Papers by Talita Marcelino
Talita Marcelino, 2020
Resumo: A presente pesquisa busca tensionar a reflexão sobre o que seria protagonismo negro e co... more Resumo: A presente pesquisa busca tensionar a reflexão sobre o que seria protagonismo negro e como ele implica no campo das representações que vem sendo para ele produzidas. Seria apenas a imagem, como questiona Orlando Senna, do negro no filme ou é essa imagem, associada à discussão antirracista do negro na sociedade brasileira, representada nesse também modelo de produção cultural? Bem como, o que há de novo na produção dessas representações e como a presença de cineastas e uma equipe negra em outras ou até mesmo todas as esferas de produção cinematográfica, as tem renovado e questionado. Tal como busca contextualizar de que forma a atmosfera desenvolvimentista e de grandes transformações no Brasil da década de 1960 influenciaram as representações do negro neste período, onde o cinema era visto como um cinema de guerrilha, a serviço de cineastas brancos, e que possuía relação com perspectivas ideológicas que buscavam nesse agente a imagem ideal de um “povo brasileiro” e uma linguagem cinematográfica genuinamente nacional.
Palavras-chave: representação, representação coletiva, imagem, raça, cultura.
Abstract: The present research seeks to tension a reflection on what would be the black protagonism and how it does not imply in a field of representations that has been produced by him. Would it be just an image, as Orlando Senna asks, to make black film or image, to associate an anti-racist discussion of blacks in Brazilian society, to also represent this model of cultural production? Well, as there is a new production of these representations and a presence of filmmakers and a black team in others or even all spheres of cinematographic production, as it was renewed and questioned. How contextualized search of how a developing atmosphere and great transformations in Brazil in the 1960s influences how representations of black people in this period, where cinema was seen as a guerrilla cinema, a white filmmaker service and that had a relationship with ideological perspectives that seek in this agent, an ideal image of a “Brazilian people” and a genuinely national cinematographic language.
Keywords: representation, collective representation, image, race, culture.
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Papers by Talita Marcelino
Palavras-chave: representação, representação coletiva, imagem, raça, cultura.
Abstract: The present research seeks to tension a reflection on what would be the black protagonism and how it does not imply in a field of representations that has been produced by him. Would it be just an image, as Orlando Senna asks, to make black film or image, to associate an anti-racist discussion of blacks in Brazilian society, to also represent this model of cultural production? Well, as there is a new production of these representations and a presence of filmmakers and a black team in others or even all spheres of cinematographic production, as it was renewed and questioned. How contextualized search of how a developing atmosphere and great transformations in Brazil in the 1960s influences how representations of black people in this period, where cinema was seen as a guerrilla cinema, a white filmmaker service and that had a relationship with ideological perspectives that seek in this agent, an ideal image of a “Brazilian people” and a genuinely national cinematographic language.
Keywords: representation, collective representation, image, race, culture.
Palavras-chave: representação, representação coletiva, imagem, raça, cultura.
Abstract: The present research seeks to tension a reflection on what would be the black protagonism and how it does not imply in a field of representations that has been produced by him. Would it be just an image, as Orlando Senna asks, to make black film or image, to associate an anti-racist discussion of blacks in Brazilian society, to also represent this model of cultural production? Well, as there is a new production of these representations and a presence of filmmakers and a black team in others or even all spheres of cinematographic production, as it was renewed and questioned. How contextualized search of how a developing atmosphere and great transformations in Brazil in the 1960s influences how representations of black people in this period, where cinema was seen as a guerrilla cinema, a white filmmaker service and that had a relationship with ideological perspectives that seek in this agent, an ideal image of a “Brazilian people” and a genuinely national cinematographic language.
Keywords: representation, collective representation, image, race, culture.