Ana D. Navarro
Exhibition and Cultural Studies about Heritage in the Mediterranean
Phone: 0034671619241
Address: Via Chiatamone, 6G
Instituto Cervantes de Nápoles
Nápoles
Italia
Phone: 0034671619241
Address: Via Chiatamone, 6G
Instituto Cervantes de Nápoles
Nápoles
Italia
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Papers by Ana D. Navarro
In this work, a deteriorated and unique archaeological site due its chronological and functional singularity was chosen as the study case (Fuente Amarguilla-Cortijo Nuevo). Mound structures made of stone, interconnected one to each other in a regular network, covered by vaults, and well adapted to a smooth slope topography have no known precedents in the Iberian Peninsula in the Bronze Age. Nowadays, this site is seriously damaged, and its protection level by the administrations is weak. Nevertheless, two archaeological campaigns were carried out recording interesting information. A UAV-Photogrammetry project based on Structure from Motion (SfM) and Multi-View Stereopsis (MVS) algorithms was applied to model the surface terrain where the structural basis and connection channels were built, obtaining a dense point cloud, an orthoimage and a Digital Surface Model (DSM).The topographic data covering altered areas were removed from the dense point cloud, and then a new interpolated surface was obtained representing the unaltered morphology.
Finally, the information recorded in the archaeological campaigns was materialised in a virtual reconstruction located between both surfaces, measured by UAV-Photogrammetry and interpolated, and then the original architectural complex in its context was recreated and shared with the scientific community through Google Earth, contributing to recovering and preserving this cultural heritage, even after its disappearance.
This paper presents a review from the sculpture in bronze named «Astarté from El Carambolo». Currently, you can visit this phoenician goddess in Sevilla, the scultpure belongs to the stable collection from the Museo Archaeological. This object has served to build the iconographic studies about Astarté. The goddess is clearly identified as Astarté, the sculpture has an epigraphic inscription where the feets are laied on. Have been made a new iconographic study and the results have to be connected with the last research in the archaeological site between 2002 and 2005.
Resumen: El presente trabajo consiste en una revisión de la pieza escultórica realizada en bronce de la diosa oriental Astarté conservada en el Museo Arqueológico de Sevilla. La escultura, es una de las representaciones de la diosa que han contribuido a formar el corpus iconográfico de la misma ya que, está identificada claramente por la inscripción epigráfica que presenta en el escabel dónde reposan los pies de la diosa. Se ha realizado una nueva lectura iconográfica que debe ponerse en relación con las últimos datos conocidos a partir de las últimas excavaciones en el yacimiento de El Carambolo entre 2002 y 2005.
In this work, a deteriorated and unique archaeological site due its chronological and functional singularity was chosen as the study case (Fuente Amarguilla-Cortijo Nuevo). Mound structures made of stone, interconnected one to each other in a regular network, covered by vaults, and well adapted to a smooth slope topography have no known precedents in the Iberian Peninsula in the Bronze Age. Nowadays, this site is seriously damaged, and its protection level by the administrations is weak. Nevertheless, two archaeological campaigns were carried out recording interesting information. A UAV-Photogrammetry project based on Structure from Motion (SfM) and Multi-View Stereopsis (MVS) algorithms was applied to model the surface terrain where the structural basis and connection channels were built, obtaining a dense point cloud, an orthoimage and a Digital Surface Model (DSM).The topographic data covering altered areas were removed from the dense point cloud, and then a new interpolated surface was obtained representing the unaltered morphology.
Finally, the information recorded in the archaeological campaigns was materialised in a virtual reconstruction located between both surfaces, measured by UAV-Photogrammetry and interpolated, and then the original architectural complex in its context was recreated and shared with the scientific community through Google Earth, contributing to recovering and preserving this cultural heritage, even after its disappearance.
This paper presents a review from the sculpture in bronze named «Astarté from El Carambolo». Currently, you can visit this phoenician goddess in Sevilla, the scultpure belongs to the stable collection from the Museo Archaeological. This object has served to build the iconographic studies about Astarté. The goddess is clearly identified as Astarté, the sculpture has an epigraphic inscription where the feets are laied on. Have been made a new iconographic study and the results have to be connected with the last research in the archaeological site between 2002 and 2005.
Resumen: El presente trabajo consiste en una revisión de la pieza escultórica realizada en bronce de la diosa oriental Astarté conservada en el Museo Arqueológico de Sevilla. La escultura, es una de las representaciones de la diosa que han contribuido a formar el corpus iconográfico de la misma ya que, está identificada claramente por la inscripción epigráfica que presenta en el escabel dónde reposan los pies de la diosa. Se ha realizado una nueva lectura iconográfica que debe ponerse en relación con las últimos datos conocidos a partir de las últimas excavaciones en el yacimiento de El Carambolo entre 2002 y 2005.
The Archaeological Museum was moved in 1946 to the America Square, where the institution is now. This historical building was projected by Anibal Gonzalez for the International Exhibition in 1929. Different sectorial restructurations in the ancient building has made possible till now the relation and communication between museum and public.
Nowadays, the museographical messages needs a renovation, also the installations. New historical interpretations should be projected to the society, we manage a rich heritage, but the messages aren´t appropiated to the current cultural communication.
As an incentive to the goal for the MASE, and as support to the learning and knowledges for profession in its cotidianity, the museum organise this technical meeting as a dialogue between different expertises in museographical conceptions and science.
The main issues in this meeting are the knowledge and dissemination of innovatives practices developed in large museums projects, as well as the creation of new discourses in which museography, as a tool for articulate suggestive exhibition arguments, manages the balance between historical presentation and new technologies.
With the artistic direction of Tomás Alía and the spectacular edition of Marcella Echevarria this book is a journey to this interesting Heritage.