Papers by Miyase Christensen
Journal of Communication
The seminal 1983 "Ferments in the Field" collection made limited reference to environmental issue... more The seminal 1983 "Ferments in the Field" collection made limited reference to environmental issues and concerns. Considering communication media and technological artifacts as both nature and culture and, more specifically, through defining media as both infrastructural environments and content, we discuss how challenges brought about by environmental change can inform contemporary media and communication research and environmental communication. The materiality of e-waste, which has resonance for cultural, political, economic, and geographic analyses, is used as an illuminating case in point. We link the implications ensuing from the e-waste issue with the roles mediation and communication of environmental narratives play, and how they can be informed by such "medianatures," as well as geopolitical considerations.
Arctic Geopolitics, Media and Power
MedieKultur: Journal of media and communication research
In an EU context, the benefits attributed to new communication technologies are many: the creatio... more In an EU context, the benefits attributed to new communication technologies are many: the creation of employment and economic growth; the enrichment of cultural/political dialogue and civic engagement; and, the permeation of a sense of European identity across the region. However, in the face of an increased emphasis on economic competitiveness both globally and at the EU policy level, there exists an unmistakable convergent approach to audiovisual/communications, cultural and competition policies. Parallel to this is an upsurge of concern—voiced by, for example, the European Parliament—over media pluralism and freedom of expression. Although the virtues of safeguarding “media pluralism” and “freedom of speech” in a healthy democracy are axiomatic, in the face of current dynamics, their meaning is widely contested. The purpose of this article is to offer an analysis of recent EU Information Society (IS) policies in relation to media pluralism and freedom of speech. Mediepluralisme o...
International Communication Gazette
In this article, based on two case studies conducted in Stockholm and London, we discuss how graf... more In this article, based on two case studies conducted in Stockholm and London, we discuss how graffiti and street art provide forms of expressive cosmopolitanism in reclaiming voice and reciprocity in the city. Through in-depth interviews and observations, we explore how urban artists, using their practice, foster ever-transient and contesting senses of outsidered aesthetics and communicative culture that both seek to challenge the institutionalization and hegemonic indoctrination of today's media cities and, as such, become part of the ensemble that constitute its visual geography. While there are many parallels and inter-urban synchronicity, our results indicate that locally-specific elements are prominent in each city. Both studies indicate that the solidaritarian and spatially mediating character of graffiti and street art, and not just their contents, constitutes a resource in sustaining the possibility of coproducing worldly visions in and of the cities. They both observe s...
International Communication Gazette
Environmental Communication
Environmental Communication
Cosmopolitanism and the Media, 2015
Media and the Politics of Arctic Climate Change, 2013
Northern Lights 2005 Film and Media Studies Yearbook, 2006
International Herald Tribune, 2009
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Papers by Miyase Christensen