Papers by Christiane Joost-Gaugier
Choice Reviews Online, Oct 21, 2013
List of Illustrations vi Preface xi Frontispiece: Map of places mentioned xiii Introduction: The ... more List of Illustrations vi Preface xi Frontispiece: Map of places mentioned xiii Introduction: The Italian Renaissance as an Idea Rather Than a Period 1 1 What a Difference a Hundred Years Makes 8 2 How It All Started: Florence and Umbria 31 3 What Happened Next in Florence 68 4 Searching for the Renaissance (1): Siena and Southward to Sicily 92 5 Searching for the Renaissance (2): From Northern Italy Back to Umbria 118 6 The Triumph of the Intellectual Avant-Garde: The High Renaissance 152 7 Some Other Artists of the High Renaissance 184 8 The Swan Song of Renaissance Art 200 9 The Break and the New Avant-Garde: Early Mannerism 209 10 What Was the Italian Renaissance? Conclusions in the Bigger Picture 246 Appendix A: Artists Mentioned 258 Appendix B: Some Suggested Readings 262 Index 267
Artibus et Historiae, 1998
... Ulpius Traianus (Trajan), who ruled the Empire at the time, was to die on his way back to Ita... more ... Ulpius Traianus (Trajan), who ruled the Empire at the time, was to die on his way back to Italy from Syria, giving his successor, Publius Aelius Hadrianus ... The restoration of its integrity has not, however, lifted the veil of mystery that remains respecting the enigma of its meaning. ...
Sixteenth Century Journal, 1997
Introduction Marcia Hall 1. The image of the ancient Gymnasium of Athens, or Philosophy from Giov... more Introduction Marcia Hall 1. The image of the ancient Gymnasium of Athens, or Philosophy from Giovanni Pietro Bellori, translated by Alice Wohl (1751) 2. The school of Athens Heinrich Wolfflin (1899) 3. The architectural background Ralph E. Lieberman 4. Color and chiaroscuro Janis Bell 5. Pagans in the church: The School of Athens in religious context Timothy Verdon 6. The intellectual background of the School of Athens: tracking divine wisdom in the Rome of Julius II Ingrid D. Rowland.
The Art Bulletin, 1976
... rather than the trecento, attempted to associate it with Jacopo Bellini and suggested the pos... more ... rather than the trecento, attempted to associate it with Jacopo Bellini and suggested the possibility of a Tuscan source for the figure types, a source later hypothesized by Ragghianti as Uccello. 45 See Fiocco and Ragghianti. 4 For the Kew Codex see Ilaria Toesca, "Gli 'uomini ...
Sixteenth Century Journal, 2002
Sixteenth Century Journal, 2002
... Special thanks are due to the entire staff of the Museo Archeologico at Crotone for theirassi... more ... Special thanks are due to the entire staff of the Museo Archeologico at Crotone for theirassis-tance in every imaginable way. Virtually everyone at the National Gallery of Art Library was personally helpful in an enormous variety of ways. ...
Zeitschrift für Kunstgeschichte, 1975
... elaboration which suggests that the artist was particularly interested in the pictorial possi... more ... elaboration which suggests that the artist was particularly interested in the pictorial possibilities of display-ing his virtuosity in this ... 5 Page 6. ... his com-position on the resulting intersecting lines thereby achieving the impression of a unified and simply articulated spatial excavation. ...
Sixteenth Century Journal, 1999
Renaissance Quarterly, 2003
Artibus et Historiae, 1987
... Lorenzo the Magnificent and the Giraffe as a Symbol of Power When Giorgio Vasari painted the ... more ... Lorenzo the Magnificent and the Giraffe as a Symbol of Power When Giorgio Vasari painted the portrait of Lorenzo di Piero de' Medici [Fig. ... I Page 2. 1) Giorgio Vasari, *<Lorenzo de' Medici Accepting Gifts from his Ambassadors), Florence, Palazzo Vecchio (Courtesy Alinari). 92 ...
Artibus et Historiae, 1990
... In this work, particularly in a pas-sage in Canto VI of the Paradiso, Dante exalts Caesar for... more ... In this work, particularly in a pas-sage in Canto VI of the Paradiso, Dante exalts Caesar for paving the way for the founding of the Roman Empire.44 That he regarded Caesar as the founder of the empire is also stated in the De monarchia and the Convivio,45 and underlined in ...
Artibus et Historiae, 1994
Artibus et Historiae, 1985
... 144-230. 3 On the virtue of this 'instruction' from the educational point o... more ... 144-230. 3 On the virtue of this 'instruction' from the educational point of view see, eg, Giovanni di Pagolo Morelli, Ricordi, ed. Vittore Branca, 2nd ed., Florence, 1969, pp. 271 ff. 57 Page 2. ... James Leoni from Cosimo Bartoli ed., New York, 1966, VII.XVI). ...
Artibus et Historiae, 1985
... 144-230. 3 On the virtue of this 'instruction' from the educational point o... more ... 144-230. 3 On the virtue of this 'instruction' from the educational point of view see, eg, Giovanni di Pagolo Morelli, Ricordi, ed. Vittore Branca, 2nd ed., Florence, 1969, pp. 271 ff. 57 Page 2. ... James Leoni from Cosimo Bartoli ed., New York, 1966, VII.XVI). ...
Sixteenth Century Journal, 1994
... avversi della fortuna. Ma non era solo lo zio a infondere al giovane quella curiosità esplora... more ... avversi della fortuna. Ma non era solo lo zio a infondere al giovane quella curiosità esplorativa: l'ambiente stesso, tutto intorno al suo 'patrone' Lorenzo di Pierfrancesco dei Medici, lo spingeva su quella strada. Cristoforo Landino ...
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Papers by Christiane Joost-Gaugier