Proceedings of the International Conference of Communication Science Research (ICCSR 2018)
This study aims at disclosing the practices of Islam in Indonesia framed in the films by Nurman H... more This study aims at disclosing the practices of Islam in Indonesia framed in the films by Nurman Hakim, among them are 3 Doa 3 Cinta (3 Prayers 3 Love) (2008), Khalifah (2011), and Bid'ah Cinta (2017). These three films portray the religious reality of Islamic society in post-reform Indonesia. The permeation of transnational Islamic practices, especially those adopted from the Middle East, is believed to have the potential to become a radical Islam and threaten the existence of a cultural Islam that promotes tolerance and appreciates the existence of Indonesian culture. Through the production of Islamic-themed films, Nurman Hakim believes that film is a representation of society and its era. Therefore, the film depicts socio-political, cultural, ideological, and religious circumstances in society. This is where a filmmaker has a very important role in producing the film. In his conscious and subconscious mind, a filmmaker will bring out all that has been absorbed from his surroundings. The audience can read the religious views of a filmmaker through the created film products. Using the perspectives of cultural studies and critical multiculturalism, this study perceives that the creation of Nurman Hakim films is not only to maintain inclusive cultural Islam but also to ward off the exclusive and scriptural radical Islam in understanding the holy verses of the Qur'an and hadith. Nurman Hakim's films also become the antithesis of mainstream Islamic-themed films that referred to the success of the Ayat-Ayat Cinta of Love movie which had adopted Middle Eastern Islamic identity.
Jurnal IMAJI: Film, Fotografi, Televisi dan Media Baru, 2021
Manusia adalah makhluk yang selalu mencari makna diri dan relasinya dengan kehidupan. Untuk itula... more Manusia adalah makhluk yang selalu mencari makna diri dan relasinya dengan kehidupan. Untuk itulah mereka menciptakan kebudayaan. Salah satu dari produk kebudayaan adalah film, yang mengalami transformasi terus-menerus seiring dengan berlangsungnya kehidupan sosial budaya yang berkelindan dengan masyarakatnya. Melalui film sebagai produk kebudayaan, dengan menggunakan perspektif antropologi budaya, tulisan ini berusaha menunjukkan dan menjelaskan persinggungan berikut ketegangan antara sineas sebagai aktor/agen kebudayaan dengan struktur kebudayaan yang berorientasi pada suatu ideologi tertentu, yang kemudian mentransfigurasi struktur itu sendiri atau justru memperkukuh struktur kebudayaan yang sudah ada.
Proceedings of the International Conference of Communication Science Research (ICCSR 2018)
This study aims at disclosing the practices of Islam in Indonesia framed in the films by Nurman H... more This study aims at disclosing the practices of Islam in Indonesia framed in the films by Nurman Hakim, among them are 3 Doa 3 Cinta (3 Prayers 3 Love) (2008), Khalifah (2011), and Bid'ah Cinta (2017). These three films portray the religious reality of Islamic society in post-reform Indonesia. The permeation of transnational Islamic practices, especially those adopted from the Middle East, is believed to have the potential to become a radical Islam and threaten the existence of a cultural Islam that promotes tolerance and appreciates the existence of Indonesian culture. Through the production of Islamic-themed films, Nurman Hakim believes that film is a representation of society and its era. Therefore, the film depicts socio-political, cultural, ideological, and religious circumstances in society. This is where a filmmaker has a very important role in producing the film. In his conscious and subconscious mind, a filmmaker will bring out all that has been absorbed from his surroundings. The audience can read the religious views of a filmmaker through the created film products. Using the perspectives of cultural studies and critical multiculturalism, this study perceives that the creation of Nurman Hakim films is not only to maintain inclusive cultural Islam but also to ward off the exclusive and scriptural radical Islam in understanding the holy verses of the Qur'an and hadith. Nurman Hakim's films also become the antithesis of mainstream Islamic-themed films that referred to the success of the Ayat-Ayat Cinta of Love movie which had adopted Middle Eastern Islamic identity.
Jurnal IMAJI: Film, Fotografi, Televisi dan Media Baru, 2021
Manusia adalah makhluk yang selalu mencari makna diri dan relasinya dengan kehidupan. Untuk itula... more Manusia adalah makhluk yang selalu mencari makna diri dan relasinya dengan kehidupan. Untuk itulah mereka menciptakan kebudayaan. Salah satu dari produk kebudayaan adalah film, yang mengalami transformasi terus-menerus seiring dengan berlangsungnya kehidupan sosial budaya yang berkelindan dengan masyarakatnya. Melalui film sebagai produk kebudayaan, dengan menggunakan perspektif antropologi budaya, tulisan ini berusaha menunjukkan dan menjelaskan persinggungan berikut ketegangan antara sineas sebagai aktor/agen kebudayaan dengan struktur kebudayaan yang berorientasi pada suatu ideologi tertentu, yang kemudian mentransfigurasi struktur itu sendiri atau justru memperkukuh struktur kebudayaan yang sudah ada.
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Papers by Nurman Hakim