's Legacies Conference: Race, Historical Memory, and Futures in Canada, Brock University\nOctober 9th: Montr\u00e9alOpening for Algiers, presented by Blue Skies Turn Black\nduo w\/ Stefan Christoff \nSeptember 27th: Montr\u00e9alWired on Words and Music Performance Series\nSeptember 25th: St Catharines (Ontario)Visual poetry vernissage: The Assembly Line of Babel \nw\/ Eric Schmaltz, Manticore\n\nSeptember 17th: St. Catharines (Ontario)Border Blur Reading Seriesw\/ Jacqueline Valencia, Natalee Caple, Andrew Mcewan\nSeptember 12th: Montr\u00e9alShape & Nature Press launch of Navette (chapbook)w\/ Julie Mannell\nSeptember 5th: TorontoCPRG (Contemporary Poetry Research Group) microtalk series \"Play\" w\/\nJohn Liberty, Lillian Allen, Jenny Sampirisi, David James Brock, John Bell, Liz\nHoward\nJune 6th: Ottawaab Series w\/ Wayde Compton\nMay 27th: Montr\u00e9alBetween the Pages, literary TV program (taping for broadcast)\nApril 30th: Montr\u00e9alQWF presents: Ricochet Readings, Atwater Library\nApril 1st: Montr\u00e9alR\u00e9sonance Reading Series\nMarch 28th: Montr\u00e9alMile End Poets Festival\nFebruary 9th: Montr\u00e9alConcordia University, Digital Texts and Typography course, guest\n2014 \nNovember 4th: Montr\u00e9alCKUT 90.3 fm, Interview \n\n\nOctober 24th, 25th: BarcelonaBarcelona International Spoken Word Festival\nOctober 15th: VictoriaCanadian Festival of Spoken Word\nOctober 1st: Montr\u00e9alR\u00e9sonance Reading Series, Caf\u00e9 R\u00e9sonance\nSeptember 5th: Montr\u00e9alCreole Continuum, Kaie Kellough record launch w\/ Jason Sharp\nJune 14th: TorontoOISE & House Reading w\/ Bronwyn Haslam, Laura Broadbent, Michael Nardone,\nSteve Giasson, Mat Laporte\nMay 29th: Montr\u00e9alHyena Subpoena, Catherine Kidd book\/cd launch\nMay 9th: TorontoACROSS Reading Series, w\/ Gary Barwin, Margaret Christakos, Hoa Nguyen, Beatriz\nHausner\nMay 8th: TorontoThin Edge New Music Collective: Onomatopoeia, w\/ Jason Sharp\nApril 26th: Montr\u00e9alHowl! Arts festival, panel on art and gentrification \nApril 2nd, 3rd: Calgary Calgary International Spoken Word Festival \nMarch 30th: Ottawa Ottawa Versefest \nMarch 22nd: Montr\u00e9alFriends of Freedom, Caf\u00e9 R\u00e9sonance\nMarch 1st: WinnipegCluster Festival w\/ Jason Sharp\n\n\n\n\n\n\n"},{"title":"collected","link":"https:\/\/kaie.ca\/collected","pubDate":"Sat, 17 Sep 2016 16:06:26 +0000","guid":"https:\/\/kaie.ca\/collected","description":"h        w.    f        s        d        collected        l         b\n\nCollected. Works by \/ about\nBackseat Mafia\nA Phenomenal, Poetic Statement from the Montreal Post-Jazz Ensemble\nFYEAR album review, John Parry, April 10, 2024\nFREQ (UK)FYEAR Album review, Mr. Olivetti, April 8, 2024\nKreative Kontrol\nFYEAR Interview featuring Kaie Kellough and Jason Sharp, podcast #852, April 5, 2024\nVeil of Sound\nFYEAR Review by Thorsten, April 3, 2024\nNiche MTL\nFYEAR Interview: Fear & Desire, In Conversation with Kaie Kellough & Jason Sharp, Ryan Alexander Diduck, March 31, 2024\nDesign Against Design\nCause and Consequence of a Dissident Graphic Practice\nOrality and Textual Supremacy, Interview, ed. Kevin Yuen Kit Lo, Set Margins #6, 2024\nThe Capliano Review\nFrom POSITION, ed. Deanna Fong ang Jacquelyn Zong-Li Ross, Issue 4.1: Anti-Monuments, Fall 2023\n\nIn Vivid Density\nFrom POSITION, ed. Michael Nardone, OEI Editor, 2023\nThe Voyage to the Other Side\nIntroduction to Spirits in the Dark, H.Nigel Thomas, V\u00e9hicule Press 2023\nWasafiri, International Contemporary Writing\nA Discontinuous Line (poem), Afterlives of Indenture, ed. Andil Gosine, Nalini Mohabir, Issue 110, Summer 2022\n\nQuotes\nTranscriptions on Listening, Sound, Agency\nQuotes, ed. Klara Du Plessis and Emma Telaro, SpokenWeb, 2022\nHarriet\u2019s Legacies\nRace, Historical memory, and Futures in Canada\nShe Balances the Border (visual poetry suite + explanatory note), ed. Ronald Cummings and Natalee Caple, McGill-Queen\u2019s University Press, 2022\nThe Fire That Time\nTransnational Black Radicalism and the Sir George Williams Occupation Foreword and opening poem, ed. Ronald Cumings, Nalinli Mohabir, Black Rose Books, 2022\nTOPIA Journal\nFire in the Mainframe, The  Sir George Williams Computer Center Occupation of 1969 as Narrative, Special Issue, Legacies of the 1969 Sir George Williams Student Protests, ed. Ronald Cummings, Nalini Mohabir, Vol. 44\nSX Salon\nAbstract Propulsion: 14 Reflections on Verso 14, Discussion on the Work of Dionne Brand, ed. Ronald Cummings, Issue 38\/39, February 2022\nBrickThe Tropicana, (essay), Kaie Kellough, issue 108\nThe Walrus\nFreedom Verse, (on the cultural contributions of Jamaican Canadian activist, dub poet, recording artist, and professor Lillian Allen), Kaie Kellough,  November 2021\n\nHow A Poem MovesKaie Kellough, \u201cAlphabet,\u201d Adam Sol, October 2021\nCanadian Literature, A Quarterly of Criticism and Review\n\u201ci hold a hyphen between my fingers\u201d: Kaie Kellough\u2019s Crossings, Cornel Bogle\nThe Ormsby Review1082 Afro-Canadian Ancestry and Identity, Natalie Lang, April 02 2021, review of Dominoes at the Crossroads\n\nLa Presse\nLe destin \u00e0 tous les carrefours, Chantal Guy, 14 f\u00e9vrier 2021 (profil de l\u2019artiste, critique du recueil Petits marronnages)\nLe Devoir\nKaie Kellough, Balayer les pr\u00e9noms, Anne-Fr\u00e9d\u00e9rique H\u00e9bert-Dolbec, 13 f\u00e9vrier 2021 (profil de l\u2019artiste, critique du receuil Petits marronnages)CBC Gem\nJah in the Ever-Expanding Song, monodrama written by Kaie Kellough, directed by d\u2019bi young anitafrika, performed by Ravyn Wyngs, assisted by Kaygeni Bookings, produced by Obsidian Theatre, aired February 12, 2021 \n\nSmall Axe\nA Reckoning with the Prairies, review of Magnetic Equator, by Dr. Karina Vernon, SX Salon 35\n\nQuill and Quire\nCover Story \/ Profile, by Shazia Hafiz Ramji, December 2020The Whole Note\nConcert Report: With UBGNLSWRE (by Jason Sharp, Kaie Kellough, Kevin Yuen Kit Lo), the Aga Khan Museum and Music Gallery Capture the Present Moment, by Wendalyn Bartley, October 22, 2020\nEVENT Poetry & Prose\nRebecca Peng Reviews Short Story Collections from Kaie Kellough and Souvankham Thammavongsa, Issue 49\/2, Fall 2020\n\nThe Griffin Poetry Prize: Anthology 2020\nFrom Magnetic Equator, ed. Hoa Nguyen, House of Anansi Press, 2020\nWatch Your Head: Writers and Artists Respond to the Climate Crisis, AnthologyFrom \u201cHigh School Fever\u201d, from Magnetic Equator, eds. Kathryn Mockler et.al, Coach House Books 2020\n\nChanging the Face of Canadian Literature, Anthology\n\u201cCapital\u201d, short fiction, ed. Dane Swan, Guernica Editions 2020 \nThe Puritan\nLiving, Breathing Identity: Kaie Kellough\u2019s Magnetic Equator, reviewed by Manahil Bandukwala, Issue 50, Summer 2020Literary Review of Canada\nCrossed Histories, a Collection from Kaie Kellough (review of Dominoes at the Crossroads) by Amanda Perry, September 2020\n\nArc Poetry Magazine\nA Portrait of the Poet as Tidalectic Sound Artist: Kaie Kellough\u2019s Magnetic Equator, reviewed by Mark Grenon, July 2020\nCanadaland\nIsolation Interview, with Tiffany Lam, May 2020\nLQ Lettres Qu\u00e9b\u00e9coises\nRecoudre les Temps V\u00e9cus, Dominoes at the Crossroads Forge une Contre-M\u00e9moire du Canada (N\u00e9o) Colonial, S\u00e9bastien McLaughlin, Cahier Critique 177, \u00c9t\u00e9 2020\n\nSmall Axe\nHamidou\u2019s Crossroads: Kaie Kellough\u2019s Fictional Meditation on the Sir George Williams Affair in Dominoes at the Crossroads, by Dr.H.Nigel Thomas, SX Salon 33\n\nSmall Axe \nLiterature and the Sir George Williams University Protest, eds. Ronald Cummings, Nalini Mohabir, incl. an essay, a translation of poetry by St\u00e9phane Martelly, SX Salon 33\nMontreal Review of Books\nReading and Writing at the Crossroads, review by Erin MacLeod, spring 2020 issue\n\nMontreal Gazette\nMontr\u00e9al\u2019s Kaie Kellough writes where identities meet, where genres collide, review by Ian McGillis, March 12th, 2020\nThe Globe and Mail\nDominoes at the Crossroads shows how Black history is entwined in Canada\u2019s story, review by Jade Colbert, February 10th, 2020\nThe Walrus\nWitness (short story), March 2020 issue\nCBC Arts\nWalking With Kaie Kellough, documentary video, produced by Craig Desson, winter 2020\n\nfillingStationIssue #73. Magnetic Equator reviewed by Geoffrey Nilson.\nOEI\nPublicerings-Praktiker,Publicerings-Poetiker \/ Publishing Practices, Publishing Poetics, translation into Swedish of \u201cMantra of No Return,\u201d from Magnetic Equator, by J\u00f6rgen Gassilewski, #86\/87 2020\nexitRevue de po\u00e9sie, num\u00e9ro 96. A selection from Magnetic Equator translated into French, by Erin Moure.\n\nJacket2April 2019, Poetries of the Mouth and the Canadian Imaginary: Word-Sound-Systems, Further Notes of Kaie Kellough\u2019s Vibratory Poetics, by Eric Schmaltz\nMontr\u00e9al Review of BooksSpring 2019 Issue, review of Magnetic Equator by Marcela Huerta\nQuill and QuireMarch 2019, review of Magnetic Equator by Shazia Hafiz Ramji\n\nRob McLennan\u2019s BlogMarch 2019, review of Magnetic Equator by rob mclennan\n\nMidinetteMarch  2019, excerpt from Magnetic Equator, selected by Hannah Tolman\n\nAvant Canada: Poets, Prophets, Revolutionaries AnthologyJanuary 2019, WLU (Wilfrid Laurier University) Press, eds. Gregory Betts and Christian Bok. Concrete poems: Continents\nThe Black Prairie Archives: An AnthologyJune 2019, WLU (Wilfrid Laurier University) Press, ed. Karina Vernon. 3 Poems\n\nCarte BlancheIssue 34, Fall 2018. Concrete poem: Bow \n\nMontr\u00e9al Review of Books March 20th, 2018, Hamidou Diop's 21st Century Revival, by Jason Freure\n\nPrism International October 27th, 2017, Between us, a conversation series that spotlights immigrant\/first-gen Canadian writers. Audio interview w\/ Tanya Evanson, moderated by Emma Cleary\n\nOpen Book OntarioOctober 7th, 2017, The Writer in the World: Definace, Imagination, and the Future, conversation with writer in residence Canisia Lubrin\n\nThe Winnipeg ReviewSeptember 10th, 2017, Accord\u00e9on reviewed by Ben Wood\n\nThe WalrusAugust 30th, 2017: Kaie Kellough's Debut Novel is a Grand Experiment, review by Ian Mcgillis\n\nCBC BooksAugust 9th, 2017: 17 Writers to Watch in 2017, compiled by Erin Balser\n\nGeistIssue 104, Spring 2017, Accord\u00e9on reviewed by Patty Osborne\n\nCBC BooksMay 16th, 2017: Magic 8 Questionnaire \n\nMontr\u00e9al Reivew of BooksSpring 2017 Issue: Cover story, Multivocal Montr\u00e9al, Accord\u00e9on reviewed by Sara Spike\n\nWinnipeg Free Press February 4th, 2017: Accord\u00e9on reviewed by Melanie Brannagan Frederiksen\n\nGlobe and MailFebruary 10th, 2017: Accord\u00e9on capsule review, by Jade Colbert\n\nAll Lit UpFebruary 9th, 2017: Black Voices, Kaie Kellough author q&a\n\nArt & WonderIssue 3: Sounds. Short essay & live performance audio from Tone Deaf Festival, Kingston On, 2015\n\nOratorealisIssue 1.2, Autumn\/Winter 2016. Author interview\n\nTextsoundIssue 21: Sonic materialities. Curated by Michael Nardone. audio work w\/ Stefan Christoff\n\nCBC radio1: Cinq \u00e0 SixInterview w\/ Nantali Indongo. October 22nd, 2016\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJacket2 - On the Canadian Avant-GardeFrom the 2015 Avant Canada conference @ Brock University. Poem: Mantra of no Return\n\nBAX: Best American Experimental Writing d-o-y-o-u-r-e-a-d-m-e. Audio. 2015 edition, Wesleyan University Press, online\nanthology, June 2016\n\nMusicworks Magazine cover featureSpring 2016, issue 124. Feature article by Dalton Higgins, photos by Pierre Langlois,\nincludes audio of AlphabetA w\/ Jason Sharp\n\nOverflow: Poetry, Performance, Technology, AncestryQueenmobs.com interview with Eric Schmaltz. Summer 2016\n\nOratorealisIssue 1.1, Spring\/Summer 2016. Fiction - excerpt from the novel Accord\u00e9on\n\nThe Volta Issue 62, March 2016, Evening Will Come. 2 audio works.\n\nBrick BooksWeek 57, January 2016. Celebration of Canadian Poetry, Kaie Kellough presented\nby Eric Schmaltz\n\nOttawa Poetry Newsletter#83, January 2016, On Writing. Short essay: Ceremony\n\nPoetry is DeadIssue 12, November 2015, Working Class. Short essay: Wuk\n\nR\u00e9sonance Reading Series ArchiveNovemer 2015, poem: Jalopy\n\nR\u00e9sonance Reading Series BlogNovember 2015, interview with Klara du Plessis & Virginia Konchan \n\nARC Poetry MagazineIssue 78, fall 2015, text + video of RAIL\n\nThe Rusty ToqueIssue 9, November 2015. Audio: Hausmann's Ransom Note\n\nContinent Issue 4.3, 2015, intangible architectures. Audio: AlphabetA \n\nHuellkurven, a Magazine of Sound poetryIssue 3, 2014, Vienna. Audio: d-o-y-o-u-r-e-a-d-m-e\n\nBoulder PavementIssue 6, Languae, 2012. Audio: International\nMonetary Funk, recorded at the Banff Centre for the Arts.\n\nBadilisha Poetry Exchange\n\n\nPan-African Poets Podcast by d'bi young anitafrka, Capetown, South Africa,\n2012\n\nArt ThreatInterview by poet Michael Lithgow, April 2011\n\n10 or 20 QuestionsAugust 2011. Interview by rob mclennan \n\nInfluency Salon August 2011, Signifying the Tradition, by Camille Martin \n\n\n\nDoveglion Press\n\n\nAn Inquiry, by Raphael Cohen, January 2011\n\nCanadian Literature\n\n\nDecember, 2011, Chewing Through Poetry, by Zoe Landale \n\nRabbleJuly 2010, Rhymes and Resistance, by Vincent Tinguely \n\n\n\n\n\n\n"},{"title":"live","link":"https:\/\/kaie.ca\/live","pubDate":"Sat, 17 Sep 2016 15:10:52 +0000","guid":"https:\/\/kaie.ca\/live","description":"h         w      f       s         d         c         live         b         \nLive\n\n\n\n\n\n\"By\n\n\n\n\"By\n\n\n\"By\n\n\n\n\n\"By\n\"By\n\"By\n\"By\n\n\n\"By\n\n\n\n"},{"title":"biograph","link":"https:\/\/kaie.ca\/biograph","pubDate":"Sun, 11 May 2014 21:35:26 +0000","guid":"https:\/\/kaie.ca\/biograph","description":"h         w.    f         s         d        c        l        bio \nBio\n\n\n\t\n\tKaie Kellough is a novelist, poet, and sound performer. His work emerges at a crossroads of social engagement and formal experiment. From western Canada, he lives in Montr\u00e9al and has roots in Guyana, South America.His books include Interposition (poetry, McClelland & Stewart, 2026), Dominoes at the Crossroads (short fiction, V\u00e9hicule 2020),  Magnetic Equator (poetry, McClelland & Stewart 2019), and Accord\u00e9on (novel, ARP 2016) . Kaie\u2019s writing has been awarded the Griffin Poetry Prize and the QWF Hugh MacLennan Prize for Fiction. \nSince 2011 he has created mixed media compositions with saxophonist and synthesist Jason Sharp. They are core collaborators in the group FYEAR, whose eponymous debut was released by Constellations Records in 2024.  \nKaie is pursuing graduate studies at Queen\u2019s University. His research is in post-colonial literature, with a focus on Caribbean and Black British writing. \nKaie continues to craft new passages.\n \ue025\ufe0e    \ue000\ufe0ekaieouy@gmail.com \n\n\n"}]}}