This is the fourth of five posts on how Sub Rosa came to be made. This time I’ll be talking about the setting (after a brief digression on the layout of the map). Expect spoilers. The first part of this series can be found here.

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Today and over the next few days, I’ll be publishing an overview of how Sub Rosa came to be. I’ll be discussing specific puzzles in some depth, so you probably don’t want to read past the first section if you’re intending on playing the game.

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