We got together in September 2020 to exchange on our experiences around multi-script typography-a... more We got together in September 2020 to exchange on our experiences around multi-script typography-a gathering that resulted in a series of presentations and a collective discussion, documented here: www.design-research.be/multiscriptes. Since then, we decided to continue thinking and making things; together, and with the many people, designers, activists, and researchers engaging with these topics, whom are listed in a non-eshaustive way in this contribution. Europe, where we are based, has its own rich and complex multi-script history; one of normalization and multi-layered transitions from one script to another. These histories are intermingled with smaller micro(hi)stories of personal trajectories, trans/international migrations and second/third/fourth-generation diasporic existences. They shape typographic landscapes, with traces in the streets, on shop signs, and in more private environments.
We got together in September 2020 to exchange on our experiences around multi-script typography-a... more We got together in September 2020 to exchange on our experiences around multi-script typography-a gathering that resulted in a series of presentations and a collective discussion, documented here: www.design-research.be/multiscriptes. Since then, we decided to continue thinking and making things; together, and with the many people, designers, activists, and researchers engaging with these topics, whom are listed in a non-eshaustive way in this contribution. Europe, where we are based, has its own rich and complex multi-script history; one of normalization and multi-layered transitions from one script to another. These histories are intermingled with smaller micro(hi)stories of personal trajectories, trans/international migrations and second/third/fourth-generation diasporic existences. They shape typographic landscapes, with traces in the streets, on shop signs, and in more private environments.
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