The au courant Twitter dustup is about “Cosy Fantasy,” books where all the epicness is drained away from Epic Fantasy and monster protagonists set up not!Starbucks in the fantasy city of not!Portland and the monsters are the good guys and the humans are the bad guys.
One claim made in defense of this nonsense that it’s a return to the warm-hearted fantasy stories of the past, like Winnie the Pooh. The problem is, these stories were about charm and whimsy, example: the Mary Poppins books. Cosy Fantasy is different.
Whimsy focuses on the delightful and light-hearted. It requires an innocence, or at least a purity of heart, and speaks to innocence. Whimsy focuses on the good and beautiful, the peaceful and fun.
Whimsy is very British, not that Americans can’t do it, but we generally don’t in books aimed at adults. We do whimsy in books for children. And even our children’s books are more Aesop’s Fables than whimsical tales meant to delight.
Disney movies used to do whimsy, ages ago. Herbie the Love Bug is a very whimsical movie.
Hobbit: Whimsical in many places. The dwarven song, for instance.
Whimsical tales are books and movies full of that sort of, well, what overly serious people call nonsense. Light-hearted and beautiful in their way.


Modern day “Cosy Fantasy” isn’t about charm and whimsy, because modern writers generally can’t do charm, and can’t do whimsy. There is precious little light-heartedness or innocence in modern society.
Modern Cosy Fantasy is the infantilization of Fantasy. It’s taking great and epic beings of pure evil, and pretending that they’re nice and sweet and cuddly. That’s not focusing on the good, that’s denying that evil itself exists.
The book at hand (which shall go unnamed) was about an Orc barbarian, a “good” orc, settling down in fantasy not!Portland and setting up a fantasy not!Starbucks. She hires a “good” succubus and a ratkin baker.
Orcs brutalize, murder, and cannibalize themselves and other races. They are, by any measure, evil.
Succubi are literal demons from hell, who exist to seduce men and women (stealing from them any chance at an eternal destiny in Heaven) and kill them, and sometimes steal their souls. They are directly and obviously evil.
And rats are the epitome of vermin, carriers of disease and filth. Responsible for killing a third of Europe during the Black Plague, and (in large cities) for biting infants, children, and adults while they are sleeping.
Whimsy is innocent. You cannot be a cannibal rapist murderer torturer orc and be “good.” And portraying such a creature as good is not innocent. It’s denial.
Whimsy is pure-hearted. A “good” demon of sexual debauchery isn’t pure-hearted. It’s denying the essence of what that demon is: corrupt. And when the orc finds she has feelings for the succubus and they become romantically (and probably sexually) involved, this is well over the line of not whimsical.
Whimsy focuses on the fun and delightful. And while I personally love Ratatouille, and there is a little whimsy here and there in it, pretending that a ratkin in a D&D Fantasy world is anything but a malicious and disease-ridden filcher is, once again, not good. Vermintide speaks to the power of the archetype quite eloquently.
Orks, succubi, and plague-carrying rats are powerful and iconic archetypes. They are great villains. Turning them into chai tea swilling hipster coffee baristas or multiculti Gen Z college students attending a college prom (as Dungeons & Dragons recently did) robs them of their power and terror and isn’t whimsical.
Covering up monsters, pretending that a beholder isn’t functionally insane, that a mind flayer doesn’t eat human brains, that a demon is just another person but with red skin, isn’t about innocence. It’s about denial.
Denying the existence of evil means infantilizing Fantasy. And it isn’t a Good thing.
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