Mgr. Klára Kudlová Anotace dizertační práce (Časově-symbolické horizonty postav v několika typech... more Mgr. Klára Kudlová Anotace dizertační práce (Časově-symbolické horizonty postav v několika typech současného českého románu): Anotace: Teoretická část této práce uvádí a představuje nejprve skupinu naratologických konceptů navržených prostředí literárně-vědného kognitivismu a vztažených k problematice postav (v pracích Uriho Margolina) a jejich konfigurací (v práci Catherine Emmott(ové)) a k modelování příběhového světa (u Davida Hermana). Tyto koncepty jsou pak propojeny s tezemi, které Ricoeurův Temps et recit předkládá ve vztahu k románu a jemu vepsaným "spojnicím" historického času. Na pozadí takto založené syntézy je pak vypracován samostatný koncept románového žánru a dále model časově-symbolických horizontů postav. Jednotlivé časově-symbolické horizonty jsou chápané jako obligátně přítomné v "půdorysu" románu a spojené s plány přítomnosti, minulosti a budoucnost, jsou zde označeny jako horizont autorit, horizont současníků a horizont dědiců; horizont věčno...
This study presents first of all a theoretical argument, showing that all “authentic” literature ... more This study presents first of all a theoretical argument, showing that all “authentic” literature is actually based on a double game of images. While the fictional images seemingly refer to the actual world, they can actually refer only to the so-called emblems. (These emblems are shared images, created in the public consciousness by various non-fictional texts and pieces of information, and there they represent actually existing persons, texts, events, etc.) The second part of the study draws comparisons between two specific cases of an “authentic” novel, namely The Armies of the Night (1968) by Norman Mailer and Rok kohouta (The year of the Rooster, 2008) by Tereza Boučková, paying special attention to the latter. It appears that while Mailer’s “authentic” novel behaves as an intertextual one, Boučková’s work functions – especially with respect to the informational emblems – as a “hypertext”
The study „The mutual engagement of human and insect sphere in Čapeks´ most-played drama“ attempt... more The study „The mutual engagement of human and insect sphere in Čapeks´ most-played drama“ attempts at a contextual perspective on the human and natural spheres of Čapeks celebrated „insect play“ (Ze života hmyzu). Summing up the potential thematic and structural influences on the play (such as L´Oiseau Bleu), the study uncovers the structure of the play (the mise-en-abyme and circular composition) and proves it to be one of the key interpretative tools for its understanding. The other analytical tools are derived from detailed evaluation of the figure of the Tramp (a universal human figure) and of the individual insect groups (types). In the final search for the core dynamics and the message of the play, the influence and legacy of Jean-Henri Fabre is recalled, alongside the authors´ own perspective.
The term Central Europe in the very title of this article calls for a preliminary explanation. Th... more The term Central Europe in the very title of this article calls for a preliminary explanation. The definition ought to be a simple and unambiguous one, and it should correspond with the topographical space fictively featured in Topol’s work. I believe that one of the simple and useful ways of defining Central Europe for this purpose is to derive its existence from the 1335 Visegrád alliance. The complex and often difficult history of the Visegrád area from 1335 up to 1991 confirmed the precognition of the medieval parties of the alliance. Throughout the centuries, mutual relationships have been dependent on the actions and gestures which promoted (or unfortunately opposed), mutual respect and shared values in the area. After 1991, some radical voices denounced the newly formed Visegrád alliance as “a posthumous child” of the former strong bonds between the dissent circles of the member countries. The aphorism about those bonds being swept away by the first wave of pragmatic capitali...
... Poetyka, programy i historia Grupy 42 w kon‑ tekstach dwudziestowiecznej awangardy. Łódź, Wyd... more ... Poetyka, programy i historia Grupy 42 w kon‑ tekstach dwudziestowiecznej awangardy. Łódź, Wydawnictwo uniwersytetu Łódz‑ kiego 2005. 451 stran. izabela Mroczek: Dom, ulica, miasto w poezji czeskiej Grupy 42. Katowice/Warsza‑ wa, Śląsk 2005. 189 stran. ...
David Herman: Přirozený jazyk vypravěni. Přeložil Bohumil Fořt, komentař Tomas Kubicek. Praha, UC... more David Herman: Přirozený jazyk vypravěni. Přeložil Bohumil Fořt, komentař Tomas Kubicek. Praha, UCL 2005. 123 stran.
Mgr. Klára Kudlová Anotace dizertační práce (Časově-symbolické horizonty postav v několika typech... more Mgr. Klára Kudlová Anotace dizertační práce (Časově-symbolické horizonty postav v několika typech současného českého románu): Anotace: Teoretická část této práce uvádí a představuje nejprve skupinu naratologických konceptů navržených prostředí literárně-vědného kognitivismu a vztažených k problematice postav (v pracích Uriho Margolina) a jejich konfigurací (v práci Catherine Emmott(ové)) a k modelování příběhového světa (u Davida Hermana). Tyto koncepty jsou pak propojeny s tezemi, které Ricoeurův Temps et recit předkládá ve vztahu k románu a jemu vepsaným "spojnicím" historického času. Na pozadí takto založené syntézy je pak vypracován samostatný koncept románového žánru a dále model časově-symbolických horizontů postav. Jednotlivé časově-symbolické horizonty jsou chápané jako obligátně přítomné v "půdorysu" románu a spojené s plány přítomnosti, minulosti a budoucnost, jsou zde označeny jako horizont autorit, horizont současníků a horizont dědiců; horizont věčno...
This study presents first of all a theoretical argument, showing that all “authentic” literature ... more This study presents first of all a theoretical argument, showing that all “authentic” literature is actually based on a double game of images. While the fictional images seemingly refer to the actual world, they can actually refer only to the so-called emblems. (These emblems are shared images, created in the public consciousness by various non-fictional texts and pieces of information, and there they represent actually existing persons, texts, events, etc.) The second part of the study draws comparisons between two specific cases of an “authentic” novel, namely The Armies of the Night (1968) by Norman Mailer and Rok kohouta (The year of the Rooster, 2008) by Tereza Boučková, paying special attention to the latter. It appears that while Mailer’s “authentic” novel behaves as an intertextual one, Boučková’s work functions – especially with respect to the informational emblems – as a “hypertext”
The study „The mutual engagement of human and insect sphere in Čapeks´ most-played drama“ attempt... more The study „The mutual engagement of human and insect sphere in Čapeks´ most-played drama“ attempts at a contextual perspective on the human and natural spheres of Čapeks celebrated „insect play“ (Ze života hmyzu). Summing up the potential thematic and structural influences on the play (such as L´Oiseau Bleu), the study uncovers the structure of the play (the mise-en-abyme and circular composition) and proves it to be one of the key interpretative tools for its understanding. The other analytical tools are derived from detailed evaluation of the figure of the Tramp (a universal human figure) and of the individual insect groups (types). In the final search for the core dynamics and the message of the play, the influence and legacy of Jean-Henri Fabre is recalled, alongside the authors´ own perspective.
The term Central Europe in the very title of this article calls for a preliminary explanation. Th... more The term Central Europe in the very title of this article calls for a preliminary explanation. The definition ought to be a simple and unambiguous one, and it should correspond with the topographical space fictively featured in Topol’s work. I believe that one of the simple and useful ways of defining Central Europe for this purpose is to derive its existence from the 1335 Visegrád alliance. The complex and often difficult history of the Visegrád area from 1335 up to 1991 confirmed the precognition of the medieval parties of the alliance. Throughout the centuries, mutual relationships have been dependent on the actions and gestures which promoted (or unfortunately opposed), mutual respect and shared values in the area. After 1991, some radical voices denounced the newly formed Visegrád alliance as “a posthumous child” of the former strong bonds between the dissent circles of the member countries. The aphorism about those bonds being swept away by the first wave of pragmatic capitali...
... Poetyka, programy i historia Grupy 42 w kon‑ tekstach dwudziestowiecznej awangardy. Łódź, Wyd... more ... Poetyka, programy i historia Grupy 42 w kon‑ tekstach dwudziestowiecznej awangardy. Łódź, Wydawnictwo uniwersytetu Łódz‑ kiego 2005. 451 stran. izabela Mroczek: Dom, ulica, miasto w poezji czeskiej Grupy 42. Katowice/Warsza‑ wa, Śląsk 2005. 189 stran. ...
David Herman: Přirozený jazyk vypravěni. Přeložil Bohumil Fořt, komentař Tomas Kubicek. Praha, UC... more David Herman: Přirozený jazyk vypravěni. Přeložil Bohumil Fořt, komentař Tomas Kubicek. Praha, UCL 2005. 123 stran.
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