「Titian」の共起表現一覧(1語右で並び替え)
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| Over the next two decades, | Titian added three more paintings: The Worship of Ven |
| He had a passion for | Titian and Edouard Manet. |
| models have been variously listed as Guercino, | Titian, and Dosso Dossi. |
| He was a friend of Giulio Romano, Giorgione, | Titian and Ariosto; in a picture of "Paradise" he pai |
| and made reproductions of master paintings by | Titian and others he had seen in Madrid. |
| miniature copies from the works of Correggio, | Titian, and Guido Reni among others, which were colle |
| urite artists of his Habsburg patrons, such as | Titian and Leone Leoni, but also included a number of |
| e restoration of a dual portrait attributed to | Titian, Blunt discovers a further three figures that |
| Berenson has already declared it to be by | Titian, but Duveen would like him to change his mind |
| The | Titian Committee (1992) |
| generally accepted, the landscape and sky, by | Titian, completed after Giorgione's death in 1510, as |
| ing from the sea), is a c.1520 oil painting by | Titian, depicting Venus (identified by the shell bott |
| ern critics assign it more likely to his pupil | Titian, due to the figures' robustness which was typi |
| ainting by the Italian late Renaissance artist | Titian, executed in Venice around 1553. |
| Here | Titian gave a new conception of the traditional group |
| 1510) attributed to Giorgione or his pupil | Titian has been cited as an inspiration for Manet's p |
| In this depiction, | Titian has domesticated Venus by moving her to an ind |
| Many artists such as | Titian have depicted this story by showing Andromeda, |
| the raised section appears to be a revision by | Titian himself (drapery painted under it can now be s |
| The humans are thought to be portraits of | Titian, his son Orazio, and a young cousin, Marco Vec |
| Some modern writers also involve | Titian in its completion. |
| The 1911 Britannica claims he apprenticed with | Titian in Venice and that Moretto modelled his earlie |
| Titian is therefore the past, Orazio the present, and | |
| Titian is known to have painted two portraits of Alfo | |
| of a number of versions of the same subject by | Titian, it stands out as a particularly important com |
| Titian: Laura Dianti, 1523 | |
| Venus and Adonis ( | Titian, London) (1555) |
| Venus and Adonis ( | Titian, Madrid) (1553) |
| Venus and Adonis ( | Titian, Malibu) (c. |
| ear allegations that the Salesians knew Father | Titian Miani been accused of preying on youths when t |
| Italian Renaissance Painting from Masaccio to | Titian, New York: Dutton, 1977. |
| woman from Dalmatia), is a 1510-12 portrait by | Titian of an unknown woman. |
| g attributed to the Italian Renaissance master | Titian or Giorgione. |
| led Venus and the Bride) is an oil painting by | Titian, painted around 1513-1514. |
| Titian painted her once formally (in 1537, a companio | |
| Pietro Aretino, a contemporary writer whom | Titian painted, suggested that Titian should incorpor |
| The | Titian painting Venus with a Mirror, from which Sever |
| million specimens and includes the remarkable | Titian Peale Moth and Butterfly Collection, the oldes |
| ntific data had been taken off (though most of | Titian Peale's notes were lost). |
| ed as the "father" of American entomology, and | Titian Peale, a leading natural history illustrator a |
| The collection also included works by | Titian, Raphael and Caravaggio. |
| Matt's Old Masters - | Titian, Rubens, Velazquez and Hogarth, Weidenfeld & N |
| He trained in Venice with the studio of | Titian, then became a pupil of Giovanni Battista Moro |
| Sanmicheli and Palladio, working with painters | Titian, Tintoretto and Veronese placed him squarely a |
| ng an Apple, and St. Catharine kneeling; after | Titian; very fine. |
| helson to both Chagall and Picasso, but it was | Titian who Michelson said was his inspiration. |
| This gesture is derived from paintings by | Titian, whose techniques of colouring Millais imitate |
| tor Jacopo Sansovino; he was a contemporary of | Titian whose influence can be detected in his composi |
| ularly that of Rubens, Van Dyck, Rembrandt and | Titian, whose works he later collected. |
| The life of | Titian: with anecdotes of the distinguished persons o |
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