Experimental Electronic Music
Taken together, Tomoroh Morning – A Tribute to Tomoroh Hidari stands as a vivid document—one that reflects each contributor’s voice while honoring an artist who cultivated wide connections yet kept creative paths distinct. As noted in accompanying liner notes: “There will always be a tomorrow morning.”
Released by 13/Silentes in a double limited vinyl edition, An Apple a Day You Die Anyway confirms the quality of a catalog that continues to intercept the most sensitive areas of Italian ambient and electronic research. And it confirms that Up To 23, now a trio, possesses a recognizable voice, capable of holding together vision and rigor, emotion and structure, darkness and momentum.
If you are seeking background music to accompany a descent into a post-apocalyptic, neo-mythological literary universe—something akin to the worlds of Lord Dunsany, Arthur Machen, or Abraham Merritt—Enter the Nuummite Cosmos is particularly well suited.
Drifting deeper into ambient sound fields, UK-based Will Brazier-Smith, recording as Xurba, traces hauntological contours across Zelun Somniates, a sequence of ten pieces shaped from slow-moving undercurrents
Across Creature Comforts and Why I Went To The Woods, 400 Lonely Things turns grief, memory, and quiet hope into two deeply human soundworlds that linger long after the final note fades.
Substak returns with Abrasive Deluge, a stark and immersive dive into eroded ambient textures and haunted sonic debris.
On Lumen, Chris Russell trades the shadowed tones of Noir (Projekt, 2024) for radiant piano-laced atmospheres that echo his debut Labyrinth on Spotted Peccary Music, crafting eight luminous soundscapes that feel like stepping through a veil into widening light.
With RhaD, Raffaele Pezzella fractures memory and signal into a dense, hallucinatory archive where lost transmissions feel disturbingly alive.
A fearless electronic meditation on obsession and excess, HERZOG: A Retrospective finds d’Voxx transforming cinematic intensity into immersive modular soundscapes.
Emerging from late-’90s Rome, NIMH—the long-running project of Giuseppe Verticchio—returns with a brooding, stylistically evolved ambient work with Nine Years of Decadence that drifts from ethno-spiritual roots into bleak, isolationist soundscapes steeped in tension, melancholy, and cinematic depth.
Nineteen shadow-bound composers unite for a two-hour Lovecraftian descent into Arctic dread—an immense dark ambient ritual where bowed strings, frozen winds, and unseen beasts awaken the terror of H. P. Lovecraft’s Mythos and the howling presence of Ithaqua.
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