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SOUND ART
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MUSLAB / 2023
Name /Nombre José Luis Jácome Guerrero
Web page https://densidadandina.blogs
pot.com/
Country / País Ecuador
About the author /Semblanza del autor
Yo soy un explorador del ruido, la gráfica underground, la video creación, la ficción especulativa y el
performance sonoro. mis prácticas artísticas se desarrollan dentro de la gráfica DIY, la música
experimental contemporánea, las vanguardias latinas, y el audiovisual. Me desempeño además como
director artístico y curador, del colectivo Central Dogma. En lo sonoro exploró la “Densidad Andina”, como
un concepto de crisopeya sonica. Cómo músico autodidacta formo parte de las bandas de metal
Cafeterasub y Superkabras, En mi obra intento transmitir la posibilidad de la autocomprensión, el
crecimiento del ciudadano universal con sabia de selva, y carne de maíz. Creo, en el arte como un poder,
inmediato, irrefutable e inmenso, para decodificar la realidad, transformar el mundo que habitamos,
cambian nuestra forma de ver el universo y de ver a quienes nos rodean y a nosotros mismos.
Title / Titulo FICTO UNO Duración / Legth 15
Description of the piece /Descripción de la obra
La composición integra sonidos de satélites como el primer satélite norteamericano llamado «Vanguard»,
así como el sonido del satélite espacial ruso «Sputnik» que fue escuchado por primera vez en el
hemisferio occidental por la Estación Minitrack de la NASA en el Cotopaxi, esta fue parte de una red de
seguimiento, control y escucha de naves espaciales del gobierno de los Estados Unidos de Norteamérica
alrededor del meridiano 40 en plena guerra fría. Así con un micrófono de contacto, a la vez sonorice la
estructura metálica de la antena principal, estas sonoridades conjugadas con el paisaje sonoro captado
por un micrófono insitú y mezcladas en 4 canales han sido interpretadas en directo con una grabadora
análoga de cassette llamada «fourtrack» Al pie de la antena principal de la estación Minitrack Cotopaxi
que mide alrededor de 30 metros de altura.
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MUSLAB / 2023
Name /Nombre
Gabriel José Bolaños Chamorro
Web page
gabrielbolanos.com
Country / País
Nicaragua
About the author /Semblanza del autor
Gabriel José Bolaños Chamorro (b. 1984) is a Nicaraguan/American composer of solo, chamber,
orchestral and electroacoustic music. He frequently collaborates closely with performers, and enjoys
writing music that explores unusual techniques, structures, and timbres. He is interested in computer-
assisted-composition, auditory perception, linguistics, graphic notation, improvisation, and modular
synthesizers.
Bolaños is Assistant Professor of Music Composition at Arizona State University. He received a BA in
music from Columbia University and a PhD in Composition and Theory from UC Davis. His music is
published by BabelScores.
Bolaños has received numerous awards and grants for his work, including a Fulbright US Scholar Grant,
the Suzanne & Lee Ettelson Composer’s Award, a Research & Development Grant from the Arizona
Commission on the Arts, a residency at CMMAS in Morelia, Mexico, a commission from Vertixe
Sonora and Hong Kong Baptist University, and a commission from CIRM and Festival Manca in Nice,
France.
Title / Titulo Duración / Legth
Plink 7
Description of the piece /Descripción de la obra
Plink was written for the 5th order ambisonic dome at Arizona State University’s School of Arts, Media
and Engineering. In this work, I use layers of very short, dry, percussive sounds to explore different
kinds of motion and flocking behaviors in three-dimensional space.
Plink was premiered in December, 2021 at the PRISMS contemporary music festival, alongside newly
commissioned works by Elainie Lillios, Sarah Belle Reid, and Tito Rivas, as well as another work by my
colleague Garth Paine. These commissions were possible because of a Herberger Institute Research
and Investment Building Grant to fund the Future Sound- Listening in Space commissioning project
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MUSLAB / 2023
Name /Nombre Simone Sims Longo
Web page https://www.simonesimslon
go.com/
Country / País Italy
About the author /Semblanza del autor
Simone Sims Longo is a sonic and intermedia artist. His sound activity ranges from composition for
electronic solo to sound design and sound installations. As a composer he is interested in the creation
and manipulation of sound in the digital domain especially focusing on timbre. In his works he often
uses a multilevel iteration of samples, investigating asynchronous and polyrhythmic variations of
sound textures. Through multichannel speaker diffusion he explores the musical space and exploits the
interaction of the sound with architectural elements, fascinated by the natural reverberation and by
sound diffusion through different materials. He also focuses his activity on the relation between audio
and video in real time, performing acts of visual music that explores the perception of audiovisual
phenomena.
Title / Titulo Est_Ovest [homage to Paul Duración / Legth 8
Lansky]
Description of the piece /Descripción de la obra
Est_Ovest is a piece made with retuned sound traffic. The original records were made in the
subterranean gallery of the city of Cuneo, the street connects the East area to the West of the city. I
always been fascinated by the sound of that gallery. This is also the place where I made one of my first
field recordings in 2011 as an exercise during my first year at the electronic music course. From those
record I remember the loud resonance in the gallery. Years later, I decided to record again this spot of
the city and use the material for an electroacoustic composition. I’m personally a big fun of the piece
“Night traffic” of Paul Lansky, inspired by it, I retuned the traffic with different digital technique.
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MUSLAB / 2023
Name /Nombre Larry Gaab
Web page http://www.larrygaab.com/
Country / País United States
About the author /Semblanza del autor
Larry Matthew Gaab is a native of the United States. The music is composed combining the delicate
vibrance of acoustic sounds along with the impact of digital and electronic processing. His works
have been selected for music
festivals and concerts in the United States, the Americas and in Europe.
Title / Titulo Masses To Voids Duración / Legth 713
Description of the piece /Descripción de la obra
The music is horizontally layered in a manner of a concretion. Sparse porous clusters are juxtaposed
with large swarms of densely packed organic accumulations. The piece flows and floats with periodic
interspersed dissimilar precocious jolts. Sound groups explode like sonic magma exerting steady
pressure and complementing buoyant passages. Formations evolve and alternate between spacious
and steady to animated, densely populated aggregations.
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MUSLAB / 2023
Photo / Fotografia
Name /Nombre Tsun Sun Li
Country / País Hong Kong
About the author /Semblanza del autor
Composer of acoustic, acousmatic, and electroacoustic music, Michael has been internationally
acclaimed for his works for orchestra and various ensembles. His idiosyncratic approach to his works
has led him to be commissioned and invited by accredited institutes and ensembles. Michael has also
been active in film music and audio engineering productions, collaborating on various multimedia and
motion-picture projects. Beyond his compositional practices, Michael is also deeply interested in the
field of music research. He was the undergraduate research fellow on Human-Aware AI in Sound and
Music at Hong Kong Baptist University. The paper MoMusic: A Motion-Driven Human-AI Collaborative
Music Composition and Performing System was presented and published in 2023 at the 13th EAAI-23.
Michael is finishing his undergraduate degree, majoring in Music Composition at Hong Kong Baptist
University, and will be pursuing a master's degree in composition at the Royal College of Music this fall.
Title / Titulo Entity Cramming Duración / Legth 19.06
Description of the piece /Descripción de la obra
Entity Cramming is an acousmatic composition originally intended to be diffused across a 24-
loudspeaker ambisonics array. This is a study on manifesting multiples of spectromorphologically
sculpted sounds generating a suggestive narrative – from mother nature to mechanical organisms,
environmental simulation to synthetic habitats. My main goal was to create a series of auditory
illusions that could be contextualised in infinitely possible ways. The morphed sounds, in the beginning,
will unravel themselves as it progresses in turn creating a déjà-vu effect. In essence, sonic materials in
the first half are masked and camouflaged in plain sight, waiting to erupt volcanically...
1
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MUSLAB / 2023
Name /Nombre
Yizi Xu
Web page
N/A
Country / País
China
About the author /Semblanza del autor
Yizi grew up learning Chinese traditional instruments. Yizi studied Chinese traditional music
performance during my undergraduate. Yizi has also earned a master's degree in visual media
composition, which strengthened her use of new music technology. Yizi currently studying at Ohio
University, majoring in ethnomusicology and electronic music composition. Yizi has been working on
incorporating traditional music elements into electronic music and study for the possibility of
traditional folk music elements in contemporary music applications.
Title / Titulo Duración / Legth
Feitian 7
Description of the piece /Descripción de la obra
Feitian is for the traditional Chinese instrument suona. The title means “flying God”. It is a figure image
from the ancient Chinese Dunhuang murals. I wrote this piece according to the music style of ancient
Western regions of China. This piece is also considered a combination of traditional Chinese
instruments and electronic music.
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MUSLAB / 2023
Name /Nombre
Sam C. Roberts
Web page
www.samuelcroberts.co.uk/
Country / País
United Kingdom
About the author /Semblanza del autor
Sam C. Roberts is an experimental composer, sonic artist and musician from the UK. His work seeks
to fuse musical complexity, improvisation, field recording and original texts into pieces that span
instrumental, abstract-ambient and narrative disciplines. Performances and exhibitions include
appearances at Audiograft Festival, RAMA Festival (Aarhus, Denmark), Adelaide Festival (Australia),
The Bath Fringe and many other venues and events across the UK and Europe. He has also worked
extensively as a freelance bass guitarist and in professional audio since 2004.
Title / Titulo Duración / Legth
Static Storm from the Garden Dome 6
Description of the piece /Descripción de la obra
'Static Storm from the Garden Dome' is a sonic scene from the fictional future of 'Eden & Nova',
created by Sam C. Roberts. The work imagines experiencing an electrical storm from within a curated
bio-dome, where long extinct flora and fauna are recreated in a distant, post-apocalyptic future. As the
storm passes overhead, it produces strange sonic reflections (represented by granular re-synthesis of
natural field recordings), as the shielding technology of the bio-dome reacts to the rain, thunder and
lightning above.
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MUSLAB / 2023
Name /Nombre
Jonathan David Corzo Garavito
Web page
https://inmcv.cultura.gob.ar/noticia/corzo
-jonathan/
Country / País
Colombia
About the author /Semblanza del autor
Compositor, gaitero, flautista, docente, luthier e investigador colombiano. Actualmente reside en
Buenos Aires, Argentina. Sus composiciones han sido interpretadas en numerosos festivales y
concursos en Europa y gran parte de América. Ha recibido el premio "FRANCISCO KRÖPFL" (2022),
Beca de Creación de Música Contemporánea otorgada por el Ministerio de Cultura de Colombia (2022),
Beca de Creación - terminación de obra otorgada por el Fondo Nacional de las Artes (2022), Beca de
Creación del Fondo Nacional de las Artes (2021), Beca de Creación de Música Contemporánea
otorgada por el Ministerio de Cultura de Colombia (2020), mención especial en el Festival Internacional
Ars Electronica Forum Wallis, (2020) Suiza, Tercer premio composición otorgado por el Consejo
Argentino de la Música (2019), Segundo premio composición otorgado por el Consejo Argentino de la
Música (2018), Primer premio composición otorgado por el Consejo Argentino de la Música.
Title / Titulo Duración / Legth
Dentro de la caverna, al final una pequeña 10
luz.
Description of the piece /Descripción de la obra
La caverna no tiene otra salida más que cenital y su entrada es subterránea, es decir, desde el centro
del mundo. Con esta primera indicación, la pieza electroacústica "Dentro de la caverna, al final una
pequeña luz" fue creada bajo el profundo autodescubrimiento y la desesperanza necesaria para hacer
una composición que signifique más allá de un simple hecho sonoro.
La pieza es una representación sobre el contenido vacío en sí mismo, es una búsqueda circular entre
la desesperanza y la esperanza. "Dentro de la caverna, al final una pequeña luz" es una pieza que está
constantemente buscando hacia la ascensión, que está buscando la luz entera.
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