Current methods for combining two different images produce visible artifacts when the sources hav... more Current methods for combining two different images produce visible artifacts when the sources have very different textures and structures. We present a new method for synthesizing a transition region between two source images, such that inconsistent color, texture, and structural properties all change gradually from one source to the other. We call this process image melding. Our method builds upon
This paper presents a new efficient method for recovering reliable local sets of dense correspond... more This paper presents a new efficient method for recovering reliable local sets of dense correspondences between two images with some shared content. Our method is designed for pairs of images depicting similar regions acquired by different cameras and lenses, under non-rigid transformations, under different lighting, and over different backgrounds. We utilize a new coarse-to-fine scheme in which nearest-neighbor field computations
IEEE Transactions on Pattern Analysis and Machine Intelligence, 2000
Human action in video sequences can be seen as silhouettes of a moving torso and protruding limbs... more Human action in video sequences can be seen as silhouettes of a moving torso and protruding limbs undergoing articulated motion. We regard human actions as three-dimensional shapes induced by the silhouettes in the space-time volume. We adopt a recent approach [14] for analyzing 2D shapes and generalize it to deal with volumetric space-time action shapes. Our method utilizes properties of the solution to the Poisson equation to extract space-time features such as local space-time saliency, action dynamics, shape structure, and orientation. We show that these features are useful for action recognition, detection, and clustering. The method is fast, does not require video alignment, and is applicable in (but not limited to) many scenarios where the background is known. Moreover, we demonstrate the robustness of our method to partial occlusions, nonrigid deformations, significant changes in scale and viewpoint, high irregularities in the performance of an action, and low-quality video.
Current methods for combining two different images produce visible artifacts when the sources hav... more Current methods for combining two different images produce visible artifacts when the sources have very different textures and structures. We present a new method for synthesizing a transition region between two source images, such that inconsistent color, texture, and structural properties all change gradually from one source to the other. We call this process image melding. Our method builds upon
This paper presents a new efficient method for recovering reliable local sets of dense correspond... more This paper presents a new efficient method for recovering reliable local sets of dense correspondences between two images with some shared content. Our method is designed for pairs of images depicting similar regions acquired by different cameras and lenses, under non-rigid transformations, under different lighting, and over different backgrounds. We utilize a new coarse-to-fine scheme in which nearest-neighbor field computations
IEEE Transactions on Pattern Analysis and Machine Intelligence, 2000
Human action in video sequences can be seen as silhouettes of a moving torso and protruding limbs... more Human action in video sequences can be seen as silhouettes of a moving torso and protruding limbs undergoing articulated motion. We regard human actions as three-dimensional shapes induced by the silhouettes in the space-time volume. We adopt a recent approach [14] for analyzing 2D shapes and generalize it to deal with volumetric space-time action shapes. Our method utilizes properties of the solution to the Poisson equation to extract space-time features such as local space-time saliency, action dynamics, shape structure, and orientation. We show that these features are useful for action recognition, detection, and clustering. The method is fast, does not require video alignment, and is applicable in (but not limited to) many scenarios where the background is known. Moreover, we demonstrate the robustness of our method to partial occlusions, nonrigid deformations, significant changes in scale and viewpoint, high irregularities in the performance of an action, and low-quality video.
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Papers by E. Shechtman