Discovering Dalmatia is a week-long programme of the Institute of Art History – Centre Cvito Fisk... more Discovering Dalmatia is a week-long programme of the Institute of Art History – Centre Cvito Fisković in Split. It is devoted to cultural and historical aspects of the Croatian littoral that, with their many-layered links with the overall Mediterranean and European world, gradually began to be discovered during the 18th and 19th centuries, when many travel writers and visual artists on their Grand Tours started regularly to visit the eastern coast of the Adriatic.
Within the programme, a workshop was held on the topic entitled (Un)Mapping Diocletian’s Palace: Research methods in the understanding of the experience and meaning of place. The workshop is devoted to a monument that has been one of the most powerful magnets for Grand Tourist in their stay on the Croatian Adriatic.
Matteo Mazzalupi gave a lecture entitled Painting in Ancona in the 15th century with several parallels with Dalmatian painting, derived from his doctoral dissertation, and from the articles that he has published in the meantime. The lecture was held within the context of the academic project of the Institute of Art History entitled Fine arts and communication of power in the early modern period (1450-1800): historical Croatian regions at the borders of Central Europe and the Mediterranean, under the aegis of the Croatian Science Foundation.
Attempting one more time to weigh the arguments that the Zadar Forum, with all the stratification of historical monuments of two millennia that it reflects, is indeed a phenomenon of the world heritage, as part of the programme Discovering Dalmatia a scholarly colloquium entitled Zadar: space, time, architecture. Four new views was also organised. Four lectures were devoted to diverse aspects of the development of the architecture and town planning of Zadar and its renovation will put forward supporting arguments for the proposition that the historical centre of the city possesses indeed all the characteristics of exceptional universal value.
The concluding part of this week-long programme consisted of an international conference entitled Discovering Dalmatia. Dalmatia in 18th and 19th century travelogues, pictures and photographs, in which these topics will be analysed and evaluated in terms of literary theory and the theory and history of art and architecture.
The workshop and the conference stemed from the research project Dalmatia – a destination of the European Grand Tour in the 18th and the 19th century of the Institute of Art History, under the aegis of the Croatian Science Foundation.
Discovering Dalmatia is a week-long programme of the Institute of Art History – Centre Cvito Fisk... more Discovering Dalmatia is a week-long programme of the Institute of Art History – Centre Cvito Fisković in Split. It is devoted to cultural and historical aspects of the Croatian littoral that, with their many-layered links with the overall Mediterranean and European world, gradually began to be discovered during the 18th and 19th centuries, when many travel writers and visual artists on their Grand Tours started regularly to visit the eastern coast of the Adriatic.
Within the programme, a workshop was held on the topic entitled (Un)Mapping Diocletian’s Palace: Research methods in the understanding of the experience and meaning of place. The workshop is devoted to a monument that has been one of the most powerful magnets for Grand Tourist in their stay on the Croatian Adriatic.
Matteo Mazzalupi gave a lecture entitled Painting in Ancona in the 15th century with several parallels with Dalmatian painting, derived from his doctoral dissertation, and from the articles that he has published in the meantime. The lecture was held within the context of the academic project of the Institute of Art History entitled Fine arts and communication of power in the early modern period (1450-1800): historical Croatian regions at the borders of Central Europe and the Mediterranean, under the aegis of the Croatian Science Foundation.
Attempting one more time to weigh the arguments that the Zadar Forum, with all the stratification of historical monuments of two millennia that it reflects, is indeed a phenomenon of the world heritage, as part of the programme Discovering Dalmatia a scholarly colloquium entitled Zadar: space, time, architecture. Four new views was also organised. Four lectures were devoted to diverse aspects of the development of the architecture and town planning of Zadar and its renovation will put forward supporting arguments for the proposition that the historical centre of the city possesses indeed all the characteristics of exceptional universal value.
The concluding part of this week-long programme consisted of an international conference entitled Discovering Dalmatia. Dalmatia in 18th and 19th century travelogues, pictures and photographs, in which these topics will be analysed and evaluated in terms of literary theory and the theory and history of art and architecture.
The workshop and the conference stemed from the research project Dalmatia – a destination of the European Grand Tour in the 18th and the 19th century of the Institute of Art History, under the aegis of the Croatian Science Foundation.
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Within the programme, a workshop was held on the topic entitled (Un)Mapping Diocletian’s Palace: Research methods in the understanding of the experience and meaning of place. The workshop is devoted to a monument that has been one of the most powerful magnets for Grand Tourist in their stay on the Croatian Adriatic.
Matteo Mazzalupi gave a lecture entitled Painting in Ancona in the 15th century with several parallels with Dalmatian painting, derived from his doctoral dissertation, and from the articles that he has published in the meantime. The lecture was held within the context of the academic project of the Institute of Art History entitled Fine arts and communication of power in the early modern period (1450-1800): historical Croatian regions at the borders of Central Europe and the Mediterranean, under the aegis of the Croatian Science Foundation.
Attempting one more time to weigh the arguments that the Zadar Forum, with all the stratification of historical monuments of two millennia that it reflects, is indeed a phenomenon of the world heritage, as part of the programme Discovering Dalmatia a scholarly colloquium entitled Zadar: space, time, architecture. Four new views was also organised. Four lectures were devoted to diverse aspects of the development of the architecture and town planning of Zadar and its renovation will put forward supporting arguments for the proposition that the historical centre of the city possesses indeed all the characteristics of exceptional universal value.
The concluding part of this week-long programme consisted of an international conference entitled Discovering Dalmatia. Dalmatia in 18th and 19th century travelogues, pictures and photographs, in which these topics will be analysed and evaluated in terms of literary theory and the theory and history of art and architecture.
The workshop and the conference stemed from the research project Dalmatia – a destination of the European Grand Tour in the 18th and the 19th century of the Institute of Art History, under the aegis of the Croatian Science Foundation.
Within the programme, a workshop was held on the topic entitled (Un)Mapping Diocletian’s Palace: Research methods in the understanding of the experience and meaning of place. The workshop is devoted to a monument that has been one of the most powerful magnets for Grand Tourist in their stay on the Croatian Adriatic.
Matteo Mazzalupi gave a lecture entitled Painting in Ancona in the 15th century with several parallels with Dalmatian painting, derived from his doctoral dissertation, and from the articles that he has published in the meantime. The lecture was held within the context of the academic project of the Institute of Art History entitled Fine arts and communication of power in the early modern period (1450-1800): historical Croatian regions at the borders of Central Europe and the Mediterranean, under the aegis of the Croatian Science Foundation.
Attempting one more time to weigh the arguments that the Zadar Forum, with all the stratification of historical monuments of two millennia that it reflects, is indeed a phenomenon of the world heritage, as part of the programme Discovering Dalmatia a scholarly colloquium entitled Zadar: space, time, architecture. Four new views was also organised. Four lectures were devoted to diverse aspects of the development of the architecture and town planning of Zadar and its renovation will put forward supporting arguments for the proposition that the historical centre of the city possesses indeed all the characteristics of exceptional universal value.
The concluding part of this week-long programme consisted of an international conference entitled Discovering Dalmatia. Dalmatia in 18th and 19th century travelogues, pictures and photographs, in which these topics will be analysed and evaluated in terms of literary theory and the theory and history of art and architecture.
The workshop and the conference stemed from the research project Dalmatia – a destination of the European Grand Tour in the 18th and the 19th century of the Institute of Art History, under the aegis of the Croatian Science Foundation.