Götz Kluge
This is mostly about Henry Holiday's interpictorial allusions to the works of other artists in his illustrations (engraved by Joseph Swain) for Lewis Carroll's "The Hunting of the Snark". Related Blog: http://snrk.de .
Among my finding, probably Lewis Carroll's and Henry Holiday's references to Thomas Cranmer are the most important ones: http://snrk.de/page_thomas-cranmer
The (friendly) license for my publications in academia.edu is
CC BY-NC-ND 3.0 (if no other license is mentioned):
https://creativecommons.org/licenses/by-nc-nd/3.0/
Götz Kluge
Among my finding, probably Lewis Carroll's and Henry Holiday's references to Thomas Cranmer are the most important ones: http://snrk.de/page_thomas-cranmer
The (friendly) license for my publications in academia.edu is
CC BY-NC-ND 3.0 (if no other license is mentioned):
https://creativecommons.org/licenses/by-nc-nd/3.0/
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The Hunting of the Snark by Götz Kluge
On "The Baker" in Lewis Carroll's and Henry Holiday's "The Hunting of the Snark" as an allusion (pictorial ant textual) to Thomas Cranmer anas Thomas Cranmer's burning.
KNIGHT LETTER, Fall 2017, Vol II Issue 29, Number 99
ISSN 0193-886X
© 2017 The Lewis Carroll Society of North America
http://www.lewiscarroll.org
Author: Goetz Kluge, http://snrk.de
The article is about pictorial allusions by Henry Holiday in his illustrations to Lewis Carroll's "The Hunting of the Snark". The focus is on an allusion to the etching "The Image Breacers" by Marcus Gheeraers the Elder.
The Knight Letter No. 99 will be online once the Knight Letter No. 100 will be published. But with permission from the Knight Letter editors I already now published the article online. Four additional images had been attached to the online version.
http://snrk.de/nose-is-a-nose-is-a-nose is associated with the article.
#HenryHoliday #PictorialAllusions #LewisCarroll #TheHuntingOfTheSnark #MarcusGheeraertsThe Elder
License: You need a password to open the archive:
CC_BY-NC-ND_4.0
This just is meant to make you aware of the (friendly) license for my articles: https://creativecommons.org/licenses/by-nc-nd/4.0/
Updates (2017-07-10): http://www.snrk.de/SnarkHunt_PDFs_Updates.7z contains articles added or updated after 2016-05-09.
7z: http://www.7-zip.org/
Write to me, if you need more material (>600 MB).
2015-04-06: Larger images and no text: https://www.academia.edu/11816242/Snark_Exercise
2015-04-19: (File restored after erratical erasure.)
Rudolf Arnheim: Art and Visual Perception, 1974, p. 1
This is https://www.academia.edu/9984501/Queen_Elizabeth_I_meets_the_Boojum without text
Related: https://www.academia.edu/10429829/Seeing_Letters_Skulls_and_Faces
2015-04-10: Friendly license for using these comparisons: CC BY-NC-ND 3.0 (https://creativecommons.org/licenses/by-nc-nd/3.0/)
2015-04-18: Father Time × 3
2016-05-08: Added one image (page 4)
Images (neither with interpretations nor with any assumptions) for educational purposes:
(1) John Martin, "The Bard" (1817).
(2) John Martin, "The Bard", filtered using GIMP (Retinex: Scale=160, ScaleDivision=6, Dynamic=2.5).
(3) The Baker (vanishing). Illustration (1876) by Henry Holiday to Lewis Carroll's "The Hunting of the Snark", Fit 8.
(4) The Butcher. In the background you see the Bellman. (I almost forgot him although that little figure is important.) Illustration (1876) by Henry Holiday to Lewis Carroll's "The Hunting of the Snark", Fit 5.
Henry Holiday's Snark illustrations and John Martin's "The Bard":
- https://www.academia.edu/9885417/The_Bellman_and_the_Bard
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
Bycatch: M. C. Escher:
- https://www.academia.edu/9854308/M._C._Escher_-_and_John_Martins_The_Bard_
2016-03-22: I added two pages, without too much explanation either.
Carroll also gave a Boots some important tasks in his tragedy. But there is no Boots in Henry Holiday's illustrations – unless the Boots is a maker of Bonnets and Hoods.
2015-05-02: Update
2015-05-08: Additional page
2018-11-07: See also http://snrk.de/page_boots-bonnetmaker
2015-04-18: Pictorial quotes of shapes from the source image already can be seen in Holiday's drawing for the illustration to chapter 8 in Carroll's Snark.
2015-04-19: Only lay-out changes.
See also page 3 in https://www.academia.edu/9918883/Thomas_Cranmers_42_Boxes and the last page in https://www.academia.edu/10907558/More_salt_To_see_or_not_to_see
2015-03-23: The SVG file also is available here: http://www.snrk.de/h80bw3600x5220.svg.7z
2015-03-27: I found out that the vector graphics image cannot be reliably printed on a big network printer under MS-Windows. (My cheap inkjet network printer at home driven by a PC with Linux performs well.) In case of trouble you may try to use high resolution pixel graphics:
- http://www.ipernity.com/doc/goetzkluge/37443754
- http://commons.wikimedia.org/wiki/File:Fit_the_Eigth_-_The_Vanishing.png
For another vectorized Snark illustration see https://www.academia.edu/9856809/The_Beavers_Lesson
2015-03-09: Removal of two obvious typing errors. No change of meaning.
2017-09-29: This is about the Banker's face. I just noticed that in some of my articles I called the "fit" in "The Hunting to the Snark" which uses that illustration "The Banker's Fate". Sorry, it is "The Banker's Tale".
- in http://www.snrk.de (small)
- in http://www.snrk.de/Noseflip2048.gif (large)
- and in the downloaded file https://www.academia.edu/attachments/36499929/download_file only (not in the preview).
It shows how Henry Holiday designedly modified an element from "The Image Breakers" (1566-1568, an etching by Marcus Gheeraerts the Elder) before using it in his illustration to the chapter "The Banker's Fate" in Lewis Carroll's "The Hunting of the Snark" (1876).
For printing: http://www.snrk.de/Noseflip.pdf (without animation)
See also:
- https://www.academia.edu/9889413/The_Bankers_Face
- https://www.academia.edu/10456230/Nosemorph_animation_
More (by Albert Boime) on sources to Millais' painting: http://www.albertboime.com/Articles/29.pdf
2015-03-17 (page 4): http://www.ipernity.com/doc/goetzkluge/22708359/ added to this file
2016-05-14: Major rework
---
»His intimate friends called him “Candle-ends,” // And his enemies “Toasted-cheese.”« (http://www.snrk.de/snarkhunt/#039, from Lewis Carroll's "The Hunting of the Snark", 1876): In his article "The Illuminated Snark" (https://www.academia.edu/10376464/By_John_Tufail_The_Illuminated_Snark_2004_), John Tufail reported that Kate Lyon (http://contrariwise.wild-reality.net/KateLyon_tribute.html) had identified that as an allusion by Lewis Carroll to »Hereupon presently they rake some dunghill for a few dirty boxes and plasters, and of toasted cheese and candles’-ends temper up a few ointments and syrups, which having done, far north, or into some such rude simple country, they get them, and set up.« in Thomas Nashe's "The Terrors of the Night" (http://www.oxford-shakespeare.com/Nashe/Terrors_Night.pdf, 1594).
I think that this allusion together with two other expressions related to heat (»He would answer to “Hi!” or to any loud cry, // Such as “Fry me!” or “Fritter my wig!”« (http://www.snrk.de/snarkhunt/#033)) is used by Carroll to relate the "Baker" to Thomas Cranmer (https://www.academia.edu/9918883/Thomas_Cranmers_42_Boxes)
Update 2015-12-29: The link http://www.netplaces.com/saints/holy-animal-lovers/st-macarius-and-the-hyena.htm has been replaced by https://www.google.com/search?q=%22macarius%22+%22hyena%22+nod .
Updates:
2016-05-01: Date of the depiction of Thomas Cranmer is 1630, not 1556.
2016-05-03: Different sequence of pages. Simplified image.
2016-05-04: Additional image (p. 4)
2016-05-05: Image removed (p. 3)
---
And by the way: Douglas Adams liked to allude to obsessed-by-42 Lewis Carroll. Perhaps Lewis Carroll's Snark hunting Baker was looking for the kind reasonable Snark (https://en.wikipedia.org/wiki/Controversy) who likes the greens. The Baker already may have known, where the Boojum was: In those 42 boxes (http://www.davidscottgehring.com/his361/week5.html), which he not accidentally left behind (https://www.google.com/search?q=%22recantation%22+%22Thomas+Cranmer%22) left behind on the beach. Unfortunately, some of the usually civilized Snarks turn into Boojums (https://en.wikipedia.org/wiki/Fanaticism) then and now and everywhere. In a few million years, Deep Thought perhaps will find the question which makes people piling up all those boxes filled with answers. By then, the Boojums will have had all box owners for lunch - and be the only ones left to read the output.
Henry Holiday's Snark illustrations and John Martin's "The Bard":
- https://www.academia.edu/9885417/The_Bellman_and_the_Bard
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
My Snark hunt started in December 2008. And always if I think it is finished, I still run into new findings. Today it happened again.
In
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
you see sources for a monster in Henry Holiday's illustration to the chapter "The Beaver's Lesson" in Lewis Carroll's "The Hunting of the Snark".
But Holiday packed even (at least) one more pattern from John Martin's "The Bard" into the monster. It is quite obvious, but I didn't detect it until today. Try to find it here:
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
Seemingly Holiday quite systematically harvested patterns from Martin's painting.
Henry Holiday's Snark illustrations and John Martin's "The Bard":
- https://www.academia.edu/9885417/The_Bellman_and_the_Bard
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
2015-03-13: "by Henry Holiday" added on page 1
2015-05-25:
Henry Holiday's Snark illustrations and John Martin's "The Bard":
- https://www.academia.edu/9885417/The_Bellman_and_the_Bard
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
On "The Baker" in Lewis Carroll's and Henry Holiday's "The Hunting of the Snark" as an allusion (pictorial ant textual) to Thomas Cranmer anas Thomas Cranmer's burning.
KNIGHT LETTER, Fall 2017, Vol II Issue 29, Number 99
ISSN 0193-886X
© 2017 The Lewis Carroll Society of North America
http://www.lewiscarroll.org
Author: Goetz Kluge, http://snrk.de
The article is about pictorial allusions by Henry Holiday in his illustrations to Lewis Carroll's "The Hunting of the Snark". The focus is on an allusion to the etching "The Image Breacers" by Marcus Gheeraers the Elder.
The Knight Letter No. 99 will be online once the Knight Letter No. 100 will be published. But with permission from the Knight Letter editors I already now published the article online. Four additional images had been attached to the online version.
http://snrk.de/nose-is-a-nose-is-a-nose is associated with the article.
#HenryHoliday #PictorialAllusions #LewisCarroll #TheHuntingOfTheSnark #MarcusGheeraertsThe Elder
License: You need a password to open the archive:
CC_BY-NC-ND_4.0
This just is meant to make you aware of the (friendly) license for my articles: https://creativecommons.org/licenses/by-nc-nd/4.0/
Updates (2017-07-10): http://www.snrk.de/SnarkHunt_PDFs_Updates.7z contains articles added or updated after 2016-05-09.
7z: http://www.7-zip.org/
Write to me, if you need more material (>600 MB).
2015-04-06: Larger images and no text: https://www.academia.edu/11816242/Snark_Exercise
2015-04-19: (File restored after erratical erasure.)
Rudolf Arnheim: Art and Visual Perception, 1974, p. 1
This is https://www.academia.edu/9984501/Queen_Elizabeth_I_meets_the_Boojum without text
Related: https://www.academia.edu/10429829/Seeing_Letters_Skulls_and_Faces
2015-04-10: Friendly license for using these comparisons: CC BY-NC-ND 3.0 (https://creativecommons.org/licenses/by-nc-nd/3.0/)
2015-04-18: Father Time × 3
2016-05-08: Added one image (page 4)
Images (neither with interpretations nor with any assumptions) for educational purposes:
(1) John Martin, "The Bard" (1817).
(2) John Martin, "The Bard", filtered using GIMP (Retinex: Scale=160, ScaleDivision=6, Dynamic=2.5).
(3) The Baker (vanishing). Illustration (1876) by Henry Holiday to Lewis Carroll's "The Hunting of the Snark", Fit 8.
(4) The Butcher. In the background you see the Bellman. (I almost forgot him although that little figure is important.) Illustration (1876) by Henry Holiday to Lewis Carroll's "The Hunting of the Snark", Fit 5.
Henry Holiday's Snark illustrations and John Martin's "The Bard":
- https://www.academia.edu/9885417/The_Bellman_and_the_Bard
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
Bycatch: M. C. Escher:
- https://www.academia.edu/9854308/M._C._Escher_-_and_John_Martins_The_Bard_
2016-03-22: I added two pages, without too much explanation either.
Carroll also gave a Boots some important tasks in his tragedy. But there is no Boots in Henry Holiday's illustrations – unless the Boots is a maker of Bonnets and Hoods.
2015-05-02: Update
2015-05-08: Additional page
2018-11-07: See also http://snrk.de/page_boots-bonnetmaker
2015-04-18: Pictorial quotes of shapes from the source image already can be seen in Holiday's drawing for the illustration to chapter 8 in Carroll's Snark.
2015-04-19: Only lay-out changes.
See also page 3 in https://www.academia.edu/9918883/Thomas_Cranmers_42_Boxes and the last page in https://www.academia.edu/10907558/More_salt_To_see_or_not_to_see
2015-03-23: The SVG file also is available here: http://www.snrk.de/h80bw3600x5220.svg.7z
2015-03-27: I found out that the vector graphics image cannot be reliably printed on a big network printer under MS-Windows. (My cheap inkjet network printer at home driven by a PC with Linux performs well.) In case of trouble you may try to use high resolution pixel graphics:
- http://www.ipernity.com/doc/goetzkluge/37443754
- http://commons.wikimedia.org/wiki/File:Fit_the_Eigth_-_The_Vanishing.png
For another vectorized Snark illustration see https://www.academia.edu/9856809/The_Beavers_Lesson
2015-03-09: Removal of two obvious typing errors. No change of meaning.
2017-09-29: This is about the Banker's face. I just noticed that in some of my articles I called the "fit" in "The Hunting to the Snark" which uses that illustration "The Banker's Fate". Sorry, it is "The Banker's Tale".
- in http://www.snrk.de (small)
- in http://www.snrk.de/Noseflip2048.gif (large)
- and in the downloaded file https://www.academia.edu/attachments/36499929/download_file only (not in the preview).
It shows how Henry Holiday designedly modified an element from "The Image Breakers" (1566-1568, an etching by Marcus Gheeraerts the Elder) before using it in his illustration to the chapter "The Banker's Fate" in Lewis Carroll's "The Hunting of the Snark" (1876).
For printing: http://www.snrk.de/Noseflip.pdf (without animation)
See also:
- https://www.academia.edu/9889413/The_Bankers_Face
- https://www.academia.edu/10456230/Nosemorph_animation_
More (by Albert Boime) on sources to Millais' painting: http://www.albertboime.com/Articles/29.pdf
2015-03-17 (page 4): http://www.ipernity.com/doc/goetzkluge/22708359/ added to this file
2016-05-14: Major rework
---
»His intimate friends called him “Candle-ends,” // And his enemies “Toasted-cheese.”« (http://www.snrk.de/snarkhunt/#039, from Lewis Carroll's "The Hunting of the Snark", 1876): In his article "The Illuminated Snark" (https://www.academia.edu/10376464/By_John_Tufail_The_Illuminated_Snark_2004_), John Tufail reported that Kate Lyon (http://contrariwise.wild-reality.net/KateLyon_tribute.html) had identified that as an allusion by Lewis Carroll to »Hereupon presently they rake some dunghill for a few dirty boxes and plasters, and of toasted cheese and candles’-ends temper up a few ointments and syrups, which having done, far north, or into some such rude simple country, they get them, and set up.« in Thomas Nashe's "The Terrors of the Night" (http://www.oxford-shakespeare.com/Nashe/Terrors_Night.pdf, 1594).
I think that this allusion together with two other expressions related to heat (»He would answer to “Hi!” or to any loud cry, // Such as “Fry me!” or “Fritter my wig!”« (http://www.snrk.de/snarkhunt/#033)) is used by Carroll to relate the "Baker" to Thomas Cranmer (https://www.academia.edu/9918883/Thomas_Cranmers_42_Boxes)
Update 2015-12-29: The link http://www.netplaces.com/saints/holy-animal-lovers/st-macarius-and-the-hyena.htm has been replaced by https://www.google.com/search?q=%22macarius%22+%22hyena%22+nod .
Updates:
2016-05-01: Date of the depiction of Thomas Cranmer is 1630, not 1556.
2016-05-03: Different sequence of pages. Simplified image.
2016-05-04: Additional image (p. 4)
2016-05-05: Image removed (p. 3)
---
And by the way: Douglas Adams liked to allude to obsessed-by-42 Lewis Carroll. Perhaps Lewis Carroll's Snark hunting Baker was looking for the kind reasonable Snark (https://en.wikipedia.org/wiki/Controversy) who likes the greens. The Baker already may have known, where the Boojum was: In those 42 boxes (http://www.davidscottgehring.com/his361/week5.html), which he not accidentally left behind (https://www.google.com/search?q=%22recantation%22+%22Thomas+Cranmer%22) left behind on the beach. Unfortunately, some of the usually civilized Snarks turn into Boojums (https://en.wikipedia.org/wiki/Fanaticism) then and now and everywhere. In a few million years, Deep Thought perhaps will find the question which makes people piling up all those boxes filled with answers. By then, the Boojums will have had all box owners for lunch - and be the only ones left to read the output.
Henry Holiday's Snark illustrations and John Martin's "The Bard":
- https://www.academia.edu/9885417/The_Bellman_and_the_Bard
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
My Snark hunt started in December 2008. And always if I think it is finished, I still run into new findings. Today it happened again.
In
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
you see sources for a monster in Henry Holiday's illustration to the chapter "The Beaver's Lesson" in Lewis Carroll's "The Hunting of the Snark".
But Holiday packed even (at least) one more pattern from John Martin's "The Bard" into the monster. It is quite obvious, but I didn't detect it until today. Try to find it here:
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
Seemingly Holiday quite systematically harvested patterns from Martin's painting.
Henry Holiday's Snark illustrations and John Martin's "The Bard":
- https://www.academia.edu/9885417/The_Bellman_and_the_Bard
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
2015-03-13: "by Henry Holiday" added on page 1
2015-05-25:
Henry Holiday's Snark illustrations and John Martin's "The Bard":
- https://www.academia.edu/9885417/The_Bellman_and_the_Bard
- https://www.academia.edu/9923718/Henry_Holidays_Monsterspotting
- https://www.academia.edu/10251338/Monsters_and_Monstrances
- https://www.academia.edu/12586460/The_Bard_the_Baker_and_the_Butcher
※ (in mirror view) one of Gustave Doré's illustrations (1863) to Miguel de Cervantes' "Don Quixote",
※ Matthias Grünewald's "Temptation of St Anthony", Isenheim Altarpiece (c. 1512~1516), Musée Unterlinden, Colmar, France.
https://snrk.de/how-gustave-dore-might-have-played-with-pareidolia/
Location: Tate Britain (N03584), London.
(2) Segment from Philip Galle after Maarten van Heemskerck, Redrawn print Ahasuerus consulting the records (1564).
Location: Rijksmuseum, Amsterdam
[left]: Bonomi Edward Warren: Sportsman and dog on a wooded path (1868, watercolor)
[right]: Bonomi Edward Warren: Woodland Scene in Summer with Children on a Path (1871, oil on canvas)
[center]: William Robert Hill: Alice in Wonderland (1876, magic lantern slide,
2014-10-19: upper and lower segment expanded vertically)
[background]: Sir John Tenniel: Alice & the Cheshire Cat (from Alice's Adventures in Wonderland, 1865 Appleton edition, AAIW91)
Salvatore Dali: paranoiac critical rendering of Vermeer's The Lacemaker (1958), mirror view
As for the image on the last page, see also https://www.academia.edu/11592383/The_Vanishing
---------------------
Update (2015-05-04):
Already in November 2012 Carol Jacobi wrote: "The salt cellar spilling its contents through the shadow on the white cloth in Lorenzo and Isabella, dispels doubts about whether such sexual connotations were ‘conscious’".
Source: http://www.tate.org.uk/research/publications/tate-papers/sugar-salt-and-curdled-milk-millais-and-synthetic-subject
"Louise Schweitzer's fascinating and beautiful book shines a light on the often misunderstood but much-loved and delightful genre of Nonsense writing. By focussing on its golden age during the mid-nineteenth century and, in particular, the work of three of the great Nonsense writers of the time * Edward Lear, WS Gilbert, and Lewis Carroll * the reader is taken on a voyage of discovery. Schweitzer looks in detail at the life and work of each one of this great Victorian Nonsense triumvirate and how three such conservative and solemn men came to produce fantastic and spontaneous expressions of freedom in the form of Nonsense poetry. In looking at their lives, Schweitzer also discusses Victorian society and how it provided both the rich source for much Nonsense writing as well as the fertile conditions for this one wild flower to grow and flourish."
Remarks:
* This is just a link. There is no paper which you can download here.
* As academia.edu removed the reordering function, I cannot sort the snarkhunter list by date anymore.
* For ongoing research (by Nina Lyon): https://www.academia.edu/11413388
Nothing to download here. Please go to:
https://www.academia.edu/19022352/The_theory_and_function_of_names_in_The_Hunting_of_the_Snark_and_Through_the_Looking_Glass
I like her blog article about a "small book" written by "a sleazy, retrogressive Victorian Tory who somehow nailed the limits of symbolic logic, the metaphysical and stylistic principles of post-structuralism and, also, semiotic theory" as a "satire on reification":
http://blogs.cardiff.ac.uk/ninalyon/2013/12/16/snark/
From another blog entry: "[...] Despite the fact that Lewis Carroll is one of the world’s best-loved children’s writers, few people have read the Snark. There is also very little academic commentary on it. It is thought of as a “nonsense poem” and categorised alongside Jabberwocky and the work of Edward Lear. In this paper I will argue that the apparently nonsensical qualities of the Snark are more usefully understood as a form of intentional anti-realism and perform a function similar to the Zen koan. [...]"
http://blogs.cardiff.ac.uk/ninalyon/2015/06/26/snarks-and-boojums/
I still didn't look for maths jokes in Carroll's "Snark". (The Beaver's lesson is too easy.) Carroll may have poked fun at the first steps in his era into non-Euclidean geometry. He may have done so in "Alice".
"[...] Mathematical techniques that might be able to overcome human perceptual bias and measure this reality are just beginning to be speculated. Furthermore, Carroll’s beloved Euclidean geometry is being dismissed in order to do so. [...]"
http://blogs.cardiff.ac.uk/ninalyon/2015/06/19/mapless-maps-scale-and-anti-realism-in-carroll-and-swift/
Well, at least the Bellman's map doesn't require to decide, what kind of geometry has been projected here into two-dimensional space.
Among the little academic commentary I know of, I recommend this one:
https://www.academia.edu/23715278/By_Louise_Schweitzer_One_Wild_Flower_2012_
(The PhD thesis is a book. There is nothing to download from academia.edu.)
Il Covile, anno XII NO690, 2012-03-29,
ISSN 2279-6924
www.ilcovile.it/scritti/COVILE_690_Snark.pdf
(or pg. 101 in www.ilcovile.it/raccolte/RACCOLTA_COVILE__3_Fine_e_popolare.pdf)
Translation of Lewis Carroll's "The Hunting of the Snark, 16 pages:
LEWIS CARROLL
LA CERCA DELLO SQUALLO
THE HUNTING OF THE SNARK
NELLA TRADUZIONE DI ADRIANO OREFICE
(http://www.researchgate.net/profile/Adriano_Orefice/info)
"Un veliero: il brigantino H. M. S. Beagle. Lo comanda il bigotto Capitano Robert Fitz Roy. L'anno è il 1831. A bordo, un cervello esplosivo. Con un ritardo di due secoli sulla Fisica, sta per deflagrare il Galileo della Biologia. Le tappe successive: nel 1838 è completata la teoria della selezione naturale. Nel 1859 esce L'origine della specie.
· · Dissolvenza.
· · Quando torna l'immagine, è ancora una nave. Un veliero, naturalmente. Il Beagle riprende il mare? L'anno, è il 1874: Darwin è ancora vivo, vegeto e chiacchierato. ..."
"A sailing ship: the brig H. M. S. Beagle. It is commanded by the bigoted Captain Robert Fitz Roy. The year is 1831. On board, a brain explosion. With a delay of about two centuries of Physics, it is shattered by the the Galileo of Biology. The following stages: In 1838 the theory of natural selection was completed. In 1859 comes the Origin of Species.
· · Fade-over.
· · When it returns into the scene, it is still a ship. A sailing ship, of course. The Beagle took to the sea again? The year is 1874: Darwin is still alive, well and chatty. ..."
Today, we only can guess why Henry Holiday "hid" images in his illustrations to Lewis Carroll's "The Hunting of the Snark" in 1876. But Mahendra Singh (http://independent.academia.edu/MahendraSingh39) is a contemporary artist. In Will Schofields blog he gives examples for his allusions to old and modern art (by "pictorial embeddings" in his illustrations of details from those sources) in a contemporary graphic novel version of Carroll's long poem.
Proceedings of the Annual Meeting of the Berkeley Linguistics Society, Vol 31, No 1 (2005)
"Formal theories of poetics to date have largely focused on describing the characteristics of binary meters (especially iambic), as well the types of variation that these meters allow, time and time again, in the form of their feet and lines. This paper departs from that trend to address two metrical mysteries in a triple meter: the anapestic verse of Lewis Carroll, most strikingly exemplified in that epic of nonsense verse, The Hunting of the Snark. [...]"
(2015-09-18: Due to the radical academia.edu layout changes some links may not work anymore.)
John's continuous encouragement was a valuable help to me. And his assumptions in the "Illuminated Snark" (regarding the front cover illustration Lewis Carroll's "The Hunting of the Snark") guided me to the Ditchley Portrait: https://www.academia.edu/9984501/Queen_Elizabeth_I_meets_the_Boojum
More from John Tufail:
- https://www.tumblr.com/tagged/john-tufail
- http://www.pazooter.com/carroll/philo.html
Remark: In "The Illuminated Snark", John Tufail identifies Lewis Carroll's "His intimate friends called him 'Candle-ends,' and his enemies 'toasted Cheese'" as an allusion to Thomas Nashe's "[...] toasted cheese and candles' ends [...]". I think that this allusion together with other "hot" names is used by Carroll to relate the "Baker" to Thomas Cranmer: https://www.academia.edu/9918883/Thomas_Cranmers_42_Boxes
The Ohio State University, 1975.
Download: https://etd.ohiolink.edu/rws_etd/document/get/osu1260276849/inline
On "The Hunting of the Snark": p. 144 - 148 (PDF: 148 - 152).
To me (an amateur), the dissertation looks like an example for the patterns in writings about nonsense.
"What can science reveal of the nature of man and the universe of which it is a part? This is the quest of the Snark."
(Philo M. Buck: "Science, Literature, and the Hunting of the Snark", College English, Vol. 4, No. 1, Oct., 1942)
"[...] One of the first three [illustrations, http://www.ipernity.com/doc/goetzkluge/24394291/] I had to do was the disappearance of the Baker, and I not unnatuarally invented a Boojum. Mr. Dodgson wrote that it was a delightful monster, but that it was inadmissible. All his descriptions of the Boojum were quite unimaginable, and he wanted the creature to remain so. I assented, of course, though reluctant to dismiss what I am still confident is an accurate representation. I hope that some future Darwin in a new Beagle will find the beast, or its remains; if he does, I know he will confirm my drawing. [...]"
(Henry Holiday (1898-01-29): The Snark's Significance, in: The Academy: A Weekly Review of Literature, Science, and Art)
See also: https://www.academia.edu/9970930/Hunting_Snark_with_Charles_Darwin (last page)
I took the liberty to add two persons (drawn by Henry Holiday and cut by Joseph Swain in Lewis Carroll's "The Hunting of the Snark") to the image. But I didn't touch the vessel.
The print is based on a drawing by Conrad Martens, etching published in: "Francis Darwin, Life and Letters of Charles Darwin" , p. 160, 1888. Conrad Martens' drawing has been engraved by Thomas Landseer and published in the year 1838 by H. Colburn in "The Narrative of the Surveying Voyages of HMS Adventure and Beagle".
License for the collage: License: CC BY-NC-ND 3.0 (https://creativecommons.org/licenses/by-nc-nd/3.0/)
2015-03-23: I found out that the image cannot be reliably printed on a big network printer under MS-Windows. (My cheap inkjet network printer at home driven by a PC with Linux performs well.) In case of trouble you may try http://www.snrk.de/BeagleLaidAshoreSnarked.svg.7z as an alternative.
2015-04-08: I asked more specifically. Also one hyperlink has been changed.
2015-07-04: See also: http://darwin-online.org.uk/content/frameset?pageseq=11&itemID=F1575&viewtype=side
· Chapter 1 and 8: http://ariehbennaim.com/demo-image/B7-Ch1-8-Pref-.pdf
· Page about the book: http://ariehbennaim.com/book/entropyd.html
· Author's acedemia.edu page: https://huji.academia.edu/AriehBenNaim/
Computes inequality indices from quantile data. The data can be added in the URL or in a form. English example for data in the URL: http://www.poorcity.richcity.org/calculator/?quantiles=50,2.5|40,47.5|9,27|1,23 , German example: http://www.umverteilung.de/rechner/?quantiles=50,2.5|40,47.5|9,27|1,23). Python source code of algorithms used: https://www.academia.edu/9904452/Inequality_Measures
„Common sense“ is a dangerous beast. But sometimes it is right. Common sense gives us the feeling, that the inequal distribution of ressources is fair, as some people contribute more to society and others less. However, „too much“ inequality is „unfair“, but also a perfectly equal distribution is „not natural“. So, where is the „right“ distribution – and why is it perceived to be right?
There has been research on this „common sense“, e.g. by Yoram Amiel in Thinking about Inequality: Personal Judgement and Income Distributions (2009). With his methods you can find a range of distributional equality (income inequality in that case) within which most people feel comfortable. (There are some cultural differences.) How could that „feeling“ come about? My assumption is, that within this range the information gap between
• an inequality, which could be „equalized“ by a consciously controlled redistribution and
• an inequality, which converges towards equality by stochastic redistribution
reaches an maximum. This information gap may determine the degree of inequality perception, and then the intensity of inequality issuization. How can this gap be computed?
A little collection of inequality measures and a Python script which implements some formulas from Amartya Sen's and James E. Foster's "On Economic Inequality" as well as some formulas which I developed. Also misunderstandings of the term "entropy" are addressed: Theil's measure is not an entropy. It is an redundancy (as defined for information theory in ISO/IEC DIS 2382-16.03.05.). --- (Sorry for the typos in the article. They won't affect the Python code however.)
Employee Participation in Rating the CSR Performance of their Employer
This is not a research paper. This is a request by an employee who searches research on employee involvement and employee participation in ratings of the CSR performance of companies.
Employees have to contribute to the CSR of their employers. At the same time they also are stakeholders of the CSR menagement of their employers, especially where CSR performance related to labor rights and OH&S (occupational health & safet) is assessed.
The rating company EcoVadis awarded some companies with “Gold” and with “Silver”. I know of two companies with a “Silver” rating who publish the detailed Premium Reports to the puplic in the internet. On the other side there are also “Gold” rated companies who won't give the reports even to their employee representatives who want to check whether the employer's presentation of the company to the rating company reflects the state of CSR as perceived by the employees.
Is there research on whether publishing CSR assessment reports to the employees (as major CSR management stakeholders) of a CSR rated employer could contribute th the quality of CSR assessments?
(1) https://www.google.com/search?num=100&q="Certification+scheme+for+occupational+health+and+safety+(OHS)+management+systems+according+to+OHSAS+18001"+site%3Asccm.nl
(2) http://blog.psybel.de/stichwort/sccm-quotes/ is in German, but contains some links and some quotes in English.
The excellent OHSAS 18001 certification scheme of the Dutch SCCM (Stichting Coördinatie Certificatie Milieu- en arbomanagementsystemen, not the Microsoft SCCM) shows how workers can participate in audits of OH&S management systems.
I assume, that there will be a similar scheme for the upcoming ISO 45001.
This is a press release from British Standards Institution (BSI). The 2nd committee draft of ISO 45001 is available for public review - probably until end of April 2015. The standard is about managing Occupational Health & Safety (OH&S) and probably will be one of the most disputed standards in the history of international standardization.
2015-03-23: I found out that the image cannot be reliably printed on a big network printer under MS-Windows. (My cheap inkjet network printer at home driven by a PC with Linux performs well.) In case of trouble you may try http://www.snrk.de/BeaversLesson.svg.7z as an alternative.
2015-03-25: If your printer or your computer cannot handle large SVG files, you can use http://www.ipernity.com/doc/goetzkluge/37490830 as a high resolution image.
Text version:
Incidents which …
1.1.1.1 … have caused physical ill health
1.1.1.2 … have worsened physical ill health
1.1.2.1 … could have caused physical ill health
1.1.2.2 … could have worsened physical ill health
1.2.1.1 … have caused mental ill health
1.2.1.2 … have worsened mental ill health
1.2.2.1 … could have caused mental ill health
1.2.2.2 … could have worsened mental ill health
2._.1._ … have caused injury
2._.2._ … could have caused injury
3._.1._ … have caused fatality
3._.2._ … could have caused fatality
2016-01-15: ISO 45001 probably will support 16 incident categories.