Marta,

Sebas, Guille y los demás

Amaral Arranged by

   = 100
 
Igor Escalona

      
 
  
Alto Saxophone 1

         


     
Alto Saxophone 2-3

    


Baritone Saxophone

  
         
 

B♭ Trumpet 1

 
     
   
 

B♭ Trumpet 2

     


 

Trombone 1

      

 

Trombone 2

       

 

Euphonium in B♭

     
   
 

   
Tuba

     
  
 

Sousafón en B♭

                                 
 

        
Drum set


[Link]
                
            
    
6

     
A. Sax.1

                      
    

A. Sax.2-3

         
 
Bar. Sax.

                  
B♭ Tpt. 1
   

      
        
           
     
B♭ Tpt. 2

   
Tbn. 1

  

 
Tbn. 2

     
Eup. B♭

 
Tba.        
  
        
  
Sax. B♭

      
Drm.


2 [Link]
                         
 
  
12

          
A. Sax.1

              
  

A. Sax.2-3

       

 
Bar. Sax.

                 
B♭ Tpt. 1
   

             
           
     
B♭ Tpt. 2

    
Tbn. 1

 


Tbn. 2

      
Eup. B♭

    
Tba.
   

     
    

Sax. B♭


Drm.


[Link] 3
                  
     
  
18

     
A. Sax.1

                 

  
 
A. Sax.2-3

      
      
 
Bar. Sax.

           
B♭ Tpt. 1 

       
       



         
B♭ Tpt. 2

  
     
Tbn. 1

    
 
    
Tbn. 2

      
 

Eup. B♭

       

    
Tba.

        

      
 
Sax. B♭

  
Drm.
  

4 [Link]
  
                      

24

          
A. Sax.1

          
 


 
A. Sax.2-3

 
              


  
Bar. Sax.

  
B♭ Tpt. 1     


        



 
       
B♭ Tpt. 2

 
 



Tbn. 1

          
Tbn. 2
 
   
        
 

Eup. B♭

  
            

Tba.

   
         
 
 
  
Sax. B♭

    
Drm.


[Link] 5
   
              

30

    
A. Sax.1

           
 

A. Sax.2-3

  
                    
   
   
Bar. Sax.

                   
 

B♭ Tpt. 1


              
     
     
B♭ Tpt. 2

     
Tbn. 1

  
Tbn. 2

Eup. B♭
    

   
                       

Tba.

   
                        
 
Sax. B♭

  
Drm.
  

6 [Link]
    
        
      

36


A. Sax.1

                 
  
 
A. Sax.2-3

 
                     
   
Bar. Sax.

   
        
B♭ Tpt. 1
 

        
       
     
B♭ Tpt. 2

   
Tbn. 1

  


Tbn. 2

      


Eup. B♭

  
                     

Tba.

     
                


Sax. B♭


Drm.


[Link] 7
       

42

 
A. Sax.1

    


A. Sax.2-3

   
            
       
Bar. Sax.

    
B♭ Tpt. 1   
       
    
 
  
B♭ Tpt. 2

  

  
Tbn. 1

Tbn. 2
  

Eup. B♭
      

    
Tba.            

        
        

  
Sax. B♭

       

Drm.


8 [Link]
         
               
 
47

      
A. Sax.1

                


 

A. Sax.2-3

       


 
Bar. Sax.

               
B♭ Tpt. 1
   

           
     


   
B♭ Tpt. 2

    



    
Tbn. 1


Tbn. 2

Eup. B♭
     

    
Tba.   

     
   
  
Sax. B♭

Drm.

      

[Link] 9
                            
 
     
52

   
A. Sax.1

                       
      

A. Sax.2-3

       
   
 
Bar. Sax.

                     
B♭ Tpt. 1
 

              
           
     
B♭ Tpt. 2

   
Tbn. 1

  

  
Tbn. 2

    
Eup. B♭

    
Tba.       
     
       
 
Sax. B♭

  
Drm.
  

10 [Link]
  
                            

58


A. Sax.1

    
                      

A. Sax.2-3

  
        
 
Bar. Sax.

               
B♭ Tpt. 1   

             
          
       
B♭ Tpt. 2

 

       
Tbn. 1



   
Tbn. 2

     
Eup. B♭

   
       
Tba.

    
        

Sax. B♭


Drm.


[Link] 11
    
                   
 
64

   
A. Sax.1

                   
 
 
A. Sax.2-3

 
   
        
  
Bar. Sax.

    
B♭ Tpt. 1 

      
  
   
B♭ Tpt. 2

        
Tbn. 1   

            
Tbn. 2   
             
  

Eup. B♭

  
        
  

Tba.

   
   
      
 
 
Sax. B♭

  
Drm.
  

12 [Link]
   
                 

70

 
A. Sax.1

              
 



 
A. Sax.2-3


    
             


  
Bar. Sax.

     
B♭ Tpt. 1    


     
   


 
   
B♭ Tpt. 2

 


   
Tbn. 1

 

 
Tbn. 2

    


Eup. B♭

 
               

Tba.

                
 

   
Sax. B♭

     
Drm.
    

[Link] 13
      
        
75


A. Sax.1

           
 
 
A. Sax.2-3

 
                    
  
        
Bar. Sax.

         
   

B♭ Tpt. 1


    
           
   
     
B♭ Tpt. 2

     
Tbn. 1

  
Tbn. 2

    


Eup. B♭

  
                   
Tba.
  
    
                   
     
  
Sax. B♭

   
Drm.


14 [Link]
          
    

81

    
A. Sax.1

       
  


A. Sax.2-3

  
                        
             
Bar. Sax.

    
B♭ Tpt. 1     

           
          
     
B♭ Tpt. 2

   
Tbn. 1

  


Tbn. 2

      
Eup. B♭

   
                    
 
   
Tba.

 
                    
  

Sax. B♭


Drm.


[Link] 15
        

87


A. Sax.1

    
 


 
A. Sax.2-3

 
                
        


 
Bar. Sax.

      
B♭ Tpt. 1  

       
 
 
B♭ Tpt. 2

             
 
Tbn. 1

            
 


 
Tbn. 2

               
 



Eup. B♭

  
               
       


                
Tba.

   
         
 
Sax. B♭

   
Drm.


16 [Link]
      
          
93

   
A. Sax.1

           
 


 
A. Sax.2-3


                
 


 
Bar. Sax.

     
B♭ Tpt. 1 
      

 
B♭ Tpt. 2

             
 
Tbn. 1

             
 


 
Tbn. 2

                
 



Eup. B♭

 
               
 



Tba.

                 
   
  
Sax. B♭

     
Drm.


[Link] 17
                      
       
99

  
A. Sax.1

                  
      

A. Sax.2-3

        
 
Bar. Sax.

       
B♭ Tpt. 1 
        

     
B♭ Tpt. 2

  
Tbn. 1    

        
Tbn. 2

         
Eup. B♭

        
Tba.

   
      
  
Sax. B♭

  
Drm.


18 [Link]
       
            
107

           
A. Sax.1

     



 
A. Sax.2-3

        


 
Bar. Sax.

     
B♭ Tpt. 1  

      
 


  
B♭ Tpt. 2

  



Tbn. 1

    
Tbn. 2

     


Eup. B♭

   
Tba.    
    
    

 
Sax. B♭

     

Drm.


[Link] 19
        
       
  
112

        
A. Sax.1


    
   


A. Sax.2-3

         

               
                   
Bar. Sax.

   

                      
B♭ Tpt. 1

 
 
     
B♭ Tpt. 2

     
Tbn. 1

  
Tbn. 2

Eup. B♭
    

          
      
      

Tba.

          
              
 
Sax. B♭

   
Drm.


20 [Link]
       
           
118

   
A. Sax.1

      
   
    

A. Sax.2-3

          

 
      
Bar. Sax.

     


B♭ Tpt. 1

       
   
    
B♭ Tpt. 2

  
Tbn. 1

  
Tbn. 2

Eup. B♭
      

    

     
 
Tba.

         
 

Sax. B♭


Drm.


[Link] 21
     
   
123


A. Sax.1

  
   

A. Sax.2-3

                    
    
          
Bar. Sax.

    
 
 
         
B♭ Tpt. 1

    
 
 
 
B♭ Tpt. 2

    

 
Tbn. 1

    

  
Tbn. 2

    
Eup. B♭

                    
Tba.
  
                     
    
  
Sax. B♭

   
Drm.


22 [Link]
      
 

129

 
A. Sax.1

    



 
A. Sax.2-3

       
                        



  
Bar. Sax.

    
    

B♭ Tpt. 1

      
   
  
B♭ Tpt. 2

          


Tbn. 1

        
  



Tbn. 2

          
  




Eup. B♭

   
                      


            
Tba.

          
         


Sax. B♭


Drm.


[Link] 23
        

135

 
A. Sax.1

    



 
A. Sax.2-3

 
                    


 
Bar. Sax.

     



B♭ Tpt. 1

     
 


B♭ Tpt. 2

             
 


  
Tbn. 1

               


  
Tbn. 2

                
  



Eup. B♭

 
                    


 
Tba.

          
            



     
Sax. B♭

   
Drm.
   

24 [Link]
      


141

  
A. Sax.1

    

    
A. Sax.2-3

 
  
Bar. Sax.

    

B♭ Tpt. 1


    

B♭ Tpt. 2

    


Tbn. 1

    

Tbn. 2

     

Eup. B♭

  
 
   
Tba.

  

              
Sax. B♭

                 
Drm.


[Link] 25
 Marta, Sebas, Guille y los demás
Alto Saxophone 1
Amaral Arranged by

  = 100
                            
Igor Escalona

 
    

                                   


 
   
11

                                  
  
  
19

                         
       
28

              
                


     
39

                 
            


   
     
51

                                   
  
 
59

                    
            
  
68

                       


     
79

                           


  
92

[Link]
                               
      
104



                            
      
113

                


125

 

2 [Link]
 Marta, Sebas, Guille y los demás
Alto Saxophone 2-3
Amaral Arranged by

  = 100
Igor Escalona


                             
    

                                   


 
   
11

                                  
  
  
19

                        
        
28

          
                


         
39

                 
            


   
     
51

                                   
  
 
59

                   
             
  
68

                 


         
 
79

                           


  
92

[Link]
                               
      
104



               
      
       
113

 
           
     
124

 

 


144

2 [Link]
 Marta, Sebas, Guille y los demás
Baritone Saxophone
Amaral Arranged by

      
  = 100
Igor Escalona

         

  
 

   
          
      
15

     
                                  
27

    
                              
36

     
         
44

  
               
  
57

     
          
                        
69

    
                              
78

    
                                
86

 
                    
  
94

[Link]
            
          
              
108

     

      
   
118

                            
          
124

     
                                
132

    
 
141

2 [Link]
 B♭ Trumpet 1 Marta, Sebas, Guille y los demás
Amaral Arranged by

  = 100
Igor Escalona


                          

                       
 

              
12

                       
    

22

 
                      


       
35

                      
              
47


                        



56

                          
     

67

      
               
  


      
 
79

 

                              
 
110

              
           


  
121

[Link]
      
     
132

2 [Link]
 B♭ Trumpet 2 Marta, Sebas, Guille y los demás
Amaral Arranged by

  = 100
Igor Escalona


                                 

                  
 

                   
12


                  
       
22

 
      


           
 
       
34

 
                  
             
43




                     
                  
54

      
           
       
64

 
      


               
       
76

     
                    
 
85

              
              


    
116

[Link]
             
           
127

2 [Link]
 Trombone 1 Marta, Sebas, Guille y los demás
Amaral Arranged by

            
    
Igor Escalona


 = 100

                    

 

   
18

                

32

                   
  
50

                  
    
 
66

          
                 
  
82

                      



95

                 


111

  
                             
   
129


   
 


141

[Link]
 Trombone 2 Marta, Sebas, Guille y los demás
Amaral Arranged by

        
        
Igor Escalona


 = 100

                          
 

   
18


                
33

                  
 
51

                      
 
67

                               
  
83

                  



96

                 

112

                               
   
129


 
 

  
141

[Link]
 Marta, Sebas, Guille y los demás
Euphonium in B♭
Amaral Arranged by

           
Igor Escalona

      

 = 100

                        
 

   
17


                 
31

                    

49

                       
  
65

                          
 
80

                        


 
94

                  

108

                             
  
125


        


    

138

[Link]
 Tuba Marta, Sebas, Guille y los demás
Amaral Arranged by
Igor Escalona


            
 
 = 100

  
 

  
           
      
15

  

                                    
27

    
                                 
36

       
       
45

   
             
  
  
59

         
                               
71

    
                                   
80

            
                         
89

   
         
       
99

[Link]
                 
                  

113

                        
   
121

     
                            
129

      
            
137

2 [Link]
 Marta, Sebas, Guille y los demás
Sousafón en B♭
Amaral Arranged by

 = 100   
   
Igor Escalona

          

               
 

        

15

      
                     
        
27

     

                 
           
36

        
         
45

                   
    
   
59

         

                           

71

         

                           

79

    

                               

87

                
      
95

[Link]
               
    
             
 
110

                                   
   
119

                          
              
125

  
                                 

133

  

144

2 [Link]
Drum set Marta, Sebas, Guille y los demás
Amaral Arranged by

                                         
Igor Escalona


          
 = 100

8        
  


         
                        
  
22

31        
  


45                                

      

        

  
52

          
     
      
65

 
  
  
74

            
    
  
88

   

  

101

[Link]
                

    
111

                

    
123

           
 
   
   

136

2 [Link]