Papers by Ivan S . Vukčević
Sistematsko proučavanje prošlosti pojedinih naroda ili njima pripadajućih geografskih cjelina, os... more Sistematsko proučavanje prošlosti pojedinih naroda ili njima pripadajućih geografskih cjelina, oslanja se prvenstveno na značajne zabilježene događaje koji su mijenjali tokove bogatih istorijskih procesa. Osnovni epistemološki principi naučnog saznanja: tačnost, preciznost,
ARTICLES ON MUSIC IN THE GLAS CRNOGORCA WEEKLY
IN THE PERIOD BETWEEN 1873 AND 1900
In an attempt... more ARTICLES ON MUSIC IN THE GLAS CRNOGORCA WEEKLY
IN THE PERIOD BETWEEN 1873 AND 1900
In an attempt for periodization of Montenegrin music past, following the research of the articles about music in the Montenegrin longest Weekly Glas Crnogorca (1873-1922) in the period between 1873 and 1900, I gained the access to the enormous database about Montenegrin music heritage of the second half of the nineteenth century. Categorising researched articles and their content, I was able to notice the obvious intent of the editorial aproach of The Weekly for promotion of almost every achievement of then cultural Institutions and amateur and semi-professional Associations in Cetinje, like Intellectual Society of Public Reading Room with its Vocal enseble, Montenegrin Military band and to encourage development of Montenegrin school system and music education in elementary schools, Gymansium, Female Institute and Theological-Teachers' school. Submitted also from the other parts of the Principality of Montenegro, like from Podgorica, Kotor, Bar, Ulcinj and from the other minor locations, the articles about music merited Prince Nicola and his reign, Montenegrin Ministry of Education and Church Affairs and initiative of local cultural and music associations. Following the nineteenth century Slavic movement in the nearby countries and Europe and gaining access to the network of other periodicals and by correspondents too, The Glas Crnogorca Weekly was able to present to its domestic reders the latest news about music and culture in the Balkans and Europe and follow the progress of other Cultural and Music Associations and individuals, pointing on their relations with Montenegro. Distribution of The Glas Crnogorca Weekly in Europe, parts of Asia and United States was also significant for the editorial approach and the quantity of information which were published on its pages. Columns about rich and common music activities left not only material traces, but a profound spiritual marks and in some sense helped in the long process of culturalization of the Montenegrin nation. The Glas Crnogorca Weekly, among other nineteenth century Montenegrin periodicals and arhive material, represents a significat and unavoidable literature in the research process of the Montenegrin cultural and music history.
Montenegrin music heritage of the second half of XIX c. lies on the foundation of amateur and sem... more Montenegrin music heritage of the second half of XIX c. lies on the foundation of amateur and semi-professional associations (Artistic associations close to the Intelectual Society of Public reading room, Vocal ensembles, Military band and others) in Cetinje, than Principality of Montenegro. Their rich and common activities left not only material traces, but also profound spiritual mark in the long term process of culturalization of Montenegrin nation. With development of periodical and serial publications, music and culture found its way not only to then contemporary readers but to the present-day readers and researchers like unavoidable literature in research of Montenegrin cultural and music history.
As Baroque period followed changes in spiritual aspect of art and architecture after the Council ... more As Baroque period followed changes in spiritual aspect of art and architecture after the Council of Trent, that manner was implemented in art in the Bay of Kotor too, especially in painting and sculptor arts in Kotor sacral objects. Artists like Francesco Penso ‘Cabianca’ and Tripo Kokolja, in the late XVII and XVIII c. introduced hallmark of baroque expressiveness and movement in their work in Kotor Cathedral of St. Tryphon and Sanctuary of Our Lady of the Rocks in Perast. Presence of deep music symbolism throughout vibrant forms in the sculptures of Angelic orchestra in sacristy of Kotor Cathedral or singing Heavenly choir with instruments on the walls of Marian sanctuary in church-island in Perast can be seen as the part of outspread expression of reconcile with the old forms, and give us a proof of effort and intent of the Catholic church and its Council Fathers to maintain, preserve and develop its belongings – in harmony.
Under the ruling dynasties of Balšić and Crnojević, Principality of Zeta gained cultural autonomy... more Under the ruling dynasties of Balšić and Crnojević, Principality of Zeta gained cultural autonomy and pretended to develop the unique artistic style. In the murals of then newly erected churches and monasteries, we can find a scenes with a significant number of musical instruments and their use; in the monasteries was very active a transcript school of church books, which activities preserved notable manuscripts and widen their use throughout Christian temples of this region; diplomacy and cultural exchange managed altered level of development and appropriation of nearby culture and arts. The most significant accomplishment of Ruling dynasty Crnojević was the first printed book in 1494, with typical renaissance manner and decorations. Printing was stopped in Principality of Zeta by the end of XV century after the invasion of Turks, but was continued in Venice by Božidar Vuković Podgoričanin and his son Vincenzo.
Thesis Chapters by Ivan S . Vukčević
Ricerche teologiche e vigilanza magisteriale dopo il Concilio Vaticano II, May 23, 2018
Una lettura attenta dei documenti della Congregazione per la Dottrina della Fede e della Commissi... more Una lettura attenta dei documenti della Congregazione per la Dottrina della Fede e della Commissione Teologica Internazionale, nel rispetto della diversità dei loro statuti, offre un riflesso abbastanza preciso dei dibattiti che attraversano, animano e stimolano la teologia contemporanea, a partire dal Concilio Vaticano II. Questo lavoro persegue un duplice obiettivo: da una parte, vuole aiutare a verificare se, alla fine del primo ciclo di teologia, si ha formata una precisa e sicura conoscenza dei punti fermi sui quali si possono fondare sintesi personale in medio Ecclesiae; d’altra parte, vuole aiutare a individuare le questioni che rimangono aperte.
Books by Ivan S . Vukčević
Officia variorum sanctorum BnF Latin 916 (pre-print), 2022
Officia variorum sanctorum BnF Latin 916, fototipsko izdanje s uvodnim poglavljima, izbor stranic... more Officia variorum sanctorum BnF Latin 916, fototipsko izdanje s uvodnim poglavljima, izbor stranica (pre-print)
Officia variorum sanctorum, 2022
Fototipsko izdanje codexa BnF Latin 916, rukopisa koji sadrži razne službe, vjerovatno mise, poez... more Fototipsko izdanje codexa BnF Latin 916, rukopisa koji sadrži razne službe, vjerovatno mise, poeziju, prozu i hagiografiju raznih svetaca. Porijeklo je vezano za Francusku a autorstvo njegovih djelova pripisuje se nadbiskupu barskom Guillermu Adamu. Djelo je nastalo u XIV vijeku.
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Papers by Ivan S . Vukčević
IN THE PERIOD BETWEEN 1873 AND 1900
In an attempt for periodization of Montenegrin music past, following the research of the articles about music in the Montenegrin longest Weekly Glas Crnogorca (1873-1922) in the period between 1873 and 1900, I gained the access to the enormous database about Montenegrin music heritage of the second half of the nineteenth century. Categorising researched articles and their content, I was able to notice the obvious intent of the editorial aproach of The Weekly for promotion of almost every achievement of then cultural Institutions and amateur and semi-professional Associations in Cetinje, like Intellectual Society of Public Reading Room with its Vocal enseble, Montenegrin Military band and to encourage development of Montenegrin school system and music education in elementary schools, Gymansium, Female Institute and Theological-Teachers' school. Submitted also from the other parts of the Principality of Montenegro, like from Podgorica, Kotor, Bar, Ulcinj and from the other minor locations, the articles about music merited Prince Nicola and his reign, Montenegrin Ministry of Education and Church Affairs and initiative of local cultural and music associations. Following the nineteenth century Slavic movement in the nearby countries and Europe and gaining access to the network of other periodicals and by correspondents too, The Glas Crnogorca Weekly was able to present to its domestic reders the latest news about music and culture in the Balkans and Europe and follow the progress of other Cultural and Music Associations and individuals, pointing on their relations with Montenegro. Distribution of The Glas Crnogorca Weekly in Europe, parts of Asia and United States was also significant for the editorial approach and the quantity of information which were published on its pages. Columns about rich and common music activities left not only material traces, but a profound spiritual marks and in some sense helped in the long process of culturalization of the Montenegrin nation. The Glas Crnogorca Weekly, among other nineteenth century Montenegrin periodicals and arhive material, represents a significat and unavoidable literature in the research process of the Montenegrin cultural and music history.
Thesis Chapters by Ivan S . Vukčević
Books by Ivan S . Vukčević
IN THE PERIOD BETWEEN 1873 AND 1900
In an attempt for periodization of Montenegrin music past, following the research of the articles about music in the Montenegrin longest Weekly Glas Crnogorca (1873-1922) in the period between 1873 and 1900, I gained the access to the enormous database about Montenegrin music heritage of the second half of the nineteenth century. Categorising researched articles and their content, I was able to notice the obvious intent of the editorial aproach of The Weekly for promotion of almost every achievement of then cultural Institutions and amateur and semi-professional Associations in Cetinje, like Intellectual Society of Public Reading Room with its Vocal enseble, Montenegrin Military band and to encourage development of Montenegrin school system and music education in elementary schools, Gymansium, Female Institute and Theological-Teachers' school. Submitted also from the other parts of the Principality of Montenegro, like from Podgorica, Kotor, Bar, Ulcinj and from the other minor locations, the articles about music merited Prince Nicola and his reign, Montenegrin Ministry of Education and Church Affairs and initiative of local cultural and music associations. Following the nineteenth century Slavic movement in the nearby countries and Europe and gaining access to the network of other periodicals and by correspondents too, The Glas Crnogorca Weekly was able to present to its domestic reders the latest news about music and culture in the Balkans and Europe and follow the progress of other Cultural and Music Associations and individuals, pointing on their relations with Montenegro. Distribution of The Glas Crnogorca Weekly in Europe, parts of Asia and United States was also significant for the editorial approach and the quantity of information which were published on its pages. Columns about rich and common music activities left not only material traces, but a profound spiritual marks and in some sense helped in the long process of culturalization of the Montenegrin nation. The Glas Crnogorca Weekly, among other nineteenth century Montenegrin periodicals and arhive material, represents a significat and unavoidable literature in the research process of the Montenegrin cultural and music history.