Daesh’s ability to successfully recruit foreign fighters from more than
one hundred countries wor... more Daesh’s ability to successfully recruit foreign fighters from more than one hundred countries worldwide raises the importance of understanding the group’s strategic media campaign. Recognizing that visual images, in particular, often increase viewers’ attention, recall, and emotional response, this study of Daesh’s official magazine, Dabiq, moves beyond earlier studies primarily focused on the magazine’s textual content to analyze the group’s visual communication strategy. This study’s content analysis of the 1,144 images appearing in the magazine’s first twelve issues reveals how Dabiq has relied extensively on a historic American media trope, the about to die image, to bolster image recirculation over time. This essay examines both the form and content of Dabiq’s use of three about to die image types as they have evolved across the twelve issues. Rather than seek to win the “hearts and minds” of the Muslim public, Dabiq’s use of about to die images transforms the online medium into terrorism in ways that have lasting implications for the global culture.
Daesh’s ability to successfully recruit foreign fighters from more than
one hundred countries wor... more Daesh’s ability to successfully recruit foreign fighters from more than one hundred countries worldwide raises the importance of understanding the group’s strategic media campaign. Recognizing that visual images, in particular, often increase viewers’ attention, recall, and emotional response, this study of Daesh’s official magazine, Dabiq, moves beyond earlier studies primarily focused on the magazine’s textual content to analyze the group’s visual communication strategy. This study’s content analysis of the 1,144 images appearing in the magazine’s first twelve issues reveals how Dabiq has relied extensively on a historic American media trope, the about to die image, to bolster image recirculation over time. This essay examines both the form and content of Dabiq’s use of three about to die image types as they have evolved across the twelve issues. Rather than seek to win the “hearts and minds” of the Muslim public, Dabiq’s use of about to die images transforms the online medium into terrorism in ways that have lasting implications for the global culture.
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Papers by Aaron Dicker
one hundred countries worldwide raises the importance of understanding
the group’s strategic media campaign. Recognizing that
visual images, in particular, often increase viewers’ attention, recall,
and emotional response, this study of Daesh’s official magazine, Dabiq,
moves beyond earlier studies primarily focused on the magazine’s
textual content to analyze the group’s visual communication strategy.
This study’s content analysis of the 1,144 images appearing in the
magazine’s first twelve issues reveals how Dabiq has relied extensively
on a historic American media trope, the about to die image, to bolster
image recirculation over time. This essay examines both the form and
content of Dabiq’s use of three about to die image types as they have
evolved across the twelve issues. Rather than seek to win the “hearts
and minds” of the Muslim public, Dabiq’s use of about to die images
transforms the online medium into terrorism in ways that have lasting
implications for the global culture.
one hundred countries worldwide raises the importance of understanding
the group’s strategic media campaign. Recognizing that
visual images, in particular, often increase viewers’ attention, recall,
and emotional response, this study of Daesh’s official magazine, Dabiq,
moves beyond earlier studies primarily focused on the magazine’s
textual content to analyze the group’s visual communication strategy.
This study’s content analysis of the 1,144 images appearing in the
magazine’s first twelve issues reveals how Dabiq has relied extensively
on a historic American media trope, the about to die image, to bolster
image recirculation over time. This essay examines both the form and
content of Dabiq’s use of three about to die image types as they have
evolved across the twelve issues. Rather than seek to win the “hearts
and minds” of the Muslim public, Dabiq’s use of about to die images
transforms the online medium into terrorism in ways that have lasting
implications for the global culture.