Papers by Manuel Ramos
Dinossauros à solta - ensaios sobre a filosofia francesa contemporânea, 2013
Marx and Moving Images of Activism, Berghahn, 2013
Theorizing Visual Studies, Routledge, 2013
L'archivio / The archive, University of Udine, 2012
'Frontiers', Sarai Reader, Centre for the Study of Developing Societies, Delhi, 2007
Talks by Manuel Ramos
Book Reviews by Manuel Ramos
Journal of Visual Culture
Parallax, Vol.15, No.3, 2009
Film Programmes by Manuel Ramos
Co-curated with William Fowler.
In the most swinging of decades Anthony Stern shot a series o... more Co-curated with William Fowler.
In the most swinging of decades Anthony Stern shot a series of vibrant, playful 16mm titles. Infused with the spirit of the psychedelic lightshow and the French New Wave, they paint a joyous, celebratory picture of the 1960s counter culture as it came into full dizzy bloom. In Iggy the Eskimo Girl (1966. 4min), red double-deckers whizz by while Syd Barrett’s then-girlfriend cavorts joyously in the bright London sun; and in Nothing To Do With Me (1968. 35min) Stern’s mentor Peter Whitehead – arguably at the peak of his own creative powers – opens his mind and riffs on the themes of alienation and his relationship with the camera. Also included in the programme is the mind-bending, truly psychedelic San Francisco (1968. 15min), which features an unreleased version of Pink Floyd’s ‘Interstellar Overdrive,’ alongside never-before-seen footage of the USA in 1968.
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Papers by Manuel Ramos
Talks by Manuel Ramos
Book Reviews by Manuel Ramos
Film Programmes by Manuel Ramos
In the most swinging of decades Anthony Stern shot a series of vibrant, playful 16mm titles. Infused with the spirit of the psychedelic lightshow and the French New Wave, they paint a joyous, celebratory picture of the 1960s counter culture as it came into full dizzy bloom. In Iggy the Eskimo Girl (1966. 4min), red double-deckers whizz by while Syd Barrett’s then-girlfriend cavorts joyously in the bright London sun; and in Nothing To Do With Me (1968. 35min) Stern’s mentor Peter Whitehead – arguably at the peak of his own creative powers – opens his mind and riffs on the themes of alienation and his relationship with the camera. Also included in the programme is the mind-bending, truly psychedelic San Francisco (1968. 15min), which features an unreleased version of Pink Floyd’s ‘Interstellar Overdrive,’ alongside never-before-seen footage of the USA in 1968.
In the most swinging of decades Anthony Stern shot a series of vibrant, playful 16mm titles. Infused with the spirit of the psychedelic lightshow and the French New Wave, they paint a joyous, celebratory picture of the 1960s counter culture as it came into full dizzy bloom. In Iggy the Eskimo Girl (1966. 4min), red double-deckers whizz by while Syd Barrett’s then-girlfriend cavorts joyously in the bright London sun; and in Nothing To Do With Me (1968. 35min) Stern’s mentor Peter Whitehead – arguably at the peak of his own creative powers – opens his mind and riffs on the themes of alienation and his relationship with the camera. Also included in the programme is the mind-bending, truly psychedelic San Francisco (1968. 15min), which features an unreleased version of Pink Floyd’s ‘Interstellar Overdrive,’ alongside never-before-seen footage of the USA in 1968.