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Flos Carmeli

La marcha 'Flos Carmeli' está dedicada a la Virgen del Carmen y se inspira en Elías y San Simón Stock, simbolizando la protección de la Virgen. La composición refleja la incertidumbre de Elías y la desesperación de los personajes, culminando en un canto de agradecimiento. El trío final evoca tranquilidad y cierra con un solemne Amén.
Derechos de autor
© © All Rights Reserved
Nos tomamos en serio los derechos de los contenidos. Si sospechas que se trata de tu contenido, reclámalo aquí.
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0% encontró este documento útil (0 votos)
115 vistas48 páginas

Flos Carmeli

La marcha 'Flos Carmeli' está dedicada a la Virgen del Carmen y se inspira en Elías y San Simón Stock, simbolizando la protección de la Virgen. La composición refleja la incertidumbre de Elías y la desesperación de los personajes, culminando en un canto de agradecimiento. El trío final evoca tranquilidad y cierra con un solemne Amén.
Derechos de autor
© © All Rights Reserved
Nos tomamos en serio los derechos de los contenidos. Si sospechas que se trata de tu contenido, reclámalo aquí.
Formatos disponibles
Descarga como PDF, TXT o lee en línea desde Scribd

“FLOS CARMELI”

Dedicado a la Santísima Virgen del Carmen

Alberto Checa Sanou


Enero de 2025
Explicación:

La marcha se inspira en dos figuras prominentes dentro de la


historia del Carmelo. En primer lugar, el profeta Elías divisa la
pequeña nube que muchos autores identificaron como precursora
de la Virgen. En segundo lugar, San Simón Stock, al que
tradicionalmente se le atribuye la composición del “Flos Carmeli”,
himno religioso tras que representa un signo de protección personal
a la orden del Carmen tras recibir de manos de la Santísima Virgen
el Santo Escapulario.

En la primera parte de la composición se presenta como tema


principal una melodía rutilante, a baja intensidad, que se repite
después con un “tutti”. Representa la incertidumbre que siente Elías
antes de que su profecía se cumpla.

La entrada del coro da comienzo a una parte que pretende


simular el agobio y la desesperación a través de llamadas a la Virgen
desde una situación difícil, como la que vivían los dos personajes
previamente presentados. La letra del coro es la misma que San
Simón creó. Este fragmento resuelve en el primer tema.

Por último, tras una modulación triunfal en la que predominan


los metales, se escucha el trío final. Este pretende evocar
tranquilidad. La parte en la que tiene su reentrada el coro son las
últimas líneas del “Flos Carmeli” y son un canto de agradecimiento
a la Virgen. El trío cierra la marcha con un solemne Amén.
Flos Carmeli Alberto Checa

          
 = 95


Soprano

       
 
        
Alto

 
         
Tenor

 
       
Bajo

              
         
3


  
Piccolo

        
     
3

      
3


      

Flauta 1

                       
    
3 3

 
3

   

   
Flauta 2

          
             
3


3 3

  

Oboe

         
  
3 3 3

            
Fagot

            
     

    
Clarinete 1

             
          
3 3


3

  

Clarinete 2

 
3 3 3

                             


Clarinete 3


        
 
            
  
Clarinete bajo

                


Saxofón alto 1

 
                   
3 3

         
3

 
3

 
Saxofón alto 2

         
3 3

 
Saxofón tenor

                               
  
Saxofón barítono

        
 
    3
                 
Corneta en Do

        
       
      
Fliscorno

       
       
3 3 3

3 3
Trompeta 1

                              


3 3 3 3 3 3

3 3 3
Trompeta 2


                             
3 3 3 3 3 3
3 3 3 3 3 3

     
   
Trompeta 3

 
    
                    
          
   
3


Trompa 1 & 2


              
                 
 
 
           
    
Trompa 3 & 4

           


       
 

     
  

   
   
        
Trombón 1

        
                

Trombón 2

   
                             
Trombón 3 &


Trombón bajo

           

 
Bombardino

               
                  
Tuba


           

         
Bombo

        

    

    

    

    

    

   
Platillos

  
Caja clara
2
       

9

       
S.


       
A.


        
T.


  
B.

           

     
     

3 3



Picc.

          

    
      
3

 


  
Fl. 1

              
  
         
3 3 3

 
3


         
Fl. 2

            
  
3 3

 
3


                       
Ob.

                  
    
3

 
3

  

Fag.


             
3 3 3

  
3

      
  
3


   
B♭ Cl. 1

             
         
3 3

  
3


B♭ Cl. 2


3 3

             

B♭ Cl. 3

                 
               
              
3

        
B. Cl.

           
       
3


3 3
3


A. Sax. 1


                
3

           
3
3

 
3


A. Sax. 2

             
              
3

          
     
3

 
T. Sax.

    
3

         
3 3

         


Bar. Sax.

       
          
 3
Cnt. en Do

                     
  
3 3 3 3

 
3
3


Flisc.

                
       
3

 
3
3


                  
B♭ Tpt. 1

        
3 3

B♭ Tpt. 2

                             


3 3 3 3 3


3 3 3
3

      
B♭ Tpt. 3

               
3 3 3 3 3 3 3


F Tpa. 1 2

                    
  

F Tpa. 3 4

              
  

Tbn. 1

       
          

 
Tbn. 2

               
             
Tbn. 3

                    
     
B. Tbn.

     
  

Bdn.

 
   
3 3 3 3

          
 
Tba.

                 

Bmb.

       

Plat.

                                   
 
Caj. Cla.
3
        

16


S.

       


A.

T.         

         

  
B.

           
      
     
Picc.

     
      


Fl. 1

      
                
3




Fl. 2

                
      
3



  
Ob.

         
  
3

        
Fag.

              
 

  
B♭ Cl. 1

              
  
3

  


B♭ Cl. 2

     
           
3

    
3


B♭ Cl. 3

                  
   

B. Cl.

     
           

      

 
A. Sax. 1

                 
  
3

 
3

 
A. Sax. 2

           

T. Sax.

 
                    
 
Bar. Sax.

        
    
 
Cnt. en Do

      
             
 
3

 
Flisc.

          


B♭ Tpt. 1

           


B♭ Tpt. 2


         
 
 
 







    
                
B♭ Tpt. 3

    
                                

    
           
   
F Tpa. 1 2


               
    
 
 

 


      
   
 
   
 
 
F Tpa. 3 4

              
 
                                          
   
  
Tbn. 1

 
                 

 
   
 
 

 

      
    
   
 
   
 
 
Tbn. 2

    
Tbn. 3
                  
 
B. Tbn.

            
Bdn.  
 
                     
   
Tba.


            
Bmb.

          


Plat.

                                        


  
  
Caj. Cla.
4
        

24


S.

        

A.

T.         

         

   
 
B.

        

      
Picc.

                         
     

Fl. 1

                        
     
 
   

 
Fl. 2

                        
     
 
   

    
Ob.

              
 

       
Fag.

                         
  
3

 

             
B♭ Cl. 1

                  
    

 
B♭ Cl. 2

 
                        
        

B♭ Cl. 3

 
       


    

B. Cl.

                         
        
    
   
A. Sax. 1

                                 
  
      
A. Sax. 2

        

 
T. Sax.

      
       
3

  
 
Bar. Sax.

       

                    
Cnt. en Do

      
    
     
                       
Flisc.

       
    

B♭ Tpt. 1

                               
 
      
B♭ Tpt. 2

                
           
    

B♭ Tpt. 3

     


        

  

          

  

 
       

F Tpa. 1 2

                    
            
   
F Tpa. 3 4

 
            
                      
      
  
    
Tbn. 1

                   
               

Tbn. 2

    
               

Tbn. 3

             
   
B. Tbn.



Bdn.

 
   
3

           
   
Tba.

        

Bmb.

        

Plat.

                                    


   
 
Caj. Cla.
5
       

32

       
S.


       
A.


        
T.


         
           
B.

    
 

Picc.

              
     
3

  


Fl. 1

     
                 
3

Fl. 2


         
     
     
3

  


Ob.

                 
             
3

             

Fag.

       
             
  
 

B♭ Cl. 1

        
           
3

 
 
B♭ Cl. 2

  
   
3

    
            
3


B♭ Cl. 3

                    
         
      

B. Cl.

       
            
   

  
A. Sax. 1

       
              
3
3

 
                 
A. Sax. 2

          
            
    
 
T. Sax.

    
     
  
      
Bar. Sax.


  
Cnt. en Do

            
        
3


Flisc.

  
             
       
3


B♭ Tpt. 1

 
        
          
   
3


B♭ Tpt. 2

           
                      

B♭ Tpt. 3

   
                       

     
           

F Tpa. 1 2

   
   


 

 

 

 

 
     


 

      
           
F Tpa. 3 4

 
                                
 

Tbn. 1

    
        

 


 

 

 

      
    


 


 
Tbn. 2

                

Tbn. 3

              
    
B. Tbn.

           
            

Bdn.

 
            
      
Tba.

       

Bmb.

       

Plat.

                              


  
 
Caj. Cla.

6
          
       
39
S.


      
Flos Car mé li, vi tis flo rí ge

          
A.
 
 
     
Flos Car mé li, vi tis flo rí ge

T.             
  
     
Flos Car mé li, vi tis flo rí ge

B.              

       
Flos Car mé li, vi tis flo rí ge

                      
 
 
Picc.

          
            

      
  
 
Fl. 1

            
               
 

Fl. 2

         
                   

 
           
Ob.


       
 

  
Fag.

          
             

 

 
B♭ Cl. 1

          
                         
  
B♭ Cl. 2

          
                         
 
B♭ Cl. 3

                 
 
                          
         
B. Cl.

  
    
   3
                           
A. Sax. 1

         
3 3 3 3 3 3 3 3 3 3 3

 3
A. Sax. 2

            
3 3 3 3 3 3 3 3 3 3 3

      
 
T. Sax.

     
         
   
     
Bar. Sax.


 
Cnt. en Do

   
           

  
                    
Flisc.

     
         
B♭ Tpt. 1

         
     
3

         
B♭ Tpt. 2

                
3

      
     
B♭ Tpt. 3

     
               
3

 
F Tpa. 1 2

 


      

  
     
   
F Tpa. 3 4

          
    
 
    
Tbn. 1

       
     
 
 
Tbn. 2

   
            
 
Tbn. 3

             
B. Tbn.

      


 
Bdn.

  
        
      

Tba.

        
        
Bmb.

                           
    

Plat.

 
Caj. Cla.
7
              

     
45
S.

      
               
ra, splen dor cæ li, Vir go pu ér pe ra Ma ter

A.
  
   
             
ra, splen dor cæ li, Vir go pu ér pe ra Ma ter

T.
        
     
                  
ra, splen dor cæ li, Vir go pu ér pe ra Sin gu lá ris. Ma ter

B.
   

         
ra, splen dor cæ li, Vir go pu ér pe ra Sin gu lá ris. Ma ter

           
 
   
  
Picc.

          
 
   

   
Fl. 1

           
  
   

   
Fl. 2

           
      

        
Ob.

    
 
  
  
Fag.

            
    

B♭ Cl. 1

                                                  

B♭ Cl. 2

                                                

B♭ Cl. 3

     
      

B. Cl.

  
                                        


A. Sax. 1

                                         


3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3



A. Sax. 2

   
3 3 3 3 3 3 3 3 3 3 3 3

   
3 3 3 3 3 3 3 3 3 3 3 3

 
  
 
T. Sax.

  
            

 
Bar. Sax.

     

          
Cnt. en Do

   
      
                 
Flisc.

       
         
       
B♭ Tpt. 1

       
3 3


B♭ Tpt. 2

                        
3 3


B♭ Tpt. 3

   
                    
3 3


F Tpa. 1 2

      
        

F Tpa. 3 4

                


  
Tbn. 1

              

 
Tbn. 2

                  

Tbn. 3

        
B. Tbn.

    

 
Bdn.

  
          
   

Tba.

      

Bmb.

      

Plat.

                          
     
 
Caj. Cla.
8
                   
    
51
S.
   

      
mi tis, sed vi ri né sci a, Car me lí tis es to pro pí tia, Ste lla ma

               
A.
    

    
mi tis, sed vi ri né sci a, Car me lí tis es to pro pí tia, Ste lla ma

T.                       

       
mi tis, sed vi ri né sci a, Car me lí tis es to pro pí tia, Ste lla ma

B.                       

              
mi tis, sed vi ri né sci a, Car me lí tis es to pro pí tia, Ste lla ma

          
Picc.
   
               
   
 
Fl. 1      

              
      
   

Fl. 2
 
       
     
   
   

  

 

                         
Ob.

     
Fag.
   
                
      
B♭ Cl. 1    
B♭ Cl. 2                                                    

                                                

B♭ Cl. 3

                          
 
   
B. Cl.

                                                            
 
A. Sax. 1 
                                                             

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


A. Sax. 2

                          
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

 
3 3 3 3 3 3 3 3

   
T. Sax.


 
           
       
Bar. Sax.


     
Cnt. en Do

             
      
               
Flisc.

       
               
B♭ Tpt. 1

       
3 3

B♭ Tpt. 2

                    


3 3

  
B♭ Tpt. 3


     
  



  
  

  
3 3

F Tpa. 1 2

    
      
 
F Tpa. 3 4

             
  
Tbn. 1

          
 
Tbn. 2

Tbn. 3
              
                        
B. Tbn.

        
Bdn.
 
   
          
 
      
Tba.

      
Bmb.

  


   

   


   

   

   
Plat.

 
Caj. Cla.
9

        
57


S.

     
  
ris.


A.

        
ris.

T.

        

ris.

B.

          
                 
ris.
3 3



Picc.

            
          
3

  


   
Fl. 1

                 
        
3 3 3

 
3


        
Fl. 2

          
      
3 3

 
3


                     
Ob.

                  
     
3

 
3

  

Fag.


             
3 3 3

  
3

      
  
3


   
B♭ Cl. 1

             
         
3 3

  
3


B♭ Cl. 2


3 3

             

B♭ Cl. 3

             
           
   
        
       
3


      
B. Cl.

        
         
3

  
3 3
3


A. Sax. 1


                
3

           
3
3

 
3


A. Sax. 2

      
                    
3

        
           
3

 
T. Sax.

    
3

         
3 3

               


Bar. Sax.

            
 3
Cnt. en Do

                  
     
3 3 3 3

 
3
3


Flisc.

                 
      
3

 
3
3

  3
                
B♭ Tpt. 1

         
3

B♭ Tpt. 2

                             


3 3 3 3 3


3 3 3
3

      
B♭ Tpt. 3

               
3 3 3 3 3 3 3


F Tpa. 1 2

                    
  

F Tpa. 3 4

              
  

Tbn. 1

             
   

 
Tbn. 2

                
             
Tbn. 3

                      
     
B. Tbn.

 
    


Bdn.

 
     
3 3 3 3

         
 
Tba.

                 

Bmb.

       

Plat.

                                   
 
Caj. Cla.
10
        

64

        
S.


        
A.


        

T.


             
    
        
B.

      
  
Picc.

                
       
     
3

 


Fl. 1

              

               
3




Fl. 2

                 
             
3

 
 
Ob.

        
 
 
3

     
                  
Fag.


       


B♭ Cl. 1

               
           
3

  
 


B♭ Cl. 2

      
 
                    
3

  
 


B♭ Cl. 3

 
 
3

    
       
      

B. Cl.

            
         
     
 
3

 
      
A. Sax. 1

         
 


            

3

  
A. Sax. 2

     
      
  
T. Sax.

      
        
    
Bar. Sax.

    
      
         
Cnt. en Do

        
     
Flisc.

    

 
    
B♭ Tpt. 1

    


    
B♭ Tpt. 2

    
   


B♭ Tpt. 3

    
   


 
 
                
       
    
    
 
F Tpa. 1 2

              
                        
    
               
F Tpa. 3 4

          
  
                    
 
                     
Tbn. 1

                       
      
 
Tbn. 2

 
                 
 
Tbn. 3

    
B. Tbn.

        

 
Bdn.

  
              
 

Tba.

               
 
       
 
Bmb.

     
                                         

Plat.

  
Caj. Cla.
11
        
71
S.

A.         

T.         

        

 
B.

                      
          
3 3

      
Picc.

                        
3 3 3

  

      
       
Fl. 1

                
3 3 3 3 3

  
   
Fl. 2

    
                         
3 3 3 3 3
3 3

Ob.

        
3


3 3

      
       
                  
Fag.

   
           
B♭ Cl. 1

        
          
3 3 3 3 3
3 3

        
B♭ Cl. 2

      
               
3 3 3
3 3


B♭ Cl. 3


3 3


3

                  
3
B. Cl.

                        
           
  
           
                
A. Sax. 1

     
3 3 3 3 3

 

A. Sax. 2

       

3 3 3 3 3


T. Sax.

      
             
3


Bar. Sax.

        
              
Cnt. en Do

                     

Flisc.

       
 
3 3 3
3 3


B♭ Tpt. 1

       
 

B♭ Tpt. 2

         
    
B♭ Tpt. 3

                                                   
                       
    
F Tpa. 1 2

  
                        
                                 
                                        
F Tpa. 3 4

                        
                                       
       
Tbn. 1

Tbn. 2
                   
 
                  
3
Tbn. 3

        
B. Tbn.

Bdn.

  
                  
3


Tba.

Bmb.                    

Plat.           
   
                         

Caj. Cla.
   
12
                
 
79
S.
 
  
    
Pa ra dí si cla vis et já nu a, fac nos du ci quo, Ma ter, gló

                
A.

 
  
Pa ra dí si cla vis et já nu a, fac nos du ci quo, Ma ter, gló

          
T.
        
  
 
Pa ra dí si cla vis et já nu a, fac nos du ci quo, Ma ter, gló

                   

B.

       
Pa ra dí si cla vis et já nu a, fac nos du ci quo, Ma ter, gló

                  
Picc.

    


  
Fl. 1

             
   
3 3

  

 
Fl. 2

             
   
3 3

   

 
Ob.

          

3 3

 
Fag.

                  
  
 
  

    
B♭ Cl. 1

                

3 3

 
 
  
B♭ Cl. 2

                   
3 3

  
B♭ Cl. 3


                    

B. Cl.

                  
       

 
A. Sax. 1

         
            
3 3




A. Sax. 2

       
            
3 3

 
 
T. Sax.

               
 
      
Bar. Sax.


   
Cnt. en Do

                
  
 
3 3

 
 
Flisc.

   
      
        
   
    
  
3 3

 
B♭ Tpt. 1

   
              
      
3 3


B♭ Tpt. 2

 
  
   
  
   
    
      
      

         

B♭ Tpt. 3


  
       
      
             
             
     

    
F Tpa. 1 2

           
                                      
 
   
F Tpa. 3 4

                               
                      

                   
Tbn. 1

                                            

Tbn. 2

           
        
  
  
Tbn. 3

  
            
B. Tbn.

   

Bdn.

   
          
   
Tba.

                 

       
Bmb.

                                               
Plat.

 
Caj. Cla.
13
          
86

 
S.

  ris.     
     
ria co ro ná

 
A.

     
     
ria co ro ná ris.

  ris.
T.

          
ria co ro ná

 
B.

                         
ria co ro ná ris. 3

  
Picc.

                          
3

 
         
         
Fl. 1

        
3 3 3

 
         
         
Fl. 2

        
3 3 3

 
 
          
Ob.

 
           
3 3 3

   

Fag.

        
     
               
  
       
             
B♭ Cl. 1

   
 
3 3 3


    
           
B♭ Cl. 2


     
3 3

  
3

 
  
B♭ Cl. 3

        
3 3

       
B. Cl.

        
                    
  

         
       
A. Sax. 1

        
    
3 3 3




A. Sax. 2

                 
          
3 3


3

 

T. Sax.

      
  
       
   
        
Bar. Sax.

                         


3 3 3

 

Cnt. en Do

          
                     
3
3

 
Flisc.

           
                
3 3

  
      
B♭ Tpt. 1

                              


3

 
3


3 3 3


B♭ Tpt. 2

   
                              
3

         
3


3 3 3

  
            
B♭ Tpt. 3


                                 
                  
 
      
    

 
  
F Tpa. 1 2

                      
            
    
 

     

        
F Tpa. 3 4

           
             
                          
              
    
     
 
              

 

       
Tbn. 1

       
   


Tbn. 2

             
    

   
Tbn. 3

       
  
      
B. Tbn.

  
    

Bdn.

      
        
 

Tba.

                 

       
Bmb.

      
                                     
Plat.

 
Caj. Cla.
 
14
     
 
93
S.


      
A men.

A.  


    
A men.

T.     


     
A men.

  
         
B.

               
3 A men.

  
Picc.

            
    
3 3

   
        
Fl. 1

           
3 3 3

   
  
Fl. 2

              
     
3 3 3


3


       
Ob.

      
           
3 3


       
Fag.

              
3

    
      
B♭ Cl. 1

     
              
3 3 3
3 3

         
  
B♭ Cl. 2

                 
3 3 3
3


B♭ Cl. 3


 
3

     
3

       
3
B. Cl.

                 
     
  

       
A. Sax. 1

              
  
3 3 3



       
A. Sax. 2

     
               
3 3 3


T. Sax.

       
     
3

  
3

                
             
Bar. Sax.

              
3

 
Cnt. en Do

            
            
3 3


3
3 3

Flisc.

           
             
3


3 3

             
B♭ Tpt. 1

                                


3


3


3
3 3

B♭ Tpt. 2

      
             
3 3 3

                           


3


3


3 3

  
B♭ Tpt. 3

                             
          
 
        
3 3 3

  
F Tpa. 1 2

              
                            
  
3

                       
F Tpa. 3 4

                
          
                
          
Tbn. 1

         
   
Tbn. 2

              

3 3


Tbn. 3

          
         
B. Tbn.

     
3

Bdn.

  
         
3

        
3 3


Tba.

                   
3

            
 
Bmb.

                                         
Plat.


3
Caj. Cla.
Soprano Flos Carmeli
  
Alberto Checa

                              
  
 = 95
       
Flos Car mé li, vi tis flo rí ge ra, splen dor cæ li, Vir go pu ér pe ra Ma ter

      
                         
       
  
51

mi tis, sed vi ri né sci a, Car me lí tis es to pro pí tia, Ste lla ma ris. Pa ra dí si cla vis et

  
      
           

82

  
já nu a, fac nos du ci quo, Ma ter, gló ria co ro ná ris. A men.
Alto Flos Carmeli
  
Alberto Checa

                                        
 = 95
    
 
Flos Car mé li, vi tis flo rí ge ra, splen dor cæ li, Vir go pu ér pe ra Ma ter

  
   
                              
 
51

   
mi tis, sed vi ri né sci a, Car me lí tis es to pro pí tia, Ste lla ma ris. Pa ra dí si cla vis et

     
                    
82

já nu a, fac nos du ci quo, Ma ter, gló ria co ro ná ris. A men.


Tenor Flos Carmeli
  
Alberto Checa

       

 = 95
                                    
Flos Car mé li, vi tis flo rí ge ra, splen dor cæ li, Vir go pu ér pe ra Sin gu lá ris. Ma ter

    
            
             
               
51

mi tis, sed vi ri né sci a, Car me lí tis es to pro pí tia,Ste lla ma ris. Pa ra dí si cla vis et

  
 
 
                    
82

já nu a, fac nos du ci quo, Ma ter, gló ria co ro ná ris. A men.


Bajo Flos Carmeli
  
Alberto Checa

       
                                       
 = 95
 
Flos Car mé li, vi tis flo rí ge ra, splen dor cæ li, Vir go pu ér pe ra Sin gu lá ris. Ma ter

     
    

                          
          
51

mi tis,sed vi ri né sci a, Car me lí tis es to pro pí tia, Ste lla ma ris. Pa ra dí si cla vis et

     
     
             
82

já nu a, fac nos du ci quo, Ma ter, gló ria co ro ná ris. A men.


Piccolo Flos Carmeli

    
Alberto Checa

    3                 
          
 = 95
  
3

 3 3 

           
                            
12 3

3 

                      
                         
34

 3  

                                      
            
46 3

 
             
          
    
              
58 3


3
3

          
                                   
68 3 3

 3


3 3

     
       

 
         
  

 
       
79 3 3

 3 3

        
   
96

3
Flauta 1 Flos Carmeli
                
           
Alberto Checa
 = 95
           
  
 

                
             
3 3 3

  
3

      
  
12


        
                                  
    
3 3


3


     
24


 
                              
                
 
34

  
                          
             
 
3

       
 
46

 
                 
                      
3

      

58


                    
3 3

                 
3

   
     
68


         
                              
3 3 3 3 3

   
79

 
                     
             
3 3 3

   
90

3 3 3 3 3
Flauta 2 Flos Carmeli

       
Alberto Checa

                                    
  
 = 95
   
 
        
3

   
3

   
3 3

                        
     
12
3


    
3 3

                                                   
      
24

   
                 
                                  

35

 
                  
3

                   
          
47

 
                    
  
3

                    
 
58
3


                                         
3
3

  
     
68


                                            
3 3 3 3 3

  
 
79

 
                     
    
        
3 3 3

   
90

3 3 3 3 3
Oboe Flos Carmeli
      
                      
Alberto Checa

        
   
 = 95
 
 

            
3 3 3 3

       
                     
12 3


    
3

         
3

                              
          

24

   
                 
                                 

35

 
   
      
3

                          
           


 
47

 
                         
3

              
 
         
58 3


 
3

                                          
3

  
68 3 3


        
                              
3 3 3

    
79

 
               
3 3 3

          
            
90 3

3 3 3
3
Fagot Flos Carmeli

 = 95 
                                
Alberto Checa

         
 
    
 3 3 3 3

      

                      
                 
16

 3 
                                    
 
          
36

 

                                  


         
51

 3

            
              
         
 
60

3
 3 3  

              
             
     
83



                         
 
93

3
Clarinete 1 Flos Carmeli
 = 95                
             
Alberto Checa

       
    
 
       
              3         
3 3 3 3

        

12


   
                              
3 3

                
  
24

   
            

                                    

35


 
  
                  
3

                      
        
47

 
   
                         
  
3


                   
59
3



                     
                 
3

  
3


   
69

      
                                
3 3 3 3 3

  
 
80

 
                
                   
3 3 3

   
90

3 3 3 3 3
Clarinete 2 Flos Carmeli

            
Alberto Checa

           
   
              
  
 = 95

 3 
    
3

   
3 3

       
               
                
13


3

 
                                 
3 3

                
  
26

   3


                                                                 

38

  
 
                                                                           
48

 
      
                        
3

            
           
58
3



                                      
3
3

          
69

 3
3 3


                                        
3 3 3

      
    
81



    
3 3

     
3 3

     
            
93 3 3

3 3
Clarinete 3 Flos Carmeli
Alberto Checa

 
 = 95

                                    



       

   
                               
16

        
3

 
   
                       
          
28

       
3

     
                                               
39

       
 

                                                                
48


                     
         
56

              
 
                
          
3

           

67 3 3


         
3 3

                 
                  
78

                
3

          
             
90 3 3

3 3 3 3
Clarinete Bajo Flos Carmeli

 = 95 
Alberto Checa

                       
                     
     
3



3

 
3 3

                                
16

   
                     
                
31

       
 
       
        
  
 
         
40

    
    
                                           
55

 

      
3

 
3

     
                    
63 3

3
 
     
    
                          
76

      
3


 
            
89

           
3
Saxofón Alto 1 Flos Carmeli
Alberto Checa
 = 95  
       
                 
    
      


 
      
         
        
3 3 3

 
3

              
    
13
3

 
                                     
          
3

 
3

     
26


                                                      
           
3

   
37

 3 3 3 3
                                                                       
3 3 3 3 3 3 3 3 3 3 3 3



46


                                                           
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

     
     
52


                        
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


3

                   
      
60 3
3

 
                          
              
    
 
3

 
71


           
                   
3 3 3 3 3 3

        
   
83


                 
  
3 3 3 3

  
94

3 3 3
Saxofón Alto 2 Flos Carmeli
Alberto Checa

   3
          
                         
 = 95
        
3

 
      
3 3

            
                       
   
12

 
3 3


        
3

                     
         
        
   
25

   
                                       
                   
36


3

 3
                                                                                    
3 3 3 3 3 3 3 3 3 3 3


45


                                                            
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

          
  
52 3


              
3 3 3 3 3 3 3 3 3 3 3 3

   
3 3 3 3 3 3 3 3

                                
60

  
3

   
3

 
                                        
     
3

      
71


                          
3 3 3 3 3

         
3

    
  
83


                 
  
3 3
3 3

  
94

3 3 3
Saxofón Tenor Flos Carmeli

 = 95 
Alberto Checa

                   
                    
      
3

 3

      
3 3

                    
                  
16

 
                             
3

 
        

36

 
  
              
                             

51


 3

 
                               
      
     
60


3

3
3
 

  
                           
          
 
82




    
                          
    
92

3
Saxofón Barítono Flos Carmeli
Alberto Checa

 = 95
              
                      

       

  
        
                  
14

      
 
      
                   
    
28

 

             
                  
42

  
 
                
        
58

        

  
                               
74
3


         
                 
88
3


Corneta en Do Flos Carmeli

 = 95       


Alberto Checa

                    
 


3 3 3 3 3 3 3

       



 
          
16

 3 3 3 3

        
    
                
3 3


61

3 3

 
                                       
3 3

  
90

3 3 3

                
       
96

3 3 3
Fliscorno Flos Carmeli

 
Alberto Checa

                       


          
 = 95

 
          3    
3 3
3 3

    
                    
12


3


                             
3

          
   
     
24

        

         
           
   
               
35

        
3


                                   
           
47

 
  
                3  
3

                     
59


     
3

     
3 3

    
                 
      
72 3


                           
3


3 3

                      
     
83 3 3


         
3 3

         
    
94

3 3
3
Trompeta 1 Flos Carmeli
Alberto Checa

       


                         
 = 95

3 3 3 3 3 3 3 3 

3

  
    
    
        3           
         

  
11

3 

                   
            
           
28

  
3

                           
          
40

        3 3 3

                          
                
50

 3 3 
 
3

        
         3            
  
61

3  
              
 
          
  
              
82
3 3

 3 3

                
          
93

3 3
3
Trompeta 2 Flos Carmeli
Alberto Checa

  

      
                         
 = 95

3 3
 
3 3 3 3 3 3 3 3


3


                   
         

    
11

3 3 3


3 3

                                       
         
28

   
3


          
                       
40

        3 3 
       
3

        
                       
51

 
3 3 3 3 3

  
3

          


    
   
61

   


3 3 3


3

                                


    
82 3 3
3 3


      
                                                
 
91

 
3 3 3

3 3 3

  
3 3

  
99
Trompeta 3 Flos Carmeli
Alberto Checa

            
                        
 = 95 3 3 3 3 3 3 3

 3  3 3 3


                  
          
 
11

             
3

  
 
3 3 3 3

                     
     
21

                     

                 
    
32

         
                

                                   


43

3 3 3  3

                                          


53

 
     
3 3 3 3 3 3

 
3

             
   





    



   
63

   
3

         
  
               
3

                     


   
              
85 3
3 3 3

      
                
                        
93


3
3 3

3 3 3
Trompa en Fa 1 & 2 Flos Carmeli
Alberto Checa

       
                                                          
 = 95
    

        
                                                      
   
16

 
         
                                      
        
    
26

  

         
                          
      
       
     
37

 
     
                                                 
 
49

  
     
                                                
                                       
66

    

                                            
 
                    
                      
75


              
                                                     
                            
85



                 
                     
94
Trompa en Fa 3 & 4 Flos Carmeli
Alberto Checa

                                 
 = 95
 
                                  

   
                                       
               
16

    
 

             
 
   
 
     
 
  
           
 
   
 
      
26

      

             
   
               
37

           

                             

   
49

      
   
 
 

  
                       
                                       
66

 
  
                  
                        
          
     
74

      
  

             
             
          
               
             

83

      
    
                       
                                    
92
3

 
Trombón 1 Flos Carmeli

                                


Alberto Checa

             
 = 95
     
 

                                
                                       
  
16

   

             
                  
 
       
 
  
 
   
 
   
26

 

           
   
 
                   
          
37

 
   
                               
50

  
  

     
   
                  
                                  

               
67


                                           
                              
76


            
     
            
     
     
      
                          
86



        
          
   
95
Trombón 2 Flos Carmeli
Alberto Checa

   
                                                      
 = 95
       

              
                                        
             
16

  

       
                      
                         
26

 
                               
               
37

 
                                            
49

  
       
                                                                    

         
66


   
                                                                   
75


       
                                                                  
       
85


            
     
  
 
  
             

94

3
Trombón 3 Flos Carmeli
Alberto Checa

 
 = 95
                                                  

         

 
                         
  
 
        
15

  

 
                                    
29

  

                            
           
44

 

 
                                          
60

 

                 
                     
  
77

   
3

 

      
                 
91 3

3
Bombardino Flos Carmeli

 = 95 
                                
Alberto Checa

         
 
    
 3 3 3 3

      

                      
                 
16

 3 
                                    
 
          
36

 

                                   


        
51

 3

                  
                
        
  
60

 
3 3 3

                
        
              
82




                                  
 
92

3
Tuba Flos Carmeli
Alberto Checa

 
 = 95
                    
                          

 
                  
15

        
 
         

     
          
  
30

   
                

        
                      
45

         

 
                                
62

    

     
                             
78
3

 

  
               
94
3 3
Bombo Flos Carmeli

  
Alberto Checa

                       
 = 95
 

                     
  
17

                   
 
35

                             
 
58

                              

73

                                

88 3
Platillos Flos Carmeli

 = 95 
 
Alberto Checa

                 
 

                   
 
25

                     
  
42

                    

68

                   

86
Caja clara Flos Carmeli

      
Alberto Checa

                                    



 = 95      
  

                                                       
 
12

 
                                      
     
23

 
                                         
      
35

 
                                            
          
45


                         

56

  
       
                                
68

   


      
76


       
             
86

                         
95 3

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