Architetture del desiderio. Il cinema di Céline Sciamma, 2021
Saggio all'interno del volume a cura di Federica Fabbiani Gallieni e Chiara Zanini, Asterisco, 2... more Saggio all'interno del volume a cura di Federica Fabbiani Gallieni e Chiara Zanini, Asterisco, 2021, pp. 41-62.
Thème Je (2011) di Françoise Romand è un ironico e implacabile autoritratto di famiglia tra inter... more Thème Je (2011) di Françoise Romand è un ironico e implacabile autoritratto di famiglia tra interno ed esterno, tra cinema e vita, tra storia e Storia. Dalla cucina alla camera da letto, dal giardino al bagno, la videocamera di Romand percorre tutte le stanze come fossero dimensioni del sé e interroga le presenze reali o fantasmatiche che le abitano (madre, padre, sorella, zii, amanti) per dare forma a una dichiarazione d’amore corale al cinema e alla vita. Quasi sconosciuta in Italia, Romand ha mosso i primi passi nel cinema a metà anni Ottanta con documentari di produzione televisiva come Mix-Up ou Méli-Mélo (1986) e Appelez-moi Madame (1987), che indagavano storie di famiglia con un linguaggio più vicino a quello di Jacques Tati che al cinéma vérité. Poi ha optato per l’autoproduzione, girato la macchina da presa su di sé per realizzare un video-diario che trova una propria forma cinematografica del tutto originale.
Notre thèse a pour thème l'émergence de l'objet social « violence domestique » et sa nomination d... more Notre thèse a pour thème l'émergence de l'objet social « violence domestique » et sa nomination dans le discours du Conseil de l`Europe en français. L'analyse est menée sur un corpus de textes officiels et préparatoires rédigés entre 1985, date de la première recommandation sur la violence au sein de la famille, et 2008, année d'achèvement de la Campagne pour combattre la violence à l`égard des femmes, y compris la violence domestique. La nomination est appréhendée comme une pratique à la fois reflétant la réalité sociale et contribuant à la construire. La valeur sociale et institutionnelle de violence domestique est analysée à partir d`une comparaison avec l'usage et la distribution des fréquences d`autres désignations très fréquentes en corpus [violence au sein de la famille et violence conjugale]. Désignations et définitions construisent discursivement la « violence domestique » en tenant compte des contraintes de la source énonciative.
Le discours des institutions internationales estompe les conflictualités et s’énonce comme un dis... more Le discours des institutions internationales estompe les conflictualités et s’énonce comme un discours « sans adversaires » (Juhem, 2001) d’autant plus lorsqu’il s’agit de se faire porteur d’un combat auquel aucun acteur public ne saurait aujourd’hui s’opposer comme celui contre la violence envers les femmes dans la sphère dite privée. Toutefois, la construction du consensus passe parfois, par la mise en scène d’une polyphonie qui mime la conflictualité et qui permet à l’institution de construire son monopole énonciatif en matière éthique, comme le montre l’argumentaire officiel de la Campagne du Conseil de l’Europe contre la violence envers les femmes (2006-2008). La configuration énonciative et rhétorico-argumentative de ce document emblématique permet aussi d’observer les ambiguïtés d’un discours qui, soumis à de nombreuses contraintes, risque parfois de banaliser les causes et les solutions du problème des violences envers les femmes
Riassunto: Riassunto: Partendo da un approccio metodologico proprio dell'analyse de discours,... more Riassunto: Riassunto: Partendo da un approccio metodologico proprio dell'analyse de discours, prendiamo in esame l'identità di posizionamento del Consiglio d'Europa a partire dalla denominazione violence domestique à l'égard des femmes adottata dall'istituzione nella sua Campagne pour combattre la violence à l'égard des femmes, y compris la violence domestique 2006-2008. La denominazione è qui analizzata come un préconstruit, risultante da un processo di trasformazione: 1) dei discorsi delle vittime alla prima persona; 2) delle denunce collettive delle donne enunciate alla prima persona plurale. Se la denominazione astratta realizza una forma di elisione del soggetto dall'enunciazione tipica del discorso istituzionale, la nostra analisi permette di rintracciare il passato nel presente, il discorso militante soggettivo nel discorso consensuale desoggettivizzato. Pur adottando strategie d'astrazione e di neutralizzazione del conflitto uomo/ donna, il Co...
The article deals with the rhetoric and discursive strategies through which surrealist artist and... more The article deals with the rhetoric and discursive strategies through which surrealist artist and writer Clade Cahun elaborates forms of self-representations which, by subverting gender norms, reinvent non only femininity but humanity overall. The analysis will be carried out on the basis of Roland Barthes’ reflections on androgyny which he elaborated during his course on Neutre at the College de France. For Barthes, Neutre is a vector of symbolic change: « un melange, un dosage, une dialectique, non de l’homme et de la femme (genitalite), mais du masculin et du feminin. Ou mieux encore: l’homme en qui il y a du feminin, la femme en qui il y a du masculin ». Neutre is whatever breaks the binary opposition between terms A and B by assuming the form of either “not A nor B”, or “A+B”. Neutre is therefore an attempt to elude the doxa and all immutable binary scheme of meaning through linguistic and rhetoric strategies such as epicene nouns and names, impersonals, a fluctuant use of gend...
Drawing on her monograph The Politics of Fear (2015), Ruth Wodak presents a critical discourse an... more Drawing on her monograph The Politics of Fear (2015), Ruth Wodak presents a critical discourse analysis of populist discourses and politics. She underlines the difference between left-wing and right-wing populism and addresses the problems of islamophobia, antisemitism, and the anger and resentment of the so-called “modernization losers”. She also tackles the specificities of the historical approach of discourse in Critical Discourse Studies while giving some insights into her own intellectual trajectory and social involvement as a discourse analyst.
Donne e poissons-chats: un desiderio senza nome in Monique Lange Silvia Nugara I've wondered abou... more Donne e poissons-chats: un desiderio senza nome in Monique Lange Silvia Nugara I've wondered about my ability to keep generating ideas about "the closet," compared to a relative inability, so far, to have new ideas about the substantive differences made by post-Stonewall imperatives to rupture or vacate that space. (This, obviously, despite every inducement to thought provided by the immeasurable value of "out" liberatory gay politics in the lives around me and my own.) May it not be influenced by the fact that my own relation, as a woman, to gay male discourse and gay men echoes most with the pre-Stonewall gay self-definition of (say) the 1950s?-something, that is, whose names, where they exist at all, are still so exotically coarse and demeaning as to challenge recognition, never mind acknowledgement; leaving, in the stigmaimpregnated space of refused recognition, sometimes also a stimulating ether of the unnamed, the lived experiment 1 .
Inspired by Bourdieu’s sociological autobiography, Retour a Reims (2009) by the sociologist Didie... more Inspired by Bourdieu’s sociological autobiography, Retour a Reims (2009) by the sociologist Didier Eribon and En finir avec Eddy Bellegueule (2014) by his twenty-two years old disciple Edouard Louis, give an account of the respective authors’ life experience through the lens of the social and sexual forms of dominations which affected them. Both texts portray the image of working class escapee intellectuals for whom writing is a way to elaborate identity conflicts as well as to meditate upon the relationship between political power and symbolic power. Moreover, these two examples of socio-self-analysis may also be interpreted as a contribution to the public debate which in France is challenged by the political impact of multifaceted identities and by a crisis of the traditional bond between the left and the working class that has been occurring since the Sixties.
Architetture del desiderio. Il cinema di Céline Sciamma, 2021
Saggio all'interno del volume a cura di Federica Fabbiani Gallieni e Chiara Zanini, Asterisco, 2... more Saggio all'interno del volume a cura di Federica Fabbiani Gallieni e Chiara Zanini, Asterisco, 2021, pp. 41-62.
Thème Je (2011) di Françoise Romand è un ironico e implacabile autoritratto di famiglia tra inter... more Thème Je (2011) di Françoise Romand è un ironico e implacabile autoritratto di famiglia tra interno ed esterno, tra cinema e vita, tra storia e Storia. Dalla cucina alla camera da letto, dal giardino al bagno, la videocamera di Romand percorre tutte le stanze come fossero dimensioni del sé e interroga le presenze reali o fantasmatiche che le abitano (madre, padre, sorella, zii, amanti) per dare forma a una dichiarazione d’amore corale al cinema e alla vita. Quasi sconosciuta in Italia, Romand ha mosso i primi passi nel cinema a metà anni Ottanta con documentari di produzione televisiva come Mix-Up ou Méli-Mélo (1986) e Appelez-moi Madame (1987), che indagavano storie di famiglia con un linguaggio più vicino a quello di Jacques Tati che al cinéma vérité. Poi ha optato per l’autoproduzione, girato la macchina da presa su di sé per realizzare un video-diario che trova una propria forma cinematografica del tutto originale.
Notre thèse a pour thème l'émergence de l'objet social « violence domestique » et sa nomination d... more Notre thèse a pour thème l'émergence de l'objet social « violence domestique » et sa nomination dans le discours du Conseil de l`Europe en français. L'analyse est menée sur un corpus de textes officiels et préparatoires rédigés entre 1985, date de la première recommandation sur la violence au sein de la famille, et 2008, année d'achèvement de la Campagne pour combattre la violence à l`égard des femmes, y compris la violence domestique. La nomination est appréhendée comme une pratique à la fois reflétant la réalité sociale et contribuant à la construire. La valeur sociale et institutionnelle de violence domestique est analysée à partir d`une comparaison avec l'usage et la distribution des fréquences d`autres désignations très fréquentes en corpus [violence au sein de la famille et violence conjugale]. Désignations et définitions construisent discursivement la « violence domestique » en tenant compte des contraintes de la source énonciative.
Le discours des institutions internationales estompe les conflictualités et s’énonce comme un dis... more Le discours des institutions internationales estompe les conflictualités et s’énonce comme un discours « sans adversaires » (Juhem, 2001) d’autant plus lorsqu’il s’agit de se faire porteur d’un combat auquel aucun acteur public ne saurait aujourd’hui s’opposer comme celui contre la violence envers les femmes dans la sphère dite privée. Toutefois, la construction du consensus passe parfois, par la mise en scène d’une polyphonie qui mime la conflictualité et qui permet à l’institution de construire son monopole énonciatif en matière éthique, comme le montre l’argumentaire officiel de la Campagne du Conseil de l’Europe contre la violence envers les femmes (2006-2008). La configuration énonciative et rhétorico-argumentative de ce document emblématique permet aussi d’observer les ambiguïtés d’un discours qui, soumis à de nombreuses contraintes, risque parfois de banaliser les causes et les solutions du problème des violences envers les femmes
Riassunto: Riassunto: Partendo da un approccio metodologico proprio dell'analyse de discours,... more Riassunto: Riassunto: Partendo da un approccio metodologico proprio dell'analyse de discours, prendiamo in esame l'identità di posizionamento del Consiglio d'Europa a partire dalla denominazione violence domestique à l'égard des femmes adottata dall'istituzione nella sua Campagne pour combattre la violence à l'égard des femmes, y compris la violence domestique 2006-2008. La denominazione è qui analizzata come un préconstruit, risultante da un processo di trasformazione: 1) dei discorsi delle vittime alla prima persona; 2) delle denunce collettive delle donne enunciate alla prima persona plurale. Se la denominazione astratta realizza una forma di elisione del soggetto dall'enunciazione tipica del discorso istituzionale, la nostra analisi permette di rintracciare il passato nel presente, il discorso militante soggettivo nel discorso consensuale desoggettivizzato. Pur adottando strategie d'astrazione e di neutralizzazione del conflitto uomo/ donna, il Co...
The article deals with the rhetoric and discursive strategies through which surrealist artist and... more The article deals with the rhetoric and discursive strategies through which surrealist artist and writer Clade Cahun elaborates forms of self-representations which, by subverting gender norms, reinvent non only femininity but humanity overall. The analysis will be carried out on the basis of Roland Barthes’ reflections on androgyny which he elaborated during his course on Neutre at the College de France. For Barthes, Neutre is a vector of symbolic change: « un melange, un dosage, une dialectique, non de l’homme et de la femme (genitalite), mais du masculin et du feminin. Ou mieux encore: l’homme en qui il y a du feminin, la femme en qui il y a du masculin ». Neutre is whatever breaks the binary opposition between terms A and B by assuming the form of either “not A nor B”, or “A+B”. Neutre is therefore an attempt to elude the doxa and all immutable binary scheme of meaning through linguistic and rhetoric strategies such as epicene nouns and names, impersonals, a fluctuant use of gend...
Drawing on her monograph The Politics of Fear (2015), Ruth Wodak presents a critical discourse an... more Drawing on her monograph The Politics of Fear (2015), Ruth Wodak presents a critical discourse analysis of populist discourses and politics. She underlines the difference between left-wing and right-wing populism and addresses the problems of islamophobia, antisemitism, and the anger and resentment of the so-called “modernization losers”. She also tackles the specificities of the historical approach of discourse in Critical Discourse Studies while giving some insights into her own intellectual trajectory and social involvement as a discourse analyst.
Donne e poissons-chats: un desiderio senza nome in Monique Lange Silvia Nugara I've wondered abou... more Donne e poissons-chats: un desiderio senza nome in Monique Lange Silvia Nugara I've wondered about my ability to keep generating ideas about "the closet," compared to a relative inability, so far, to have new ideas about the substantive differences made by post-Stonewall imperatives to rupture or vacate that space. (This, obviously, despite every inducement to thought provided by the immeasurable value of "out" liberatory gay politics in the lives around me and my own.) May it not be influenced by the fact that my own relation, as a woman, to gay male discourse and gay men echoes most with the pre-Stonewall gay self-definition of (say) the 1950s?-something, that is, whose names, where they exist at all, are still so exotically coarse and demeaning as to challenge recognition, never mind acknowledgement; leaving, in the stigmaimpregnated space of refused recognition, sometimes also a stimulating ether of the unnamed, the lived experiment 1 .
Inspired by Bourdieu’s sociological autobiography, Retour a Reims (2009) by the sociologist Didie... more Inspired by Bourdieu’s sociological autobiography, Retour a Reims (2009) by the sociologist Didier Eribon and En finir avec Eddy Bellegueule (2014) by his twenty-two years old disciple Edouard Louis, give an account of the respective authors’ life experience through the lens of the social and sexual forms of dominations which affected them. Both texts portray the image of working class escapee intellectuals for whom writing is a way to elaborate identity conflicts as well as to meditate upon the relationship between political power and symbolic power. Moreover, these two examples of socio-self-analysis may also be interpreted as a contribution to the public debate which in France is challenged by the political impact of multifaceted identities and by a crisis of the traditional bond between the left and the working class that has been occurring since the Sixties.
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