
Jana Juhásová
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Papers by Jana Juhásová
(A Short Introduction to the Issue)
Litikon, 2022, Vol. 7, No. 2, pp. 5-19
The study tries to enter the issue of poetic minimalism. It indicates its historical coordinates both in the world and Slovak context, it refers to characters who think about
minimalism as a poetic method and also to those who artistically realize it in their
work. The glossary of selected topics and terms, which can be found in the second
part, approximates the concepts that represent, at the level of genre, poetic form, artistic tendency or aesthetic category, various forms of minimalism in poetry (poetic
aphorism, poetic epigram, electronic literature, aesthetics of silence, haiku, latency,
lyrical still life, calligram, short poem, litany-repetitive form/seriality, synthetic text
medium, visual poetry); at the same time, it is an attempt to capture various manifestations of the investigated phenomenon across the rich spectrum of Slovak post-
-November poetry. The selection is influenced by the research focus of the members
of the grant team VEGA 1/0061/22 Forms and functions of minimalism in contemporary Slovak poetry; the study is its joint output.
Keywords: poetic minimalism, haiku, calligram, short poem, visual poetry, latency, Slovak poetry
(A Short Introduction to the Issue)
Litikon, 2022, Vol. 7, No. 2, pp. 5-19
The study tries to enter the issue of poetic minimalism. It indicates its historical coordinates both in the world and Slovak context, it refers to characters who think about
minimalism as a poetic method and also to those who artistically realize it in their
work. The glossary of selected topics and terms, which can be found in the second
part, approximates the concepts that represent, at the level of genre, poetic form, artistic tendency or aesthetic category, various forms of minimalism in poetry (poetic
aphorism, poetic epigram, electronic literature, aesthetics of silence, haiku, latency,
lyrical still life, calligram, short poem, litany-repetitive form/seriality, synthetic text
medium, visual poetry); at the same time, it is an attempt to capture various manifestations of the investigated phenomenon across the rich spectrum of Slovak post-
-November poetry. The selection is influenced by the research focus of the members
of the grant team VEGA 1/0061/22 Forms and functions of minimalism in contemporary Slovak poetry; the study is its joint output.
Keywords: poetic minimalism, haiku, calligram, short poem, visual poetry, latency, Slovak poetry
OBSAH
Namiesto ÚVODU: Poézia žije z prítomnosti
1. kapitola: Zopár užitočných zamyslení: má spirituálna lyrika vlastné HODNOTOVÉ NORMY?
2. kapitola: Čo je „ESTETICKÉ NÁBOŽENSTVO“ a aká je jeho funkcia?
3. kapitola: Prečo máme toľko podôb subjektu? O prvom z nich – TEN, KTORÝ SA NEMILOSRDNE OBNAŽUJE
4. kapitola: HYPOSTÁZA SUBJEKTU – užitočné podnety z epiky
5. kapitola: LYRIKA MASKY – postava inšpirovaná drámou
6. kapitola: NEKONVENČNOSŤ JAZYKA a ŠTÝLU
7. kapitola: PARADOX ako hranica rozumu
8. kapitola: Aký význam má nízke vo vysokom? Úloha SUBVERZIE a GROTESKY v kontexte spirituálneho
9. kapitola: Napĺňanie a prekračovanie ŽÁNROVÝCH RÁMCOV
10. kapitola: Ikonodúlia a obrazoborectvo. Ako zachytiť blízkosť aj inakosť Boha? O NEGÁCII a LATENCII v spirituálnom diskurze
ZÁVER: Priestor na vlastnú báseň
PRAMENE
POUŽITÁ LITERATÚRA
Obsah:
Úvod .................................................................................................................. 5
Medzi žánrom a tendenciou .......................................................... 8
Dynamická povaha žánru .......................................................................... 8
Žánrová matrica a texty kresťanských litánií ................................. 10
Genetický model modlitby. Litánie ako palimpsest ..................... 19
Od náboženského pretextu k autorským poetikám .................... 26
Reflexia litanickej formy v stredoeurópskom priestore ............ 40
Litánie v poézii nadrealistov
a básnikov katolíckej moderny ............................................... 46
Zázračno a sacrum. Konvergencie, divergencie ............................ 46
Výrazové a významové tendencie básnických litánií
slovenského nadrealizmu v tridsiatych a štyridsiatych
rokoch 20. storočia ................................................................................. 49
Procesiová a meditačná forma. Fabryho
schizma subjektu .................................................................................... 61
Trubadúrska črta v tvorbe básnikov katolíckej moderny ........ 69
Litánie Paľa Olivu vo vzťahu k avantgarde.................................... 70
Láska blízka a vzdialená. Mihálikova
inšpirácia Claudelom ............................................................................. 75
Prosebný typ verša s národnou tematikou .................................. 85
Nepôvodné (piesňové) prvky v litanických textoch ................ 91
Podoby litanickej formy od druhej polovice
20. storočia .............................................................................................. 99
Modelové riešenia socialistického realizmu .................................. 99
Gesto nesúhlasu .................................................................................... 105
Od rituálu k odpatetizovanej všednosti. civilné tendencie
v slovenskej povojnovej lyrike ........................................................... 112
Zázračnosť tohto sveta ...................................................................... 119
Enumerácie a prehľady. Rozpohybovanie formy .................... 124
Sebadefinovania a unikania subjektu .......................................... 128
Spoločenské dezilúzie a dystopie .................................................. 137
Popartové simulákra ........................................................................... 146
Návrat k žánrovým modelom (Litánie k svätým) ....................... 149
Inšpirácie mariánskym pretextom (Litánie loretánske) ...... 157
Konceptuálne analýzy štruktúry ...................................................... 176
Pramene ................................................................................................... 188
Použitá literatúra ......................................................................... 197
Edičná poznámka .............................................................................. 207
Between scheme and innovation:
A small „MathematicaL” summary ....................................... 209
Menný register .................................................................................. 217
Obsah:
Úvod ................................................................................................................ 5
Medzi relativitou a reláciou. Pater noster
na prelome tisícročí .................................................................................. 9
Od symbolu k latencii. Dve podoby spirituálneho diskurzu .... 25
Herbert ako metóda. Stopa metafyzických básnikov
v slovenskej spirituálnej poézii .......................................................... 48
Výtvarná vnímavosť Rudolfa Juroleka ............................................. 80
Modlitba v súčasnej slovenskej poézii. Aktuálne žánrové
tendencie ................................................................................................. 105
Pramene ................................................................................................... 127
Použitá literatúra .................................................................................. 131
Edičná poznámka ................................................................................. 140
The Identity of the Phenomenon and its Transformations.
A Summary .............................................................................................. 142
Menný register ....................................................................................... 147