Prethodno priopćenje UDK: 027.1(497.543Osijek)(091) KNJIŽNO NASLIJEĐE OBITELJI TRUHELKA U MUZEJU ... more Prethodno priopćenje UDK: 027.1(497.543Osijek)(091) KNJIŽNO NASLIJEĐE OBITELJI TRUHELKA U MUZEJU SLAVONIJE -KULTURNO-POVIJESNI KONTEKST Obiteljske knjižnice predstavljaju kulturno-povijesne riznice grada. Jedna od takvih knjižnica zasigurno je i obiteljska knjižnica Truhelka, čiji je začetnik Osječanin Dragoš Truhelka, pripadnik 78. pješačke pukovnije, manje poznati brat Jagode i Ćire Truhelke. Uz knjižničnu analizu fonda, rad interpretira genealogiju obitelji Truhelka. Ključne riječi: obiteljske knjižnice, obitelj Truhelka, obitelj Raizner OSJEČKI ZBORNIK XXXVI UVODNO Knjižnična građa svoje mjesto nalazi u Muzeju Slavonije od samog njegovog osnutka. Poznato je da su za vrijeme i nakon Drugog svjetskog rata u Muzej smještene i brižno čuvane spomeničke, obiteljske knjižnice Hermanna Weissmanna i vlastelinske obitelji Prandau-Normann. Proteklih desetljeća u Muzej je pristizala, bilo darom ili otkupom, uz ostalu kulturno-povijesnu građu, i knjižnična građa u sklopu obiteljskih ostavština.
The museum library was recognized as a necessary segment of museums at the end of the 19th centur... more The museum library was recognized as a necessary segment of museums at the end of the 19th century, but its role is not only to disseminate knowledge about museum objects and the benefit of a narrow circle of professionals, which, unfortunately, is still a common consideration today. The library is an important part of museum activity, both professional and scientific, as well as exhibition, valuable monuments. Through hard work and efforts of the curator Vjekoslav Celestin, who started keeping the museum documentation, which is the largest museum library in our country today, beginnings of the library can be traced. On the basis of Vjekoslav Celestin’s thinking about the necessity of a library in a museum, and its continued enrichment with material, for the purpose of its museological as well as scientific function, the library department of the Museum of Slavonia continues the tradition today, with numerous problems that have plagued its predecessors, but with an important role in...
Bogati trgovac drvima, Franjo Sedlaković odlučio je gradu pokloniti svoju numizmatičku zbirku, zb... more Bogati trgovac drvima, Franjo Sedlaković odlučio je gradu pokloniti svoju numizmatičku zbirku, zbirku starog oružja i stručnu numizmatičku literaturu pod uvjetom da se u gradu osnuje muzej. Upravo je Sedlakovićevim podneskom Gradskome načelstvu Slobodnog i kraljevskog grada Osijeka osnovan Muzej 1877. godine. Gradsko zastupstvo na svojoj sjednici 17. veljače iste godine određuje da se Sedlakovićeve zbirke smatraju temeljem Gradskoga muzeja te se smještaju u zgradu Gradskoga načelstva u osječkoj Tvrđi. Muzejska je građa 1888. preseljena u dvije prostorije novosagrađene Kraljevske velike realke 3. Zbirke su vlasništvo i imovina Slobodnog i kraljevskog grada Osijeka. Gradskim muzejom upravlja gradsko zastupstvo po muzejskom odboru, koji se sastoji od predsjednika-gradonačelnika i u taj odbor izabranih gradskih zastupnika i muzej-čuvara kao izvjestitelja. Uredovni jezik je hrvatski, a može se dodati i tekst na nekom drugom jeziku za strance, ali bez potpisa i pečata. 4. Marom i zalaganjem kustosa-čuvara, u vremenima, uglavnom bremenitim za muzejsku djelatnost, stvarane su prve muzejske zbirke, otvarane prve izložbe, ali se započelo i sa sustavnim vođenjem muzejske dokumentacije, preko inventarnih Marina Vinaj: Kulturno-povijesna i znanstvena ishodišta Spomeničke knjižnice Prandau-Normann Summary Marina Vinaj CULTURAL-HISTORICAL AND SCIENTIFIC ORIGINS OF MONUMENT LIBRARY PRANDAU-NORMANN The museum library is created simultaneously with the Museum of Free Royal Borough, in Osijek, in the year 1877, following the fund of founding collections of archeological, numismatic and historical literature. It is continued through the years, through the effort of curators, and it aims to enrich the funds of professional literature, and also to spread the material on new collections of ethnographic and art history materials. The fund of the library of the museum in Osijek is, over time, gaining native materials as well, alongside regular increasing of professional museum literature. After Second World War, with the founding and work of KOMZA, the Museum of Osijek was in charge of taking care of the abandoned castles in Slavonia, and with classification of cultural and historical material, which will be delivered to the Museum. With especially rich literature fund, the Museum has gained possession of the material of old institutions and societies (Library of City Commission, Commercial Trades and Crafts), and the library of the nobleman family Prandau-Normann from Valpovo, and the part of the library that belonged to Pejačević family, from Našice. Family library of Prandau-Normann's has been recognized as an extraordinarily important heritage collection, and much like similar family literary heritage, it speaks of it's owners, their interests and habits. It represents a special type of monumental material which, on even terms with other heritage remains, bears witness to the time in which was made, it's content and the diversity of values and distinctiveness-bindings, decorations, ex librises, dedications, notes on margins-it highlights social and cultural happenings that have formed it. The individual specimens, and even more, the entire literary whole, take over the role of the witness of the passage of time, and the change that has taken place in society and space. In a word, it becomes a museum material without losing a shred of it's content value.
Zavičajna zbirka Essekiana jedna je od 14 zbirki Knjižnice Muzeja Slavonije. Usmjerena je na prik... more Zavičajna zbirka Essekiana jedna je od 14 zbirki Knjižnice Muzeja Slavonije. Usmjerena je na prikupljanje tiskarsko-izdavačke djelatnosti Osijeka i njegovih zavičajnika, od samih početaka osječkoga tiskarstva 1742. godine do završetka Drugoga svjetskog rata 1945. godine te time oslikava kulturnu, društvenu i gospodarsku povijest grada. Rad predstavlja projekt digitalizacije Zavičajne zbirke Essekiana prema fazama – digitalizacija Osječke bibliografije i realizacija mrežnoga kataloga, digitalizacija naslovnih stranica zavičajne građe te digitalizacija same zavičajne građe. Cilj digitalizacije jest trajna zaštita zavičajne građe te olakšan pristup korisnicima.Essekiana local collection is one of 14 collections of the Library of the Museum of Slavonia. This collection collect printed editions from Osijek and its natives from the beginning of printing in Osijek in 1742 until the end of World War II in 1945. Collection reflects the cultural, social and economic history of the city. This ...
Obiteljske knjižnice predstavljaju kulturno-povijesne riznice grada. Jedna od takvih knjižnica za... more Obiteljske knjižnice predstavljaju kulturno-povijesne riznice grada. Jedna od takvih knjižnica zasigurno je i obiteljska knjižnica Truhelka, čiji je začetnik Osječanin Dragoš Truhelka, pripadnik 78. pješačke pukovnije, manje poznati brat Jagode i Ćire Truhelke. Uz knjižničnu analizu fonda, rad interpretira genealogiju obitelji Truhelka.
In her literary work aimed particularly at the very young, the authoress Jagoda Truhelka painted ... more In her literary work aimed particularly at the very young, the authoress Jagoda Truhelka painted a picture of Osijek from the end of the 19th and the beginning of the 20th century. Rich literary holdings, as well as a part of her private, family heritage is kept at the Museum of Slavonia. The possibility of getting to know and recognise literary elements in exhibits and exhibition elements in literature is an idea that will, hopefully, be realised one day at the Museum of Slavonia with the cooperation of the Department of Literature of the College of Liberal Arts in Osijek. This multimedia project is aimed at presenting individual segments of Osijek’s past as described in Jagoda Truhelka’s works (photographs of Osijek from the end of the 19th century, artistic and other objects from the turn of the century, newspapers and books, posters of theatre productions and artistic events…), all interwoven with segments of the authoress’ real life - manuscripts, photographs… Through this proj...
Bogati trgovac drvima, Franjo Sedlaković odlučio je gradu pokloniti svoju numizmatičku zbirku, zb... more Bogati trgovac drvima, Franjo Sedlaković odlučio je gradu pokloniti svoju numizmatičku zbirku, zbirku starog oružja i stručnu numizmatičku literaturu pod uvjetom da se u gradu osnuje muzej. Upravo je Sedlakovićevim podneskom Gradskome načelstvu Slobodnog i kraljevskog grada Osijeka osnovan Muzej 1877. godine. Gradsko zastupstvo na svojoj sjednici 17. veljače iste godine određuje da se Sedlakovićeve zbirke smatraju temeljem Gradskoga muzeja te se smještaju u zgradu Gradskoga načelstva u osječkoj Tvrđi. Muzejska je građa 1888. preseljena u dvije prostorije novosagrađene Kraljevske velike realke 3. Zbirke su vlasništvo i imovina Slobodnog i kraljevskog grada Osijeka. Gradskim muzejom upravlja gradsko zastupstvo po muzejskom odboru, koji se sastoji od predsjednika-gradonačelnika i u taj odbor izabranih gradskih zastupnika i muzej-čuvara kao izvjestitelja. Uredovni jezik je hrvatski, a može se dodati i tekst na nekom drugom jeziku za strance, ali bez potpisa i pečata. 4. Marom i zalaganjem kustosa-čuvara, u vremenima, uglavnom bremenitim za muzejsku djelatnost, stvarane su prve muzejske zbirke, otvarane prve izložbe, ali se započelo i sa sustavnim vođenjem muzejske dokumentacije, preko inventarnih Marina Vinaj: Kulturno-povijesna i znanstvena ishodišta Spomeničke knjižnice Prandau-Normann Summary Marina Vinaj CULTURAL-HISTORICAL AND SCIENTIFIC ORIGINS OF MONUMENT LIBRARY PRANDAU-NORMANN The museum library is created simultaneously with the Museum of Free Royal Borough, in Osijek, in the year 1877, following the fund of founding collections of archeological, numismatic and historical literature. It is continued through the years, through the effort of curators, and it aims to enrich the funds of professional literature, and also to spread the material on new collections of ethnographic and art history materials. The fund of the library of the museum in Osijek is, over time, gaining native materials as well, alongside regular increasing of professional museum literature. After Second World War, with the founding and work of KOMZA, the Museum of Osijek was in charge of taking care of the abandoned castles in Slavonia, and with classification of cultural and historical material, which will be delivered to the Museum. With especially rich literature fund, the Museum has gained possession of the material of old institutions and societies (Library of City Commission, Commercial Trades and Crafts), and the library of the nobleman family Prandau-Normann from Valpovo, and the part of the library that belonged to Pejačević family, from Našice. Family library of Prandau-Normann's has been recognized as an extraordinarily important heritage collection, and much like similar family literary heritage, it speaks of it's owners, their interests and habits. It represents a special type of monumental material which, on even terms with other heritage remains, bears witness to the time in which was made, it's content and the diversity of values and distinctiveness-bindings, decorations, ex librises, dedications, notes on margins-it highlights social and cultural happenings that have formed it. The individual specimens, and even more, the entire literary whole, take over the role of the witness of the passage of time, and the change that has taken place in society and space. In a word, it becomes a museum material without losing a shred of it's content value.
Heritage institutions preserve in their archival collections precious book holdings of former ass... more Heritage institutions preserve in their archival collections precious book holdings of former associations, institutions as well as family libraries or merely their fragments. The value of these holdings consists not only of the rare, collector’s items exceptional within bibliophilic boundaries but also of the whole notion considering a history part of the specific region. By perusing the pages of family library, it is mostly about revealing its past, habits and interests of its members. Why is the library of Juliana Normann separated from a well-ordered count’s librarian holdings that had been gathered for years? Can we talk here about ‘’woman’s library’’, recognizing and noticing a ‘’lighter’’ literature? The fact that there were also collectors and readers in our region, is not less worth mentioning compared to the preserved fragments of specific family collections which witness within marks on ex libris, the expert systematized book holdings. Thus this book is often more than a ...
Katalog prezentira zbirku knjiga 16. stoljeca Odjela muzealnih tiskopisa Muzeja Slavonije. Rijec ... more Katalog prezentira zbirku knjiga 16. stoljeca Odjela muzealnih tiskopisa Muzeja Slavonije. Rijec je o devedeset naslova izdvojenih iz knjižnicnih zbirki: Prandau-Normann, Weissmann te Gimnazijske zbirke. Katalosko jedinice slijede i izložbenu pricu , tako da su objedinjene knjige tiskane u Italiji, Svicarskoj, Njemackoj, Francuskoj i Spanjolskoj. Posebnost i zanimljivost ove zbirke su iznimno lijepi uvezi, brojni ex librisi te ukrasi renesansne knjige. Odabrana djela predstavljaju najstariju osjecku zbirku te svjedoce o knjižnom blagu osjeckoga Muzeja.
Economy of Eastern Croatia Yesterday Today Tommorow, 2012
The best way to learn more about one region and its historical, economic, political and cultural ... more The best way to learn more about one region and its historical, economic, political and cultural development is through books and other printed materials. In Croatia, there are many regional and local bibliographies. When it comes to Slavonia, the "Osjecka bibliografija Sv. I (1742-1944)" by Marija Malbasa provides the list as well as descriptions of all books and materials printed in Osijek, regardless the language they were written in. Although the Turks had left Slavonia after more than a century and a half long occupation, the Austrians expanded its system of military zones to some parts of Slavonia. The land was colonized by strangers, predominantly by the Germans. In the beginning, they lived and worked as farmers and craftsmen and eventually left important and valuable written traces about culture, economy, medicine, industry, military, medicine, religion, agriculture, forestry etc. The "Osjecka bibliografija Sv. I (1742-1944)", the local bibliography, contains a large number of publications written in German, many of which were dedicated to the agricultural themes and problems that evolved from everyday life. 3,295 books and other materials printed in Osijek. are recorded in the first volume (1742 1944) of Osjecka bibliografija (Osijek Bibliography) by Marija Malbasa. The main focus of our interest were books and other printed material regarding agriculture. The purpose of this paper is to connect the past, present and future, since 2,404 bibilographic units (Essekiana local history collection) are kept in the Museum of Slavonia's library in Osijek. This unique local collection of books has been made accessible to the wider public through a web catalogue in order to present its local history books to the community and raise awareness of the value of the books kept in the biggest museum library in Croatia. Thanks to Marija Malbasa's effort, we witness today that the importance of agriculture in Slavonia not only has a long tradition, but also that its development and problems have always been a significant and interesting topic to write about.
Sažetak: Tiskarstvo u Osijeku zaživjelo je dolaskom franjevaca i osnutkom prve tiskare na tom pod... more Sažetak: Tiskarstvo u Osijeku zaživjelo je dolaskom franjevaca i osnutkom prve tiskare na tom području 1735. godine. Franjevcima je bilo dopušteno u samostanu otvoriti malu tiskaru za potrebe provincije. Pojava prve tiskare u Osijeku povezana je umnogome s društvenim i političkim prilikama ondašnjega grada, koji se nakon odlaska Turaka polako pretvarao u urbano središte Slavonije. Otvaranje škola i visokoga učilišta ostavilo je traga i u prvim naslovima tiskovina osječkih profesora, ali i studenata. Franjevci su iznimno cijenili knjigu te su franjevačke knjižnice i prve organizirane knjižne zbirke u nas. Najstarija izdanja osječkih franjevaca čuvaju se u Zavičajnoj zbirci Essekiana Muzeja Slavonije, ali i u franjevačkim knjižnicama Hrvatske franjevačke provincije sv. Ćirila i Metoda. Prepoznavanje i vrjednovanje franjevačkih knjižnih zbirki preduvjet je za proučavanje kulturne povijesti Osijeka i Slavonije.
Libellarium: journal for the research of writing, books, and cultural heritage institutions, 2017
Considering that the present-day Croatian still frequently fails to have the exact translational ... more Considering that the present-day Croatian still frequently fails to have the exact translational equivalents for the novel ideas developed and disseminated via metalinguistic Eurospeak, the paper adopts and employs an unorthodox scientific method to refer to an articulated correlation between a conceptual framework theorized (i.e., the noninvasive library digitization projects pertaining to the select Croatian bi-and trilingual lexicography from the 17 th to the 20 th century) and the hypothetical questions addressed (i.e., their applicability to the coinage of Croatian neologisms that formationally imitate the previous paragons), with a pronounced tendency to signify a progressive replacement of the perplexingly anglicized language registers by the more decipherable formality levels. Consequently, such a succinct analysis results in a revalorization of the computerized conversion efforts and a permanent appraisal of the Croatian thesauri, which are neither antiquated nor obsolescent but may be incentively put into service for further similar studies in the subject matter.
Libellarium: journal for the research of writing, books, and cultural heritage institutions, 2017
Considering that the present-day Croatian still frequently fails to have the exact translational ... more Considering that the present-day Croatian still frequently fails to have the exact translational equivalents for the novel ideas developed and disseminated via metalinguistic Eurospeak, the paper adopts and employs an unorthodox scientific method to refer to an articulated correlation between a conceptual framework theorized (i.e., the noninvasive library digitization projects pertaining to the select Croatian bi-and trilingual lexicography from the 17 th to the 20 th century) and the hypothetical questions addressed (i.e., their applicability to the coinage of Croatian neologisms that formationally imitate the previous paragons), with a pronounced tendency to signify a progressive replacement of the perplexingly anglicized language registers by the more decipherable formality levels. Consequently, such a succinct analysis results in a revalorization of the computerized conversion efforts and a permanent appraisal of the Croatian thesauri, which are neither antiquated nor obsolescent but may be incentively put into service for further similar studies in the subject matter.
In our study we are trying to illuminate the palette used by the artist who decorated the fore-ed... more In our study we are trying to illuminate the palette used by the artist who decorated the fore-edge of the Middle Age printed book description of the military campaign of the Spanish king Emanuel Hieronymus Osorio and try to give a temporal boundary on the moment of their creation. Our experiments show that a pigment palette is a common one for the period between 16th and 19th century. Several pigments were identified, like vermilion and minium, white lead and massicot. Further, we identified the ink used for the book cover inscriptions. Three complementary, non-invasive spectroscopic techniques were used: micro-Raman spectroscopy, PIXE spectroscopy and UV-VIS FORS spectroscopy. The challenges which occurred during the study are presented, such as the positioning of the book underneath the microscope or even the fiber optic probe holder, the roughness of the fore-edge surface and the thinness of the color layers.
In our study we are trying to illuminate the palette used by the artist who decorated the fore-ed... more In our study we are trying to illuminate the palette used by the artist who decorated the fore-edge of the Middle Age printed book description of the military campaign of the Spanish king Emanuel Hieronymus Osorio and try to give a temporal boundary on the moment of their creation. Our experiments show that a pigment palette is a common one for the period between 16th and 19th century. Several pigments were identified, like vermilion and minium, white lead and massicot. Further, we identified the ink used for the book cover inscriptions. Three complementary, non-invasive spectroscopic techniques were used: micro-Raman spectroscopy, PIXE spectroscopy and UV-VIS FORS spectroscopy. The challenges which occurred during the study are presented, such as the positioning of the book underneath the microscope or even the fiber optic probe holder, the roughness of the fore-edge surface and the thinness of the color layers.
Prethodno priopćenje UDK: 027.1(497.543Osijek)(091) KNJIŽNO NASLIJEĐE OBITELJI TRUHELKA U MUZEJU ... more Prethodno priopćenje UDK: 027.1(497.543Osijek)(091) KNJIŽNO NASLIJEĐE OBITELJI TRUHELKA U MUZEJU SLAVONIJE -KULTURNO-POVIJESNI KONTEKST Obiteljske knjižnice predstavljaju kulturno-povijesne riznice grada. Jedna od takvih knjižnica zasigurno je i obiteljska knjižnica Truhelka, čiji je začetnik Osječanin Dragoš Truhelka, pripadnik 78. pješačke pukovnije, manje poznati brat Jagode i Ćire Truhelke. Uz knjižničnu analizu fonda, rad interpretira genealogiju obitelji Truhelka. Ključne riječi: obiteljske knjižnice, obitelj Truhelka, obitelj Raizner OSJEČKI ZBORNIK XXXVI UVODNO Knjižnična građa svoje mjesto nalazi u Muzeju Slavonije od samog njegovog osnutka. Poznato je da su za vrijeme i nakon Drugog svjetskog rata u Muzej smještene i brižno čuvane spomeničke, obiteljske knjižnice Hermanna Weissmanna i vlastelinske obitelji Prandau-Normann. Proteklih desetljeća u Muzej je pristizala, bilo darom ili otkupom, uz ostalu kulturno-povijesnu građu, i knjižnična građa u sklopu obiteljskih ostavština.
The museum library was recognized as a necessary segment of museums at the end of the 19th centur... more The museum library was recognized as a necessary segment of museums at the end of the 19th century, but its role is not only to disseminate knowledge about museum objects and the benefit of a narrow circle of professionals, which, unfortunately, is still a common consideration today. The library is an important part of museum activity, both professional and scientific, as well as exhibition, valuable monuments. Through hard work and efforts of the curator Vjekoslav Celestin, who started keeping the museum documentation, which is the largest museum library in our country today, beginnings of the library can be traced. On the basis of Vjekoslav Celestin’s thinking about the necessity of a library in a museum, and its continued enrichment with material, for the purpose of its museological as well as scientific function, the library department of the Museum of Slavonia continues the tradition today, with numerous problems that have plagued its predecessors, but with an important role in...
Bogati trgovac drvima, Franjo Sedlaković odlučio je gradu pokloniti svoju numizmatičku zbirku, zb... more Bogati trgovac drvima, Franjo Sedlaković odlučio je gradu pokloniti svoju numizmatičku zbirku, zbirku starog oružja i stručnu numizmatičku literaturu pod uvjetom da se u gradu osnuje muzej. Upravo je Sedlakovićevim podneskom Gradskome načelstvu Slobodnog i kraljevskog grada Osijeka osnovan Muzej 1877. godine. Gradsko zastupstvo na svojoj sjednici 17. veljače iste godine određuje da se Sedlakovićeve zbirke smatraju temeljem Gradskoga muzeja te se smještaju u zgradu Gradskoga načelstva u osječkoj Tvrđi. Muzejska je građa 1888. preseljena u dvije prostorije novosagrađene Kraljevske velike realke 3. Zbirke su vlasništvo i imovina Slobodnog i kraljevskog grada Osijeka. Gradskim muzejom upravlja gradsko zastupstvo po muzejskom odboru, koji se sastoji od predsjednika-gradonačelnika i u taj odbor izabranih gradskih zastupnika i muzej-čuvara kao izvjestitelja. Uredovni jezik je hrvatski, a može se dodati i tekst na nekom drugom jeziku za strance, ali bez potpisa i pečata. 4. Marom i zalaganjem kustosa-čuvara, u vremenima, uglavnom bremenitim za muzejsku djelatnost, stvarane su prve muzejske zbirke, otvarane prve izložbe, ali se započelo i sa sustavnim vođenjem muzejske dokumentacije, preko inventarnih Marina Vinaj: Kulturno-povijesna i znanstvena ishodišta Spomeničke knjižnice Prandau-Normann Summary Marina Vinaj CULTURAL-HISTORICAL AND SCIENTIFIC ORIGINS OF MONUMENT LIBRARY PRANDAU-NORMANN The museum library is created simultaneously with the Museum of Free Royal Borough, in Osijek, in the year 1877, following the fund of founding collections of archeological, numismatic and historical literature. It is continued through the years, through the effort of curators, and it aims to enrich the funds of professional literature, and also to spread the material on new collections of ethnographic and art history materials. The fund of the library of the museum in Osijek is, over time, gaining native materials as well, alongside regular increasing of professional museum literature. After Second World War, with the founding and work of KOMZA, the Museum of Osijek was in charge of taking care of the abandoned castles in Slavonia, and with classification of cultural and historical material, which will be delivered to the Museum. With especially rich literature fund, the Museum has gained possession of the material of old institutions and societies (Library of City Commission, Commercial Trades and Crafts), and the library of the nobleman family Prandau-Normann from Valpovo, and the part of the library that belonged to Pejačević family, from Našice. Family library of Prandau-Normann's has been recognized as an extraordinarily important heritage collection, and much like similar family literary heritage, it speaks of it's owners, their interests and habits. It represents a special type of monumental material which, on even terms with other heritage remains, bears witness to the time in which was made, it's content and the diversity of values and distinctiveness-bindings, decorations, ex librises, dedications, notes on margins-it highlights social and cultural happenings that have formed it. The individual specimens, and even more, the entire literary whole, take over the role of the witness of the passage of time, and the change that has taken place in society and space. In a word, it becomes a museum material without losing a shred of it's content value.
Zavičajna zbirka Essekiana jedna je od 14 zbirki Knjižnice Muzeja Slavonije. Usmjerena je na prik... more Zavičajna zbirka Essekiana jedna je od 14 zbirki Knjižnice Muzeja Slavonije. Usmjerena je na prikupljanje tiskarsko-izdavačke djelatnosti Osijeka i njegovih zavičajnika, od samih početaka osječkoga tiskarstva 1742. godine do završetka Drugoga svjetskog rata 1945. godine te time oslikava kulturnu, društvenu i gospodarsku povijest grada. Rad predstavlja projekt digitalizacije Zavičajne zbirke Essekiana prema fazama – digitalizacija Osječke bibliografije i realizacija mrežnoga kataloga, digitalizacija naslovnih stranica zavičajne građe te digitalizacija same zavičajne građe. Cilj digitalizacije jest trajna zaštita zavičajne građe te olakšan pristup korisnicima.Essekiana local collection is one of 14 collections of the Library of the Museum of Slavonia. This collection collect printed editions from Osijek and its natives from the beginning of printing in Osijek in 1742 until the end of World War II in 1945. Collection reflects the cultural, social and economic history of the city. This ...
Obiteljske knjižnice predstavljaju kulturno-povijesne riznice grada. Jedna od takvih knjižnica za... more Obiteljske knjižnice predstavljaju kulturno-povijesne riznice grada. Jedna od takvih knjižnica zasigurno je i obiteljska knjižnica Truhelka, čiji je začetnik Osječanin Dragoš Truhelka, pripadnik 78. pješačke pukovnije, manje poznati brat Jagode i Ćire Truhelke. Uz knjižničnu analizu fonda, rad interpretira genealogiju obitelji Truhelka.
In her literary work aimed particularly at the very young, the authoress Jagoda Truhelka painted ... more In her literary work aimed particularly at the very young, the authoress Jagoda Truhelka painted a picture of Osijek from the end of the 19th and the beginning of the 20th century. Rich literary holdings, as well as a part of her private, family heritage is kept at the Museum of Slavonia. The possibility of getting to know and recognise literary elements in exhibits and exhibition elements in literature is an idea that will, hopefully, be realised one day at the Museum of Slavonia with the cooperation of the Department of Literature of the College of Liberal Arts in Osijek. This multimedia project is aimed at presenting individual segments of Osijek’s past as described in Jagoda Truhelka’s works (photographs of Osijek from the end of the 19th century, artistic and other objects from the turn of the century, newspapers and books, posters of theatre productions and artistic events…), all interwoven with segments of the authoress’ real life - manuscripts, photographs… Through this proj...
Bogati trgovac drvima, Franjo Sedlaković odlučio je gradu pokloniti svoju numizmatičku zbirku, zb... more Bogati trgovac drvima, Franjo Sedlaković odlučio je gradu pokloniti svoju numizmatičku zbirku, zbirku starog oružja i stručnu numizmatičku literaturu pod uvjetom da se u gradu osnuje muzej. Upravo je Sedlakovićevim podneskom Gradskome načelstvu Slobodnog i kraljevskog grada Osijeka osnovan Muzej 1877. godine. Gradsko zastupstvo na svojoj sjednici 17. veljače iste godine određuje da se Sedlakovićeve zbirke smatraju temeljem Gradskoga muzeja te se smještaju u zgradu Gradskoga načelstva u osječkoj Tvrđi. Muzejska je građa 1888. preseljena u dvije prostorije novosagrađene Kraljevske velike realke 3. Zbirke su vlasništvo i imovina Slobodnog i kraljevskog grada Osijeka. Gradskim muzejom upravlja gradsko zastupstvo po muzejskom odboru, koji se sastoji od predsjednika-gradonačelnika i u taj odbor izabranih gradskih zastupnika i muzej-čuvara kao izvjestitelja. Uredovni jezik je hrvatski, a može se dodati i tekst na nekom drugom jeziku za strance, ali bez potpisa i pečata. 4. Marom i zalaganjem kustosa-čuvara, u vremenima, uglavnom bremenitim za muzejsku djelatnost, stvarane su prve muzejske zbirke, otvarane prve izložbe, ali se započelo i sa sustavnim vođenjem muzejske dokumentacije, preko inventarnih Marina Vinaj: Kulturno-povijesna i znanstvena ishodišta Spomeničke knjižnice Prandau-Normann Summary Marina Vinaj CULTURAL-HISTORICAL AND SCIENTIFIC ORIGINS OF MONUMENT LIBRARY PRANDAU-NORMANN The museum library is created simultaneously with the Museum of Free Royal Borough, in Osijek, in the year 1877, following the fund of founding collections of archeological, numismatic and historical literature. It is continued through the years, through the effort of curators, and it aims to enrich the funds of professional literature, and also to spread the material on new collections of ethnographic and art history materials. The fund of the library of the museum in Osijek is, over time, gaining native materials as well, alongside regular increasing of professional museum literature. After Second World War, with the founding and work of KOMZA, the Museum of Osijek was in charge of taking care of the abandoned castles in Slavonia, and with classification of cultural and historical material, which will be delivered to the Museum. With especially rich literature fund, the Museum has gained possession of the material of old institutions and societies (Library of City Commission, Commercial Trades and Crafts), and the library of the nobleman family Prandau-Normann from Valpovo, and the part of the library that belonged to Pejačević family, from Našice. Family library of Prandau-Normann's has been recognized as an extraordinarily important heritage collection, and much like similar family literary heritage, it speaks of it's owners, their interests and habits. It represents a special type of monumental material which, on even terms with other heritage remains, bears witness to the time in which was made, it's content and the diversity of values and distinctiveness-bindings, decorations, ex librises, dedications, notes on margins-it highlights social and cultural happenings that have formed it. The individual specimens, and even more, the entire literary whole, take over the role of the witness of the passage of time, and the change that has taken place in society and space. In a word, it becomes a museum material without losing a shred of it's content value.
Heritage institutions preserve in their archival collections precious book holdings of former ass... more Heritage institutions preserve in their archival collections precious book holdings of former associations, institutions as well as family libraries or merely their fragments. The value of these holdings consists not only of the rare, collector’s items exceptional within bibliophilic boundaries but also of the whole notion considering a history part of the specific region. By perusing the pages of family library, it is mostly about revealing its past, habits and interests of its members. Why is the library of Juliana Normann separated from a well-ordered count’s librarian holdings that had been gathered for years? Can we talk here about ‘’woman’s library’’, recognizing and noticing a ‘’lighter’’ literature? The fact that there were also collectors and readers in our region, is not less worth mentioning compared to the preserved fragments of specific family collections which witness within marks on ex libris, the expert systematized book holdings. Thus this book is often more than a ...
Katalog prezentira zbirku knjiga 16. stoljeca Odjela muzealnih tiskopisa Muzeja Slavonije. Rijec ... more Katalog prezentira zbirku knjiga 16. stoljeca Odjela muzealnih tiskopisa Muzeja Slavonije. Rijec je o devedeset naslova izdvojenih iz knjižnicnih zbirki: Prandau-Normann, Weissmann te Gimnazijske zbirke. Katalosko jedinice slijede i izložbenu pricu , tako da su objedinjene knjige tiskane u Italiji, Svicarskoj, Njemackoj, Francuskoj i Spanjolskoj. Posebnost i zanimljivost ove zbirke su iznimno lijepi uvezi, brojni ex librisi te ukrasi renesansne knjige. Odabrana djela predstavljaju najstariju osjecku zbirku te svjedoce o knjižnom blagu osjeckoga Muzeja.
Economy of Eastern Croatia Yesterday Today Tommorow, 2012
The best way to learn more about one region and its historical, economic, political and cultural ... more The best way to learn more about one region and its historical, economic, political and cultural development is through books and other printed materials. In Croatia, there are many regional and local bibliographies. When it comes to Slavonia, the "Osjecka bibliografija Sv. I (1742-1944)" by Marija Malbasa provides the list as well as descriptions of all books and materials printed in Osijek, regardless the language they were written in. Although the Turks had left Slavonia after more than a century and a half long occupation, the Austrians expanded its system of military zones to some parts of Slavonia. The land was colonized by strangers, predominantly by the Germans. In the beginning, they lived and worked as farmers and craftsmen and eventually left important and valuable written traces about culture, economy, medicine, industry, military, medicine, religion, agriculture, forestry etc. The "Osjecka bibliografija Sv. I (1742-1944)", the local bibliography, contains a large number of publications written in German, many of which were dedicated to the agricultural themes and problems that evolved from everyday life. 3,295 books and other materials printed in Osijek. are recorded in the first volume (1742 1944) of Osjecka bibliografija (Osijek Bibliography) by Marija Malbasa. The main focus of our interest were books and other printed material regarding agriculture. The purpose of this paper is to connect the past, present and future, since 2,404 bibilographic units (Essekiana local history collection) are kept in the Museum of Slavonia's library in Osijek. This unique local collection of books has been made accessible to the wider public through a web catalogue in order to present its local history books to the community and raise awareness of the value of the books kept in the biggest museum library in Croatia. Thanks to Marija Malbasa's effort, we witness today that the importance of agriculture in Slavonia not only has a long tradition, but also that its development and problems have always been a significant and interesting topic to write about.
Sažetak: Tiskarstvo u Osijeku zaživjelo je dolaskom franjevaca i osnutkom prve tiskare na tom pod... more Sažetak: Tiskarstvo u Osijeku zaživjelo je dolaskom franjevaca i osnutkom prve tiskare na tom području 1735. godine. Franjevcima je bilo dopušteno u samostanu otvoriti malu tiskaru za potrebe provincije. Pojava prve tiskare u Osijeku povezana je umnogome s društvenim i političkim prilikama ondašnjega grada, koji se nakon odlaska Turaka polako pretvarao u urbano središte Slavonije. Otvaranje škola i visokoga učilišta ostavilo je traga i u prvim naslovima tiskovina osječkih profesora, ali i studenata. Franjevci su iznimno cijenili knjigu te su franjevačke knjižnice i prve organizirane knjižne zbirke u nas. Najstarija izdanja osječkih franjevaca čuvaju se u Zavičajnoj zbirci Essekiana Muzeja Slavonije, ali i u franjevačkim knjižnicama Hrvatske franjevačke provincije sv. Ćirila i Metoda. Prepoznavanje i vrjednovanje franjevačkih knjižnih zbirki preduvjet je za proučavanje kulturne povijesti Osijeka i Slavonije.
Libellarium: journal for the research of writing, books, and cultural heritage institutions, 2017
Considering that the present-day Croatian still frequently fails to have the exact translational ... more Considering that the present-day Croatian still frequently fails to have the exact translational equivalents for the novel ideas developed and disseminated via metalinguistic Eurospeak, the paper adopts and employs an unorthodox scientific method to refer to an articulated correlation between a conceptual framework theorized (i.e., the noninvasive library digitization projects pertaining to the select Croatian bi-and trilingual lexicography from the 17 th to the 20 th century) and the hypothetical questions addressed (i.e., their applicability to the coinage of Croatian neologisms that formationally imitate the previous paragons), with a pronounced tendency to signify a progressive replacement of the perplexingly anglicized language registers by the more decipherable formality levels. Consequently, such a succinct analysis results in a revalorization of the computerized conversion efforts and a permanent appraisal of the Croatian thesauri, which are neither antiquated nor obsolescent but may be incentively put into service for further similar studies in the subject matter.
Libellarium: journal for the research of writing, books, and cultural heritage institutions, 2017
Considering that the present-day Croatian still frequently fails to have the exact translational ... more Considering that the present-day Croatian still frequently fails to have the exact translational equivalents for the novel ideas developed and disseminated via metalinguistic Eurospeak, the paper adopts and employs an unorthodox scientific method to refer to an articulated correlation between a conceptual framework theorized (i.e., the noninvasive library digitization projects pertaining to the select Croatian bi-and trilingual lexicography from the 17 th to the 20 th century) and the hypothetical questions addressed (i.e., their applicability to the coinage of Croatian neologisms that formationally imitate the previous paragons), with a pronounced tendency to signify a progressive replacement of the perplexingly anglicized language registers by the more decipherable formality levels. Consequently, such a succinct analysis results in a revalorization of the computerized conversion efforts and a permanent appraisal of the Croatian thesauri, which are neither antiquated nor obsolescent but may be incentively put into service for further similar studies in the subject matter.
In our study we are trying to illuminate the palette used by the artist who decorated the fore-ed... more In our study we are trying to illuminate the palette used by the artist who decorated the fore-edge of the Middle Age printed book description of the military campaign of the Spanish king Emanuel Hieronymus Osorio and try to give a temporal boundary on the moment of their creation. Our experiments show that a pigment palette is a common one for the period between 16th and 19th century. Several pigments were identified, like vermilion and minium, white lead and massicot. Further, we identified the ink used for the book cover inscriptions. Three complementary, non-invasive spectroscopic techniques were used: micro-Raman spectroscopy, PIXE spectroscopy and UV-VIS FORS spectroscopy. The challenges which occurred during the study are presented, such as the positioning of the book underneath the microscope or even the fiber optic probe holder, the roughness of the fore-edge surface and the thinness of the color layers.
In our study we are trying to illuminate the palette used by the artist who decorated the fore-ed... more In our study we are trying to illuminate the palette used by the artist who decorated the fore-edge of the Middle Age printed book description of the military campaign of the Spanish king Emanuel Hieronymus Osorio and try to give a temporal boundary on the moment of their creation. Our experiments show that a pigment palette is a common one for the period between 16th and 19th century. Several pigments were identified, like vermilion and minium, white lead and massicot. Further, we identified the ink used for the book cover inscriptions. Three complementary, non-invasive spectroscopic techniques were used: micro-Raman spectroscopy, PIXE spectroscopy and UV-VIS FORS spectroscopy. The challenges which occurred during the study are presented, such as the positioning of the book underneath the microscope or even the fiber optic probe holder, the roughness of the fore-edge surface and the thinness of the color layers.
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