... Note. 1. See various papers in Whose City: Civic Culture and Political Discourse in Post-war ... more ... Note. 1. See various papers in Whose City: Civic Culture and Political Discourse in Post-war Hong Kong. Ed. Lo Wing-sang. ... New York: Verso, 1998. ---. The Geopolitical Aesthetic: Cinema and Space in the World System. Bloomington: Indiana UP, 1995. ---. ...
The 'privatization' of art is a necessary part of the peaceful aftermath of the Stalinist campaig... more The 'privatization' of art is a necessary part of the peaceful aftermath of the Stalinist campaigns of centralization, but this does not mean a resurgence of individualism. Rather, it is a sign of the permanent assimilation of the individual. The post-Stalinist artist is a model of the new individual. The state points to him to illustrate how expertise and talent must be utilized.
... Note. 1. See various papers in Whose City: Civic Culture and Political Discourse in Post-war ... more ... Note. 1. See various papers in Whose City: Civic Culture and Political Discourse in Post-war Hong Kong. Ed. Lo Wing-sang. ... New York: Verso, 1998. ---. The Geopolitical Aesthetic: Cinema and Space in the World System. Bloomington: Indiana UP, 1995. ---. ...
The 'privatization' of art is a necessary part of the peaceful aftermath of the Stalinist campaig... more The 'privatization' of art is a necessary part of the peaceful aftermath of the Stalinist campaigns of centralization, but this does not mean a resurgence of individualism. Rather, it is a sign of the permanent assimilation of the individual. The post-Stalinist artist is a model of the new individual. The state points to him to illustrate how expertise and talent must be utilized.
Uploads
Papers by Evans Chan