CLII. Monstrous Births : Act I

The Countess is on a night-time outing with her spirit minions. She seeks to gather rare widow cap mushrooms, and lichen known as the devil's down. She knows these grow in a hidden cave in Volovska Weald, a forest near Castle Waywode. She has visited that place several times before.

Creeping through the trees, the Countess spots what she was looking for: a dried-up, abandoned well stands in a small clearing, illuminated by cold, bright moonlight. The hidden cave should be nearby.

However, something is not right this time. The cave is no longer uninhabited: a pack of wolves has made it their den since the Countess' last visit. There seems to be a man with them. He is clad in rags, his beard long and unkempt. He carries carved shepherd's crook and a large hoop made of woven twigs. This all points to the strange man being one of the fabled wolf herdsmen, hermits who live in the woods among wolves, commaniding them and caring for them.

The pack caught the scent of the Countess and her spirit host. As she approaches, the wolves, visibly agitated, block the path to the cave's mouth.

The Countess will have none of that. She bleeds herself, and from her blood and a shard of her spirit an etheric projection forms right in front of the herdsman. However, she will soon regret her overconfidance; instead of cowering from it, the wolves throw themselves at the beast with the Countess' face, and tear it apart.

The Countess decides to advance more cautiously, giving orders to her etherial minions to draw out the pack and try to single them out. To bolster her retinue's numbers, she bleeds herself yet again and summons a second Crimson Sphynx from the spirit world. 

One of the Custodians manages to provoke the pack to attack him. The wolf herdsman himself gets into the fray. As he comes closer, the Countess can observe his eyes are wild and inhuman; they look much like the eyes of his animals. The other spirits circle the woods in an attempt to flank the wolf pack.

The wolf herdsman suddenly throws his strange twig hoop around his own neck, which starts a grotesque transformation into a large, snarling wolf. Aided by his wolf brethren, he viciously attacks the surprised Custodian and sends him back to the underworld. But then a Crimson Sphynx gives him a start, landing behind him from the moonlit sky.

The encounter intensifies, wolves and ancient spirits fight furiously. The first few wolves stain the forest floor wit their blood. From a safe distance, the Countess makes her Beast materialise again. She is beginning to feel weak; the summoning always takes a toll on her physically. Attacking together with a Spynx, the Beast manages to open the throat of the enraged shapeshifter hermit. The big bad wolf falls on the carpet of dry leaves, never to get up again.

Then another strange thing captures the Countess' attention: from the thicket to her left, a large figure emerges.  Even in this weak light she can notice features of a deer, but this animal has got way more legs than a deer should. Only four of them are actually touching the ground; the others are dangling from its sides uselessly. 

The creature's slow-paced movements look painful and unsure. Its head is hanging low under the weight of a mass of antlers, grown wildly asymmetrical and coral-like. Then she notices another head hanging from a crooked second neck. As the tormented beast shambles along, its second head sends out a wail that is bloodcurdling and heart-wrenching at the same time. 

It breaks into a run. It is heading in the direction of the well. 

The deformed creature pays no notice to the fighting going on around the cave. However, a Ravenous Bloodfiend stands in its path. The deer attempts to shove it aside with a prod from the overgrown antlers. Angered, the spirit retaliates; but the deer creature is tough.

In the meantime, the skirmish with the wolves continues. The flanking Sphynx ran into some resistance. It is slain, but the beasts are not without casualties, either.

The misshapen deer manages to tear itself away from the enraged Bloodfiend, and heads straight for the old well. The Contess watches in disbelief as it deliberately hurls itself in, and hears it land with a thud on the well's dry bottom.

By that time, the growls and yelps of the wolves and eerie shrieks of the spirits have died down. The forest floor is littered with beasts' mangled bodies. The last surviving wolf is pinned down by a Sphynx, bleeding and struggling to break free from it grasp. The Countess is victorious.

Custodians are sent into the cave to fetch the fungi their mistress needs. After a narrow hallway sloped downwards, the cave opens into a spacious room of irregular shape. The walls on the farther end are damp and covered in places with amorphous red-coloured mass. Slender and pale toadstools poke out of the ground in clusters. A strong musty fungal scent is permeating the room, fighting for dominance with odours of urine and rotting meat. There are gnawed bones scattered on the floor.
 

Concealed in one of the nooks there lies a litter of five wolf pups, a few weeks old by the looks of it. Three appear to be gone but two are clearly alive. Each of the pups is grotesquely misshapen in a unique way. 

The Custodians report their discovery to the Countess. 'Curious. So this is what the wolves were guarding... Similar to that deer-thing', she mutters to hersef while examining a two-headed pup. 'Can it be a coincidence? What could it be?' 

Intrigued, and mildly concerned, she decides to take the surviving wolf pups back to the castle.

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The game used Malifaux rules, with a few tweaks and with custom stats for my characters. Tomislav Rac played the Countess, and I directed the wolf pack and did the little GM-ing that was necessary. I hadn't playtested the crews beforehand, but it all turned out just perfectly. The wolves were challenging, but not too powerful; and the Countess managed to survive and secure her objective in the end. She even managed to achieve the side-mission and gather some herbs around the cave (represented by the round markers with concentric circles visible in some of the photos), which she will use to craft a useful healing potion for Act II. Thanks to my brother for helping me come up with the stats, I'm sure they would have been far less balanced without his input. There are a few little things that need fixing before game two, but I'm very happy with how this turned out.

To help create atmosphere, a soundtrack I compiled for the games played in the background the whole time. During the game we listened to music from The Witch (2015) official soundtrack, Diablo II 15th Anniversary Soundtrack, and Buried Visions (2017) album by Asath Reon.

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So, that was Act I. Can't wait to play the rest! Act II will see the Countess investigate the causes behind the sudden outbreak of  misshapen wildlife.

I went with very desaturated photos and bluish hue up there because the fight took place at night. I'll sign off with colour versions of some of them:

CXXVI. Wolf Herdsman and Wolves + Basing Tutorial

I'm planning to DM a mini-campaign later this year set in my Gardens of Hecate world. Titled Monstrous Births, it will consist of three or four linked games, with the player taking control of the Countess and her spirit host. I have the key points planned out. It will take place in the woods, so I'm all set as far as scenery is concerned. But I do need to craft brand new characters/monsters for the Countess to fight. There is one that I won't reveal until the final game is played. The rest will be featured here as I make them. Today I present the first handful of them: 

Wolf herdsmen are hermits who live in the woods. Wolves gather around them and obey them. They can transform themselves and others into wolves using a magic hoop. Many of them were originally monks who secluded themselves in the forest as a part of their penance or in order to meditate, and mysteriously went feral in the process. They shun the company of fellow man.

I tried to give him the same yellow eyes the wolves have, but I fear it's not really visible due to his eyes being very small.

The pack was painted using mostly washes and glazes on top of a white undercoat. I looked at photographs of the real life animals and tried to imitate the colour patterns on their fur. There are only two poses among the six, but I think I managed to avoid the clone look. These minis can double as wolves for Frostgrave, which is great.

Inspiration

The idea for this came once more from folklore. In northern Croatia and neighbouring Slovenia, vučji pastir/volčji pastir is a person who is the master of all wolves in an area. He appears as an old man in rags or in the shape of a wolf. He organises pack gatherings where he assigns each wolf his prey for the upcoming season. Vučji pastir can transform into a wolf by jumping through a hoop or by rolling on the ground. Legends usually speak of poachers or shepherds who eavesdrop on a pack gathering from on top a tree, which ends in them getting spotted and transformed into a wolf for a number of years as punishment. Similar figures exist in folklore of many other European peoples, Slavic and otherwise.

Wolf herdsman artwork by Bulgarian artist Виктор Паунов (Viktor Paunov).

The wolf herdsman has the body of a Skaven Plague Priest from the Plague Furnace kit, head and wolf tail decoration from a Space Wolf, arms from The Hobbit Goblins, carved head on the tip of his staff is from some dwarf's helmet (originally a dragon head, I believe). The staff's shaft is a length of brass rod. The six wolf miniatures are Young wolves from Ral Partha.

Design choices

At first I meant to dress the character in dirty and torn civilian clothes, but he ended up in a frayed monk's habit when I discovered that Skaven body in my bits box. He needed to have a bushy beard, so I picked this Space Wolf head. It also sports a hairstyle that looks a lot like the tonsure, which is associated with Catholic monks. The props that were a must include on the figure are the staff and the hoop. The staff was meant to be a shepherd's crook, but I went in a different direction after I decided to add a wolf's tail on it to visually tie him in with his wolves better. After that I thought I might as well put a carved wolf head on the top. For the hoop I went with the simplest possible look. 

For variety's sake the pack will in the future be joined by a few more wolves which will be different sculpts.

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Wilderness basing- how I do it

MarK asked me in the comments about my recent basing style and I promised a tutorial. So here it is for all of you.

STEP I: If my composition requires it, I first build up some height with DAS clay. When you do this make sure to put some PVA underneath to help it stick to the base. When it cures it should be durable enough (has always been for me). This can also be done with Milliput if you are afraid DAS is not strong enough.

I sculpted a rock for the wolfherd to stand on. DAS comes in white and terracotta. The colour is irrelevant because it gets painted over anyway.

STEP II: After priming I paint the entire thing dark brown.

STEP III: When the paint is dry I cover everyting that won't be a visible rock in PVA and dip it in Noch flockage.

STEP IV: Next step is making a PVA and water mix and covering the flock with it. The flock will soak it in and when it's dry it will become more durable. While this is still wet I take watered down green paint and wash patches of flock that colour. This adds some variation. Or if you have more than one colour of flock you can just use more than one colour in step III and skip the paint.

STEP V: When step IV is completely dry I take an old brush and stipple the flocked areas with Zandri Dust. These highlights give the base more depth.

STEP VI: The rocks. Dawnstone layered with Celestra Grey.

STEP VII: Black wash and brown wash on the rocks.

STEP VIII: I add highlights here and there with light grey, almost white. And finally paint specks of moss and lichen.

STEP IX: After this I usually finish off with some tufts and leaves. Handled with tweezers and glued with PVA. Just a tip: don't forget that grass tufts can be shaded with washes and highlighted with a brush, too.

There are tons of basing products out there. One can play around and experiment. Not necessarily use all of it on one base - less is more. This is a part of my current basing arsenal:

1. NOCH static grass. Different lengths and shades. I used this a lot on my Wilderness scenery.
2. NOCH flock. Versatile stuff. Used in the above tutorial.
3. Flowers from Kellerkind Miniaturen.
4. Citadel static grass.
5. Pablo el Marques static grass. Great thing about this brand, apart from a wide palette of available colours, is that they sell grass in packs as small as two grams. Most convenient.
6. Mini dry leaves. Come from birch seed pods. Can be bought or collected from nature.
7. Aetztech etched brass ferns.
8. Gamer'sGrass tufts. I use them a lot. Variety of colours, tuft sizes and fibre lengths to choose from. There are moss patches and flowers, too.
9. Ivy and tree leaves from Mini Natur. There is also a pack of their moss tufts in that pile of blisters.
10. Natural tree roots I harvested myself.

All these things are good for bases as well as scenery and dioramas. And there are still many things I want to try out but haven't got round to purchasing yet. What do you guys use for your bases?