Papers by Glynnis Fawkes
Princeton University Press eBooks, Jun 10, 2024
Medium.com /Spiralbound, 2018
What if I were to invite Charlotte Bronte along to my yoga class? She'd have somethings to say a... more What if I were to invite Charlotte Bronte along to my yoga class? She'd have somethings to say about it.
Published on Eidolon: https://eidolon.pub/the-stormy-seas-of-cyprus-974ebf390722#f4e7
This is an 8-page comic story from the Arabian Nights drawn in full color. It will appear in the... more This is an 8-page comic story from the Arabian Nights drawn in full color. It will appear in the forthcoming Graphic Canon.
A short comic adaptation of Euripides' Iphigenia in Aulis.
On 2015.10.9 Classical Inquiries published the first in a series of experiments combining the art... more On 2015.10.9 Classical Inquiries published the first in a series of experiments combining the artwork of cartoonist, painter, and archaeological illustrator Glynnis Fawkes with Gregory Nagy's translations of Sappho. This second installment presents one of the “newest Sappho” fragments known as the “Brothers Song.”
Comics for a new translation by Gregory Nagy.
This comic is a collaboration with John Franklin that previews his forthcoming book, Kinyras: th... more This comic is a collaboration with John Franklin that previews his forthcoming book, Kinyras: the Divine Lyre.
Books by Glynnis Fawkes
Teaching Documents by Glynnis Fawkes
Coursebook / Materials for Euterpe 2019 Lyre School
John Franklin (with additional materials as n... more Coursebook / Materials for Euterpe 2019 Lyre School
John Franklin (with additional materials as noted) for the Euterpe Lyre School organized by Emiliano li Castro and Placido Scardina, Tarquinia, 2019. Lyre kits by Marco Sciascia. Drawings by Glynnis Fawkes.
TABLE OF CONTENTS
The Near East: Diatonic Tuning Circle
Nabnitu XXXII
CBS 10996
UET 7/74
Graphic Representation of Tuning Cycle
Epicentric Features in Mesopotamian Tuning Cycle Epicentric Function in Hurrian Hymn 6
Tuning Cycle Worksheet
History, Theory, Notation
Bronze Age Lyres (from Franklin 2015)
Iron Age Lyres (from Franklin 2015)
Some Bronze Age Chordophones (Aegean) Regional Survival of Bronze Age Lyre Tradition Apollo’s Assimilation of Regional Lyre Traditions Four-Stringed Lyres and Epic Song?
Epicentric Arrangement of the Archaic Heptachord Summary of Epicentric Tonality
Archaic Performance Centers—7th Century Archaic Performance Centers—later 6th Century The Aulos Revolution
Greater Perfect System and Central Lyric Octave
Polychordal expansions by Melanippides, Phrynis, and Timotheus (from Lynch 2018). Blank GPS Diagrams for Reconstructing Tonoi
Mature Notation System (from Hagel 2009)
Limits of Epicentric Octave Tunings Plotted against Mature Notation System
Diagram of the Koine Hormasia (from Hagel 2009)
Ancient Passages for Discussion
Early Tradition of Seven-Stringed Lyres
Did Four-Stringed Lyres Exist?
‘Harmony’ and ‘Symphony’: Resonance as an Aspect of Physical Harmony Tuning / Testing for Resonance
Synécheia: Diatonic / Heptatonic ‘Continuity’, Aristoxenus’ ‘First Principle’ of
Harmonics
Antiquity of Diatonic Tuning
The Archaic Heptachord and its Epicentric Arrangement
The Boundary Strings as Shorthand for the Epicentric Arrangement Epicentric Tonal Function
‘Gapped’ Octaves on Seven Strings
Techniques of Lyric Performance
The Lyre as a Muse / Teacher / Leader
The Boundary Strings as Muses (Argos, Delphi) Epicentric Strings and the Harmony of the Spheres The Rise of Polychordy
Transcription Exercises (Adapted from West 1992 and Pöhlmann/West 2001 = DAGM) Aeide Mousa (DAGM 24)
Paian of Athenaeus (DAGM 20) Song of Seikilos (DAGM 23)
Ancient Greek Pieces with Tablature
Marching Paian (DAGM 52)
Aeide Mousa (DAGM 24)
Mesomedes, Hymn to Nemesis (DAGM 28)
Mesomedes, Invocation of Calliope and Apollo (DAGM 25) Paian of Athenaeus (DAGM 20)
Composing ‘New Ancient Music’
Principles of Accent Melody
Exercise 1: Anacreon fr. 13 Poetae Melici Graeci
Exercise 2: Sappho 2 Lobel-Page
Score for Sappho 1 Lobel-Page
Composing New Ancient Music for Euripides' Helen Talking Points Score for Euripides Helen, Parodos
Managing Introductions and Transitions: Epiparodos
Score for Euripides Helen, Epiparodos
Score for Euripides Helen, First Stasimon
Working Score for Second Stasimon
Issues of Metrical Responsion
Score for Euripides Helen, Second Stasimon
Score for Euripides Helen, Third Stasimon
Lyre Reference Materials
Repertoire of Lyre Tunings and Chords
Blank Tuning-Chord Worksheet
Harmonic Refraction and Resonance
Overtones (Available and Coincident)
Blank Overtones Worksheet
Microtonal Tunings in Greek Sources (from “Hearing Greek Microtones”)
‘Music’, from Finkelberg, M. (ed.), The Homer Encyclopedia (Oxford, 2011).
Euripides Helen by Glynnis Fawkes
Uploads
Papers by Glynnis Fawkes
Books by Glynnis Fawkes
Kinyras: The Divine Lyre is also available online through the CHS website: http://chs.harvard.edu/CHS/article/display/6329. The web version, however, does not have page numbers, so that internal cross-references cannot be easily followed. Hence the PDF here.
Teaching Documents by Glynnis Fawkes
John Franklin (with additional materials as noted) for the Euterpe Lyre School organized by Emiliano li Castro and Placido Scardina, Tarquinia, 2019. Lyre kits by Marco Sciascia. Drawings by Glynnis Fawkes.
TABLE OF CONTENTS
The Near East: Diatonic Tuning Circle
Nabnitu XXXII
CBS 10996
UET 7/74
Graphic Representation of Tuning Cycle
Epicentric Features in Mesopotamian Tuning Cycle Epicentric Function in Hurrian Hymn 6
Tuning Cycle Worksheet
History, Theory, Notation
Bronze Age Lyres (from Franklin 2015)
Iron Age Lyres (from Franklin 2015)
Some Bronze Age Chordophones (Aegean) Regional Survival of Bronze Age Lyre Tradition Apollo’s Assimilation of Regional Lyre Traditions Four-Stringed Lyres and Epic Song?
Epicentric Arrangement of the Archaic Heptachord Summary of Epicentric Tonality
Archaic Performance Centers—7th Century Archaic Performance Centers—later 6th Century The Aulos Revolution
Greater Perfect System and Central Lyric Octave
Polychordal expansions by Melanippides, Phrynis, and Timotheus (from Lynch 2018). Blank GPS Diagrams for Reconstructing Tonoi
Mature Notation System (from Hagel 2009)
Limits of Epicentric Octave Tunings Plotted against Mature Notation System
Diagram of the Koine Hormasia (from Hagel 2009)
Ancient Passages for Discussion
Early Tradition of Seven-Stringed Lyres
Did Four-Stringed Lyres Exist?
‘Harmony’ and ‘Symphony’: Resonance as an Aspect of Physical Harmony Tuning / Testing for Resonance
Synécheia: Diatonic / Heptatonic ‘Continuity’, Aristoxenus’ ‘First Principle’ of
Harmonics
Antiquity of Diatonic Tuning
The Archaic Heptachord and its Epicentric Arrangement
The Boundary Strings as Shorthand for the Epicentric Arrangement Epicentric Tonal Function
‘Gapped’ Octaves on Seven Strings
Techniques of Lyric Performance
The Lyre as a Muse / Teacher / Leader
The Boundary Strings as Muses (Argos, Delphi) Epicentric Strings and the Harmony of the Spheres The Rise of Polychordy
Transcription Exercises (Adapted from West 1992 and Pöhlmann/West 2001 = DAGM) Aeide Mousa (DAGM 24)
Paian of Athenaeus (DAGM 20) Song of Seikilos (DAGM 23)
Ancient Greek Pieces with Tablature
Marching Paian (DAGM 52)
Aeide Mousa (DAGM 24)
Mesomedes, Hymn to Nemesis (DAGM 28)
Mesomedes, Invocation of Calliope and Apollo (DAGM 25) Paian of Athenaeus (DAGM 20)
Composing ‘New Ancient Music’
Principles of Accent Melody
Exercise 1: Anacreon fr. 13 Poetae Melici Graeci
Exercise 2: Sappho 2 Lobel-Page
Score for Sappho 1 Lobel-Page
Composing New Ancient Music for Euripides' Helen Talking Points Score for Euripides Helen, Parodos
Managing Introductions and Transitions: Epiparodos
Score for Euripides Helen, Epiparodos
Score for Euripides Helen, First Stasimon
Working Score for Second Stasimon
Issues of Metrical Responsion
Score for Euripides Helen, Second Stasimon
Score for Euripides Helen, Third Stasimon
Lyre Reference Materials
Repertoire of Lyre Tunings and Chords
Blank Tuning-Chord Worksheet
Harmonic Refraction and Resonance
Overtones (Available and Coincident)
Blank Overtones Worksheet
Microtonal Tunings in Greek Sources (from “Hearing Greek Microtones”)
‘Music’, from Finkelberg, M. (ed.), The Homer Encyclopedia (Oxford, 2011).
Euripides Helen by Glynnis Fawkes
Kinyras: The Divine Lyre is also available online through the CHS website: http://chs.harvard.edu/CHS/article/display/6329. The web version, however, does not have page numbers, so that internal cross-references cannot be easily followed. Hence the PDF here.
John Franklin (with additional materials as noted) for the Euterpe Lyre School organized by Emiliano li Castro and Placido Scardina, Tarquinia, 2019. Lyre kits by Marco Sciascia. Drawings by Glynnis Fawkes.
TABLE OF CONTENTS
The Near East: Diatonic Tuning Circle
Nabnitu XXXII
CBS 10996
UET 7/74
Graphic Representation of Tuning Cycle
Epicentric Features in Mesopotamian Tuning Cycle Epicentric Function in Hurrian Hymn 6
Tuning Cycle Worksheet
History, Theory, Notation
Bronze Age Lyres (from Franklin 2015)
Iron Age Lyres (from Franklin 2015)
Some Bronze Age Chordophones (Aegean) Regional Survival of Bronze Age Lyre Tradition Apollo’s Assimilation of Regional Lyre Traditions Four-Stringed Lyres and Epic Song?
Epicentric Arrangement of the Archaic Heptachord Summary of Epicentric Tonality
Archaic Performance Centers—7th Century Archaic Performance Centers—later 6th Century The Aulos Revolution
Greater Perfect System and Central Lyric Octave
Polychordal expansions by Melanippides, Phrynis, and Timotheus (from Lynch 2018). Blank GPS Diagrams for Reconstructing Tonoi
Mature Notation System (from Hagel 2009)
Limits of Epicentric Octave Tunings Plotted against Mature Notation System
Diagram of the Koine Hormasia (from Hagel 2009)
Ancient Passages for Discussion
Early Tradition of Seven-Stringed Lyres
Did Four-Stringed Lyres Exist?
‘Harmony’ and ‘Symphony’: Resonance as an Aspect of Physical Harmony Tuning / Testing for Resonance
Synécheia: Diatonic / Heptatonic ‘Continuity’, Aristoxenus’ ‘First Principle’ of
Harmonics
Antiquity of Diatonic Tuning
The Archaic Heptachord and its Epicentric Arrangement
The Boundary Strings as Shorthand for the Epicentric Arrangement Epicentric Tonal Function
‘Gapped’ Octaves on Seven Strings
Techniques of Lyric Performance
The Lyre as a Muse / Teacher / Leader
The Boundary Strings as Muses (Argos, Delphi) Epicentric Strings and the Harmony of the Spheres The Rise of Polychordy
Transcription Exercises (Adapted from West 1992 and Pöhlmann/West 2001 = DAGM) Aeide Mousa (DAGM 24)
Paian of Athenaeus (DAGM 20) Song of Seikilos (DAGM 23)
Ancient Greek Pieces with Tablature
Marching Paian (DAGM 52)
Aeide Mousa (DAGM 24)
Mesomedes, Hymn to Nemesis (DAGM 28)
Mesomedes, Invocation of Calliope and Apollo (DAGM 25) Paian of Athenaeus (DAGM 20)
Composing ‘New Ancient Music’
Principles of Accent Melody
Exercise 1: Anacreon fr. 13 Poetae Melici Graeci
Exercise 2: Sappho 2 Lobel-Page
Score for Sappho 1 Lobel-Page
Composing New Ancient Music for Euripides' Helen Talking Points Score for Euripides Helen, Parodos
Managing Introductions and Transitions: Epiparodos
Score for Euripides Helen, Epiparodos
Score for Euripides Helen, First Stasimon
Working Score for Second Stasimon
Issues of Metrical Responsion
Score for Euripides Helen, Second Stasimon
Score for Euripides Helen, Third Stasimon
Lyre Reference Materials
Repertoire of Lyre Tunings and Chords
Blank Tuning-Chord Worksheet
Harmonic Refraction and Resonance
Overtones (Available and Coincident)
Blank Overtones Worksheet
Microtonal Tunings in Greek Sources (from “Hearing Greek Microtones”)
‘Music’, from Finkelberg, M. (ed.), The Homer Encyclopedia (Oxford, 2011).