For modern readers of the Chanson de Roland (late 11th c.) and of its German version, the Rolands... more For modern readers of the Chanson de Roland (late 11th c.) and of its German version, the Rolandslied (late 12th c.), the Archbishop Turpin is an intriguing but bewildering character: he is a member of the Church who despises the idea of a life meant to fight evil only by means of prayers, and at the same time he takes active part in the war against the infidels. This paper briefly retraces the process that led to the convergence of oratores and bellatores, and analyzes the different forms of representation of Turpin in the two poems, in order to throw light on the attitude of each author to the thorny issue of militarized clergy in the 11th and 12th centuries.
I have already examined the Barque qui vas flottant sonnet in a paper published in 1986, when I m... more I have already examined the Barque qui vas flottant sonnet in a paper published in 1986, when I made a correction to the text, illustrating the peculiar formal characteristics of the poem. My present intention is to show how the presence of a “source” is visible in the text, almost like a watermark, evidence of the Biblical scholarship and Christian fervour of Philippe Du Plessis-Mornay, the “Huguenot pope”.
For modern readers of the Chanson de Roland (late 11 th c.) and of its German version, the Roland... more For modern readers of the Chanson de Roland (late 11 th c.) and of its German version, the Rolandslied (late 12 th c.), the Archbishop Turpin is an intriguing but bewildering character: he is a member of the Church who despises the idea of a life meant to fight evil only by means of prayers, and at the same time he takes active part in the war against the infidels. This paper briefly retraces the process that led to the convergence of oratores and bellatores, and analyzes the different forms of representation of Turpin in the two poems, in order to throw light on the attitude of each author to the thorny issue of militarized clergy in the 11 th and 12 th centuries.
La filologia alla prova del tempo. Cesare Segre e «Medioevo romanzo» ALMUTH GRÉSILLON Rencontre P... more La filologia alla prova del tempo. Cesare Segre e «Medioevo romanzo» ALMUTH GRÉSILLON Rencontre PAUSA CAFFÈ ORE 12.00 presiede ROBERTO CRESPO LUCIANO FORMISANO La romanistica per Segre e per i maestri della sua generazione ALBERTO CONTE Cervantes e i generi letterari: novella, tempo della narrazione, parodia in Quijote I, 20 PAUSA PRANZO ORE 14.45 presiede FRANCESCO SABATINI ANGELO STELLA La lezione imperfetta e la sillaba che manca ANTONIO PIOLETTI Cesare Segre e gli studi sul cronòtopo letterario ore 16.00 presiede CARLA RICCARDI GIOVANNI CARAVAGGI Cesare Segre e Jorge Guillén GUIDO LUCCHINI Accertamenti in archivio: per la genesi di «Strumenti critici» e dei Segni e la critica PAUSA CAFFÈ ORE 17.30 Tavola rotonda A lezione da Cesare Segre: esperienze a confronto coordina NICOLÒ PASERO intervengono SILVIA ALBESANO,
For modern readers of the Chanson de Roland (late 11th c.) and of its German version, the Rolands... more For modern readers of the Chanson de Roland (late 11th c.) and of its German version, the Rolandslied (late 12th c.), the Archbishop Turpin is an intriguing but bewildering character: he is a member of the Church who despises the idea of a life meant to fight evil only by means of prayers, and at the same time he takes active part in the war against the infidels. This paper briefly retraces the process that led to the convergence of oratores and bellatores, and analyzes the different forms of representation of Turpin in the two poems, in order to throw light on the attitude of each author to the thorny issue of militarized clergy in the 11th and 12th centuries.
I have already examined the Barque qui vas flottant sonnet in a paper published in 1986, when I m... more I have already examined the Barque qui vas flottant sonnet in a paper published in 1986, when I made a correction to the text, illustrating the peculiar formal characteristics of the poem. My present intention is to show how the presence of a “source” is visible in the text, almost like a watermark, evidence of the Biblical scholarship and Christian fervour of Philippe Du Plessis-Mornay, the “Huguenot pope”.
For modern readers of the Chanson de Roland (late 11 th c.) and of its German version, the Roland... more For modern readers of the Chanson de Roland (late 11 th c.) and of its German version, the Rolandslied (late 12 th c.), the Archbishop Turpin is an intriguing but bewildering character: he is a member of the Church who despises the idea of a life meant to fight evil only by means of prayers, and at the same time he takes active part in the war against the infidels. This paper briefly retraces the process that led to the convergence of oratores and bellatores, and analyzes the different forms of representation of Turpin in the two poems, in order to throw light on the attitude of each author to the thorny issue of militarized clergy in the 11 th and 12 th centuries.
La filologia alla prova del tempo. Cesare Segre e «Medioevo romanzo» ALMUTH GRÉSILLON Rencontre P... more La filologia alla prova del tempo. Cesare Segre e «Medioevo romanzo» ALMUTH GRÉSILLON Rencontre PAUSA CAFFÈ ORE 12.00 presiede ROBERTO CRESPO LUCIANO FORMISANO La romanistica per Segre e per i maestri della sua generazione ALBERTO CONTE Cervantes e i generi letterari: novella, tempo della narrazione, parodia in Quijote I, 20 PAUSA PRANZO ORE 14.45 presiede FRANCESCO SABATINI ANGELO STELLA La lezione imperfetta e la sillaba che manca ANTONIO PIOLETTI Cesare Segre e gli studi sul cronòtopo letterario ore 16.00 presiede CARLA RICCARDI GIOVANNI CARAVAGGI Cesare Segre e Jorge Guillén GUIDO LUCCHINI Accertamenti in archivio: per la genesi di «Strumenti critici» e dei Segni e la critica PAUSA CAFFÈ ORE 17.30 Tavola rotonda A lezione da Cesare Segre: esperienze a confronto coordina NICOLÒ PASERO intervengono SILVIA ALBESANO,
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