e ao material sonoro se aproximava dos ideais que Pierre Schaeffer iria propor anos depois com a ... more e ao material sonoro se aproximava dos ideais que Pierre Schaeffer iria propor anos depois com a escuta reduzida elaborada no seu Traité des Objets Musicaux.
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ABSTRACT: this modest paper aims at demonstrating a possible concrete hearing of Varèse and how his relationship to the sonic material was close to the ideals Pierre Schaeffer would propose, years later, as the 'reduced hearing' elaborated in his Traité des Objets Musicaux.
Este trabalho tem por finalidade avaliar determinados aspectos que nortearam algumas das princip... more Este trabalho tem por finalidade avaliar determinados aspectos que nortearam algumas das principais especulações realizadas no campo da harmonia na música do século XX. Dentre os compositores figuraram: Claude Debussy, Arnold Schoenberg, Igor Stravinsky, Edgard Varèse, Pierre Schaeffer, Olivier Messiaen, Pierre Boulez e Flo Menezes.
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"This study has the goal of evaluating certain aspects that guided some of the main speculations in harmony in twentieth-century music. Among its objectives are: to point out the premisses and strategies that took part in each new harmonic territory, as well as to explore the use of harmonic matrixes as a compositional principle. At the same time we underline how compositional strategies relate by means of pitch manipulation, and their results in timbre and sonority. To achieve this, we chose composers that in some point made use of harmonic timbre and sound matter as a distinctive element in the compositional process. Among them stand: Claude Debussy, Arnold Schoenberg, Igor Stravinsky, Edgard Varèse, Pierre Schaeffer, Olivier Messiaen, Flo Menezes and Pierre Boulez.
UNICAMP - Instituto de Artes/ Masters in Composition at the Art Institute of the University of Campinas State 2009.""
e ao material sonoro se aproximava dos ideais que Pierre Schaeffer iria propor anos depois com a ... more e ao material sonoro se aproximava dos ideais que Pierre Schaeffer iria propor anos depois com a escuta reduzida elaborada no seu Traité des Objets Musicaux.
------------------------------------------
ABSTRACT: this modest paper aims at demonstrating a possible concrete hearing of Varèse and how his relationship to the sonic material was close to the ideals Pierre Schaeffer would propose, years later, as the 'reduced hearing' elaborated in his Traité des Objets Musicaux.
Este trabalho tem por finalidade avaliar determinados aspectos que nortearam algumas das princip... more Este trabalho tem por finalidade avaliar determinados aspectos que nortearam algumas das principais especulações realizadas no campo da harmonia na música do século XX. Dentre os compositores figuraram: Claude Debussy, Arnold Schoenberg, Igor Stravinsky, Edgard Varèse, Pierre Schaeffer, Olivier Messiaen, Pierre Boulez e Flo Menezes.
--------------------------
"This study has the goal of evaluating certain aspects that guided some of the main speculations in harmony in twentieth-century music. Among its objectives are: to point out the premisses and strategies that took part in each new harmonic territory, as well as to explore the use of harmonic matrixes as a compositional principle. At the same time we underline how compositional strategies relate by means of pitch manipulation, and their results in timbre and sonority. To achieve this, we chose composers that in some point made use of harmonic timbre and sound matter as a distinctive element in the compositional process. Among them stand: Claude Debussy, Arnold Schoenberg, Igor Stravinsky, Edgard Varèse, Pierre Schaeffer, Olivier Messiaen, Flo Menezes and Pierre Boulez.
UNICAMP - Instituto de Artes/ Masters in Composition at the Art Institute of the University of Campinas State 2009.""
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Papers by Rodrigo Lima
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ABSTRACT: this modest paper aims at demonstrating a possible concrete hearing of Varèse and how his relationship to the sonic material was close to the ideals Pierre Schaeffer would propose, years later, as the 'reduced hearing' elaborated in his Traité des Objets Musicaux.
--------------------------
"This study has the goal of evaluating certain aspects that guided some of the main speculations in harmony in twentieth-century music. Among its objectives are: to point out the premisses and strategies that took part in each new harmonic territory, as well as to explore the use of harmonic matrixes as a compositional principle. At the same time we underline how compositional strategies relate by means of pitch manipulation, and their results in timbre and sonority. To achieve this, we chose composers that in some point made use of harmonic timbre and sound matter as a distinctive element in the compositional process. Among them stand: Claude Debussy, Arnold Schoenberg, Igor Stravinsky, Edgard Varèse, Pierre Schaeffer, Olivier Messiaen, Flo Menezes and Pierre Boulez.
UNICAMP - Instituto de Artes/ Masters in Composition at the Art Institute of the University of Campinas State 2009.""
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ABSTRACT: this modest paper aims at demonstrating a possible concrete hearing of Varèse and how his relationship to the sonic material was close to the ideals Pierre Schaeffer would propose, years later, as the 'reduced hearing' elaborated in his Traité des Objets Musicaux.
--------------------------
"This study has the goal of evaluating certain aspects that guided some of the main speculations in harmony in twentieth-century music. Among its objectives are: to point out the premisses and strategies that took part in each new harmonic territory, as well as to explore the use of harmonic matrixes as a compositional principle. At the same time we underline how compositional strategies relate by means of pitch manipulation, and their results in timbre and sonority. To achieve this, we chose composers that in some point made use of harmonic timbre and sound matter as a distinctive element in the compositional process. Among them stand: Claude Debussy, Arnold Schoenberg, Igor Stravinsky, Edgard Varèse, Pierre Schaeffer, Olivier Messiaen, Flo Menezes and Pierre Boulez.
UNICAMP - Instituto de Artes/ Masters in Composition at the Art Institute of the University of Campinas State 2009.""