
Onur Zahal
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Papers by Onur Zahal
gerekmektedir. Bu çalışmanın; Pedagojik formasyon eğitimi alan müzik bölümü öğretmen adaylarının sosyal problem çözme beceri düzeylerini belirlemektir. Araştırmanın örneklemini Kafkas Üniversitesi Dede Korkut Eğitim Fakültesinde
2019-2020 öğretim yılında Pedagojik formasyon eğitimi alan müzik bölümü öğretmen adaylarından, 45 kişi oluşturmaktadır. Problem çözme becerilerinin belirlenmesi için iki bölümden oluşan kişisel bilgi formu ve ölçek kullanılmıştır.
Formun birinci bölümünde araştırmacı tarafından hazırlanan cinsiyet, yaş, mezun olunan lise türü, anne eğitim durumu, baba eğitim durumu, anne mesleği, baba mesleği, ailenin aylık gelir durumu, ailenin yaşadığı bölge, okunan kitap sayısı gibi bilgilerinden oluşmuştur. İkinci bölümünde ise Heppner ve Petersen
tarafından geliştirilen Şahin, Şahin ve Heppner tarafından Türkçeye uyarlanan “Problem Çözme Becerileri Ölçeği” kullanılmıştır. Araştırmanın veri analizi için, kullanılan ölçekteki elde edilen veriler ışığında t testi ve varyans (ANOVA) analiz yoluyla tablolaştırılarak yorumları yapılmıştır. Araştırma sonucunda müzik bölümü öğretmen adaylarının problem çözme becerileri cinsiyet, aile gelir düzeyi, anne baba eğitim durumu, mezun
oldukları lise türüne göre anlamlı düzeyle fark olmadığı sonucu çıkmıştır. Mezun olunan lise türüne göre sınırdaolduğu görülmüştür.
The main purpose of music education; it is to develop students’ perspective on the arts, helping them acquireknowledge, psychomotor, cognitive, affective, and sensory skills, to gain the ability to express himself with musicfrom psychological pain in social and private life, to recognize and introduce their own music, be able to change
their behavior in the desired direction, adopting the values and judgments of the society, keep up with the societyin terms of culture with the developing technology, to give importance to the aesthetic aspect of the society, todevelop problem solving skills in response to changing needs. In the light of these statements, one needs to know
how and what to do in the face of problems.The purpose of this study; To determine the social problem solving skill levels of teacher candidates, whostudied pedagogical formation, music department. The sample of the study consists of 48 candidates from themusic department, who studied Pedagogical formation in the 2019-2020 academic year at the Dede KorkutEducation Faculty of Kafkas University. A personal information form and a scale consisting of two parts were used to determine problem solving skills. The first part of the form consisted of information such as gender, age,
high school type graduated, maternal education level, father’s educational status, maternal profession, father’s profession, monthly income status of the family, the region where the family lived, and the number of books read.In the second part, “Problem Solving Skills Scale” adapted to Turkish by Şahin, Şahin and Heppner developed by Heppner and Petersen was used. For the data analysis of the research, in the light of the data obtained in the scale used, t test and variance (ANOVA) analysis will be tabulated and analyzed. As a result of the research, it was
concluded that there was no significant difference in the problem solving skills of the music department teacher candidates according to gender, family income level, education level of parents, and the type of high school they graduated. It has been observed that it is borderline according to the type of high school graduated from.
The notion of musical note that everyone who learns, teaches and performs music is in need at some point has been
portrayed in various ways during the historical process. These methods have often evolved to be the continuation of each other and have influenced each other. During this process, one of the notation types that standard notation pushes it into background but still used is the tablature system. The tablature has come to existence in order to facilitate instrument readers to read the notes soon after the use of the standard five-line notation. For this purpose, the organ partitions are encrypted first.
Then, the tablature gained a wide ground in the stringed instruments. The basic approach of this system is to describe notes using letters, numbers and shapes for instrumental music. Thus, the tablature system has evolved in terms of content and conceptual structure in the historical process and has been able to find itself in many different forms. This system, used in many instrument groups in Renaissance and Baroque period, could continue its popularity in stringed and fretted instrument groups like guitar, vihuela and lute in later periods. In the 21st century, it is widely used in guitar music. The fact that this
system still maintains its existence proves to be functional. In this study, the development and structural features of the tablature method which is popularly used in the 21st century guitar music in the historical process are described and analyzed with the visual items.