After Clarice- Lispector’s Legacy, Legenda, Modern Humanities Research Association, 2022
Bridging the Imaginary Gap between Distant Cartographies-the Visit that Never Was by Dafna Hornik... more Bridging the Imaginary Gap between Distant Cartographies-the Visit that Never Was by Dafna Hornike In March 1947 the young and already published Jewish Brazilian author Clarice Lispector was planning her upcoming international travels as a diplomat's wife. Her journeys would take her to Libya, Egypt, Italy, Switzerland, United States, and beyond, travelling by train, airplane, and even camel. Not surprisingly, Lispector has often been associated with nomadic readings, mainly focusing on the impact of her personal life on her writing. Her diplomatic passport frequently appears in biographies, so as to prove she was well traveled and informed about other cultures. Benjamin Moser's biography even goes so far as to depict her international origins in a map using a Tolkein-like font, evoking Lord of the Rings mythology as part of reconstructing Lispector's own movements through space. 1 Nevertheless, what interests me in my research is triggered by the commonly overlooked Palestinian visa Lispector was issued in 1946 (which can be seen in the Casa Rui Barbosa archive), as well as by numerous references to the Middle East in her texts: the Galilee, Constantinople, and Damascus to name just a few. As a writer dedicated to the depiction of the subjective experience of the multiple connections between subject and space, Lispector's usage of spatial allusions is not to be taken lightly. Indeed, her texts are haunted by Middle Eastern imagery, calling for a closer look at these meaningful spaces and their function for the reader. An avid reader of her works can trace an insistence on these spaces, a continuous usage of what I call Holy Land Imagery: spatial tropes of a land Lispector never even visited. The author maintained a conflicted relationship with this imaginary cartography that influenced her writing, a land she only knew from other accounts. What follows, therefore, is an examination of the points of departure Lispector imagined when writing. In other words,
Uploads
Papers by dafna hornik