Papers by Claudia Zaccagnini
Roma e la sua campagna. Immagini e testi del Grand Tour, catalogo della mostra a cura di R. Mammucari e F. Nevola, Arezzo- Casa Museo Ivan Bruschi (22 maggio-3 luglio 2016), Firenze, Edifir, 2016, pp. 65-66., 2016
The issue of antiquity collections and the public convenience, the art dealing among diggers-merc... more The issue of antiquity collections and the public convenience, the art dealing among diggers-merchants and the amateurs, the protection policies of papacy at the time of the Grand Tour are the subjects of this research. The cultural heritage of Medici's and Albani's collections, the Clemente XII's and Clemente XIV's work for forming the Musei Capitolini and the Museo Pio-Clementino in Rome are analyzed in the roman contest.
Rivista di Studi Ungheresi, 12 (2013), pp. 181-187, 2013
In 1952 Janos (Giovanni) Hajnal designed his first stained-glass for the Church of S. Leone I in ... more In 1952 Janos (Giovanni) Hajnal designed his first stained-glass for the Church of S. Leone I in Rome. It was commissione by the Azione Cattolica Men and it's about human work. The study offers an historic and iconographic reading.
Giovanni Boccaccio e il suo tempo, in L'Albatros, 1, Gennaio-Marzo 2013, pp. 81-97., 2013
The study talks about the different changes of the Italian pictorial Art in the Boccaccio's age, ... more The study talks about the different changes of the Italian pictorial Art in the Boccaccio's age, during the Three Hundred Century. During this period, the new bourgeois class has many business activities over Italy and Europe and so Arts show the new people's flavour. In Tuscany, Duccio di Buoninsegna and Giotto are the new generation between tradition and a new way to make painting. The Senese influences, by gothic sculpture and goldsmithery sector (Pace di Valentino e Guccio di Mannaia) in the Assisi site are very important for the development of the Simone Martini's and Lorenzetti brother's paint. The diffusion of Giotto's language by him and his art shop in the north and south Italy are the road for the changements till the Late Gothic expressions.
Gregorio XVI promotore delle Arti e della Cultura - Atti Convegno 22-24 marzo 2006, 2008
The paper talks about an altar picture, the pala of Assunta, by the Roman artist Filippo Agricola... more The paper talks about an altar picture, the pala of Assunta, by the Roman artist Filippo Agricola, kept in the Roman basilica of S. Paolo Fuori le Mura. By means of many new documents, it's studied the iconography story of this work with several comparison with Raffaello, Giulio Romano, il Perugino, Annibale Carracci, Guido Reni, Tiziano and the painting of the first half of the XIX Century in Italy.
Vetro e Alimentazione XVIII Giornate Nazionali di Studio sul Vetro - Pavia, 16-17 maggio 2015, 2017
The study talks about holy stained-glass by the Hungarian artist Janos (John) Hajnal (Budapest 19... more The study talks about holy stained-glass by the Hungarian artist Janos (John) Hajnal (Budapest 1913-Rome 2010) located in certain Italian Churches. The food theme of the bread and wine, offered in the windows of a sacred character, is analyzed in relation to the narrative, iconographic and symbolic sources, that the artist has used in the design of the same, keeping in mind the diverse artistic and literary elaborated in coding over time. Among the windows of Hajnal, with the report, it will be given special attention to those of the Church of Our Lady of the SS. Sacrament and SS. Canadian Martyrs in Rome, the Shrine of St. Joseph in S. Agnello (Naples), the Church of the Pro-Civitate Christiana in Assisi (Perugia).
Uploads
Papers by Claudia Zaccagnini