Papers by Yunus emre Gümüş
Uluslararası İletişim ve Sanat Dergisi, 2021
While the science of anthropology, which was defined as the "study" of the "undeveloped" by the W... more While the science of anthropology, which was defined as the "study" of the "undeveloped" by the Westerner until the 21st century, today gain a new meaning and it is accepted as the effort of different cultures to understand / agree with each other. Although this change of anthropological approach is based on the acceptance that Western and non-Western cultures are equal, the situation has not changed in many other areas that study with anthropology. During a long time this pre-acceptance has concretely manifested itself in every field related to anthropology. The art of theater, which was associated with anthropology through contemporary researchers and innovative practitioners in the 20th century, has also been involved in discussions by experiencing these processes. Theater researchers such as Artaud, Grotowski, Barba and Peter Brook, while carrying out their search in the art of theater through the science of anthropology, could not escape from this trap. When representation crisis occurs it can be said that the tendency of returning to its source for become stronger is focus of anthropological studies. This study aims to debate the relationship between theater and anthropology, from representation to experience, in this way, to rethink the relationship between social sciences and art. This study aims to reach a conclusion about today's theater by not interpreting Eugenio Barba's theatrical anthropology studies through the idea of contemporary theater through the concepts of interculturalism and the barter. As a result, the desire to keep warm the connection between act and life has urged the art of theater to confront its roots in every period. The relationship of the truth and the act, was knitting up in some eras, has also started to break off in some eras. The art of theater has preferred to use the return to essence as a functional tool in its struggle for existence against technocultural developments.
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Papers by Yunus emre Gümüş