Update!JiJim
Haven't posted in the longest time. Makes me feel kind of awkward about that; sorry. I absolutely have no idea if anyone reads my livejournal entries, but I find that even if it's probably not now, someone will definitely come check one day (that was me with checking out blogspots or blogs for whatever reason and then getting super sad they didn't keep updating). So, still here. Finished summer class and I am a special exception in my program because I didn't have the required amount of credits but the head of the French Studies department was so kind to help me out, and get me into also a morning class;;; (I tell you, I will definitely want to absolutely get an A average next year, because the year after, I want to go to Quebec on an exchange! My best friend lives there and it'd really be heaven on earth to see her everyday or close to, even if she's not into Star Trek.)
So A Renaissance of Human Emotion is done, which, hooray! I'm still in the betaing stages with Momo (I am honestly quite frankly so lucky to have her and her support) AND THERE MIGHT BE A SMALL REWRITE OF A PARTICULAR SCENE (but it is probably gonna be minimal or whateve rit turns out to be so I wouldn't worry), and IIIIII STILL REALIZE god that a lot of people have been waiting on Mongoshitfacedtabletwisters verse.
I've been waiting on it, too, to be fairly honest. I also want to finish rewriting my draft of Call It West. It takes place like in an unknown specific amount of time between Mongoshitfacedtabletwisters and its sequel (which got drafted like in the post-fic writing high of writing Mongoshitfacedtabletwisters, so you know it's still good) and is basically about Jim's dealing primarily with Sam leaving in a more personal kind of light (which I'm kind of worried about because my writing style and focus have both changed a lot so I'm worried it might not be the same tone you'd get from reading MSFTT (my friend and I decided to shorten it it is probably the best idea yet)).
I'm honestly struggling whether or not I want to sort of make Call It West just a standalone kind of insight piece or just use that as a transition one for real (to reveal what happened in between the time, the actual events before I reach the sequel (who document-wise is called Post). Is this fic about Sam and Jim, or is it about Jim and the effects of Sam's disappearance in his life?
I want a more human, lonely element to it, is all. The one that says, Nobody gets me the way I want to be understood. I think it's really sad when people who we loved for so long and were so close to move on. It's also really hard, y'know, to just think to yourself, ohyeah? FINE. I didn't need you anyway. We're all really used to really fond memories. We like happy ones. I think Jim does too, but things are always a little harder post it happening. Cause--you end up thinking, right? About the what-ifs. About the good times. About if you had done this instead of this--and I don't think that Jim doesn't live one day thinking that if he hadn't gone to Spock Prime, he might've been able to go with Sam. And maybe that would've been better than here.
I really like connections.
Hrmm i feel like whatever media I've absorbed recently has bled into my writing
So A Renaissance of Human Emotion is done, which, hooray! I'm still in the betaing stages with Momo (I am honestly quite frankly so lucky to have her and her support) AND THERE MIGHT BE A SMALL REWRITE OF A PARTICULAR SCENE (but it is probably gonna be minimal or whateve rit turns out to be so I wouldn't worry), and IIIIII STILL REALIZE god that a lot of people have been waiting on Mongoshitfacedtabletwisters verse.
I've been waiting on it, too, to be fairly honest. I also want to finish rewriting my draft of Call It West. It takes place like in an unknown specific amount of time between Mongoshitfacedtabletwisters and its sequel (which got drafted like in the post-fic writing high of writing Mongoshitfacedtabletwisters, so you know it's still good) and is basically about Jim's dealing primarily with Sam leaving in a more personal kind of light (which I'm kind of worried about because my writing style and focus have both changed a lot so I'm worried it might not be the same tone you'd get from reading MSFTT (my friend and I decided to shorten it it is probably the best idea yet)).
I'm honestly struggling whether or not I want to sort of make Call It West just a standalone kind of insight piece or just use that as a transition one for real (to reveal what happened in between the time, the actual events before I reach the sequel (who document-wise is called Post). Is this fic about Sam and Jim, or is it about Jim and the effects of Sam's disappearance in his life?
I want a more human, lonely element to it, is all. The one that says, Nobody gets me the way I want to be understood. I think it's really sad when people who we loved for so long and were so close to move on. It's also really hard, y'know, to just think to yourself, ohyeah? FINE. I didn't need you anyway. We're all really used to really fond memories. We like happy ones. I think Jim does too, but things are always a little harder post it happening. Cause--you end up thinking, right? About the what-ifs. About the good times. About if you had done this instead of this--and I don't think that Jim doesn't live one day thinking that if he hadn't gone to Spock Prime, he might've been able to go with Sam. And maybe that would've been better than here.
I really like connections.
Hrmm i feel like whatever media I've absorbed recently has bled into my writing