MICHELE PORSIA
Michele Porsia is an extra-media artist, writer and Independent Researcher on Landscape Planning and Contemporary Arts. President of settimopiano_ALIA Cultural Association since 2017, Michele worked in Prague for (Centre for Central European Architecture) and IIC (Italian Institute of Culture) since 2011. He was art director, together with Yvette Vašourková, of “I.P. Pavlova Open Stage” (2013) project that won the Prize of Critic as Best Urban Project. Planner with MOBA studios Plzen Masterplan (First Prize). He had several recognitions in planning field and in artistic one. He took part in BJCEM 2009. Michele had several solo exhibitions in 2019 (Termoli), 2009 (FYROM), 2011 (Florence) 2013 (Prague). He performed in MART (2007, Rovereto), RadioRAI3 (2009), MAACK (Casacalenda, 2016), Lievito, Fare spazio (Latina, 2018).
less
Related Authors
Interests
Uploads
Papers by MICHELE PORSIA
processes that it is not possible to control absolutely. However, it is possible to stimulate the
generation of processes that could help an area to develop a sustainable economy, for instance,
by highlighting its cultural heritage. In this paper, a project is used as a ‘tool for research’:
it!helps to explain how to deal with the fragile, but significant, intangible heritage of a specific
place. The case study is the iso-polyphonic traditional music of South Albania, recognised by
UNESCO, with a core area around Qeparo village. The paper proposes one project (among
many possible ones) that is a process itself and that tries to elaborate a reductio ad unum of the
mutual relations between landscape research, education, creativity and praxis.
Keywords: cultural heritage, intangible heritage, iso-polyphonic traditional music, reductio
ad unum
processes that it is not possible to control absolutely. However, it is possible to stimulate the
generation of processes that could help an area to develop a sustainable economy, for instance,
by highlighting its cultural heritage. In this paper, a project is used as a ‘tool for research’:
it!helps to explain how to deal with the fragile, but significant, intangible heritage of a specific
place. The case study is the iso-polyphonic traditional music of South Albania, recognised by
UNESCO, with a core area around Qeparo village. The paper proposes one project (among
many possible ones) that is a process itself and that tries to elaborate a reductio ad unum of the
mutual relations between landscape research, education, creativity and praxis.
Keywords: cultural heritage, intangible heritage, iso-polyphonic traditional music, reductio
ad unum