Books by Erika Wolf
Art Institute of Chicago and Yale University Press, 2016.
A collection of essays on early New Zealand photographs by scholars from diverse disciplines inte... more A collection of essays on early New Zealand photographs by scholars from diverse disciplines intended to facilitate research and interdisciplinary undergraduate teaching on the history of photography.
In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Pet... more In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper Pravda. They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work in Ogonek, the Soviet equivalent of Time magazine, and later in the book Odnoetazhnaia Amerika (Single-Storied America).
Articles and Chapters by Erika Wolf
Seminari Internacional Renau i els exilis/Seminario Internacional Renau y los exilios/International Seminar Renau and His Exiles, 2023
Picturing Russian Empire, 2023
This essay analyzes the Soviet political poster "Under the Leadership of the Great Stalin--Forwar... more This essay analyzes the Soviet political poster "Under the Leadership of the Great Stalin--Forward to Communism" (1951 by Boris Berezovskii, Mikhail Solovyov, and Ivan Shagin) in terms of its visual assertion of the imperial nature of the Soviet Union.
Documentary Genealogies: Photography 1848-1917 , 2022
Text for "Documentary Genealogies: Photography 1848-1917," the catalogue for an exhibition curate... more Text for "Documentary Genealogies: Photography 1848-1917," the catalogue for an exhibition curated by Jorge Ribalta at the Museo
Nacional Centro de Arte Reina Sofia, Madrid.
The Pedagogy of Images: Depicting Communism for Children, 2021
Chapter from Marina Balina and Serguei Oushakine (eds), "The Pedagogy of Images: Depicting Commun... more Chapter from Marina Balina and Serguei Oushakine (eds), "The Pedagogy of Images: Depicting Communism for Children," pages 110-148. Toronto: University of Toronto Press, 2021..
Art Matter 02 (Agency & Aesthetics), 2018

Configurations, Jan 1, 2010
The essay considers the role of photography in the work of the early Soviet writers Sergei Tret’i... more The essay considers the role of photography in the work of the early Soviet writers Sergei Tret’iakov, Il’ia Erenburg, and Il’ia Il’f in terms of Walter Benjamin’s essay “The Author as Producer.” Identifying Tret’iakov as a model for emulation, Benjamin described the revolutionary transformation of the role of the author and the nature of literary work. Calling for the overthrown of “the barrier between writing and image,” Benjamin exhorted writers to take up photography. Committed to creating a distinct Soviet literature, these authors turned to explicitly journalistic forms and incorporated photography into their publications. Using a Leica camera, each created a significant body of photographic work, much of it featuring non-Soviet subjects. The essay examines Tret’iakov’s photographs of a collective farm in the Caucasus and of Hamburg, Erenburg’s photo-book My Paris, and Il’f’s photographs of the United States, relating this photographic literary work to related developments in Soviet literature that accompanied the rise of Socialist Realism during the 1930s.
This essay considers the use of historical photographs in the work of three contemporary Samoan a... more This essay considers the use of historical photographs in the work of three contemporary Samoan artists: Yuki Kihara, Angela Tiatia and Sheyne Tuffery.
In W. Köpke & B. Schmelz (Eds.), Blick ins Paradies: Historische Fotografien aus Polynesien: A glimpse into paradise: Historical photographs of Polynesia. (pp. 208-212). Hamburg, Germany: Museum für Völkerkunde.
In N. Seja (Ed.), PhotoForum at 40: Counterculture, clusters, and debate in New Zealand. Aucklan... more In N. Seja (Ed.), PhotoForum at 40: Counterculture, clusters, and debate in New Zealand. Auckland, New Zealand: Rim Books. Pages 206-211.
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Books by Erika Wolf
Articles and Chapters by Erika Wolf
Nacional Centro de Arte Reina Sofia, Madrid.
In W. Köpke & B. Schmelz (Eds.), Blick ins Paradies: Historische Fotografien aus Polynesien: A glimpse into paradise: Historical photographs of Polynesia. (pp. 208-212). Hamburg, Germany: Museum für Völkerkunde.
Nacional Centro de Arte Reina Sofia, Madrid.
In W. Köpke & B. Schmelz (Eds.), Blick ins Paradies: Historische Fotografien aus Polynesien: A glimpse into paradise: Historical photographs of Polynesia. (pp. 208-212). Hamburg, Germany: Museum für Völkerkunde.
In the early 1930s, Volkov-Lannit implemented aspects of this program in his work as a designer and managing editor of the magazine Pioneer, a weekly literary and cultural publication that was the organ of the All-Union Pioneer Organization, the foremost communist children’s group. The contributions of other writers associated with LEF to Pioneer have been well documented and led later Soviet writers criticize the magazine in this period for being rife with “factographism.” My contribution to the symposium "The Pedagogy of Images" assesses photographic material published in Pioneer during the early 1930s in terms of Volkov-Lannit’s proposed program.