The early 2000s saw a sharp rise in the popularity of Wicca, most obviously in the number of teen... more The early 2000s saw a sharp rise in the popularity of Wicca, most obviously in the number of teenagers practising Witchcraft. This period similarly saw the introduction of a new era, in which identity formation underwent dramatic changes and the world became increasingly connected, with new forms of media playing a large role in both aspects. In this thesis, I show that teenage Witchcraft can and should be seen within the context of these postmodern developments. Witchcraft offers teenagers an attractive alternative to conventional lifestyle by placing an emphasis on nature and the environment and by providing a possibility for identity formation, yet while still leaving teenagers with a lot of options regarding the practise of their religion.
In 2004, Ayaan Hirsi Ali and Theo van Gogh made the anti-Islam film Submission. Four years later,... more In 2004, Ayaan Hirsi Ali and Theo van Gogh made the anti-Islam film Submission. Four years later, Geert Wilders published his own anti-Islam film, Fitna. These movies were both a reason for and a consequence of a Dutch sociopolitical climate in which anti-Islam sentiments were widely spread. Using academic literature about orientalism, media and gender, such as described by Edward Said as well as many others, I researched the use of orientalist characteristics in representing Muslims and the Islam in both of these movies, paying attention to the texts, visual aspects and implications of the films, as well as looking at the intentions of the makers and the place of the movies in the wider Dutch context.
The early 2000s saw a sharp rise in the popularity of Wicca, most obviously in the number of teen... more The early 2000s saw a sharp rise in the popularity of Wicca, most obviously in the number of teenagers practising Witchcraft. This period similarly saw the introduction of a new era, in which identity formation underwent dramatic changes and the world became increasingly connected, with new forms of media playing a large role in both aspects. In this thesis, I show that teenage Witchcraft can and should be seen within the context of these postmodern developments. Witchcraft offers teenagers an attractive alternative to conventional lifestyle by placing an emphasis on nature and the environment and by providing a possibility for identity formation, yet while still leaving teenagers with a lot of options regarding the practise of their religion.
In 2004, Ayaan Hirsi Ali and Theo van Gogh made the anti-Islam film Submission. Four years later,... more In 2004, Ayaan Hirsi Ali and Theo van Gogh made the anti-Islam film Submission. Four years later, Geert Wilders published his own anti-Islam film, Fitna. These movies were both a reason for and a consequence of a Dutch sociopolitical climate in which anti-Islam sentiments were widely spread. Using academic literature about orientalism, media and gender, such as described by Edward Said as well as many others, I researched the use of orientalist characteristics in representing Muslims and the Islam in both of these movies, paying attention to the texts, visual aspects and implications of the films, as well as looking at the intentions of the makers and the place of the movies in the wider Dutch context.
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