Papers by SAMANTA STOCHLA
Writing icons is a spiritual act of creation.
I want to explore what an icon really is, wha... more Writing icons is a spiritual act of creation.
I want to explore what an icon really is, what hides behind the images and symbols it depicts, and above all I was curious about how working with an icon changes a person.
Secondly, I was fascinated by the process of writing icons too, when prayer was combined with traditional painting techniques. This inspired me to do further research.
In this essay, I want to discuss issues related to the avant-garde theory, to present the relatio... more In this essay, I want to discuss issues related to the avant-garde theory, to present the relationships of Polish avant-gardists with artists from other countries by using the example of the artistic work of Katarzyna Kobro. In the first chapter I will show the solutions of mainly Polish theoreticians on the theme of avant-garde, in the second chapter I will talk about the work of the avant-garde group "a.r", while in the third chapter I will present the character and scope of Katarzyna Kobro's work.
This essay is divided into three parts. In first I will try to answer the question of who the cur... more This essay is divided into three parts. In first I will try to answer the question of who the curator
is and what he does. In the second and third part, I will present projects made by Joanna
Warsza, which drew my attention for various reasons. She worked as head of Public
Programmes for Manifesta 10 in St. Petersburg in 2014 and she was curator of the Georgian
Pavilion at the 55th Venice Biennale in 2013.
Podmiotem pracy jest ,,poszukiwanie siebie’’, które dla osób dorosłych przebywających
na emigracj... more Podmiotem pracy jest ,,poszukiwanie siebie’’, które dla osób dorosłych przebywających
na emigracji jest wyjątkowo ważnym zagadnieniem. Skutkiem tych poszukiwań jest
tworzenie polskich środowisk w nowym miejscu zamieszkania. Omówione zagadnienia
zostały przedstawione na przykładzie Irlandii. Przeprowadzono projekt arteterapeutyczny
dla osób dorosłych w wieku 30-65 lat. Ewaluacja podjętych działań arteterapeutycznych
wskazuje, że uczestnictwo dorosłych w zajęciach arteterapeutycznych może wpływać
pozytywnie na rozwój samoświadomości oraz samopoznania.
In this essay I want to show the Polish House as a symbolic home for Poles and my "happy space". ... more In this essay I want to show the Polish House as a symbolic home for Poles and my "happy space". As a Board member of two of the three organizations based in the building at Fitzwilliam Place, I have the keys to a beautiful Georgian tenement house in the centre of Dublin. Here I had the opportunity to meet people who have created the history of Poland abroad. I left my heart in this house. My social and political consciousness was also shaped here. I helped to renovate this house. I know it from the basement to the roof (literally). And most importantly, in this house I could realize many interesting projects, both my own and co-create projects of other artists. One of them was an Exhibition of Graphics by Oksana Budna entitled: "Direction Dublin"
This essay will be about different ways of showing nudity and looking at nudity with reference to... more This essay will be about different ways of showing nudity and looking at nudity with reference to John Berger's essay Way of seeing. In addition, here will be explored various ways of using nudity in the creative work of Lorena Wolffer and Arno Rafael Minkkien. In the first paragraph there will be a reference to John Berger and his book Ways of Seeing. The third chapter of this book will be discussed. In the second paragraph there will be talk about nudity in photographs of Minkkien’a. In the third paragraph there will be talk about using a naked body in the Wolffer’s performance.
In this essay, I want to discuss the movie ‘A Fantastic Women’ directed by Sebastianan Leilo. At ... more In this essay, I want to discuss the movie ‘A Fantastic Women’ directed by Sebastianan Leilo. At the beginning of this essay, I will briefly present the film, and then I will discuss a few scenes from a different point of view to the one proposed by the director and the scriptwriter.
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Papers by SAMANTA STOCHLA
I want to explore what an icon really is, what hides behind the images and symbols it depicts, and above all I was curious about how working with an icon changes a person.
Secondly, I was fascinated by the process of writing icons too, when prayer was combined with traditional painting techniques. This inspired me to do further research.
is and what he does. In the second and third part, I will present projects made by Joanna
Warsza, which drew my attention for various reasons. She worked as head of Public
Programmes for Manifesta 10 in St. Petersburg in 2014 and she was curator of the Georgian
Pavilion at the 55th Venice Biennale in 2013.
na emigracji jest wyjątkowo ważnym zagadnieniem. Skutkiem tych poszukiwań jest
tworzenie polskich środowisk w nowym miejscu zamieszkania. Omówione zagadnienia
zostały przedstawione na przykładzie Irlandii. Przeprowadzono projekt arteterapeutyczny
dla osób dorosłych w wieku 30-65 lat. Ewaluacja podjętych działań arteterapeutycznych
wskazuje, że uczestnictwo dorosłych w zajęciach arteterapeutycznych może wpływać
pozytywnie na rozwój samoświadomości oraz samopoznania.
I want to explore what an icon really is, what hides behind the images and symbols it depicts, and above all I was curious about how working with an icon changes a person.
Secondly, I was fascinated by the process of writing icons too, when prayer was combined with traditional painting techniques. This inspired me to do further research.
is and what he does. In the second and third part, I will present projects made by Joanna
Warsza, which drew my attention for various reasons. She worked as head of Public
Programmes for Manifesta 10 in St. Petersburg in 2014 and she was curator of the Georgian
Pavilion at the 55th Venice Biennale in 2013.
na emigracji jest wyjątkowo ważnym zagadnieniem. Skutkiem tych poszukiwań jest
tworzenie polskich środowisk w nowym miejscu zamieszkania. Omówione zagadnienia
zostały przedstawione na przykładzie Irlandii. Przeprowadzono projekt arteterapeutyczny
dla osób dorosłych w wieku 30-65 lat. Ewaluacja podjętych działań arteterapeutycznych
wskazuje, że uczestnictwo dorosłych w zajęciach arteterapeutycznych może wpływać
pozytywnie na rozwój samoświadomości oraz samopoznania.