hande bilvar
Hande BilvarBorn in 1977, İzmir, TurkeyEducation Bachelor’s Degree: Fine Arts Faculty, Textile Department, Dokuz Eylül University, 1999.Master’s Degree: Textile Design Department, Graduate School of Fine Arts, Dokuz Eylül University, 2006.Proficiency in Art: Art and Design Department, Institute of Social Sciences, Çukurova University, 2021.Professional ExperienceBetween 2000 and 2013, she worked in various companies' design departments as a print designer and garment designer.Since 2014, she has been serving as a Lecturer in the Department of Textile and Fashion Design at the Fine Arts Faculty of Çukurova University.Artistic Activities She has participated in various national and international art events.
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years. These findings chronicle humanity's quest to meet basic survival needs and illuminate a profound engagement with
the aesthetic realm, mainly through the coloring and patterning of flat surfaces. This engagement is not a modern
phenomenon but a practice that traces its origins back to the prehistoric period, signifying a deep-seated impulse towards
artistic expression and aesthetic fulfillment. The paintings adorning cave walls, the symbols meticulously carved into stones, and the vibrant hues that brought textile products to life all testify to our ancestors' innate desire to transform imagery into tangible forms and articulate their identity and worldview. This preference for natural dyes, derived from plant leaves, roots, and fruits, underscores a symbiotic relationship with the natural environment, harnessing its bounty to fulfill aesthetic yearnings. Similarly, using minerals and pigments extracted from the earth reflects an early form of innovation, leveraging available resources to bring color and
vibrancy to their creations.
While shrouded in the mists of time, the genesis of these practices is speculated to have commenced during the Neolithic
Period. This era marks a pivotal moment in human history, characterized by the advent of agriculture and sedentary communities, which fostered the development of crafts such as weaving and pottery. Within this context, the foundational efforts in textile patterning and coloring must be situated, reflecting not merely an endeavor to beautify but a complex
interplay of functional, social, and symbolic considerations.
The evolution of textile patterning and coloring from monochromatic simplicity to a rich tapestry of colors and complex
patterns mirrors the broader trajectory of human cultural and technological advancements. This progression is emblematic
of a ceaseless quest for innovation, an endeavor to push the boundaries of existing knowledge and techniques. The mastery
of dye fixation techniques, enabling the creation of enduring and intricate patterns on textile surfaces, represents a significant
technological leap. This advancement facilitated the transition from the simplistic to the sophisticated, enabling the creation
of textiles that were not only practical but also conveyed status, identity, and cultural values.
Textile printing, an art form that spans millennia, embodies the culmination of these efforts. From the initial experiments
with Batik, a method that involves dyeing fabric with a resist to create patterns, to the diverse techniques developed over
centuries, textile printing is a testament to human creativity and ingenuity. With its rich heritage and enduring appeal, Batik
highlights the continuity of tradition alongside the innovation that characterizes the field of textile design.
The focus on the 1960-1970 period offers a lens through which to examine the significant transformations that have shaped
the use of color in textile print patterns. This era, marked by socio-economic upheavals, technological breakthroughs, and a
flourishing artistic expression, witnessed a radical reimagining of textile design. The interplay between these diverse factors
catalyzed a departure from conventional norms, ushering in a period of vibrant experimentation and bold innovation.
The literature review conducted as part of this research delves into the patterns, colors, forms, and narratives that defined
this dynamic period. This study aims to unravel the complex interrelations between color use, technological advancements, and the socio-cultural context by focusing on the documents and designs emanating from these two decades. The significance of print patterns in shaping the fashion landscape of the 1960s, influenced by the ethos of the flower children, encapsulates the spirit of the times. Their pursuit of freedom and self-expression found resonance in the textile designs of the era,
characterized by a riot of colors, complex patterns, and a departure from traditional aesthetics.
This exploration into color psychology, consumer behavior, and aesthetic preferences through the prism of textile print patterns opens new avenues for understanding the multifaceted relationship between art, society, and technology. The implications of these findings extend beyond the confines of fashion and design, offering insights into the cultural and psychological underpinnings of aesthetic choices.
In conclusion, this study chronicles the evolution of color usage in textile print patterns during a transformative period. It highlights the broader cultural, social, and technological shifts that informed these changes. The exploration underscores the enduring importance of color and pattern in human culture, serving as a medium of expression, a marker of identity, and a reflection of societal values. Through the lens of textile design, we gain a deeper appreciation of the intricate dance between tradition and innovation, art and technology, individual creativity, and collective cultural identity that defines the human experience.
Keywords: Textile, Color, Print, Pattern, Print&Pattern, Emilio Pucci, 1960’s
Bu makale, gümüş içerikli tekstillerin tarihsel gelişimini ve modern dönemdeki fonksiyonel tekstillerdeki kullanımını spor
giysiler alanında kapsamlı bir şekilde incelemeyi hedeflemektedir. Araştırmanın odak noktası, gümüşün antimikrobiyal
özellikleri, elektrik iletkenliği ve elektromanyetik radyasyona karşı sağladığı koruma gibi çok yönlü fonksiyonlarıdır. Bu
özelliklerin içinden elektromanyetik kalkanlamanın, sporcular için tasarlanan giysi ve aksesuarlarda kullanımına dair
yenilikçi öneriler sunulmaktadır. Gümüşün tarihsel kökenlerinden başlayarak, modern tekstil uygulamalarına kadar geniş
bir literatür taraması yapılmıştır. Araştırma, malzeme bilimi, kimya, biyoteknoloji ve mühendislik gibi disiplinlerden
yararlanarak disiplinlerarası bir yaklaşım benimsemiştir. Gümüşün tarih boyunca sağlık, hijyen, spor, askeri ve teknolojik
uygulamalardaki kullanımının araştırılıp, tekstil alanında kullanımı ve güncel gelişlemelerdeki konumunu ortaya koymak
hedeflenmiştir. Sonuç olarak, gümüşün fonksiyonel tekstillerde kullanımı, kullanıcı konforu ve sağlık güvenliğini sağlayan
özellikler sunarak tekstil ürünlerinin performansını iyileştirmede önemli bir rol oynamaktadır. Makalenin son bölümünde,
gümüş kumaşların elektromanyetik dalgaların zararlı etkilerine karşı koruma sağlaması amacıyla sporcular için giysi
tasarımı önerileri sunulmaktadır. Bu öneriler, gümüşün, elektriksel ve elektromanyetik kalkanlama özelliklerini en üst
düzeye çıkarmayı hedeflemekte ve fonksiyonel tekstil tasarımı ve üretim süreçlerine nasıl entegre edilebileceğine dair
kapsamlı bir bakış sunmaktadır. Bu çalışma, gümüş içerikli tekstillerin gelecekteki araştırma, geliştirme ve tasarım
stratejileri için bir temel oluşturmayı amaçlamaktadır.
Anahtar kelimeler: Gümüşün Tarihi, Gümüşlü Tekstiller, Akıllı Tekstiller, Elektromanyetik Dalgallardan Koruma, Spor
Giysi Tasarımı.
ABSTRACT
This article aims to comprehensively examine the historical development of silver-infused textiles and their use in
functional textiles in the modern era, particularly in the field of sportswear. The study's primary focus is on the
multifunctional properties of silver, including its antimicrobial attributes, electrical conductivity, and electromagnetic
radiation shielding capacity. Among these features, innovative proposals are presented for employing electromagnetic
shielding in clothing and accessories designed for athletes. A broad literature review has been conducted, tracing silver’s
historical roots to its modern applications in textile technology. This research adopts an interdisciplinary approach,
integrating insights from materials science, chemistry, biotechnology, and engineering. The study investigates silver’s
applications throughout history in fields such as health, hygiene, sports, military, and technology, aiming to outline its role
in textiles and its current relevance in contemporary advancements. In conclusion, the use of silver in functional textiles
plays a critical role in enhancing the performance of textile products by offering features that ensure user comfort and
health safety. In the article's final section, design recommendations are presented for athlete garments that leverage silver
textiles to protect against the harmful effects of electromagnetic waves. These recommendations aim to maximize the
electrical and electromagnetic shielding properties of silver while providing a comprehensive perspective on how to
integrate these features into functional textile design and production processes. This study seeks to establish a foundational
basis for future research, development, and design strategies involving silver-infused textiles.
Keywords: The History of Silver, Silver-Containing Textiles, Smart Textiles, Electromagnetic Wave Protection, Sportswear
Design.
Tekstil ürünlerinden biri olarak, denim kumaşın yapı olarak diğer kumaşlardan farklı
olması nedeniyle, sanat malzemesi olarak olanaklarının araştırılarak, malzeme
niteliğinde kullanıp yeni deneysel tasarımlar geliştirmek makalenin amacı olarak ele
alınmıştır. Makale kapsamında yapılan uygulamalarda, denim kumaşı üzerinde
geleneksel biçimlendirme teknikleri kullanılarak sanatçılara yaratıcılığını en üst
düzeyde kullanabileceği olanakları araştırmak üzere deneyler yapılmıştır. Bu
deneylerde kesme, yapıştırma, büzme, delme, bağlama, ağartma gibi klasik biçim ve
renklendirme arayışları kullanılan yöntemler arasındadır. Deneylerde iki ana yöntem
üzerinde çalışılmıştır. Birincisi yüzey oluşturma ve desenlendirme yöntemlerinden
olan, batik tekniklerinden shibori ile birlikte renklendirme yerine ağartma tekniğidir.
İkicisi ise denim kumaşı üzerine kil ve tutkal kullanılarak, bir yüzey üzerinde tek
başına ya da destekleyici malzemeler ile birlikte dik durarak, boyut kazanma
becerisinin sanatçıya sağlayacağı kazanımları araştırılmış ve her işlem, sonucu ile
birlikte tespit edilip raporlanmıştır. Bu deneyler sonucunda elde edilen verilerden
yararlanılarak, denim kumaşı ana malzeme olacak şekilde, deneysel sanat eserleri
oluşturulması hedeflenmiştir.
Anahtar Kelimeler: Denim, Tekstil Sanatı, İndigo, Plastik Sanatlar, Disiplinlerarası
Sanat.
Abstract
Given that denim fabric is structurally distinct from other fabrics, the purpose of this
article is to investigate its potential as an art material and to create new experimental
designs by employing it. In the applications made within the purview of the article,
experiments were conducted on denim fabric using traditional shaping techniques in
order to determine the extent to which artists can exercise their creativity at the
highest level. In these experiments, cutting, bonding, shrinking, punching, tying,
bleaching, classical form and coloring searches were employed, along with others. In
the experiments, two primary methods were investigated. The first technique is
bleaching as opposed to coloring with shibori, one of the batik techniques, which is
one of the surface formation and patterning techniques. Secondly, using clay and
glue on denim fabric, the gains of the artists ability to acquire dimension by standing
upright on a surface alone or with supporting materials were investigated, and each
process and its result were determined and reported. The objective is to create
experimental artworks with denim fabric as the primary material by utilizing the data
obtained from these experiments.
Keywords: Denim, Textile Art, Indigo, Plastic Arts, Interdisciplinary Art.
years. These findings chronicle humanity's quest to meet basic survival needs and illuminate a profound engagement with
the aesthetic realm, mainly through the coloring and patterning of flat surfaces. This engagement is not a modern
phenomenon but a practice that traces its origins back to the prehistoric period, signifying a deep-seated impulse towards
artistic expression and aesthetic fulfillment. The paintings adorning cave walls, the symbols meticulously carved into stones, and the vibrant hues that brought textile products to life all testify to our ancestors' innate desire to transform imagery into tangible forms and articulate their identity and worldview. This preference for natural dyes, derived from plant leaves, roots, and fruits, underscores a symbiotic relationship with the natural environment, harnessing its bounty to fulfill aesthetic yearnings. Similarly, using minerals and pigments extracted from the earth reflects an early form of innovation, leveraging available resources to bring color and
vibrancy to their creations.
While shrouded in the mists of time, the genesis of these practices is speculated to have commenced during the Neolithic
Period. This era marks a pivotal moment in human history, characterized by the advent of agriculture and sedentary communities, which fostered the development of crafts such as weaving and pottery. Within this context, the foundational efforts in textile patterning and coloring must be situated, reflecting not merely an endeavor to beautify but a complex
interplay of functional, social, and symbolic considerations.
The evolution of textile patterning and coloring from monochromatic simplicity to a rich tapestry of colors and complex
patterns mirrors the broader trajectory of human cultural and technological advancements. This progression is emblematic
of a ceaseless quest for innovation, an endeavor to push the boundaries of existing knowledge and techniques. The mastery
of dye fixation techniques, enabling the creation of enduring and intricate patterns on textile surfaces, represents a significant
technological leap. This advancement facilitated the transition from the simplistic to the sophisticated, enabling the creation
of textiles that were not only practical but also conveyed status, identity, and cultural values.
Textile printing, an art form that spans millennia, embodies the culmination of these efforts. From the initial experiments
with Batik, a method that involves dyeing fabric with a resist to create patterns, to the diverse techniques developed over
centuries, textile printing is a testament to human creativity and ingenuity. With its rich heritage and enduring appeal, Batik
highlights the continuity of tradition alongside the innovation that characterizes the field of textile design.
The focus on the 1960-1970 period offers a lens through which to examine the significant transformations that have shaped
the use of color in textile print patterns. This era, marked by socio-economic upheavals, technological breakthroughs, and a
flourishing artistic expression, witnessed a radical reimagining of textile design. The interplay between these diverse factors
catalyzed a departure from conventional norms, ushering in a period of vibrant experimentation and bold innovation.
The literature review conducted as part of this research delves into the patterns, colors, forms, and narratives that defined
this dynamic period. This study aims to unravel the complex interrelations between color use, technological advancements, and the socio-cultural context by focusing on the documents and designs emanating from these two decades. The significance of print patterns in shaping the fashion landscape of the 1960s, influenced by the ethos of the flower children, encapsulates the spirit of the times. Their pursuit of freedom and self-expression found resonance in the textile designs of the era,
characterized by a riot of colors, complex patterns, and a departure from traditional aesthetics.
This exploration into color psychology, consumer behavior, and aesthetic preferences through the prism of textile print patterns opens new avenues for understanding the multifaceted relationship between art, society, and technology. The implications of these findings extend beyond the confines of fashion and design, offering insights into the cultural and psychological underpinnings of aesthetic choices.
In conclusion, this study chronicles the evolution of color usage in textile print patterns during a transformative period. It highlights the broader cultural, social, and technological shifts that informed these changes. The exploration underscores the enduring importance of color and pattern in human culture, serving as a medium of expression, a marker of identity, and a reflection of societal values. Through the lens of textile design, we gain a deeper appreciation of the intricate dance between tradition and innovation, art and technology, individual creativity, and collective cultural identity that defines the human experience.
Keywords: Textile, Color, Print, Pattern, Print&Pattern, Emilio Pucci, 1960’s
Bu makale, gümüş içerikli tekstillerin tarihsel gelişimini ve modern dönemdeki fonksiyonel tekstillerdeki kullanımını spor
giysiler alanında kapsamlı bir şekilde incelemeyi hedeflemektedir. Araştırmanın odak noktası, gümüşün antimikrobiyal
özellikleri, elektrik iletkenliği ve elektromanyetik radyasyona karşı sağladığı koruma gibi çok yönlü fonksiyonlarıdır. Bu
özelliklerin içinden elektromanyetik kalkanlamanın, sporcular için tasarlanan giysi ve aksesuarlarda kullanımına dair
yenilikçi öneriler sunulmaktadır. Gümüşün tarihsel kökenlerinden başlayarak, modern tekstil uygulamalarına kadar geniş
bir literatür taraması yapılmıştır. Araştırma, malzeme bilimi, kimya, biyoteknoloji ve mühendislik gibi disiplinlerden
yararlanarak disiplinlerarası bir yaklaşım benimsemiştir. Gümüşün tarih boyunca sağlık, hijyen, spor, askeri ve teknolojik
uygulamalardaki kullanımının araştırılıp, tekstil alanında kullanımı ve güncel gelişlemelerdeki konumunu ortaya koymak
hedeflenmiştir. Sonuç olarak, gümüşün fonksiyonel tekstillerde kullanımı, kullanıcı konforu ve sağlık güvenliğini sağlayan
özellikler sunarak tekstil ürünlerinin performansını iyileştirmede önemli bir rol oynamaktadır. Makalenin son bölümünde,
gümüş kumaşların elektromanyetik dalgaların zararlı etkilerine karşı koruma sağlaması amacıyla sporcular için giysi
tasarımı önerileri sunulmaktadır. Bu öneriler, gümüşün, elektriksel ve elektromanyetik kalkanlama özelliklerini en üst
düzeye çıkarmayı hedeflemekte ve fonksiyonel tekstil tasarımı ve üretim süreçlerine nasıl entegre edilebileceğine dair
kapsamlı bir bakış sunmaktadır. Bu çalışma, gümüş içerikli tekstillerin gelecekteki araştırma, geliştirme ve tasarım
stratejileri için bir temel oluşturmayı amaçlamaktadır.
Anahtar kelimeler: Gümüşün Tarihi, Gümüşlü Tekstiller, Akıllı Tekstiller, Elektromanyetik Dalgallardan Koruma, Spor
Giysi Tasarımı.
ABSTRACT
This article aims to comprehensively examine the historical development of silver-infused textiles and their use in
functional textiles in the modern era, particularly in the field of sportswear. The study's primary focus is on the
multifunctional properties of silver, including its antimicrobial attributes, electrical conductivity, and electromagnetic
radiation shielding capacity. Among these features, innovative proposals are presented for employing electromagnetic
shielding in clothing and accessories designed for athletes. A broad literature review has been conducted, tracing silver’s
historical roots to its modern applications in textile technology. This research adopts an interdisciplinary approach,
integrating insights from materials science, chemistry, biotechnology, and engineering. The study investigates silver’s
applications throughout history in fields such as health, hygiene, sports, military, and technology, aiming to outline its role
in textiles and its current relevance in contemporary advancements. In conclusion, the use of silver in functional textiles
plays a critical role in enhancing the performance of textile products by offering features that ensure user comfort and
health safety. In the article's final section, design recommendations are presented for athlete garments that leverage silver
textiles to protect against the harmful effects of electromagnetic waves. These recommendations aim to maximize the
electrical and electromagnetic shielding properties of silver while providing a comprehensive perspective on how to
integrate these features into functional textile design and production processes. This study seeks to establish a foundational
basis for future research, development, and design strategies involving silver-infused textiles.
Keywords: The History of Silver, Silver-Containing Textiles, Smart Textiles, Electromagnetic Wave Protection, Sportswear
Design.
Tekstil ürünlerinden biri olarak, denim kumaşın yapı olarak diğer kumaşlardan farklı
olması nedeniyle, sanat malzemesi olarak olanaklarının araştırılarak, malzeme
niteliğinde kullanıp yeni deneysel tasarımlar geliştirmek makalenin amacı olarak ele
alınmıştır. Makale kapsamında yapılan uygulamalarda, denim kumaşı üzerinde
geleneksel biçimlendirme teknikleri kullanılarak sanatçılara yaratıcılığını en üst
düzeyde kullanabileceği olanakları araştırmak üzere deneyler yapılmıştır. Bu
deneylerde kesme, yapıştırma, büzme, delme, bağlama, ağartma gibi klasik biçim ve
renklendirme arayışları kullanılan yöntemler arasındadır. Deneylerde iki ana yöntem
üzerinde çalışılmıştır. Birincisi yüzey oluşturma ve desenlendirme yöntemlerinden
olan, batik tekniklerinden shibori ile birlikte renklendirme yerine ağartma tekniğidir.
İkicisi ise denim kumaşı üzerine kil ve tutkal kullanılarak, bir yüzey üzerinde tek
başına ya da destekleyici malzemeler ile birlikte dik durarak, boyut kazanma
becerisinin sanatçıya sağlayacağı kazanımları araştırılmış ve her işlem, sonucu ile
birlikte tespit edilip raporlanmıştır. Bu deneyler sonucunda elde edilen verilerden
yararlanılarak, denim kumaşı ana malzeme olacak şekilde, deneysel sanat eserleri
oluşturulması hedeflenmiştir.
Anahtar Kelimeler: Denim, Tekstil Sanatı, İndigo, Plastik Sanatlar, Disiplinlerarası
Sanat.
Abstract
Given that denim fabric is structurally distinct from other fabrics, the purpose of this
article is to investigate its potential as an art material and to create new experimental
designs by employing it. In the applications made within the purview of the article,
experiments were conducted on denim fabric using traditional shaping techniques in
order to determine the extent to which artists can exercise their creativity at the
highest level. In these experiments, cutting, bonding, shrinking, punching, tying,
bleaching, classical form and coloring searches were employed, along with others. In
the experiments, two primary methods were investigated. The first technique is
bleaching as opposed to coloring with shibori, one of the batik techniques, which is
one of the surface formation and patterning techniques. Secondly, using clay and
glue on denim fabric, the gains of the artists ability to acquire dimension by standing
upright on a surface alone or with supporting materials were investigated, and each
process and its result were determined and reported. The objective is to create
experimental artworks with denim fabric as the primary material by utilizing the data
obtained from these experiments.
Keywords: Denim, Textile Art, Indigo, Plastic Arts, Interdisciplinary Art.