Articles
| Robert Mittenthal | Exposure in Seattle An introduction to the Subtext Reading Series audio collection at PennSound |
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| Daniel Benjamin | Portrait of Jack Spicer as a student activist Spicer and the California loyalty oath |
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| Lyn Hejinian | Lyn Hejinian remembers Leslie Scalapino | |
| Leonard Schwartz | H.D., Bergasse 19, and the status of the image | |
| Toni Bowers | Crucial poetic imaginations An introduction to new recordings of classic poetry at PennSound |
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| Robert Hampson | Lyn Hejinian: Linkage and unlinkage | |
| Paolo Javier | Dearest Lyn | |
| Karl Jirgens | A song for Lyn | |
| erica kaufman | “Form that provides an opening” | |
| Peter Minter | A ‘down under’ dinner with Lyn | |
| Michael Farrell | Photocopying | |
| Noa Micaela Fields | Wild captioning (for / with / after Lyn Hejinian) | |
| Jennifer Firestone | Invisible mentor | |
| Norman Fischer | Poem for Lyn | |
| K Prevallet | To inquiry, learned late in life On the influence of ‘The Language of Inquiry’ |
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| Stephen Ratcliffe | Lyn’s writing on memory | |
| Sarah Riggs | Excerpts for Lyn | |
| Kit Robinson | On ‘Fall Creek’ | |
| Steve Clay | Thinking of Lyn | |
| Georgina Colby | Lyn’s proposition | |
| Dubravka Djurić | Exchange with Lyn | |
| Patrick James Dunagan | A note on missed opportunities | |
| Marcella Durand | A bee in colorless water | |
| Craig Dworkin | Iceberg and wreck in sunset | |
| Aram Saroyan | A mode of iteration | |
| Andrew Schelling | TUUMBA | |
| Martin Glaz Serup | Resistance in Amsterdam | |
| Maria Sledmere | Lightfast: on reading ‘Positions of the Sun’ | |
| Amy Catanzano | The heat of poetry | |
| Rob Stanton | A reading: Of Lyn Hejinian | |
| Jonathon Atkinson | Beginners A video tribute to Lyn Hejinian |
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| Dan Beachy-Quick | Chance operations | |
| Susan Bee | Lyn Hejinian’s ‘Eye of the Storm’ | |
| Alan Bernheimer | Making community | |
| Chris Stroffolino | Suspense in ‘La Faustienne’ | |
| Anthony Sutton | Lyn Hejinian among the dead | |
| Zachary Tavlin | Night poems in the early morning | |
| Will Alexander | Lingual beckoning | |
| Charles Altieri | Remembering Lyn Hejinian: A poem | |
| Brian Ang | Hejinian assemblage | |
| Anne Waldman | Which softened the near For Lyn Hejinian |
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| Rosmarie Waldrop | A form of lingering | |
| Nerys Williams | Opening the field: “my morphemes mourned events” | |
| Rachel Blau DuPlessis | Difficult bliss Structures and histories of the shape of ‘Drafts’ |
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| Daniel Morris | Community matters On the sermons of Tyrone Williams |
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| James Berger | The date, Diogenes, and the dog On Susan Schultz |
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| Christie Williamson | Cry me a makar On translating Lorca into Shaetlan |
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| Becca Klaver | The &vs. (andverse) of the Gurlesque | |
| Rachel Blau DuPlessis | Reading and hearing ‘Drafts’ | |
| Sarah Ehlers | Robert Duncan’s dream school | |
| Margaret Ronda | Lyn, life | |
| Swati Rana | There’s dance yet | |
| Travis Ortiz | Alligators, Hendrix, lightning storms, and the Mister-ssippi Tales of friendship and art from the road |
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| Patrick F. Durgin | Dear L. | |
| Jen/Eleana Hofer | Dear L. | |
| Noah Warren | Syntax | |
| Rebecca Gaydos | Undecidable: a remembrance for Lyn | |
| Gillian Osborne | Lyn in landscape | |
| Samia Rahimtoola | Lyn Hejinian, landscape artist | |
| Mia You | The ‘Hejinian Method’ | |
| Jessica Fisher | The ongoing | |
| Jennifer Scappettone | Against the preemptive present Some things I learned about time, space, and school from Lyn Hejinian |
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| Lytle Shaw | My life in 1994 | |
| Julie Carr | Nothing but passage, for Lyn Hejinian | |
| Megan Pugh | Amiable love-arrows | |
| Claire Marie Stancek | A cake for Lyn | |
| Eleanor Johnson | My life, my Lyn, and the power of undead mentors | |
| Lytle Shaw | Lyn Hejinian (1941–2024): An obituary by Lytle Shaw | |
| Magda Andrews-Hoke | What we lack in knowing we make up for in syntax An introduction to new recordings of Larry Price’s poetry |
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| Bruce Holsapple | Voices of my desert An introduction to the Vox Audio collection at PennSound |
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| Gregory Dunne | All the meaning life provides Excerpts from Cid Corman’s notebooks |
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| Fred Jeremy Seligson | All the meaning life provides Excerpts from Cid Corman’s notebooks |
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| Phil Baber | Prosody and pain in ‘Scherzos Benjyosos’ | |
| Claudio Sansone | The poetics of the ostrakon N. H. Pritchard’s ‘Mundus’ at the Whitney Museum |
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| John Geraets | these are my eyes: Michele Leggott’s poetry With ‘A Vida Portugeusa,’ a new poem by Michele Leggott |
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| Michele Leggott | these are my eyes: Michele Leggott’s poetry With ‘A Vida Portugeusa,’ a new poem by Michele Leggott |
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| Siwar Masannat | A constellation of transnational poetics | |
| Miriam Atkin | ‘to be a boundless reflection’ On critical composition in Hejinian and Scalapino’s ‘Sight’ and ‘Hearing’ |
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| Gabriel Ojeda-Sagué | On loss, loss writing, and our forms for living | |
| Peter Burzyński | Translitigation A Polish-ish poet on translating a Polish poet |
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| Grzegorz Wróblewski | Translitigation A Polish-ish poet on translating a Polish poet |
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| Carlos A. Pittella | ‘We’ the people Collective lyric self in twenty-first-century poetry |
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| Jess Shollenberger | ‘An escape from daily pronouns’ S. Brook Corfman’s journal poems and the domestic life of queer gender |
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| Cecily Fasham | ‘devising of depe renewall’ Caroline Bergvall’s transhistorical translation |
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| Charli Brissey | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Catherine Fairfield | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| andrea haenggi | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Stephanie Heit | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Megan Kaminski | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Madeleine Kerslake | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Rania Lee Khalil | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Kanta Kochhar-Lindgren | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Petra Kuppers | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Lori Landau | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| DJ Lee | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Denise Leto | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Michele Minnick | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Naomi Ortiz | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Bronwyn Preece | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Carolyn Roy | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Christina Vega-Westhoff | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Syrus Marcus Ware | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| moira williams | EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
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| Judah Rubin | What war, huh? Subjection in/as dissolution in Roger Santiváñez’s poetics, a translator’s note |
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| Luis Fernando Chueca | Political violence in ‘The War with Chile’ Translated by Judah Rubin |
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| Silvia Goldman | The leftover letter is the missing one Roger Santiváñez’s ‘Symbol,’ translated by Judah Rubin |
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| Judah Rubin | The leftover letter is the missing one Roger Santiváñez’s ‘Symbol,’ translated by Judah Rubin |
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| Judah Rubin | Political violence in ‘The War with Chile’ Translated by Judah Rubin |
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| Germán Labrador Méndez | The language of the Kloaka Language, civil war, memory, and drugs in Roger Santiváñez’s ‘Symbol,’ translated by Judah Rubin |
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| Judah Rubin | The language of the Kloaka Language, civil war, memory, and drugs in Roger Santiváñez’s ‘Symbol,’ translated by Judah Rubin |
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| Cynthia Hogue | ‘The fact of her witness’ Kathleen Fraser and the poetics of empathic witness |
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| M A King | ‘Bands Around the Throat,’ J. H. Prynne, racial capitalism Thoughts/directions |
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| Lukas Moe | ‘El corno emplumado’ and poetry’s hemispheric sixties | |
| Lynn Keller | ‘A useful extreme’ Wendy Burk's representation of human-plant communication |
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| Zane Koss | The New Poetry (1969) Translated by Zane Koss |
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| Clemente Padín | The New Poetry (1969) Translated by Zane Koss |
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| Zane Koss | The New Poetry II (1970) | |
| Clemente Padín | The New Poetry II (1970) | |
| Zane Koss | The Language of Action Translated by Zane Koss |
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| Clemente Padín | The Language of Action Translated by Zane Koss |
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| Angelica Maria Barraza | (Un)Disciplining the ethnographer’s body The poetics of opacity in Renee Gladman's Ravicka series |
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| Nick Sturm | ‘I make these collages and write’ Alice Notley's visual art |
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| Dandi Meng | The confessing image Trisha Low’s screenshot poetics |
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| AM Ringwalt | Sounding/listening through the fog On Kathryn Scanlan and Friederike Mayröcker |
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| Raphael Rubinstein | Varieties of silence, and near silence (Jabès, Eluard, Celan, Kundera) |
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| Afrizal Malna | Strolling around in language translated by Daniel Owen |
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| Daniel Owen | Strolling around in language translated by Daniel Owen |
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| Matthew Rana | G R G W R G R B R B R B W G W G R B B B B Reflections on Bernadette Mayer’s ‘Studying Hunger Journals’ |
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| Antonio López | Ídolos among us The innovative aesthetics of contemporary US Latinx poets |
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| Burt Kimmelman | The dead and the living Hugh Seidman’s late poems |
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| Olivier Brossard | Richard O. Moore’s poésie-vérité documentaries | |
| Maria Sledmere | Gelatin poetics On Rachael Allen’s ‘Kingdomland’ and the meatspace of contemporary feminist lyric |
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| Omar Baig | Notes on nonsense | |
| Peter Valente | Funeral rites On Nanni Balestrini's 'Blackout' |
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| Lauri Scheyer (Ramey) | The technological poetics of Thomas Weatherly | |
| Tom Weatherly | Emails to Lauri Scheyer (Ramey), 2005–2014 | |
| Tom Kozlowski | Sited On Jenny Xie and the fate of the flâneur |
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| Raymond de Borja | Lineated time Some thoughts on the line in poetry |
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| Jeff T. Johnson | Janky materiality Artifice and interface |
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| Rosanne Wasserman | Weatherly's words A tribute to Tom Weatherly |
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| M. G. Stephens | These poems are loaded | |
| M. G. Stephens | Obituary Tom Weatherly |
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| Aram Saroyan | On Tom Weatherly, February 2017 | |
| Janet Rosen | Tom Weatherly's memorial, November 2014 | |
| Eugene Richie | Reminiscence On Thomas Elias Weatherly |
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| Evelyn Hoard Roberts | Tom Weatherly in 'Dictionary of Literary Biography' | |
| Chris Martin | On 'Short History of the Saxophone' | |
| Burt Kimmelman | The blues, Tom Weatherly, and the American canon | |
| Aldon Lynn Nielsen | From 'This Ain't No Disco' | |
| David Grundy | 'never muted heart' Tom Weatherly's trespass |
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| Kenneth Bluford | Essay with Tom Weatherly in it | |
| Akua Lezli Hope | Poem and reminiscence | |
| Sam Amico | Reminiscence On Tom Weatherly and Kenneth Bluford, 1972 |
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| John Ashbery | Reminiscence On Tom Weatherly, October 2014 |
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| Tom Weatherly | Email to Jerome Rothenberg | |
| Tom Weatherly | Black oral poetry in America An open letter |
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| Tom Weatherly | 'Thumbprint' | |
| Kate Siklosi | Handle with care A study in (poetic) fragility |
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| Sean Braune | Hannah Weiner and the limit experience of language | |
| Chris Holdaway | A spring in one's death Or: a fountain of youth/doom in (Middle English) lyric |
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| Michael Leong | Bad combinations Flarf, Amiri Baraka, paranoia, and cultural memory |
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| Nguyễn-Hoàng Quyên | Open Mouth The revolt of trash in contemporary Vietnamese poetry |
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| Nhã Thuyên | Open Mouth The revolt of trash in contemporary Vietnamese poetry |
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| Julie Phillips Brown | Otherbreath Bare life and the limits of self in Claudia Rankine's 'Citizen' |
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| Mohammad Ali Maleki | Truth in the cage The poetry of Mohammad Ali Maleki |
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| Eric Schmaltz | At the surface and medium-depth Theorizing a haptic poetic |
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| Michele Seminara | Truth in the cage The poetry of Mohammad Ali Maleki |
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| Andrew J. Smyth | Anne Tardos in high definition Polylingualism and extremity in 'Uxudo' |
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| Paul Stephens | The transrealism of Norman Pritchard | |
| Marylyn Tan | Leav Rupi alone eXXXtreme #instapoetry |
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| Samuel Caleb Wee | Leav Rupi alone eXXXtreme #instapoetry |
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| Orchid Tierney | Imagining assemblage as maintenance Rachel Blau DuPlessis and the 'Graphic Novella' |
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| Yeshua G. B. Tolle | FREE BLACK TERRITORY On Dingane Joe Goncalves |
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| Kasia van Schaik | On being prone Violence and vulnerability in Bhanu Kapil's 'Ban en Banlieue' |
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| Matias Viegener | The assassination of Kathy Acker | |
| Dave Drayton | monoconsonance | |
| James Sanders | Antindex Extreme fact |
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| Jared Wells | On Craig Dworkin and Jarrod Fowler's 'Rhythmic Fact' | |
| Christine Wertheim | 'we're decoys, baby!' A CUnT-UP in torn parts |
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| Angelo V. Suárez | Philippine literary production under fascism Introduction to the Philippines dossier |
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| Tilde Acuña | Zine qua non Malversations |
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| Shaunnah Ysabel Cledera | 'Intimate' texts against the state as emergency | |
| Ivan Emil Labayne | Letting the toilets come clean | |
| Angelo V. Suárez | Art serves the masses by abolishing itself Philippine poetry and institutional critique in a time of protracted people's war |
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| Archive of detainee artwork | ||
| Guantánamo Bay library catalog | ||
| Letter from the Department of Defense | ||
| Joshua Corey | Three pebbles Or, the minimal materialisms of late modernism |
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| Margaret Christakos | No, MY Ariel An engagement with Sina Queyras's 'My Ariel' |
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| Solveig Daugaard | Stein's propagandistic potential A note on Gertrude Stein's 'La langue française' and 'Patrie' |
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| Benjamin Goluboff | Heller's 'Dianoia' A briefing |
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| Peter O'Leary | The art of lyrical commentary Michael Heller's poetic achievement |
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| Michael Heller | from 'The Premises of Poetry' | |
| Calista McRae | Blurring realms Michael Heller's New World |
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| Fiona McMahon | Michael Heller, 'The Chronicle Poet' | |
| Logan Esdale | Barbara Will, unliking Stein, and scholarly malpractice | |
| Cynthia Hogue | On being 'ill'-informed H.D.'s late modernist poetics (of) d'espère |
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| Naomi Toth | Echo's echoes, or what to do with Vanessa Place | |
| Kenna O'Rourke | The gifts her ancestors gave The Women’s March and black erasure |
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| Mia You | Begin again | |
| Connie Yu | Stalling in 'Solidarity Texts' | |
| Levi Bentley | Belief in iterative growth, a breath work | |
| Julie Carr | Three future dances, or the dance feministic | |
| Georgina Colby | Forms of solidarity | |
| Joan Retallack | Alterity, Misogyny & the Agonistic Feminine | |
| Luke Harley | Words that bleed music Postbop jazz in the poetry of Amiri Baraka and Nathaniel Mackey |
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| Johanna Drucker | 'From A to Z' Forty years later |
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| Derek Furr | Total translation Navajo song and the story of US modernism |
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| Efe Murad | A word's autobiography Seyhan Erözçelik's 'KırAğı' and 'Rosebud' |
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| Christian Bök | To ward off a diabolical poetry | |
| Chris Funkhouser | Being matter recorded Cecil Taylor on/poetry |
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| Jennifer Scappettone | I 0we v. I/O Poetics of veil-piercing on a corporate planet |
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| Matt Kilbane | An indexical lyric | |
| Kristin Dykstra | The sea doesn't have to be a wall | |
| Aditi Machado | On Etel Adnan's 'The Arab Apocalypse' | |
| Georges Didi-Huberman | Poetic uprisings Poetry, knowledge, imagination |
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| Samuel Martin | Poetic uprisings Poetry, knowledge, imagination |
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| Vanessa Place | A fool for a lawyer or a client On Christian Bök |
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| Alex Porco | CTRL + F Jordan Abel's 'Injun' |
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| Heather Milne | Polyvocal affects Rachel Zolf's 'Janey’s Arcadia' in Winnipeg |
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| Erín Moure | Monster on the 'L'oose On Ron Silliman's monsters |
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| Kaie Kellough | mantra of no return a dialogue with Lee Maracle's keynote address |
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| Tyrus Miller | Spectral rescue On Jeff Derkson and Louis Cabri |
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| Lori Emerson | Social media, for social justice On Erin Wunker's 'Technological Subjects' |
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| Alexis Pauline Gumbs | Angel's Basic School d'bi.young anitafrika and black queer divinity |
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| Sarah Dowling | Reloading the canon On Lillian Allen and the history of dub |
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| Rachel Blau DuPlessis | Theorizing the alphabet On Steve McCaffery's 'Nichol's Graphic Cratylism' |
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| Stephen Collis | The call to be disobedient On Michael Nardone |
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| R. D. Wood | From Oceania with love | |
| Peter Boyle | José Kozer’s stylistics Religion, the surreal, and the neobaroque |
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| Michael Nardone | On settler conceptualism | |
| T'ai Smith | Ready-made shirts, ready-made readings | |
| Aaron Apps | An affective response On canon, Kenneth Goldsmith, and reading |
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| Daniel Falb | A note on terrapoetics | |
| JH Phrydas | Empathetics: A somatic approach | |
| Angelo V. Suárez | Appropriative resistance | |
| Angela Genusa | Manifest | |
| Steve Giasson | 'I'M A REAL ARTIST' | |
| Shiv Kotecha | Little-Richards | |
| Feliz Lucia Molina | Selections from 'The Beginning' | |
| Alejandro Crawford | Blunt Objects | |
| Shiv Kotecha | Blunt Objects | |
| Sophia Le Fraga | Imagine Brown | |
| Sophia Le Fraga | Blunt Objects | |
| RE Katz | Critical color theory On Angelica Dass and Divya Victor |
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| Ryan Sheldon | Nice Dream? Heriberto Yépez: Allegory and radical mimesis |
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| Patrick F. Durgin | Disaster and revival On Cha, Goldsmith, Pendleton |
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| Kaplan Harris | On Weiner, Acconci, Perreault, and Graham | |
| Marco Antonio Huerta | 'Antígona González' On necrowritings and disappropriation |
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| Logan K. Young | Software as lip service Jennifer Walshe's Snapchat scores |
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| Caleb Beckwith | Angelo Suárez’s ‘Philippine English’ and the language of Conceptual writing | |
| J. Gordon Faylor | On dakim's '34 Fragments' | |
| Catherine Wagner | Messing with the beholder Claudia Rankine's 'Citizen' and embedded Conceptualism |
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| Rita Gonzalez | On 'Area Sneaks' | |
| Sueyeun Juliette Lee | 한 :: Concept : Spirit : Break | |
| Joseph Mosconi | On 'Area Sneaks' | |
| Nicolas Mugavero | A pale Usher | |
| Brian Reed | Stanisław Dróżdż From Conceptual poem to concept-shape |
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| Anna Vitale | The blackness of Holly Melgard's 'Black Friday' | |
| Matthew Landis | 'Corpaphysics, Conceptualism, and dualism | |
| Kristen Gallagher | Notes toward an anthropological process | |
| Laura Goldstein | Concept Constraint and construction, body as page |
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| Jake Reber | Hysterically Real | |
| Jon Rutzmoser | Hysterically Real | |
| Elizabeth-Jane Burnett | ‘Swims’ Body, ritual, and erasure |
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| Douglas Kearney | Repetition and revulsion | |
| Holly Pester | Gossip as method The corruption of information hierarchies |
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| Desmond Kon Zhicheng-Mingdé | Of theology, forms, and absence | |
| Chris Alexander | Current status | |
| Chris Funkhouser | Peter Lamborn Wilson: A PennSound archive | |
| Kacper Bartczak | On Różewicz and contemporary Polish poetry | |
| Piotr Florczyk | On Różewicz and Wojciech Bonowicz | |
| Darek Foks | Różewicz, close to reality | |
| Jacek Gutorow | Różewicz and the organic | |
| Kacper Bartczak | Keeping company: On Różewicz | |
| Jerzy Jarniewicz | Reticence: On Różewicz | |
| Maciej Melecki | Keeping company: On Różewicz | |
| Marit MacArthur | Różewicz the playwright | |
| Edward Pasewicz | Różewicz the playwright | |
| Kacper Bartczak | Growing up to Różewicz | |
| Marta Podgórnik | Growing up to Różewicz | |
| Kacper Bartczak | Singular Różewicz | |
| Krzysztof Siwczyk | Singular Różewicz | |
| Kacper Bartczak | Matching Różewicz | |
| Marcin Sendecki | Matching Różewicz | |
| Marit MacArthur | Różewicz and purity | |
| Adam Wiedemann | Różewicz and purity | |
| Piotr Gwiazda | Grzegorz Wróblewski and Różewicz | |
| Rachael M. Wilson | Clark Coolidge's cave art | |
| Stephen Collis | On embedded poetry | |
| Marci Vogel | Andrée Chedid and the alchemy of poetry | |
| Lynn Keller | a.rawlings: Ecopoetic intersubjectivity | |
| Marty Cain | 'It Wasn't a Dream, It Was a Flood' Approaching realness in Frank Stanford |
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| Jared Spears | The severity and sympathy of Ezra Pound A newly translated 1928 letter to René Taupin |
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| Dale Smith | Rhetoric of the everyday Lorine Niedecker's 'Lake Superior' |
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| Jennifer Scappettone | Introducing PennSound Italiana Curated by Jennifer Scappettone |
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| Jennifer Scappettone | The thick and the slow of knowledge On the poet-scholar |
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| Juliana Spahr | The time of the poet-scholar | |
| Hillary Gravendyk | Uses of the useless Against the division of poetry and scholarship |
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| Margaret Ronda | 'Outside of knowledge' On the poet-scholar |
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| Heather Dubrow | Two roads diverged? Bridging the roles of scholar and poet |
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| Julie Carr | The poet-scholar A list |
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| Jeff T. Johnson | 'Trouble Songs' A musicological poetics |
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| Scott Weintraub | Finding (the other) Juan Luis Martínez | |
| Samantha Carrick | 'Maybe, it is only on Earth / that we lose the body?' Williams and the decaying body |
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| Timothy Yu | Engagement, race, and public poetry in America | |
| Tracie Morris | A familial touchstone via 'Dhalgren' | |
| Fred Moten | Amuse-bouche | |
| Ira Livingston | Erotic particularity, metacognition, survival Of Samuel Delany |
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| Kenneth R. James | Mirror and maze Editing the journals of Samuel R. Delany |
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| Sarah Micklem | A tribute to Samuel Delany | |
| Frank Sherlock | On Chip Delany | |
| Tracie Morris | Samuel R. Delany's worlds: An introduction | |
| Jena Osman | A toast to Chip Delany | |
| Martin Glaz Serup | Captions without images On Robert Fitterman's 'Holocaust Museum' |
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| Mande Zecca | 'Absolutely temporary' Spicer, Burgess, and the ephemerality of coterie |
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| Elisabeth Joyce | Time-lapse poemography Ron Silliman's poetry of accretion |
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| Laura Hinton | Spatial motion On Leslie Scalapino's 'How Phenomena Appear to Unfold/the Hind' |
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| Albert Mobilio | 'Red Flash on a Black Field' What there is in it |
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| Geoffrey O'Brien | The art of the unanswerable question | |
| Marjorie Perloff | Joseph Donahue's 'bowls of memory' | |
| Peter O'Leary | An imaginal homage to Joseph Donahue | |
| Evie Shockley | On the question of Joe | |
| Chris Vitiello | How to answer questions | |
| Laura Jaramillo | 'Desire' and time | |
| Nathaniel Mackey | From 'From a Broken Bottle Traces of Perfume Still Emanate' | |
| J. Peter Moore | Dissertation songs | |
| Leonard Schwartz | Mythography in 'Before Creation' | |
| Brian Kim Stefans | A poetics of virtuosity | |
| John Felstiner | Maverick translation | |
| Ken Irby | April 30, 1963 | |
| Lyn Hejinian | 'We might say poetry' | |
| Kyle Waugh | Kenneth Lee Irby: A chronology | |
| Kyle Waugh | Acknowledgements | |
| Kyle Waugh | 'Arise and unbuild it again' Homing in on Irbyland |
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| Robert Bertholf | On Kenneth Irby’s ‘The Intent On: Collected Poems, 1962–2006’ | |
| Matthew Hofer | On evaluation, reflection, and revelation | |
| Joseph Harrington | Kansas and/or Oz The poetry of Kenneth Irby and Ronald Johnson |
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| Aldon Lynn Nielsen | The day the sixties became the seventies | |
| Dale Smith | Kenneth Irby's homecoming | |
| Benjamin Friedlander | The walk to the Paradise Garden | |
| Pierre Joris | Irby's very own North Atlantic turbine | |
| Denise Low | Sensory type/topographies Ken Irby's atlas to the world |
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| Andrew Schelling | On Kenneth Irby and 'Catalpa' | |
| Robert Grenier | For Kenneth Irby / 'The Intent On' (January–May 2012) | |
| Ken Irby | Kenneth Irby visits Carl O. Sauer and James C. Malin | |
| Kyle Waugh | Kenneth Irby visits Carl O. Sauer and James C. Malin | |
| Jeffrey Bergfalk | ‘yet another order / of the closeness we had found’ | |
| Cyrus Console | 'Study is the gate': A conversation about Ken Irby | |
| Peter Longofono | [On Ken Irby] | |
| Nico Peck | Into friendship and poetry with Kenneth Irby | |
| Kyle Waugh | 'Study is the gate': A conversation about Ken Irby | |
| Ken Irby | October 21, 1964 | |
| Ken Irby | January 16, 1963 | |
| Ken Irby | April 17, 1966 | |
| Ken Irby | April 8, 1963 | |
| Ken Irby | September 12, 1963 | |
| Ken Irby | December 26, 1965 | |
| Ken Irby | February 12, 1971 | |
| Ken Irby | July 7, 1966 | |
| Ken Irby | May 14, 1972 | |
| Ken Irby | September 27, 1973 | |
| Ken Irby | February 12, 1974 | |
| Mary Hickman | Defaced/refaced books The erasure practices of Jen Bervin and Mary Ruefle |
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| Dylan W. Krieger | Morettian 'abstract models' for poetry analysis | |
| Norman Finkelstein | On Harvey Shapiro's 'A Momentary Glory' | |
| Harvey Shapiro | On Harvey Shapiro's 'A Momentary Glory' | |
| Robert Sheppard | Poetics and the manifesto On Pierre Joris and Adrian Clarke |
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| Christodoulos Makris | Monoculture beer no more Other poetries from Ireland |
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| Marci Vogel | Andrée Chedid and the contradictions of translation | |
| Eugene Ostashevsky | Alexander Vvedensky's 'The Soldier Ay Bee See' | |
| Stephanie Sandler | Arkadii Dragomoshchenko: Poet and photographer | |
| Polina Barskova | Poetry after the Siege of Leningrad Montage, ekphrasis, allegory |
|
| Kevin M. F. Platt | Now poet: Dmitry Golynko and the new social epic | |
| Madeline Tiger | Reactions to Basil King's work | |
| David A. Colón | Avant-Latino poetry | |
| Peter O'Leary | This poem is a song an act a work of love Taggart and repetition |
|
| Karl Young | Shadow memory shadows music Contextualized notes on John Taggart's prosody |
|
| Pam Rehm | John Taggart: From his own words | |
| Mark Scroggins | Taggart: Sound and vision | |
| John Taggart | On singing and thinking | |
| Joseph Donahue | Approaching Taggart chapel Ritual, Rothko, and poetic form |
|
| Patrick Pritchett | 'Giant Steps': John Taggart's sheets of sound and messianic jazz With special reference to Theodor Adorno |
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| Marjorie Welish | That Taggart 'Grey Scale/Zukofsky' |
|
| Robert Bertholf | On John Taggart’s ‘There Are Birds’ | |
| Matthew Cooperman | 'Surroundings answer questions' Experimental pastoralisms in O’Brien and Taggart |
|
| Norman Fischer | A note on the visual poetry of Whalen, Grenier, and Lazer | |
| Chris Mustazza | Provenance report William Carlos Williams's 1942 reading for the NCTE |
|
| George Oppen | Relocation, 1966–67 | |
| George Oppen | Retrospection, 1972–81 | |
| George Oppen | Catching up, 1968–70 | |
| Charles Tomlinson | Relocation, 1966–67 | |
| Charles Tomlinson | Retrospection, 1972–81 | |
| Charles Tomlinson | Catching up, 1968–70 | |
| George Oppen | Texts and travels, 1964–65 | |
| George Oppen | Beginnings, 1963 | |
| Charles Tomlinson | Texts and travels, 1964–65 | |
| Charles Tomlinson | Beginnings, 1963 | |
| Susan Briante | Defacing the monument Rukeyser's innovations in docupoetics |
|
| Robert Mueller | The time-presence prescience of Eleni Sikelianos's Pindar | |
| Jean-Marie Gleize | Democracy | |
| Tracie Morris | Additional notes on Will Alexander's 'Compound Hibernation' | |
| Niamh O’Mahony | Trevor Joyce: A bibliography | |
| Niamh O’Mahony | The munificence of Trevor Joyce | |
| Ted Pearson | Bruce Andrews: 'Debauching the Sine Wave' | |
| Jennifer Moxley | 'Boiled Dinner' A tasteless comedy in one act |
|
| Trevor Winkfield | Star-crossed | |
| John Yau | Excerpts from 'The Poet as Art Critic' | |
| Sandra Lim | Three looks | |
| John Emil Vincent | Personae, wonder, vetch: 'Crowd Conditions' | |
| Mark So | Farms | |
| Emily Skillings | Uptick | |
| Kristin Dykstra | Dispatch from Havana: Ricardo Alberto Perez | |
| Steve Benson | What nothing is in here? The novel in a virtual absentia |
|
| Kathy Lou Schultz | The Chicago School, Imagism, and early poetry of Melvin Tolson | |
| Sarah Stone | The Plain Edition Gertrude Stein and modernist book history |
|
| Stefania Heim | Trespass and presumption Susan Howe and Muriel Rukeyser |
|
| Adeena Karasick | Exile and nomadicism Communi[]t[] manifesto |
|
| Vanessa Place | Zombie poetry | |
| Piotr Gwiazda | 'A naked singularity' James Merrill and identity politics |
|
| Jacob Edmond | Everybody's a genius Conceptual writing and community |
|
| Al Filreis | Flipped poetics and the resources (such as they are) of the academy | |
| Jessyka Finley | 'How I got ovah' Humor and discontent in women's poetry of the Black Arts Movement |
|
| Teresa Carmody | On small press publishing | |
| Maria Damon | Poetry isolation and collective clumsiness An antonymic exploration |
|
| Craig Dworkin | A note on Conceptualism | |
| M. NourbeSe Philip | Wor(l)ds interrupted The unhistory of the Kari Basin |
|
| Evie Shockley | Is 'Zong!' conceptual poetry? Yes, it isn’t. | |
| Mecca Jamilah Sullivan | 'Unsayable secrets' of diaspora's bodily history | |
| Jennifer Phelps | Mysticpoetics: Writing the alchemical self in Brenda Hillman's poetry | |
| Ainsley Morse | Vsevolod Nekrasov: Nothing on the page | |
| Bela Shayevich | Vsevolod Nekrasov: Nothing on the page | |
| John Mateer | 'Invictus' and the negotiated revolution Or Clint Eastwood's idea of the lyric poem |
|
| Kyle Bella | Queering racialized bodies Disidentity in the works of Akilah Oliver and Ronaldo Wilson |
|
| Jenny Penberthy | The very variants: A few revisions to Lorine Niedecker's 'Collected Works' | |
| Renate Stendhal | Why the witch-hunt against Gertrude Stein? | |
| Leon Katz | A response to 'Gertrude Stein's Translations of Speeches by Philippe Petain' | |
| Václav Paris | 'Gertrude Stein's Translations of Speeches' by Philippe Petain | |
| Jennifer Aglio | Myung Mi Kim’s performance of language | |
| Susan Gevirtz | Outer Event | |
| C. J. Martin | On 'Penury' | |
| Jean Uhm | 'Languaging' the third space Language as activity in the prosody of Myung Mi Kim |
|
| Julia Bloch | Epic silence On Myung Mi Kim’s ‘Under Flag’ |
|
| Sarah Campbell | 'Reported ocean' One or more voices out loud |
|
| Ray Hsu | Another day: Derksen v. America | |
| Sharon Thesen | Response to Nicole Brossard | |
| Fred Wah | Reading M. NourbeSe Philip's 'Zong!' | |
| Meredith Quartermain | The Wah in water On a reading by Fred Wah |
|
| Jenny Sampirisi | Sound body, sound text On a.rawlings and Maja Jantar |
|
| Steve Savage | Addendum to her howlings | |
| Christine Stewart | Responding to Fred Wah | |
| Mark Goldstein | Constant renewal Nicole Brossard at Kelly Writers House |
|
| Susan Holbrook | M. NourbeSe Philip's unrecoverable subjects | |
| Sonnet L'Abbé | Proc[edur]ession, a cross | |
| Robert Majzels | The Xenotext Experiment and the gift of death 'Eunoia' patanoia patadox patadise |
|
| Jake Kennedy | Why is Jordan Scott? | |
| kevin mcpherson eckhoff | Why is Jordan Scott? | |
| Melanie Bell | Speaking together against the fixed Lisa Robertson on poetry as citizenship |
|
| Gregory Betts | Not against expression | |
| Sandra Alland | Lady Lingual An introduction to Adeena Karasick |
|
| Maria Damon | Desiring visual texts A collage and embroidery dialogue |
|
| Rachel Blau DuPlessis | Desiring visual texts A collage and embroidery dialogue |
|
| James D. Sullivan | Book-length broadside Bob Grenier's 'CAMBRIDGE M'ASS' |
|
| Bob Perelman | A Williams soundscript Listening to ‘The Sea-Elephant’ |
|
| Joseph Ceravolo | Letter to David Shapiro, 6/29/65 | |
| Ron Padgett | On 'Wild Flowers Out of Gas' | |
| Charles North | Note to 'Wild Provoke of the Endurance Sky' | |
| Bill Berkson | Circa 1966 | |
| Kimberly Lyons | Closer to everything An appreciation of Joseph Ceravolo |
|
| Thomas Fink | Reading Joe Ceravolo's 'Migratory Noon' with Ron Silliman | |
| Vincent Katz | Poems from '6x6' vis-a-vis a poem by Joe Ceravolo | |
| Anselm Berrigan | Poetry as music A different way of thinking |
|
| Phong Bui | Poetry as music A different way of thinking |
|
| Vincent Katz | Poetry as music A different way of thinking |
|
| Kimberly Lyons | Poetry as music A different way of thinking |
|
| Trace Peterson | Poetry as music A different way of thinking |
|
| rob mclennan | Some notes on Lisa Jarnot's 'Sea Lyrics' | |
| Nick Moudry | Book history and the poetry reading | |
| Elena Fanailova | Lena and Lena | |
| Stephanie Sandler | Lena and Lena | |
| George Evans | Bashō's Pheasant Cid Corman and Kyōto |
|
| Bob Arnold | The man who always was On Cid Corman |
|
| Kevin Bowen | Reclaiming Corman Cid Corman's Dorchester past |
|
| William Corbett | Larry Eigner, an advertisement | |
| Curtis Faville | The text as an image of itself | |
| Mark Lamoureux | What Gerrit gives us | |
| John Wieners | The dark grammarian | |
| David Rich | Gerrit Lansing: Under the gazebo / evening | |
| Derek Fenner | Gerrit Lansing: A personal reliquary Or, notes toward an essay |
|
| James Cook | 'To find out for yourself' Maximus at Gloucester High School |
|
| Anne Dewey | Projecting Amy Lowell Olsonian poetics of the body in Rosmarie Waldrop's 'A Form / of Taking / It All' |
|
| Rachelle Katz Lerner | Rexroth's 'The Dragon and the Unicorn' | |
| Seth Stewart | 'The most beautiful and truest' Collecting the letters of John Wieners |
|
| Steve Prygoda | Beginzone: 'There's Ridgeway Lane forever' (the message) | |
| Ruth Lepson | 'Nor … ever some place else': Wieners in Boston | |
| Jim Dunn | The old brick city by the Atlantic John Wieners's Boston haunts |
|
| Rachel Zolf | Noone bears witness | |
| Randall Couch | On the art of Susan Stewart | |
| J. Gordon Faylor | Marjorie Perloff: A bibliographic essay | |
| Peter Middleton | Close, very close | |
| Al Filreis | The unprepared future of an exophonic refugee | |
| Peter Nicholls | Marjorie Perloff's twenty-first-century modernism | |
| Jean-Michel Rabaté | 'The Futurist Moment' | |
| Stephen Fredman | 'The Poetics of Indeterminacy: Rimbaud to Cage' | |
| Brian Reed | Becoming Marjorie Perloff | |
| Caroline Bergvall | Four wheels and a broken glass | |
| Johanna Drucker | 'Radical Artifice' | |
| Vanessa Place | Marjorie Perloff: Die Dichtung und das Ding (poetry and the thing) | |
| Jan Baetens | Perloff and/in France | |
| Charles Bernstein | Ways of reading: Marjorie Perloff and the sublimity of pragmatic criticism | |
| Maggie O'Sullivan | For Marjorie | |
| Richard Sieburth | The contemporary of our grandchildren A view from the eighties |
|
| Dee Morris | Sound bytes and computer blips Marjorie Perloff's electronic world |
|
| Joan Retallack | On 'The Poetics of Indeterminacy' | |
| Jerome McGann | On the unoriginal genius of Marjorie Perloff | |
| Eric Hoffman | Clarity and sincerity Disillusionment in George Oppen's postwar poetic |
|
| Richard Swigg | The test of belief Or, why George Oppen quarrelled with Denise Levertov |
|
| Sandra Alland | Introduction | |
| Jason Morris | Crystal gazing Clark Coolidge's 'Crystal Text' |
|
| Louis Armand | Poetry and the unpoetic | |
| Jena Osman | Playing the world | |
| Dawn Akemi Sueoka | Hidden harmonies in John Cage's 'Empty Words' | |
| Andrew Epstein | 'Building a nest out of torn up letters' James Schuyler, trash, and the poetics of collage |
|
| Maude Emerson | James Schuyler's 'Freely Espousing' | |
| Nathan Kernan | Past = past Some notes on James Schuyler's 'Salute' |
|
| Marit MacArthur | The skinny on Schuyler's line | |
| David Mikics | Days and nights with James Schuyler | |
| Bill Berkson | Schuyler entries | |
| William Corbett | A few words on James Schuyler | |
| David Kaufmann | James Schuyler's specimen days | |
| Charles North | A few of Schuyler's revisions | |
| Raad Ahmad | Circumcontentive poetry An off-white paper |
|
| Mesbah Alam Arghya | Circumcontentive poetry An off-white paper |
|
| Subhro Bandopadhyay | Circumcontentive poetry An off-white paper |
|
| Santanu Bandyopadhyay | Circumcontentive poetry An off-white paper |
|
| Circumcontentive Poets | Circumcontentive poetry An off-white paper |
|
| Sukanta Ghosh | Circumcontentive poetry An off-white paper |
|
| Aryanil Mukherjee | Circumcontentive poetry An off-white paper |
|
| Aryanil Mukherjee | A poetics of informationalism | |
| Sabyasachi Sanyal | Circumcontentive poetry An off-white paper |
|
| Sukanta Ghosh | The circumcontent of science and poetry | |
| Mesbah Alam Arghya | ‘Woodense’: A close twinning | |
| Subhro Bandopadhyay | Fence consciousness | |
| Sukanta Ghosh | ‘Woodense’: A close twinning | |
| Marjorie Perloff | A short response to Alan Dershowitz | |
| Edward Burns | Gertrude Stein: September 1942–September 1944 From 'The Letters of Gertrude Stein and Thornton Wilder' |
|
| Ulla E. Dydo | Gertrude Stein: September 1942–September 1944 From 'The Letters of Gertrude Stein and Thornton Wilder' |
|
| Edward Burns | A letter to the editor ‘The Nation,’ 1987 |
|
| Ulla E. Dydo | A letter to the editor ‘The Nation,’ 1987 |
|
| Joan Retallack | Joan Retallack on Stein's war years From her introduction to 'Gertrude Stein: Selections' |
|
| Charles Bernstein | Gertrude Stein taunts Hitler in 1934 and 1945 (Sieg heil, sieg heil, right in der Fuehrer's face.) |
|
| Edward Burns | Gertrude Stein: A complex itinerary, 1940–1944 | |
| derek beaulieu | Poetic representations of the holocaust | |
| Alan Davies | Never without On Diane Ward |
|
| Gilbert Adair | Basics of definition | |
| Rae Armantrout | Basics of definition | |
| Amy Catanzano | Basics of definition | |
| John Cayley | Basics of definition | |
| Tina Darragh | Basics of definition | |
| Marcella Durand | Basics of definition | |
| Allen Fisher | Basics of definition | |
| James Harvey | Basics of definition | |
| Peter Middleton | Basics of definition | |
| Poetry & Science Panelists | Basics of definition | |
| Evelyn Reilly | Basics of definition | |
| Joan Retallack | Basics of definition | |
| Patrick F. Durgin | New life writing | |
| Tyrone Williams | Before the laws The secular, sacred, and aesthetic cases of Lawrence Joseph |
|
| Lisa Steinman | 'Telling the time' Narrative and lyric in the poetry of Lawrence Joseph |
|
| Lee Upton | Embedded chronicles Lawrence Joseph's poetry of urgency |
|
| Frank D. Rashid | Shifting stories, codes of violence Two perspectives on Lawrence Joseph |
|
| Eric Selinger | Several kinds of chronicler, he's been The books and selves of Lawrence Joseph |
|
| Lawrence Joseph | Notions of poetry and narration | |
| John Lowney | 'Why not say what happens?' Modernism, traumatic memory, and Lawrence Joseph's 'Into It' |
|
| Thomas DePietro | I to eye Self and society in the poetry of Lawrence Joseph |
|
| Norman Finkelstein | Ground zero Baudelaire 'Into It' and the poetics of shock |
|
| Jennifer Moore | 'Something that stutters sincerely' Contemporary poetry and the aesthetics of failure |
|
| Anna Kałuża | A world according to G.W. On Grzegorz Wróblewski |
|
| Bonnie Costello | The plural of us Uses and abuses of an ambiguous pronoun |
|
| Alan Golding | Drafts and fragments Rachel Blau DuPlessis's (counter-) Poundian project |
|
| C. J. Martin | On 'Pitch,' with special reference to 'Hard Copy' | |
| Chris Tysh | Ghost tracks Reading the signs in 'Pitch: Drafts 77–95' |
|
| Bob Perelman | 'Drafts' and the epic moment | |
| Patrick Pritchett | 'All serifs are seraphim' Midrash as the angel of history |
|
| Naomi Shulman | At the critical/poetic boundary Rachel Blau DuPlessis's arguments with Adorno |
|
| Harriet Tarlo | 'The page is slowly turning black' Rachel Blau DuPlessis's 'Torques: Drafts 58–76' |
|
| Daniel Bouchard | A little yod and a rocking enormity Reading ‘Drafts’ |
|
| Thomas Devaney | Inverting the middle Turning points in 'Drafts' |
|
| Catherine Taylor | Take your time: The ethics of the event in 'Drafts' | |
| C. J. Martin | How to mourn-touch The redactive prosodies of Rachel Blau DuPlessis |
|
| Paul Jaussen | Envoy: Postings on the digital life poem | |
| Libbie Rifkin | 'The force of an intervention' Rachel Blau DuPlessis's response to Oppen |
|
| Eric Keenaghan | Openings: Some notes on the political in 'Drafts' | |
| Ron Silliman | Un-scene, ur-new The history of the longpoem and 'The Collage Poems of Drafts' |
|
| Al Filreis | Jerome Rothenberg: The real revolution is tragic | |
| Alan Davies | I think I understand Emma Bee Bernstein | |
| Louis Cabri | Unanimism and the crowd Early modern social lyric |
|
| J. R. Carpenter | Wanderkammer A walk through texts |
|
| Joseph Harrington | Docupoetry and archive desire | |
| Stephen Ratcliffe | Words as 'things' ('actions'/'events') | |
| Stephen Ratcliffe | Reading 'sound' | |
| Ariel Goldberg | The view from performance A report from the Marin Headlands |
|
| Michael Cross | Stephen Ratcliffe's 'Hamlet' | |
| Norman Fischer | On 'Portraits & Repetition' | |
| Robert Grenier | On 'Selected Days' | |
| Stephen Ratcliffe | On 'Selected Days' | |
| Carol Watts | Only, document Stephen Ratcliffe's 'REAL' |
|
| Vincent Broqua | Stephen Ratcliffe’s ‘[where late the sweet] BIRDS SANG’ Or, writing through Shakespeare's sonnets |
|
| Thom Donovan | Somatic poetics | |
| Emily Wojcik | 'Their own privately subsidized firm' Bryher, H.D., and 'curating' modernism |
|
| Marjorie Perloff | Towards a conceptual lyric From content to context |
|
| Rachel Zolf | The Tolerance Project Projection of the intimate into the historical |
|
| Brian Unger | Norman Fischer: A 'test case for being' | |
| Laura Goldstein | Mobilizing the POLI theprecession.org and languages of the Internet populace |
|
| Robert Zaller | Stanley Burnshaw: The poet in the world | |
| Al Filreis | Stanley Burnshaw comes to PennSound | |
| Lisa Steinman | Ordinary capaciousness Looking forward to 1960 |
|
| Barbara Guest | Typescript of two early poems by Barbara Guest 'Escape' and 'The Inhabitants' |
|
| Kimberly Lamm | Readymade Baroness The gendered language of Dadaist dress |
|
| Gaby Divay | The German Baroness Else Baroness von Freytag-Loringhoven's German poetry |
|
| Natalia Cecire | Sentimental spaces On Mei-mei Berssenbrugge's 'Nest' |
|
| Robert Duncan | Robert Duncan's notes on Ron Silliman's 'Opening' | |
| Al Filreis | Introduction to the poetry and poetics of 1960 | |
| Tanya Clement | The Baroness in little magazine history | |
| Chris Funkhouser | Bringing Harry Mathews to PennSound (and you) | |
| Charles Bernstein | Poetry in 1960, a symposium: Question and answer session | |
| Rachel Blau DuPlessis | Poetry in 1960, a symposium: Question and answer session | |
| Al Filreis | Poetry in 1960, a symposium: Question and answer session | |
| Chris Funkhouser | Poetry in 1960, a symposium: Question and answer session | |
| Kristen Gallagher | Poetry in 1960, a symposium: Question and answer session | |
| Michael Hennessey | Poetry in 1960, a symposium: Question and answer session | |
| erica kaufman | Poetry in 1960, a symposium: Question and answer session | |
| Mel Nichols | Poetry in 1960, a symposium: Question and answer session | |
| Bob Perelman | Poetry in 1960, a symposium: Question and answer session | |
| Ron Silliman | Poetry in 1960, a symposium: Question and answer session | |
| Danny Snelson | Poetry in 1960, a symposium: Question and answer session | |
| Dorothea Lasky | Breathing a fire of risk Kunitz and Guest in the KWH 1960 symposium |
|
| David Wyatt | On Gary Snyder, 'Myths & Texts' | |
| Curtis Faville | Commentary on Larry Eigner's 'On My Eyes' A response to Charles Bernstein's 1960 symposium presentation |
|
| Josephine Park | Rexroth to Kerouac | |
| Fred Wah | On Ed Dorn, 'The Newly Fallen' | |
| Jerome Rothenberg | 1960: A first remembrance | |
| Maria Damon | On Bob Kaufman, 'Does the Secret Mind Whisper?' | |
| Charles Bernstein | On Larry Eigner, ‘On My Eyes’ | |
| Mel Nichols | On Bill Berkson and Frank O'Hara, 'Hymns of St. Bridget' Deep fun |
|
| Rachel Blau DuPlessis | On Frank O'Hara, 'Second Avenue' | |
| Bob Perelman | On Don Allen, 'The New American Poetry' | |
| Judith Goldman | On Gwendolyn Brooks, 'The Bean Eaters' | |
| Ron Silliman | On Robert Duncan, 'The Opening of the Field' Reopening |
|
| Danny Snelson | On John Cage, 'Cartridge Music' | |
| erica kaufman | On Barbara Guest, 'The Location of Things' | |
| Michael Hennessey | On Daisy Aldan, 'A New Folder' | |
| Kenneth Goldsmith | On Brion Gysin, 'Minutes to Go' | |
| Chris Funkhouser | On Jackson Mac Low, 'Stanzas for Iris Lezak' Mac Low as a shadow beatnik |
|
| Kristen Gallagher | On LeRoi Jones, 'Preface to A Twenty-Volume Suicide Note' | |
| Joshua Schuster | The making of 'Tender Buttons' Gertrude Stein's subjects, objects, and the illegible |
|
| Kaegan Sparks | In moveme/braces Erica Baum's 'Dog Ear' |
|
| Kaplan Harris | The Small Press Traffic school of dissimulation New Narrative, New Sentence, New Left |
|
| Thom Donovan | A grave in exchange for the commons Fred Moten and the resistance of the object |
|
| Marta L. Werner | The landscape of Hannah Weiner's late work 'The Book of Revelations' |
|
| Kaia Sand | Pacific poets imagine the future David Buuck's pre-enactments, Craig Santos Perez's truncun nunu, and Jen Coleman's vivifying prophesies |
|
| Kate Fagan | Murdering alphabets, disorienting romance John Tranter and postmodern poetics |
|
| Peter Minter | Murdering alphabets, disorienting romance John Tranter and postmodern poetics |
|
| Steve Bradbury | Have net, will travel The new face of Chinese poetry |
|
| Craig Santos Perez | Signs of being Chamoru poetry and the work of Cecilia C. T. Perez |
|
| Marta L. Werner | Notes on this edition 'The Book Of Revelations' |
|
| Brandy Nālani McDougall | Christianity, civilization, colonialism, and other diseases The poetry of Haunani-Kay Trask |
|
| Marta L. Werner | Appendices to this edition Spellings, neologisms, part-words, proper names, and literary allusions |
|
| Hannah Weiner | 'The Book of Revelations': The diplomatic transcript | |
| Marta L. Werner | Acknowledgments |