藤花の英語

表面は「拾両後藤（花押）」と墨書され、後藤五代徳乗、その実弟長乗、七代顕乗、九代程乗の書である。例文帳に追加

The surface of Keicho Oban had a writing in ink of 'Ju-ryo Goto' (a kao [written seal mark]), and this seal mark was written by Tokujo GOTO, who was the fifth generation of the Goro family, Tokujo's real younger brother Chojo, Kenjo, who was the seventh generation of the Goto family, and Teijo, the ninth generation of the family.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

墨書きは「拾両後藤（花押）」で年号表示は無く後藤五代徳乗のものであり、上下左右に丸枠桐極印がそれぞれ一箇所、計四箇所打たれている。例文帳に追加

On the front, the name of the monetary unit and Tokujo GOTO (the fifth craftsman)'s Kao are written in ink as 'ten ryo Goto', the name of the era isn't written, and the Kiwamein of paulownia in a circle is stamped at the top, the bottom, the right and the left.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

表面は「拾両後藤（花押）」と墨書され、後藤十代廉乗および十一代通乗の書であり、上下左右に丸枠桐極印がそれぞれ一箇所、計四箇所打たれ、形状は角ばった楕円形である。例文帳に追加

It was an angular, oval coin with the letters "ju-ryo (ten-ryo) GOTO (written seal mark)" written in ink by Kenjo GOTO the tenth and Tsujo the eleventh on its surface, and it was an angular, oval coin with a hallmark of paulownia in a circle each on the upper, lower, left and right parts of it.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

表面は「拾両後藤（花押）」と墨書され、後藤十六代方乗、十七代典乗の書であり、上下左右に丸枠桐極印がそれぞれ一箇所、計四箇所打たれ、形状はやや角ばった楕円形である。例文帳に追加

It had the letters '拾両後藤 (written seal mark)' (ten-ryo Goto) written with indian-ink by Hojo GOTO the sixteenth and Tenjo the seventeenth on its surface, and it was a little angular, oval coin with a hallmark of paulownia in a circle each on the upper, lower, left and right parts of it.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

裏には上から年紀銘刻印（元禄大判金のみ）、五三裸桐紋刻印、丸亀甲枠に五三桐紋刻印、丸枠に後藤花押刻印、左端に3つの座人刻印がある。例文帳に追加

On the backside from the top to bottom, the seal for the name of the period (only for Genroku-Oban-kin), is carved 'Gosan-hadaka-kirimon-kokuin' (literally, 5 and 3 simple engraved paulownia patterns), 'Gosan no kiri' an engraved mark in a circle and a tortoise shell frame, Goto family's Kao mark engraved in a round frame and 3 'zanin-kokuin (engraved marks for the hereditary officers of Kinza and Ginza during the Edo era)' on the left side.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

形式は長大判と同じく「拾両後藤（花押）」と墨書され後藤五代徳乗の書であり、右上に「大」と墨書されたものもあり、上下左右にやや大きめの丸枠桐極印がそれぞれ一箇所、計四箇所打たれている。例文帳に追加

Its style is the same as the Tensho naga oban; on the front, the name of the monetary unit and Tokujo GOTO (the fifth craftsman)'s Kao is written in ink as 'ten ryo Goto'; and a little bigger Kiwamein of paulownia in a circle is stamped at the top, the bottom, the right and the left; some of those have a kanji character '大(big)' in ink at the upper right on the front.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

一例として根津美術館蔵の《藤花図》屏風を見ると、藤の幹や枝は輪郭線を用いず、付立て（注）の技法で大胆に描き出す一方で、藤の花房は写実的かつ繊細に描かれ、全体としては琳派を思わせるような装飾性豊かな大画面をつくり出すことに成功している。例文帳に追加

Taking as an example the folding screen Fujibana-zu (Wisteria flowers) at Nezu Museum--while Okyo does not use any outline for drawing the trunks or branches of a Japanese wisteria and depicts them boldly by using tecniques called Tsuketate (see footnote below), he depicts the wisteria's flower truss delicately and in a true-to-life way. He also successfully creates a decorative large screen which includes elements of the Rinpa school as a whole.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

表面中央に「拾両後藤（花押）」、右上に「天正十六」などと年号が墨書され、菱形枠の桐極印が上部に一箇所、下部に二箇所に打たれていることから菱大判と呼ばれるが、同形式で丸枠桐極印が上下にそれぞれ一箇所のものの存在する。例文帳に追加

At the middle of the front, the names of the monetary unit and the craftsman's Kao (a stylized signature) are written in ink as 'Ten ryo Goto'; at the upper right, the name of the era is written also in ink such as 'Tensho sixteen (the sixteenth year of Tensho era)'; at the top, one Kiwamein (hallmark) of paulownia in a diamond ('hishi') is stamped; and at the bottom, two same Kiwamein are stamped; therefore it is called 'Tensho hishi oban', however, some of those have one Kiwamein of paulownia in a circle at the top and one same Kiwamein at the bottom, instead of three Kiwamein of paulownia in a diamond.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス