El

Señor de los anillos Howard Shore

arr. El Mundo Musical
  
        7         9         11
Légèrement plus rapide ( = 55)

6 8    12 
Galadriel's prologue ( = 45)

     
Tutti

                           
Solo


2 3 4 5 10


Flauta I

   
              
                  


Flauta II

   

                                


                        

Solo Tutti

Clarinete en Si♭ I

  
               

                  


Clarinete en Si♭ II

  
      


          
Clarinete Bajo

 
        
       


 
Fagot

 
            


Saxofón Alto I

 
Saxofón Alto II              

 
           
Saxofón Tenor
 
              
Trompeta en Si♭ I 

            
Trompeta en Si♭ II  

Trombón Tenor
              

 
      
Tuba en Si♭
            

            




Battería

   
     
Choir Aah (ou Strings)


       
Harpe (ou Piano)

   
   
                                          
Piano I  


           
                                   
Harpe (ou Piano)
Choir Aah (ou Strings)

   
 
   
 

          
Piano II

    
               

    
                            
      
 
Guitarra clásica

 
      
  


         
 
Bajo

       
      


Violín I

   
   
 

Violín II          
    
               
 

           
Voces
              
  
    
 

             
    
Cello

  
 
 

Contrabajo
                 
 

2
 
17       18 
      22
                             21
13     19 
 
Concerning Hobbits ( = 100)

           
14 15 Solo 16 20 23 24
Fl. I

            
 


Fl. II

    
 
      
         

   

           
Cl. I

            


Cla. II


    

    
     
           

    
             
     
Cl. bajo

             
                                    



Fgt.

            
Sax. I  
            
Sax. II  
            
Sax. T.

             
Tromp. Si♭ I 
            
Tromp. Si♭ II  

Tbn. T
             

             
Tu. Si♭


            


     
              
Batt.

          
         
 
Strings

      
       
        
                        



Pia.

 
             
Strings

     
 


 
Pia.

         
          
                       
         
Guit.
      
             


Bajo

     
Vln. I           
    
 


         
Vln. II

           
   


     
              
Voz

          
         
           
Pizz. 

          
Cello

Pizz.          
                    
                      
 



Cb.



3
 25   
                         
                   
         
Tutti 26 27 28 29 30
Fl. I
     
                   
                                         


Fl. II
 

            
                                                 


Cl. I
   
  
                                          
       


          
Cla. II

  
              


Cl. bajo
            
                         
 


Fgt.

                      
                  



Sax. I
     
              
                   


Sax. II
           
          
                                      



Sax. T.
   
        
 


Tromp. Si♭ I

       
Tromp. Si♭ II   

Tbn. T
         

         
Tu. Si♭
    

Bodhrán (ou tom aigu)

                                                                                         


  


Batt.

         

Dulcimer (ou Clavecin)

         


Pia.

              
                        
             
     
Dulcimer (ou Clavecin)

  
            
                      
              



Pia.

         
 
            
Guit.                  
      
           
 
              

                
                    


Bajo
   


Solo     
   
     


     

                                 
                    
                  
                
Vln.

           
                      


Vln. II
           
           
                                       



Voz

                 
                            


Cello
    
                  
                  


Cb.
   


4
 
  32      39
31        33
    
  35 
36 
   37       38
     
                 
34
Fl. I

                            
               
   
   

Fl. II        

  
                                 
   

Cl. I  

 
                                   
  


Cla. II


     
  

    
Cl. bajo

      
  
 



Fgt.


  
  

Sax. I
       


  

Sax. II
        


        
  
Sax. T.

     
                                 
  

                    
Tromp. Si♭ I

    
  
   

Tromp. Si♭ II
   
       
  
 

Tbn. T

       
 
 

Tu. Si♭
 

          



Batt.

          
Strings

          


Pia.

          
Strings


                             

Pia.

         
          

 

Guit.

 
                         
     
    
Bajo

  
  Tutti                
                        


Vlns.

    
                             
 
   

Vln. II
     
   
                         
   

  
Voz

Arco   
  
                    
  

       

Cello

                   
      
  


Arco

Cb.
     
  

5
         
   
40  Plus lent ( = 90)       42        
  45     46 
Rallentando

                 
41 43 44
 
  
             
Fl. I

            
                         
  

Fl. II

 
          
  

   
Cl. I
      
 
        
        
 
  

Cla. II
  
   

  

Cl. bajo
    
       
 
 

Fgt.

    
       
 

      

Sax. I

    
       


      

Sax. II

   



Sax. T.
    
  

        
        
 

Tromp. Si♭ I
  
 
        
        
   
 


Tromp. Si♭ II

         
 

Tbn. T

         
 

Tu. Si♭


       
 


          
Batt.

     
    



 


        
        
   
  


Pia.



    
    

     
 
  

 
Pia.

                                             
Guit.                 

         
  

Bajo

  
                      
        
                  
 


Vlns.

 
                       
        
                  
  


Vln. II

           
                                                 
  

Voz

    
   
  

Cello

 
       
  

Cb.

  

6
 47         48
      52    
Rohan's theme ( = 75)

             
49 50 51
Fl. I

                
              
 

Fl. II


      
    
 

Cl. I      

      
           


Cla. II

 
  


Cl. bajo
    
        


Fgt.

    
            


                 
Sax. I

     
            
             
 

   
Sax. II

          
  
 
Sax. T.

       
                          
Tromp. Si♭ I

     
     
 

       


Tromp. Si♭ II 
  
              
 

Tbn. T
 
   
 

Tu. Si♭
     


                     
Caisse claire (avec timbre)


Batt.

                
 
            



  
         
     
  
    
  
    
  
    
  
    
  
    
  
    
  
    
  
    
 
    
 


Pia.

                                                              
 

  

Pia.  

                                                           
        
   
Guit.


                     
                                                            


Bajo

   
        
                                                        
 

Vlns.

  
                    
    

    

    

    

    

    

    

    
 

 
Vln. II

   
 

                                                           
Voz

   
 

                                                           
Cello

                            

    
           
    
           
    
           
    
 

Cb.

 

7
     54     55
53              
   
56 57 58
Fl. I

       


            
Fl. II     

   


  
      
Cl. I

   
 
 

Cla. II
       

 
 

Cl. bajo
    
      

  

Fgt.

   
 
  


      
Sax. I

   
 



      
Sax. II

      



Sax. T.

       
Tromp. Si♭ I  

      
Tromp. Si♭ II  

      
Tbn. T       

   


Tu. Si♭
    
                                      
 


Batt.

       
             
 


  
                
                         
Pia. 


 

       
    
           
   
           
    
                 
 


  

Pia.  

                                                 
       


Guit.

                    
                                           
Bajo

   
                           
                        
 

 
Vlns.

 
             
    

    

    

    
 

     
Vln. II

 
 
 

                                               
Voz

  




                                               
Cello


                                                 


                



Cb.

 

8
 59       

60 61 62 63 64
Fl. I

      
Fl. II 

        
   
Cl. I   
     
      


Cla. II   




Cl. bajo
        
     
   


Fgt.

      
     


Sax. I
 
      
 


Sax. II
     
      



Sax. T.

       
Tromp. Si♭ I 
      
Tromp. Si♭ II 

       
Tbn. T  

         


Tu. Si♭


                                                               



Batt.

      



      
             


Pia.

 
 
      

       
 
Pia. 

        
       
Guit. 

       
  

Bajo

    
               


Vlns.
  




Vln. II
      
       


Voz

       
 


Cello

       
 


Cb.



9
 The Last March

65          68
   
of Ents ( = 75)

       
         
66 67 69 70 71 72 73 74 75

   
Fl. I

                
        
 

Fl. II

    
 

                          
Cl. I

    
     
 

               
Cla. II

 
    
 

          
 
Cl. bajo

                
 
 

Fgt.

           
    
 

      
Sax. I

           
    


Sax. II
      
            
    
      

Sax. T.

             
               


Tromp. Si♭ I

             
    
 

Tromp. Si♭ II
   
                 
    

Tbn. T

             



Tu. Si♭
 
 
                                                                   


         
Tom grave


Batt.

     



 


       
Choir Aah (ou Strings)

    
                        
        
Pia.  


      
            
Choir Aah (ou Strings)

       
  
 


Pia.

          
 
             
Guit. 

              
Bajo
  
             
        


      
    
Vlns.

       
        
  

      
Vln. II

         
 
  

Voz
    
       
  
 

Cello
     
       
  
 

Cb.
      
 

10
 81   
   82     83
76      

77 78 79 80
Fl. I

             
 


Fl. II

Cl. I 
               


 


           
Cla. II

 

            

Cl. bajo

        
  

Fgt.
   

     
  

                         
Sax. I

     


                         
Sax. II

                

          


Sax. T.

        



Tromp. Si♭ I

Tromp. Si♭ II         

Tbn. T
           

           


Tu. Si♭


                                                              



                


Batt.

         



         

               



Pia.


 
      
 
 
       

 
                          
 

 
Pia.


                         
        
Guit. 

     
Bajo
      




Vlns.
          


 

          
Vln. II

     


    


Voz

     
  
 

Cello
  
 
            
 

Cb.
             
 

11
    
84      92
   
The Black Rider ( = 150)

           
85 86 87 88 89 90 91 93 94
Fl. I

        
                


Fl. II
   


              
                        
   
Cl. I

          
 

                         
   
Cla. II

          


              


    
        
Cl. bajo

       


                           
 
               

Fgt.

                
 


    


               
 
Sax. I

               
      


            
    
Sax. II

   


                       
           
       

Sax. T.

             
        


Tromp. Si♭ I

         
             


Tromp. Si♭ II
   
        
                            


Tbn. T
       
      
     
                
 

Tu. Si♭
     
   
                


          


       



Batt.

      
         
 


Strings

           
 



Pia.

                              

                                      
Strings


                            
Pia.  

            
                        
           
Guit. 
     
                      
                
Bajo

     
    
 

  

Vlns.

          


  
Vln. II

                               


 
                    
 

 

             
Voz

              

                               
               

Cello

              


                       


Cb.
           
 

12
      
   99     102 
95      
         
96 97 98 100 101 103
Fl. I

     
          


Fl. II     


                  
                 
                       
Cl. I

               
    


              

                       
Cla. II

               
    


                                    
    
Cl. bajo

   



    
    
   
    


Fgt.

     
                    


Sax. I
   

                
 


         
Sax. II

  
      
       






Sax. T.
     
             



Tromp. Si♭ I          
  
                


Tromp. Si♭ II
       
   
 
  
 
  
 
  
 
  
 


Tbn. T

   
 
  
 
  
 
  
 
  
 


Tu. Si♭


                  



                          
Batt.

                     
                      



         
                                                
Pia.

                   


                           
                              
                 


                                   
Pia.

                 
         

   
      
Guit.

    
    
  
Bajo

                          
                      
          


Vlns.           

         
                                                
                   
Vln. II

                                           
            


      
               
Voz

                                       

                                
Cello          

      
   
 
   

 

 

 

 

 

 

 

 

 

 

 

 


Cb.



13
               
                109
104                  108   
"Hope is kindled..." ( = 75)

   
105 106 107
Fl. I

  
      


Fl. II



  






      
              
  
Cl. I

         
 

     
              
  
Cla. II

      
 

     
                         
Cl. bajo

    
          


 
Fgt.

  

 

           
 
Sax. I

 
 


           
 
Sax. II

  
              

Sax. T.

    
       


Tromp. Si♭ I


            
 

Tromp. Si♭ II

           
     
 

Tbn. T

    
       
 

Tu. Si♭
     

Cymbale crash
 Caisse claire
 


            
        
                                          


Batt.

     
                
  


             



  
          
      



Pia.

       
                                    

             
       


  
Pia.

       
      

  
Guit.

   
   
     
Bajo

      
                          


Vlns.

       
                              


Vln. II

                                        

 


      
             
Voz

            
   


Cello
     
  

 

 

 



    
 


Cb.
 


14
            112
               113

              
110                 111
     
Fl. I 

Fl. II         

               
  

Cl. I

         
      
 

Cla. II


        
Cl. bajo


     
  
Fgt.


     
  
Sax. I


        
Sax. II


Sax. T.
        

Tromp. Si♭ I   
                

                
Tromp. Si♭ II
  
         
Tbn. T


      
  
Tu. Si♭


                                                                             


             
Batt.

      
                               


   



Pia.

         


  
Pia.

     
    
Guit. 

   
Bajo
     
  
Vlns.                                                   

Vln. II                                                     

Voz                                                     


Cello
       
    
Cb.
    

15
 
       135
     134   136

114     127   
Samwise the Brave ( = 65) Plus rapide ( = 80)

                    
  
115116 117 118 119 120 121 122 123 124 125 126 128129 130131 132 133

        
                 
Fl. I

    
        
  

Fl. II
 

                
  

Cl. I                   
       
        
  

          
 
Cla. II

       
  
 

  


         
     
Cl. bajo

             


   


          



Fgt.

            
      
  

     
       
Sax. I

                  
  

   
      
Sax. II

                   


Sax. T.
         
   
    
                          
     


 
Tromp. Si♭ I

                  
         
 

Tromp. Si♭ II

                            


Tbn. T

                 
       


Tu. Si♭
    

  
 

                                      
  
       
 

Tom grave


Batt.


                 
                 
  




            


    
   

                    
   
  



Pia.

 


  
        
                       
     

                      
          
 

  
Pia.

    
    
                      
Guit.          

                        


Bajo
  
             
           
           
 

    
 
Vlns.

          
                  
   
  

        
 
Vln. II

           
 
  

            
 
  

          
Voz

           
     
      
  

Cello
   
             
      
    
  

Cb.
  
  

16
            142
137   138 139 140 141   143
                    
149  3 150
 = 75

     
        
144 145 146 147 148 151 152 153 154 155 156

          
Fl. I

              
 3      
3

      


             


Fl. II 


3


    
                   


  
 
Solo

Cl. I
         
          
 


  


       
Cla. II

     
   


                 

Cl. bajo

          


               



Fgt.

              

 

Sax. I
      
              
  


     
Sax. II

                 
Sax. T.
       
                        
       
Tromp. Si♭ I

                
Tromp. Si♭ II       


                 
       


Tbn. T

               
      


Tu. Si♭
 
                     



     
     
Batt.

              
 
Harpe (ou Piano)

    
                      



Pia.

                                

                          
Harpe (ou Piano)



































        
              
 

 
Pia.

          
            
                               
            
  

































Guit.



                 
       
 

Bajo

           
          


              
    
Vlns.

            
   
 

Vln. II
                     
                   
        


         


Voz

          
            
 

Cello
        
         
               
 

Cb.
    
 

17
         
  

     166

    
The Fellowship of the Ring

157                    163
        
( = 100)

              
158 159 160 161 162 164 165
Fl. I

                                 
3 3 3

       
3

     
  

    
Fl. II
  
     
          
3 3 3


3

                        


       
 

        
3 3 3
3
Cl. I

    

                                    
     
  

   
3 3 3
3
Cla. II


  
  

              
 
Cl. bajo

            



   


Fgt.
 
   
      
 

Sax. I
  
   
 
 

          

Sax. II

     
     
 

Sax. T.
    
                  
                     



Tromp. Si♭ I

    
   
                 
 

Tromp. Si♭ II
            
         
                          
 

Tbn. T

    
 

           
 
Tu. Si♭




              



         


Batt.

          

   
  




               

                

Strings


   
        
            
 


Pia. 2

 
        

                
  
Strings







 

 

   
Pia. 2

           

     
    
            








Guit.

        
       
 

Bajo
 
          
 
 

          
Vlns.
      
           
   
 
 

              
 
Vln. II

          
            
 

Voz          
     
        
 

Cello
    
                
 

Cb.
 
 

18
 
      
167   
     
168 169
Fl. I

      
   
  

Fl. II      

      
    
  

   
Cl. I
 
      
        
  

Cla. II
 
 
     
  

Cl. bajo
  
    
     
  


Fgt.

 
       
  

Sax. I

 
    
  

Sax. II   
       

  

Sax. T.

    
 
   
    
  

Tromp. Si♭ I
 
  
      
  

Tromp. Si♭ II
       

      
      
  

Tbn. T
 
  
   
  

Tu. Si♭
    




  
 

   
     



Batt.

         

 

  


                  


 

         
  


 
Pia.

    
    
     

  
   
Pia.   

   
  
   
 

Guit.
   
    
     
  

Bajo
 
         
    
  

   
Vlns.        

    

 
       

          
  

Vln. II
 
       
                   
  



Voz

    
     
  


Cello

    
     
  

Cb.
 
  

19