Art, an exquisite experience, transports us to otherworldly realms. This "Ānanda" – a profound jo... more Art, an exquisite experience, transports us to otherworldly realms. This "Ānanda" – a profound joy – transcends mere entertainment. It's a deep-seated yearning, driving our continual engagement.
Why does art captivate us? For some, it's a passion, for others, a livelihood. But fundamentally, it brings happiness. Advaita Vedanta describes this experience as "Ākalpa Satta" – real yet indescribable, beyond mundane pleasures.
Indian aesthetics emphasize three key aspects: Dhṛti (crystallizing emotions), Dīpti (exalting emotions), and Vikāsa (inspiring contemplation). Importantly, art is not a societal tool. Its purpose lies in its inherent nature – a poet's creative expression of their imagination and life experiences (Kuntaka).
While seemingly artificial, art reflects genuine human emotions. Ramayana, for instance, isn't just a story; it embodies values like generosity, devotion, and patience, inspiring us deeply.
Ultimately, art isn't about escapism or societal change. It's about contemplating the self and the world, enriching our lives and making them worth living. As Bhaṭṭa Tauta aptly states, art, like ash, cleanses the mirror of our perception, allowing us to see reality more clearly
Bharatanāṭya is primarily based on Karṇāṭaka Saṅgīta; the entire repertoire almost follows... more Bharatanāṭya is primarily based on Karṇāṭaka Saṅgīta; the entire repertoire almost follows the system of Karṇāṭaka Saṅgīta. However, there are a few specialties or adaptations, if we can say, in the Karṇāṭaka Saṅgīta of dance. One such specialty is the concept of Jati of dance, which usually occurs as part of a Korappu̲ (descending pattern of muktāya) or Erappu̲ (ascending pattern of muktāya) in the Tani (a series of Korvai-s- patterns, followed by an elaborate Tīrmāna) of Karṇāṭaka Saṅgīta; in Bharatanāṭya, Jati-s are danced- not necessarily the same patterns of the Tani, but the Jati-s are specifically composed to suit dance. We can definitely say that the patterns in a music concert and the Jati-s of Bharatanāṭya are different, mainly because of the purpose.
Karnataka Yakshagana Academy, State Govt. of Karnataka, 2021
Conference Paper on the form- Yakshabhaanika, a confluence of the forms Yakshagaana and Bharatanr... more Conference Paper on the form- Yakshabhaanika, a confluence of the forms Yakshagaana and Bharatanrtya in the Bhaanika style of presentation
Art, an exquisite experience, transports us to otherworldly realms. This "Ānanda" – a profound jo... more Art, an exquisite experience, transports us to otherworldly realms. This "Ānanda" – a profound joy – transcends mere entertainment. It's a deep-seated yearning, driving our continual engagement.
Why does art captivate us? For some, it's a passion, for others, a livelihood. But fundamentally, it brings happiness. Advaita Vedanta describes this experience as "Ākalpa Satta" – real yet indescribable, beyond mundane pleasures.
Indian aesthetics emphasize three key aspects: Dhṛti (crystallizing emotions), Dīpti (exalting emotions), and Vikāsa (inspiring contemplation). Importantly, art is not a societal tool. Its purpose lies in its inherent nature – a poet's creative expression of their imagination and life experiences (Kuntaka).
While seemingly artificial, art reflects genuine human emotions. Ramayana, for instance, isn't just a story; it embodies values like generosity, devotion, and patience, inspiring us deeply.
Ultimately, art isn't about escapism or societal change. It's about contemplating the self and the world, enriching our lives and making them worth living. As Bhaṭṭa Tauta aptly states, art, like ash, cleanses the mirror of our perception, allowing us to see reality more clearly
Bharatanāṭya is primarily based on Karṇāṭaka Saṅgīta; the entire repertoire almost follows... more Bharatanāṭya is primarily based on Karṇāṭaka Saṅgīta; the entire repertoire almost follows the system of Karṇāṭaka Saṅgīta. However, there are a few specialties or adaptations, if we can say, in the Karṇāṭaka Saṅgīta of dance. One such specialty is the concept of Jati of dance, which usually occurs as part of a Korappu̲ (descending pattern of muktāya) or Erappu̲ (ascending pattern of muktāya) in the Tani (a series of Korvai-s- patterns, followed by an elaborate Tīrmāna) of Karṇāṭaka Saṅgīta; in Bharatanāṭya, Jati-s are danced- not necessarily the same patterns of the Tani, but the Jati-s are specifically composed to suit dance. We can definitely say that the patterns in a music concert and the Jati-s of Bharatanāṭya are different, mainly because of the purpose.
Karnataka Yakshagana Academy, State Govt. of Karnataka, 2021
Conference Paper on the form- Yakshabhaanika, a confluence of the forms Yakshagaana and Bharatanr... more Conference Paper on the form- Yakshabhaanika, a confluence of the forms Yakshagaana and Bharatanrtya in the Bhaanika style of presentation
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Papers by Arun S
Why does art captivate us? For some, it's a passion, for others, a livelihood. But fundamentally, it brings happiness. Advaita Vedanta describes this experience as "Ākalpa Satta" – real yet indescribable, beyond mundane pleasures.
Indian aesthetics emphasize three key aspects: Dhṛti (crystallizing emotions), Dīpti (exalting emotions), and Vikāsa (inspiring contemplation). Importantly, art is not a societal tool. Its purpose lies in its inherent nature – a poet's creative expression of their imagination and life experiences (Kuntaka).
While seemingly artificial, art reflects genuine human emotions. Ramayana, for instance, isn't just a story; it embodies values like generosity, devotion, and patience, inspiring us deeply.
Ultimately, art isn't about escapism or societal change. It's about contemplating the self and the world, enriching our lives and making them worth living. As Bhaṭṭa Tauta aptly states, art, like ash, cleanses the mirror of our perception, allowing us to see reality more clearly
Talks by Arun S
Why does art captivate us? For some, it's a passion, for others, a livelihood. But fundamentally, it brings happiness. Advaita Vedanta describes this experience as "Ākalpa Satta" – real yet indescribable, beyond mundane pleasures.
Indian aesthetics emphasize three key aspects: Dhṛti (crystallizing emotions), Dīpti (exalting emotions), and Vikāsa (inspiring contemplation). Importantly, art is not a societal tool. Its purpose lies in its inherent nature – a poet's creative expression of their imagination and life experiences (Kuntaka).
While seemingly artificial, art reflects genuine human emotions. Ramayana, for instance, isn't just a story; it embodies values like generosity, devotion, and patience, inspiring us deeply.
Ultimately, art isn't about escapism or societal change. It's about contemplating the self and the world, enriching our lives and making them worth living. As Bhaṭṭa Tauta aptly states, art, like ash, cleanses the mirror of our perception, allowing us to see reality more clearly