Papers by Slavka Sverakova
Circa, 1985
Page 1. jiSilk * * CIRCA 23 \ X Dr. Slavka Sverakova Over the last five or so years an increasing... more Page 1. jiSilk * * CIRCA 23 \ X Dr. Slavka Sverakova Over the last five or so years an increasing number of ,>. \ undergraduate students raised the issue of the analogy \ between music and visual imagination. Vom Klang der ...
Textile: The Journal of Cloth and Culture, 2009
Sharon Kelly focused her art practice on charcoal drawings, later adding several video pieces. He... more Sharon Kelly focused her art practice on charcoal drawings, later adding several video pieces. Her use of cloth ranges from providing a ground for an image to becoming an image, to a trope of a particular state of mind. Pertinent to my inquiry are Wittgenstein's thoughts ...
A Book which Surveys four decades of Action Art from 1958-98. It compiles data from a range of co... more A Book which Surveys four decades of Action Art from 1958-98. It compiles data from a range of countries across the worlds written up by Artists, Historians, and Critics in each country. The book is an authorative document or Seminal Publication on Performance Art and Action ...
A Book which Surveys four decades of Action Art from 1958-98. It compiles data from a range of co... more A Book which Surveys four decades of Action Art from 1958-98. It compiles data from a range of countries across the worlds written up by Artists, Historians, and Critics in each country. The book is an authorative document or Seminal Publication on Performance Art and Action ...
A Book which Surveys four decades of Action Art from 1958-98. It compiles data from a range of co... more A Book which Surveys four decades of Action Art from 1958-98. It compiles data from a range of countries across the worlds written up by Artists, Historians, and Critics in each country. The book is an authorative document or Seminal Publication on Performance Art and Action ...
Inter Art Actuel, 1992
... STEWART laissait entendre qu'il vaut mieux choisir les bonnes cibles et non les plus fac... more ... STEWART laissait entendre qu'il vaut mieux choisir les bonnes cibles et non les plus faciles. ... Tony SHEENAN (Triskel Arts Centre. ... Sinead MacSHEFFREY a livré, quant à elle, une allocution d'une étonnante clarté qui défendait les avantages Inhérents au travail contextuallsé. ...
contemporary visual art as exhibited in Belfast from 2012 onwards
Canada-Belfast exchange produced a number of performances, the essay focuses on a duo Alastair M... more Canada-Belfast exchange produced a number of performances, the essay focuses on a duo Alastair MacLennan- Sandra Johnston.
The Japanese artists favours two types of performance art: where he observes others, and where he... more The Japanese artists favours two types of performance art: where he observes others, and where he is observed.
The Art Book, Jan 1, 2006
On the anniversary of the ill fated Titanic on its trial voyage Alastair MacLennan complemented t... more On the anniversary of the ill fated Titanic on its trial voyage Alastair MacLennan complemented the storytelling by a group performance titled Holding Time.
Performing art thrives on festivals and gatherings, like the Art of Encounter in Belfast. The tex... more Performing art thrives on festivals and gatherings, like the Art of Encounter in Belfast. The text focuses on three performaces, one presenting entertainement, the other honoring slowness in culture intoxicated by speed, and the third one paying hommage to Galileo.
Shipsides and Beggs sometimes collaborate, while holding on to their repsective art practices. Th... more Shipsides and Beggs sometimes collaborate, while holding on to their repsective art practices. They share a deep interest in climbing, making it both subject matter and method for SBProjects. The exhibition at MAC, Belfast, has been inspired by their climbing Via Ferrata in Dolomites.
Oscar Munoz installed series of aerial photographs of Belfast between two steel walls that close... more Oscar Munoz installed series of aerial photographs of Belfast between two steel walls that closed off the junction of two streets during the armed conflict to keep the two communities apart. He had doors cut out on each of the walls to evoke the possibility of peaceful future between neighbouring groups that distrust each other. He covered the prints by cracked glass - a trope for difficult and fragile process of healing.
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Papers by Slavka Sverakova